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‘When is a meadow not a meadow?’ : Dark Ecology and Fields of Conflict in French Renaissance Poetry “什么时候草地不是草地?”:法国文艺复兴时期诗歌中的黑暗生态和冲突领域
Pub Date : 2020-03-24 DOI: 10.5117/9789462985971_CH03
J. Oliver
In poetic responses to the French civil wars, the wounded political body of France is aligned with the ravaged body of the physical landscape in an array of arresting ecological images. By tracing a web of profoundly imbricated commonplaces and analogies concerning fields, bodies, and entrails in particular, this chapter investigates the ways in which the verse of Pierre de Ronsard and Agrippa d’Aubigné both rehearses and decries the unnatural twists and turns of that ‘intestine’ conflict. Both poets revive ancient expressions of ecological anxiety that disrupt what Timothy Morton has termed ‘agrilogistic thought’; but I argue that in their distinctive and sometimes challenging styles, their verse presents (and through syntactic violence, uncannily performs) a still more radical vision of human enmeshment in nature.
在对法国内战的诗意回应中,法国受伤的政治体与被蹂躏的自然景观体在一系列引人注目的生态图像中保持一致。本章通过追踪一个关于领域、身体和内脏的深刻的平凡和类比的网络,研究皮埃尔·德·朗萨和阿格里帕·德·奥比格涅格的诗歌是如何排练和谴责“肠道”冲突的不自然的曲折的。两位诗人都恢复了对生态焦虑的古老表达,破坏了蒂莫西·莫顿所说的“农业思想”;但我认为,在他们独特的、有时具有挑战性的风格中,他们的诗歌呈现出(通过句法暴力,不可思议地表现出)一种更激进的人类与自然交融的愿景。
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引用次数: 0
Montaigne’s Plants in Movement 蒙田的《运动中的植物
Pub Date : 2020-03-24 DOI: 10.2307/j.ctv10kmcfq.15
Antónia Szabari
By zooming in on the diverse sources of Montaigne’s naturalism, from Aristotelian notions of vegetal psyche to Epicurean atomism and everyday observation, the essay examines the figures of plants in Michel de Montaigne’s Essays. It reveals the remarkable animation that characterizes Montaigne’s plants and argues that the essayist viewed not only animals (as has already been argued) but also plants are analogous to human beings and as forming the basis for moral judgments.
通过放大蒙田自然主义的不同来源,从亚里士多德的植物精神观念到伊壁鸠鲁的原子论和日常观察,本文考察了米歇尔·德·蒙田《随笔》中的植物形象。它揭示了蒙田的植物所具有的非凡的活力,并论证了这位散文家不仅认为动物(如前所述),而且认为植物与人类相似,并构成了道德判断的基础。
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引用次数: 0
Reading Olivier de Serres circa 1600: Between Economy and Ecology 阅读1600年前后的奥利维尔·德·塞雷斯:在经济与生态之间
Pub Date : 2020-03-24 DOI: 10.5117/9789462985971_ch10
T. Conley
Formerly belonging to the literary canon of the French Renaissance, and often associated with the ideology of a return to the country—even to Maréchal Pétain’s Travail et Patrie—Olivier de Serres’s Théâtre d’agriculture et mesnage des champs (1600) remains a keystone in the history of agronomy. Threading the wisdom of ancient authors through his own experience, and staunchly Protestant in vision, Serres sets an agenda for the country gentleman and farmer. At once art and science, it deploys a limpid and vigorous style to argue for economy and productive management of the earth. This essay contends that today, despite its legacy, the work offers a vision and a savoury mode of writing vital to what we can make of ecology in the early modern age.
以前属于法国文艺复兴时期的文学经典,并且经常与回归祖国的意识形态联系在一起——甚至与马姆萨查尔·帕姆坦的《劳动与祖国》——奥利维尔·德·塞雷斯的《农业与信息》(1600)一样,仍然是农学历史上的基石。塞雷斯将古代作家的智慧贯穿于自己的经历中,并以坚定的新教徒的眼光,为乡村绅士和农民设定了一个议程。它集艺术与科学于一身,以一种清晰而有力的风格,为节约和有效地管理地球而辩护。这篇文章认为,今天,尽管它的遗产,工作提供了一个愿景和一种美味的写作模式,我们可以在早期的现代生态至关重要。
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引用次数: 0
Equipment for Living with Hyperobjects: 使用超对象的设备:
Pub Date : 2020-03-24 DOI: 10.2307/j.ctv10kmcfq.8
Kat Addis
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引用次数: 0
Off the Human Track: 脱离人的轨道:
Pub Date : 2020-03-24 DOI: 10.2307/j.ctv10kmcfq.5
H. Melehy
Responding to long-standing criticisms that theoretical readings of early modern literary texts are anachronistic, Melehy argues that past and present phenomena may be understood alongside one another, while still respecting both of them. He brings together Gilles Deleuze and Michel de Montaigne through their shared interest in Lucretius. Melehy demonstrates a Lucretian-inflected materialism in Montaigne’s Essais that implicitly criticizes Platonic conceptions of the primacy of thought over matter, and concomitant human claims to dominate the physical and natural world. Melehy signals intersections between Montaigne’s dissident philosophy and Deleuze’s materialist re-conception of the history of philosophy in order to point out ways that the essayist’s work speaks to questions that are also pertinent to present-day meditations on the environment.
对于长期以来对早期现代文学文本的理论解读是不合时宜的批评,Melehy认为过去和现在的现象可以相互理解,同时仍然尊重两者。他将吉尔·德勒兹和米歇尔·德·蒙田通过他们对卢克莱修的共同兴趣联系在一起。梅利希在蒙田的《论文集》中展示了卢克莱安式的唯物主义,含蓄地批评了柏拉图式的思想高于物质的观念,以及随之而来的人类对物质和自然世界的统治主张。Melehy指出了蒙田的异见哲学和德勒兹对哲学史的唯物主义重新概念之间的交叉点,以便指出散文家的作品讲述的问题也与当今对环境的思考有关。
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引用次数: 0
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Early Modern Écologies
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