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4. BOYUT Medya ve Kültürel Çalışmalar Dergisi / 4. BOYUT Journal of Media and Cultural Studies最新文献

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Gözetim Akışı: Byung-Chul Han’ın Disiplin Toplumu Eleştirisi Olarak Performans Toplumu ve Kültürel İklimlendirme
Anıl Durmuşahmet
Byung-Chul Han, one of the most influential philosophers and theorists of recent times, discusses the relationship between culture and power and revises the concept of disciplinary society. Grounding this revision on the concepts of performance and transparency in particular, Han has followed an approach close to that of Foucault. According to Foucault, the powers construct the subject through the concepts he calls dispositive, and this construction is inured to the subject through experiences. While dispositives gain importance as a recipe for making subjectivity meaningful in late capitalist societies, they are utilized by different theorists in their social readings as guiding tools. Han chooses the concept of surveillance as a dispositive in his works, Abstract Byung-Chul Han, a thinker who deals with today’s cultural changes, just as Foucault dealt with cultural climate changes, interprets the society in his various texts through the surveillance dispositive in particular. According to Foucault, the concept of dispositive marks strategies on the way to the subject, which is built through subjective experiences. Dispositive is everything that captures, determines, models, and controls a living being, in other words, everything that constructs the living being in the name of the power. According to Han, the task of the surveillance dispositive (function of building the culture) is still valid. The body-controlling, disciplinary technologies developed in the 20th century to ensure the security of society have now turned into transparentizing technologies that allow a society to feel free. Han, who defines the 21st-century society as a performance or fatigue society, interprets the new social dynamics with his concepts. Han points out a new cultural process in particular that has emerged around developing technologies. field the Han’s flow is in a state power to some of psychoanalysis while he prefers the concepts of performance and transparency as a power technique. The study aims to discuss Han's revision of the concept of disciplinary society within the context of the cultural acclimatization applied by powers on the subject, using the interpretivist technique from qualitative research methods. According to political psychology, which has sprung from the intersection of politics and psychology, culture is functionalized by powers to exert an acclimatization effect on society. Ideologies pass to the subjects through the acclimatization that occurs at the moments of encounter and spread through the interaction. In the context of this study, the timeline on social media, which implicates surveillance flow, is considered a suitable place for cultural acclimatization to be carried out by spreading ideologies. According to the data obtained in the study, in today's post-modern society, the powers have primarily switched to a performance-based paradigm from a discipline-based one. Powers build a palliative society that has repressed its sufferings,
韩秉哲是近代最有影响力的哲学家和理论家之一,他讨论了文化与权力的关系,并修正了纪律社会的概念。这一修正尤其以表现和透明的概念为基础,韩遵循了一种接近福柯的方法。根据福柯的观点,权力通过他称之为支配性的概念来建构主体,而这种建构是通过经验来适应主体的。虽然否定性作为一种使主体性在晚期资本主义社会中变得有意义的方法而变得重要,但它们被不同的理论家在他们的社会解读中用作指导工具。韩秉哲是一位处理当今文化变迁的思想家,正如福柯处理文化气候变化一样,他在自己的各种文本中特别通过监视处理来解释社会。在福柯看来,支配性概念在通往主体的道路上标记着策略,而主体是通过主观经验建立起来的。支配性是一切捕捉、决定、塑造和控制生物的东西,换句话说,一切以权力的名义建构生物的东西。根据韩的说法,监督的决定性任务(建设文化的功能)仍然有效。20世纪为确保社会安全而发展起来的控制身体和纪律的技术,现在已经变成了让社会感到自由的透明技术。他将21世纪社会定义为“表演社会”或“疲劳社会”,用他的概念诠释了新的社会动态。韩特别指出了围绕技术发展而出现的一种新的文化过程。对一些精神分析来说,汉的流动是一种国家权力,而他更喜欢表演和透明的概念作为一种权力技术。本研究旨在运用质性研究方法中的解释主义技术,探讨在权力对主体的文化适应背景下,韩寒对规训社会概念的修正。政治心理学是政治学与心理学的交叉学科,它认为文化被权力功能化,从而对社会产生适应作用。意识形态通过相遇时的适应传递给主体,并通过互动传播。在本研究的背景下,社交媒体上的时间轴隐含着监控流量,被认为是通过传播意识形态来进行文化适应的合适场所。根据研究获得的数据,在后现代社会中,权力主要从以纪律为基础的范式转向以绩效为基础的范式。权力建立了一个缓和的社会,它压抑了人们的痛苦,它的目标不仅是恢复身体,而且是控制思想,它鼓励个人即使感到疲倦也要继续他们的表现,从而建立了一个让人们相信有幸福的社会。
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引用次数: 1
Besim F. Dellaloğlu ile Türkiye’de Kültürel Çalışmalar Üzerine
Oya Morva
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引用次数: 0
An Analysis of Survival Games in Terms of Biopolitics: Frostpunk 从生命政治角度分析生存游戏:Frostpunk
Sezgin Savaş
Biopower has been discussed by various scholars. Biopower focuses on life and produces it. Fictional universes can be illuminating in understanding the framework of biopower. Speculations on the future and disaster scenarios have been recurrent in many books and films up to the present and some of these have the potential to become a reality. Similarly, digital games can offer similar experiences. Digital games are influential on people and provide visions of the future. There are various types of digital games, but only survival games and government simulation games offer certain projections regarding real life and form the foresight which helps the individual to make social and individual inferences on alternative situations. The aim of the study, accordingly, is to analyse survival games in terms of biopolitics by specifically focusing on Frostpunk. The findings of the study suggest that the laws of Frostpunk can be discussed in terms of biopower. It is, therefore, possible to identify the traces of biopower in the laws of Frostpunk. Frostpunk, thus, contributes to the understanding of the framework of the concept of biopower. The findings of the study indicate that digital games can be used as subjects of scientific inquiry in terms of shedding light on certain phenomena and concepts, and also render them more understandable.
生物能源已经被许多学者讨论过。生物能源专注于生命并生产生命。虚构的宇宙在理解生物能源的框架方面具有启发性。到目前为止,关于未来和灾难场景的猜测在许多书籍和电影中反复出现,其中一些有可能成为现实。同样,数字游戏也可以提供类似的体验。数字游戏对人们具有影响力,并提供了对未来的展望。数字游戏的类型多种多样,但只有生存游戏和政府模拟游戏提供了对现实生活的某些预测,并形成了帮助个人在不同情况下做出社会和个人推论的预见。因此,这项研究的目的是通过特别关注《Frostpunk》,从生命政治的角度来分析生存游戏。研究结果表明,Frostpunk的法则可以从生物能源的角度来讨论。因此,我们有可能在《霜朋克》的法则中找到生物力量的痕迹。因此,《Frostpunk》有助于理解生物能源概念的框架。研究结果表明,数字游戏可以作为科学探究的主题,阐明某些现象和概念,并使它们更容易理解。
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引用次数: 0
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4. BOYUT Medya ve Kültürel Çalışmalar Dergisi / 4. BOYUT Journal of Media and Cultural Studies
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