Pub Date : 2017-12-31DOI: 10.14361/9783839437933-018
Tom Vanassche
{"title":"Hiding One’s Feelings ‘Emotionless’ Rhetoric in Raul Hilberg’s The Destruction of the European Jews and Peter Weiss’s Die Ermittlung","authors":"Tom Vanassche","doi":"10.14361/9783839437933-018","DOIUrl":"https://doi.org/10.14361/9783839437933-018","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"60 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127579634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-017
E. Nykänen
{"title":"Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame","authors":"E. Nykänen","doi":"10.14361/9783839437933-017","DOIUrl":"https://doi.org/10.14361/9783839437933-017","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130807083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-002
Susanne Knaller
{"title":"Emotions and the Process of Writing","authors":"Susanne Knaller","doi":"10.14361/9783839437933-002","DOIUrl":"https://doi.org/10.14361/9783839437933-002","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126937767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-009
Marie Dücker
{"title":"Form and Emotion in Stephen Chbosky’s The Perks of Being a Wallflower","authors":"Marie Dücker","doi":"10.14361/9783839437933-009","DOIUrl":"https://doi.org/10.14361/9783839437933-009","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115825088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-008
Julia Grillmayr
{"title":"“[…] which approximates ‘I love you’.” Jonathan Safran Foer’s Punctuation of Emotions","authors":"Julia Grillmayr","doi":"10.14361/9783839437933-008","DOIUrl":"https://doi.org/10.14361/9783839437933-008","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"140 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129864247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-019
Heta Pyrhönen
{"title":"Love under Threat The Emotional Valences of the Twilight Saga","authors":"Heta Pyrhönen","doi":"10.14361/9783839437933-019","DOIUrl":"https://doi.org/10.14361/9783839437933-019","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128749664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-015
Sabine Schönfellner
In Michel Houellebecq’s novel La possibilité d’une île (translated as The Possibility of an Island), the reader is confronted with a bleak future for humanity: the main characters are posthuman creatures who live in secluded compounds and seem incapable of understanding and feeling human emotions. The novel consists of two strands of narrative – the memoir of Daniel1, a comedian living at the beginning of the 21st century, and the commentaries by the clones Daniel24 and Daniel25, his successors in the distant future. Bearing in mind the context of Houellebecq’s work as well as the posthuman(ist) discourse, this novel should be understood neither as a straightforward prognosis about the future of human beings nor as an unambiguous evaluation of human cloning. A consideration of certain recurring topics in Houellebecq’s works and his stylistic characteristics highlights the specific scenario for the posthuman being developed by Houellebecq. Posthuman(ist) theories on the concept of the human being “after humanism”, at the beginning of the 21st century, and its possible future developments help to position the novel’s scenario within a wider theoretical context. In this article following, I discuss these contexts in order to analyse what could be called the nostalgic representation of emotions in this novel and the functions of writing and narrative connected to it.
{"title":"Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq’s La possibilité d’une île ..","authors":"Sabine Schönfellner","doi":"10.14361/9783839437933-015","DOIUrl":"https://doi.org/10.14361/9783839437933-015","url":null,"abstract":"In Michel Houellebecq’s novel La possibilité d’une île (translated as The Possibility of an Island), the reader is confronted with a bleak future for humanity: the main characters are posthuman creatures who live in secluded compounds and seem incapable of understanding and feeling human emotions. The novel consists of two strands of narrative – the memoir of Daniel1, a comedian living at the beginning of the 21st century, and the commentaries by the clones Daniel24 and Daniel25, his successors in the distant future. Bearing in mind the context of Houellebecq’s work as well as the posthuman(ist) discourse, this novel should be understood neither as a straightforward prognosis about the future of human beings nor as an unambiguous evaluation of human cloning. A consideration of certain recurring topics in Houellebecq’s works and his stylistic characteristics highlights the specific scenario for the posthuman being developed by Houellebecq. Posthuman(ist) theories on the concept of the human being “after humanism”, at the beginning of the 21st century, and its possible future developments help to position the novel’s scenario within a wider theoretical context. In this article following, I discuss these contexts in order to analyse what could be called the nostalgic representation of emotions in this novel and the functions of writing and narrative connected to it.","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123970615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-12-31DOI: 10.14361/9783839437933-004
Gesine Leonore Schiewer
{"title":"The Author – “Specialize[d] in Having Fun”? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavarič","authors":"Gesine Leonore Schiewer","doi":"10.14361/9783839437933-004","DOIUrl":"https://doi.org/10.14361/9783839437933-004","url":null,"abstract":"","PeriodicalId":186667,"journal":{"name":"Writing Emotions","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124306085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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