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The Descent of Some Chester Libraries 一些切斯特图书馆的由来
Pub Date : 2021-03-16 DOI: 10.1093/LIBRARY/22.1.57
R. Hanna
Abstract:In his grand Medieval Manuscripts in British Libraries, Neil Ker identified, in two different repositories, the extensive remains of a single sixteenth-century library. This had clearly been gathered together before the Dissolution from the book collections of a variety of religious houses, all of those identifiable in the city of Chester. The essay traces the probable passage of these volumes from their initial collection to their present repositories, Gray’s Inn and Shrewsbury School. In this account, the initial collector, William Wall, eventually prebendary of Chester Cathedral, had passed these on to a recusant family, the Egertons, and they, in turn, descended through an illegitimate daughter to the Bostocks, who donated them to their present institutions.
摘要:在《英国图书馆中世纪手稿》一书中,尼尔·克尔在两个不同的图书馆中发现了一座16世纪图书馆的大量遗迹。这些显然是在解散前从各种宗教机构的藏书中收集到的,这些都可以在切斯特市找到。这篇文章追溯了这些卷从最初的收藏到现在的仓库,格雷学院和什鲁斯伯里学校的可能通道。在这个故事中,最初的收藏家威廉·沃尔(William Wall)最终成为了切斯特大教堂(Chester Cathedral)的继承人,他把这些作品传给了一个不情愿的家庭——埃格顿(Egertons),而埃格顿家族又通过一个私生女传给了波斯托克家族,后者将这些作品捐赠给了他们现在的机构。
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引用次数: 0
The Library of James Marsh, DD (1593–?1645), with ‘Shackspeers playes’ and ‘Donnes Poem’ 詹姆斯·马什图书馆,DD(1593 - 1645),《沙克斯皮尔剧作》和《唐纳诗》
Pub Date : 2021-03-16 DOI: 10.1093/LIBRARY/22.1.33
Ben Higgins
Abstract:This essay provides a case study of an otherwise-unknown clerical library from the 1640s that includes a copy of a Shakespeare folio alongside a few other literary works, including John Donne’s Poems (1633). The essay offers a biography of the library’s owner, a sketch of the library as a whole, and concludes by considering the unusual status of the Shakespeare folio in this collection. An appendix transcribes the inventory in which the library is catalogued. In this collection of around 200 books, the Shakespeare folio was the sole book of drama (either vernacular or classical). James Marsh is thus an outlier in what we know about early folio-ownership and the discovery of his library expands our understanding of the contexts in which Shakespeare was owned and read.
摘要:本文以17世纪40年代一个不为人知的牧师图书馆为例进行了研究,该图书馆包括一本莎士比亚的对开本以及其他一些文学作品,包括约翰·多恩的《诗歌》(1633)。这篇文章提供了图书馆主人的传记,图书馆作为一个整体的草图,并考虑到莎士比亚的对开本在这个收藏中的不同寻常的地位。附录记录了图书馆编目的目录。在这大约200本藏书中,莎士比亚的对开本是唯一一本关于戏剧的书(无论是白话还是古典)。因此,詹姆斯·马什在我们所知的早期对开本所有权方面是一个局外人,他的图书馆的发现扩大了我们对莎士比亚被拥有和阅读的背景的理解。
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引用次数: 0
Q/F: The Texts of King Lear Q/F:《李尔王》
Pub Date : 2021-03-16 DOI: 10.1093/LIBRARY/22.1.3
D. Salkeld
Abstract:This article argues that dictation in the printing house may account for many of the variants between the 1608 Quarto and the 1623 Folio texts of King Lear. It further argues that the ground-work for this view was established by a series of prior critical studies—including those by Chambers, Greg, Duthie, Walker, and Stone—which shared a belief that the quarto was a reported text. It also proposes that a manuscript very much like F, but without its theatrical cuts, lies behind the Quarto. A long-standing assumption that the Folio version is somehow derived from the Quarto is shown to be unsafe. The implications of this argument are that Shakespeare did not revise King Lear, and that relatively few of the variants in the Quarto can be authorial.
摘要:本文认为,印刷厂的听写可能是1608年《李尔王》四开本和1623年《对开本》文本之间许多变体的原因。它进一步认为,这一观点的基础工作是由一系列先前的批判性研究建立的,包括钱伯斯、格雷格、杜西、沃克和斯通的研究,他们都认为四开本是一个报告文本。它还提出,在《四开本》的背后,隐藏着一份与《F》非常相似的手稿,但没有经过戏剧剪辑。一个长期存在的假设,即开本的版本在某种程度上是从四开本衍生出来的,被证明是不安全的。这一论点的含义是莎士比亚没有修改《李尔王》,而《四开本》中相对较少的变体可能是作者创作的。
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引用次数: 1
Denis Janot (fl. 1529–1544), Parisian Printer and Bookseller: A Bibliography by Stephen Rawles 丹尼斯·雅诺(fl. 1529-1544),巴黎印刷商和书商:斯蒂芬·罗尔斯的参考书目
Pub Date : 2021-03-16 DOI: 10.1093/LIBRARY/22.1.97
Raphaele Mouren
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引用次数: 0
La fabbrica delle parole. Tecniche e sistemi di produzione del libro a stampa tra xv e xix secolo by Andrea De Pasquale (review) 文字工厂。安德里亚·德·帕斯夸尔(评论)著
Pub Date : 2021-03-16 DOI: 10.1093/LIBRARY/22.1.98
N. Harris
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引用次数: 0
Dealing in Deceit: Edwin Pearson of the ‘Bewick Repository Bookshop’, 1838–1901 by Nigel Tattersfield (review) 在欺骗中交易:“比威克仓库书店”的埃德温·皮尔森,1838年至1901年,奈杰尔·塔特斯菲尔德著(评论)
Pub Date : 2021-03-16 DOI: 10.1093/LIBRARY/22.1.100
Brian Alderson
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引用次数: 0
Book Parts ed. by Dennis Duncan and Adam Smyth (review) 丹尼斯·邓肯和亚当·史密斯编著(书评)
Pub Date : 2020-12-05 DOI: 10.1093/LIBRARY/22.1.106
C. Curtis
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引用次数: 0
A Newly Discovered Fragment Of William Caxton's Ordinale 新发现的威廉·卡克斯顿序曲碎片
Pub Date : 2020-12-01 DOI: 10.1093/library/21.4.518
Erika Delbecque
This note discusses the find of a hitherto unknown leaf from William Caxton's Ordinale seu Pica ad usum Sarum at the University of Reading Special Collections Service. It provides a bibliographical analysis of the leaf and explores its provenance. It concludes with a semi-diplomatic transcription, with reference to BL Add. MS 25456, the only known surviving manuscript copy of the text.
这篇文章讨论的是在雷丁大学特别收藏处发现的威廉·卡克斯顿的《皮卡和塞勒姆的顺序》中迄今为止未知的一片叶子。它提供了叶片的书目分析和探索其来源。它以半外交的转录结束,参考BL Add. MS 25456,唯一已知的幸存的文本手稿副本。
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引用次数: 0
The Lost Works of Thomas Becon 托马斯·贝肯遗失的作品
Pub Date : 2020-12-01 DOI: 10.1093/library/21.4.477
Jonathan Reimer
This article attributes four lost works to the literary corpus of the English clergyman and bestselling Tudor devotional author Thomas Becon (1512–1567): The Shelde of Saluacion, An Heauenly Acte, Christen Prayers and Godly Meditacions, and The Resurreccion of the Masse. It ascribes these texts to Becon in light of three types of corroborating evidence: contemporary attribution, parallels of content, and early publication history. These four lost works not only furnish a fuller picture of his literary output, but also provide new insights into his career, rhetoric, and theology. As Becon was the most popular evangelical devotional author writing in English during the sixteenth century, this analysis of his hitherto unattributed books makes a valuable contribution to the bibliography of Tudor England, especially during the transformative years of the Henrician, Edwardine, Marian, and Elizabethan Reformations.
这篇文章将英国牧师和都铎时代的畅销书作家托马斯·贝肯(1512-1567)的四部失传作品归为文学语库:《救赎之盾》、《天降之行》、《基督祈祷与敬虔冥想》和《弥撒的复活》。它根据三种类型的确凿证据将这些文本归因于Becon:当代归属,内容的相似之处和早期出版历史。这四部失传的作品不仅提供了他文学作品的更全面的图景,而且提供了对他的职业、修辞和神学的新见解。由于Becon是16世纪最受欢迎的福音派灵修作家,他迄今为止未署名的书的分析对都铎英格兰的参考书目做出了宝贵的贡献,特别是在亨利,爱德华,玛丽安和伊丽莎白改革的变革时期。
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引用次数: 0
Bookbinding History and Sacred Cows 装订的历史和神圣的牛
Pub Date : 2020-12-01 DOI: 10.1093/library/21.4.498
D. Pearson
Book history has increasingly developed a cohesive view of the printing, selling, owning, reading and use of books, but bookbinding continues to struggle to find its place in the teaching and perception of the disciple. This is counter-intuitive, and a missed opportunity, in a world in which we talk so much about the book as a material object. This paper examines the reasons, and challenges many of the assumptions or beliefs that remain endemic in binding history. It offers examples of ways in which a different approach to binding studies is needed, while considering debates about the relative usefulness of methodologies based around decoration, or structure. It sets out a philosophy, or methodology, for the study of bindings in a book-historical context, with some basic questions which we should bring to any binding before us.
书的历史已经逐渐形成了一种关于书籍的印刷、销售、拥有、阅读和使用的连贯观点,但装订仍然在努力寻找它在教学和门徒感知中的位置。这是违反直觉的,是一个错失的机会,因为在这个世界上,我们总是把书当作一种物质对象来谈论。本文探讨了其原因,并挑战了许多在装订史上仍然流行的假设或信念。它提供了一些方法的例子,其中需要一种不同的方法来进行绑定研究,同时考虑到关于基于装饰或结构的方法的相对有用性的争论。它提出了一种哲学或方法论,用于在书籍历史背景下研究装订,以及我们应该在我们面前的任何装订中提出的一些基本问题。
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引用次数: 4
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