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6. Between Nature and Culture : The Integrated Ecology of Renaissance Climate Theories 6. 在自然与文化之间:文艺复兴时期气候理论的综合生态学
Pub Date : 2020-12-31 DOI: 10.1515/9789048537211-009
Sara Miglietti
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引用次数: 0
11. Montaigne’s Plants in Movement 11. 蒙田的《运动中的植物
Pub Date : 2020-12-31 DOI: 10.1515/9789048537211-014
Antónia Szabari
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引用次数: 0
7. Almost Encountering Ronsard’s Rose 7. 差点碰上朗萨德的玫瑰
Pub Date : 2020-12-31 DOI: 10.1515/9789048537211-010
Phillip John Usher
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引用次数: 0
2. Du Bartas Responding to Morton’s Milton : A Bodily Route to the Ecological Thought 2. 杜巴塔斯对莫顿弥尔顿的回应:一条通往生态思想的身体之路
Pub Date : 2020-12-31 DOI: 10.1515/9789048537211-005
Stephanie Shiflett
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引用次数: 0
Between Nature and Culture: 在自然与文化之间:
Pub Date : 2020-03-24 DOI: 10.2307/j.ctv10kmcfq.10
Sara Miglietti
‘Climate theories’ are often explained away in scholarship as pseudosciences irrelevant to the modern world, or as morally problematic forms of geographic determinism. This chapter instead argues that such theories still offer a valuable lens not only for understanding how early modern people conceptualized the relationship between human culture and nonhuman nature, but also for resituating ourselves with respect to this very same issue. Are we humans above and outside nature, or are we an integral part of it, caught in its dynamics and affected by its internal changes—including those resulting from our own agency? Three sixteenth-century authors (Le Roy, Bodin, La Framboisière) are here brought into dialogue with contemporary thinkers (Descola, Latour) to reappraise the ‘integrated ecology’ of nature and culture proposed by early modern climate theorists.
“气候理论”在学术上经常被解释为与现代世界无关的伪科学,或者是道德上有问题的地理决定论。相反,本章认为,这些理论仍然提供了一个有价值的视角,不仅可以理解早期现代人如何概念化人类文化与非人类自然之间的关系,而且可以让我们在这个问题上重新审视自己。我们是凌驾于自然之上的人类,还是自然不可分割的一部分,被它的动态所困,被它的内部变化所影响——包括那些由我们自己的力量造成的变化?三位16世纪的作家(勒罗伊,博丹,拉弗朗布瓦伊)在这里与当代思想家(德斯科拉,拉图尔)进行了对话,以重新评估早期现代气候理论家提出的自然和文化的“综合生态学”。
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引用次数: 2
Index 指数
Pub Date : 2020-03-24 DOI: 10.2307/j.ctv10kmcfq.17
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引用次数: 0
9. An Inconvenient Bodin: Latour and the Treasure Seekers 9. 不方便的身体:拉图尔和寻宝者
Pub Date : 2020-03-24 DOI: 10.1515/9789048537211-012
Oumelbanine Zhiri
The admirers of Jean Bodin’s political philosophy might be surprised by his Demonomanie des sorciers and his forceful attempt to prove the reality of witchcraft. This opposition between the enlightened modern and the superstitious premodern makes his thought a prime example to confront to the theory of modernity proposed by Bruno Latour. This essay attempts such an exploration, and focuses on narratives of treasure seeking in Bodin’s text, to understand the notion of nature that they bespeak, a nature entirely worked through by demons. Looking at Bodin as a premodern also allows us to complicate Latour’s account by highlighting what the resurgence of thinking about witchcraft in late sixteenth-century Europe reveals about a larger argument about Nature, and the ways in which humans should deal with it.
让·博丹政治哲学的崇拜者可能会对他的《巫师的恶魔》和他证明巫术的真实性的有力尝试感到惊讶。开明的现代与迷信的前现代的对立,使他的思想成为对抗拉图尔现代性理论的典范。这篇文章试图进行这样的探索,并将重点放在博丹文本中寻宝的叙述上,以理解他们所说的自然概念,一种完全由恶魔支配的自然。将博丹视为前现代人,还可以让我们把拉图尔的叙述复杂化,因为它突出了16世纪晚期欧洲对巫术思想的复兴所揭示的关于自然的更大争论,以及人类应该如何应对它。
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引用次数: 0
Back Matter 回到问题
Pub Date : 2020-03-24 DOI: 10.2307/j.ctv10kmcfq.18
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引用次数: 0
Renascent Nature in the Ruins: Joachim du Bellay’s Antiquitez de Rome 废墟中重生的自然:约阿希姆·杜·贝雷的《罗马古物》
Pub Date : 2020-03-24 DOI: 10.5117/9789462985971_ch08
V. Velázquez
Joachim du Bellay’s Les Antiquitez de Rome (1558) is traditionally read as a text about human-made culture: the grandeur and ruin of Rome. Nevertheless, through a moral condemnation of imperial Rome’s pride and its violent origins, Du Bellay describes the effects Rome’s fall had on the nonhuman landscape, thus inviting a re-evaluation of the relation between humans and nonhuman nature. His juxtaposition of the destructiveness of history’s blindness to nature with the landscape’s re-emergence from the ruined remains of Roman culture yields images that challenge us to rethink conservation in relation to a nature that changes over time, and which is inseparable from culture and its ruins, while at the same time redefining the traditional presupposition of what we categorize as ‘nature writing’.
约阿希姆·杜·贝雷的《罗马的古物》(1558)传统上被解读为一部关于人造文化的作品:罗马的辉煌与毁灭。然而,通过对罗马帝国的骄傲及其暴力起源的道德谴责,杜·贝莱描述了罗马的衰落对非人类景观的影响,从而引发了对人类与非人类自然之间关系的重新评估。他将历史对自然的盲目的破坏性与从罗马文化废墟中重新出现的景观并置,产生的图像挑战我们重新思考保护与自然的关系,随着时间的推移,它与文化及其废墟不可分割,同时重新定义我们归类为“自然写作”的传统前提。
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引用次数: 0
An Inconvenient Bodin: 不方便的身体:
Pub Date : 2020-03-24 DOI: 10.2307/j.ctv10kmcfq.13
Oumelbanine Nina Zhiri
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引用次数: 0
期刊
Early Modern Écologies
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