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كلمة التحرير: تحديات أداء البحث )العلمي( ووعود المنصات المفتوحة الوصول 编辑词:科学研究的挑战和开放平台的承诺
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.38.2021.0006
خضر
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引用次数: 0
Performative Utterances and Gender Performance in Shakespeare's Richard III 莎士比亚《理查三世》中的表演性话语与性别表现
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.36.2019.0115
Hamamra
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引用次数: 0
“Owning one's story is as important as the ownership of physical space”: An Interview with Susan Abulhawa “拥有一个人的故事和拥有物理空间一样重要”:苏珊·阿布哈瓦访谈
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.36.2019.0133
Qabaha
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引用次数: 1
Editorial Statement: The challenge of research performance and the promises of open access (OA) 编辑声明:研究绩效的挑战和开放获取(OA)的承诺
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.38.2021.0090
Khader
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引用次数: 1
هيئة التحرير 编辑团队
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.38.2021.0004
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引用次数: 0
Contributors 贡献者
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.36.2019.0072
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引用次数: 0
مجلة جامعة بيت لحم: شروط النشر
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.37.2020.0035
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引用次数: 0
الشخصية الحدية في علالاقتها المتبادلة بالجهد العاطفي والشعور بالفخر للالانتماء إلى الجامعة لدى طلبة جامعة القدس المفتوحة - Relationships between borderline personality, emotional labor and feeling pride in belonging to the university among students at Al- Quds Open University 耶路撒冷开放大学的学生在加入大学方面的情感努力和自豪感相互影响——在促进社会平等方面的关系
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.38.2021.0041
زياد, Barakat
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引用次数: 0
“A Foras, Out”: Youth antimilitarism engagement in Sardinia “A Foras, Out”:撒丁岛青年反军国主义参与
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.37.2020.0053
Aide Esu
This paper presents a short review of the A Foras, Out movement in Sardinia and examines its youth branch, the student collective (Collettivo studentesco) for university and high school students. Since the late 1960s, grassroots movements, associations, committees, political groups, antimilitarists and ecologists have struggled against land occupation by NATO and other military forces and called for the drastic reduction or elimination of military activities on the island that was later related to the emergence of environmental risk and diseases. By participating in networked collective actions, these young activists reclaim the land occupied by the military and elaborate a legitimisation-based political rhetoric that undermines the legality of the presence of military bases in Sardinia. The young activists emerge as social actors in engaging debates within the movement about of civil disobedience practices that sometimes cross the boundary of illegal practices (e.g. cutting fences around military areas to stop training). Their engagement pushes the actions of the senior non-violent antimilitarist activists into a new, not yet defined practice of antimilitarism incorporating diverse political platforms: from independence movements to traditional workerism, anarchists to radical left-wing movements. We analyse the youth group’s agency in transforming antimilitarism from general pacifism into a mixed antimilitarist-eco, neo-independence movement calling for new regional sovereignty.
本文简要回顾了撒丁岛的a Foras, Out运动,并考察了其青年分支,大学生和高中生的学生集体(Collettivo studentesco)。自1960年代末以来,基层运动、协会、委员会、政治团体、反军国主义者和生态学家一直在努力反对北约和其他军事力量占领土地,并呼吁大幅减少或取消岛上的军事活动,这些活动后来与环境风险和疾病的出现有关。通过参与网络化的集体行动,这些年轻的活动家收回了被军队占领的土地,并精心设计了一种基于合法性的政治言论,破坏了撒丁岛军事基地存在的合法性。这些年轻的活动人士以社会行动者的身份出现,参与了这场运动中关于公民不服从行为的辩论,这些行为有时会跨越非法行为的界限(例如,切断军事区域周围的围栏以停止训练)。他们的参与将资深非暴力反军国主义活动家的行动推向了一种新的、尚未定义的反军国主义实践,这种实践融合了各种政治平台:从独立运动到传统工人主义,从无政府主义者到激进的左翼运动。我们分析了青年团体在将反军国主义从一般的和平主义转变为一种混合的反军国主义-生态,新独立运动,呼吁新的区域主权方面的作用。
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引用次数: 1
The Politics of Monologist Representation - ألاعيب التصوير المونولوجي 独白者的政治代表——ألاعيبالتصويرالمونولوجي
Pub Date : 1900-01-01 DOI: 10.13169/bethunivj.38.2021.0127
Al-Halool, الحالول
This article proffers a deconstructionist reading of the dramatic monologue and examines its rhetorical strategies and the politics of monologic representation, by which the first-person speaker/ monologist monopolizes discursive space and over-represents himself, while silencing other voices in the text and refusing them the freedom and space to express themselves. Through a close analysis of monologist representation of the Other in various texts, including “Mending Wall” by Robert Frost, “Devonshire Street W. 1” by John Betjeman, as well as Ron Carlson’s short story “Bigfoot Stole My Wife” (albeit a dramatic monologue in prose ), this article seeks to expose the ways in which the poetic persona is always partial, interested, and subjective, with not-so-subtle an agenda, a speaker who passes value judgments on the human objects of his overbearing tone. By examining the politics of monologist representation against both Aristotelian ethos and Bakhtinian intonation, the article suggests that readers and critics can give voice to the voiceless in this elastic genre and abandon their sympathetic interpretations that practically absolve monologists of any bias towards their absent enemies or any politics of representation. article material sole
本文对戏剧独白进行解构主义解读,考察其修辞策略和独白表现的政治,第一人称说话者/独白者垄断话语空间,过度表现自己,同时压制文本中的其他声音,拒绝他们表达自己的自由和空间。通过仔细分析其他的独白者表示在不同的文本,包括罗伯特·弗罗斯特的“修补墙”“德文郡街w . 1”由约翰·贝杰曼爵士,以及罗恩·卡尔森的短篇小说“大脚怪偷了我的妻子”(尽管一个戏剧性的独白在散文),本文旨在揭露的诗意的角色总是偏,感兴趣,和主观,作出一个议程,演讲者通过人类对象的价值判断他的傲慢的语气。通过对比亚里士多德的精神和巴赫蒂安的语调来审视独角戏的政治表现,文章建议读者和评论家可以在这种弹性体裁中为无声者发声,并放弃他们的同情解释,这种解释实际上免除了独角戏者对他们缺席的敌人或任何政治表现的偏见。物品材质鞋底
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引用次数: 1
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Bethlehem University Journal
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