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Il Nilo e Mosè: dalla Vita di Mosè di Filone alle Etiopiche di Eliodoro 尼罗河和摩西:从菲隆的摩西的生活到埃塞俄比亚的艾略多罗
Pub Date : 2023-04-20 DOI: 10.21827/an.19.39118
N. Bianchi
The aim of this paper is drawing attention to a passage of the Ethiopian Stories by Heliodorus of Emesa (9,9,3) on the divinization of the Nile borrowed from Life of Moses (2,195) by Philo of Alexandria. This textual relationship, well known to Philo’s scholars, has so far not been considered instead by most Heliodorus’ scholars. Other possible intertextual references (lexical parallels, stylisations and analogies), noticed in this paper, point to the work by Philon as deliberately exploited inspiration for some passages of Heliodorus’ novel. All this is of greater importance for the Ethiopian novel and his author.
本文的目的是提请注意埃米萨的Heliodorus(9,9,3)的埃塞俄比亚故事中的一段话,这段话是从亚历山大的Philo的摩西生活(2195)中借用的尼罗河神化。这种文本关系为斐洛的学者所熟知,但迄今为止,大多数赫利奥多罗斯的学者还没有考虑到这一点。其他可能的互文参考(词汇平行,风格和类比),在论文中注意到,指出菲隆的工作是故意利用灵感的一些段落赫利奥多罗斯的小说。所有这些对于埃塞俄比亚小说和他的作者来说都是非常重要的。
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引用次数: 0
On Psyche and Psychology: A Reflection 论心灵与心理学:反思
Pub Date : 2023-04-20 DOI: 10.21827/an.19.39336
K. Bradley
The story of Cupid & Psyche in Apuleius’s Metamorphoses has long been valued for its literary qualities and philosophical implications. This study sets the story in the slave-owning culture to which it originally belonged. It pays special attention to the portrayal of Psyche as a runaway slave, and examines this construct through reference to the extensive body of Roman law that governed the treatment of fugitive slaves in real life. To support the story’s documentary potential, a comparison is drawn with a modern classic story of escape from servitude, Toni Morrison’s Beloved.
阿普列夫斯的《变形记》中丘比特和普赛克的故事因其文学品质和哲学意义而长期受到重视。这项研究将这个故事置于它最初所属的奴隶制文化中。它特别关注了普赛克作为一个逃跑的奴隶的形象,并通过参考罗马法的广泛主体来检验这个结构,这些法律在现实生活中管理着逃亡奴隶的待遇。为了支持这个故事的纪录片潜力,我们将其与现代经典的逃离奴役的故事——托妮·莫里森的《宠儿》进行了比较。
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引用次数: 0
Embarquer pour l’Inde, un motif narratif chez Xénophon d’Éphèse, Lucien et Philostrate 《登上印度》,以弗所色诺芬、吕西安和菲洛斯特拉特的叙事主题
Pub Date : 2023-04-20 DOI: 10.21827/an.19.38447
P. Robiano
Paradoxically, at a time when trade between the Mediterranean and India was developing across the Indian Ocean, Greek fiction literature did not mirror it, with the exception of Xenophon of Ephesus, Lucian, and Philostratus, in the form, nevertheless, of very rare micro-narratives. It is therefore a question, in this article, of analyzing the reasons for the crossing to India and of hightlighting its stakes, in particular the representation that Greek-speaking writers give of the actors of these exchanges : Greeks, the so-called Egyptians, and Indians. It is also a question of understanding why these new routes to India did not create an imaginary that fiction could have exploited. Paradoxalement, à une époque où le commerce entre la Méditerranée et l’Inde se développait à travers l’océan Indien, la littérature grecque de fiction n’en rendait pas compte, à l’exception de Xénophon d’Éphèse, de Lucien et de Philostrate, sous la forme, néanmoins, de très rares micro-récits. Il s’agit donc, dans cet article, d’analyser les raisons de la traversée vers l’Inde et de mettre en valeur ses enjeux, en particulier la représentation que des écrivains de langue grecque donnent des acteurs de ces échanges : les Grecs, les prétendus Égyptiens et les Indiens. Il s’agit aussi de comprendre pourquoi ces nouvelles routes vers l’Inde n’ont pas créé un imaginaire que la fiction aurait pu exploiter.
矛盾的是,当地中海和印度之间的贸易跨越印度洋发展起来的时候,希腊小说文学并没有反映这一点,除了以弗所的色诺芬、卢西恩和菲洛斯特拉托斯,他们以非常罕见的微观叙事的形式出现。因此,在本文中,分析前往印度的原因并强调其利害关系是一个问题,特别是讲希腊语的作家对这些交流的参与者的描述:希腊人,所谓的埃及人和印度人。这也是一个理解为什么这些通往印度的新路线没有创造出小说可以利用的想象的问题。矛盾的是, une sampoque où在商业中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动,即在电子商务中心内的电子商务活动。在这篇文章中,他说:“我不知道为什么要把所有的人都看成是一个人,我不知道为什么要把所有的人都看成是一个人,特别是把所有的人都看成是一个人,我不知道为什么要把所有的人都看成是一个人。”这是一种综合性的、有价值的、超越印度的新路线,而不是超越想象的、超越虚构的、超越剥削者的道路。
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引用次数: 0
Ninus and Metiochus in the school of rhetoric: the first Greek novels 修辞学学派的尼努斯和米提奥库斯:最早的希腊小说
Pub Date : 2022-05-13 DOI: 10.21827/an.18.37380
Regla Fernández Garrido
he aim of this paper is to underline the influence of school rhetoric in two passages of Ninus and Parthenope. Ninus' speech in presence of his aunt Derkeia (frag. A of P.Berol. 6926) is analysed from the point of view of the stasis-theory and its most relevant formal features are commented. Metiochus’ refutation of the traditional mythical narrative on Eros (second column of P.Berol.7927) is dealt with the progymnasmatic theory. Moreover, the love-related motifs and the references to the previous literature are highlighted.
本文的目的是强调学校修辞在尼努斯和帕特诺普的两段中的影响。尼努斯在姨妈德克娅面前的讲话。p .贝罗尔的A。6926)从停滞理论的角度进行了分析,并对其最相关的形式特征进行了评论。米提奥库斯对厄洛斯的传统神话叙事的反驳(P.Berol.7927的第二栏)涉及到propromatic理论。此外,还强调了与爱情相关的母题和对以往文献的参考。
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引用次数: 1
La Troiae Halosis: l’ecfrasi del maestro e del poeta (Sat. 89, vv. 1-65)
Pub Date : 2022-05-13 DOI: 10.21827/an.18.38282
Laura Giancola
The article aims to explore the ekphrastic features of the Petronian Troiae Halosis, considering some passages especially from Aelius Theon’s Progymnasmata. A narratological purpose is thus suggested for the coexistence of diegetic and ekphrastic elements in the poem. The investigation relies on a substantial re-evaluation of the Troiae Halosis’s literary quality and, consequently, of Eumolpo's poetic skills, following the path already set by Collignon (1882) e Stubbe (1933).
本文以埃利乌斯·席恩的《行谕》为例,探讨彼得罗尼亚的《行谕》的语言特征。因此,一个叙事学的目的是建议共存的叙事和诗的语言元素。调查依赖于对Troiae Halosis的文学质量的大量重新评估,因此,按照科利尼翁(1882)和斯塔比(1933)已经设定的路径,对尤莫尔波的诗歌技巧进行了重新评估。
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引用次数: 0
Heliodorus’ Aethiopica: A New Patristic Context 赫利奥多罗斯的埃塞俄比亚:一个新的教父语境
Pub Date : 2022-05-13 DOI: 10.21827/an.18.37330
Katherine Krauss
This article argues that reading Heliodorus’ Aethiopica alongside post-Nicene Patristic texts sheds new light on its place within the multifaceted religious world of Late Antiquity. Through an analysis of three discrete test cases, this article brings to light the complexities of the Aethiopica’s incorporation of ideas which are prominent in contemporary Christian thought.  In so doing, it presents new evidence for the fourth-century context in which Heliodorus produced his work.
本文认为,阅读赫利奥多罗斯的《埃塞俄比亚》与后尼西亚教父文本一起,可以对其在古代晚期多方面的宗教世界中的地位有新的认识。通过对三个离散测试案例的分析,本文揭示了埃塞俄比亚融合当代基督教思想中突出的思想的复杂性。通过这样做,它为赫利奥多罗斯创作他的作品的四世纪背景提供了新的证据。
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引用次数: 1
Yawning matters: What can hiatus tell us about the lost Greek novels? What can the heroon in honor of Kineas on the Banks of the Oxus River tell us about The wonders beyond Thule? 打哈欠很重要:关于失落的希腊小说,间断能告诉我们什么?奥克苏斯河畔纪念基纳斯的英雄能告诉我们关于图勒之外的奇迹吗?
Pub Date : 2022-05-13 DOI: 10.21827/an.18.37478
María Paz López Martínez
The aim of this study is to contextualize the fragments of the The Wonders beyond Thule in the set of lost Greek novels that have come to us in papyri paying special attention to the treatment of hiatus. The literary ambitions of Callirrhoe, Ninus, Parthenope, and The wonders beyond are similar and their ‘implicit readers’ would have belonged to the educated elite known by the term of pepaideumenoi and pepaideumenai. Other conclusion is that hiatus is a license that depends on the style of the author, but it can sometimes be attributed to an error by the scribe or a decision of the modern editor. The study includes value information about novel fragments since 1998 (edition by López-Martínez) and a hypothesis regarding archaeological materials (papyri and inscriptions) found in a Hellenistic city on the Banks of the Oxus River in Afghanistan, Ai Khanoum, which offer us tantalizing paralells for the fictional mise en scène of Diogenes’ novel.
本研究的目的是将《图勒以外的奇迹》的片段置于一组遗失的希腊小说的背景中,这些小说以纸莎草纸的形式出现在我们面前,特别注意对断续的处理。卡利罗厄、尼努斯、帕特诺普和《超越的奇迹》的文学抱负是相似的,他们的“隐性读者”可能属于受过良好教育的精英,被称为“pepaideumenoi”和“pepaideumenai”。另一个结论是,间断是一种许可,取决于作者的风格,但有时它可以归因于抄写员的错误或现代编辑的决定。这项研究包括了自1998年以来关于小说碎片的有价值的信息(López-Martínez的版本),以及关于在阿富汗奥克苏斯河畔的一个希腊化城市艾哈努姆发现的考古材料(纸莎草纸和铭文)的假设,这为我们提供了第欧根尼小说中虚构的场景提供了诱人的相似之处。
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引用次数: 0
The Poetics of Mutilation in Apuleius’ Tale of Thelyphron (Met. 2,21-30) 阿普列乌斯《忒利弗隆的故事》中残害的诗学(Met. 2,21-30)
Pub Date : 2022-05-13 DOI: 10.21827/an.18.38676
S. Panayotakis, Athanasios Papadimitriou, Eva Gemenetzi
This paper discusses the episode of Thelyphron in the second book of Apuleius’ Metamorphoses and explores the significance of the recurring references to the bodily parts of the narrator/hero Thelyphron in the tale, pointing out their centrality, intertextual connections, and metaliterary function in the narrative. We argue that the processes of mutilation and prosthesis regarding the hero’s face correspond to the multifaceted literary character of the tale, and we discuss how the intertextual background of the above-mentioned physical change raises questions about literary composition and artistic creation.
本文讨论了阿普列夫的《变形记》第二卷中忒利弗隆的情节,并探讨了故事中叙述者/英雄忒利弗隆身体部位反复出现的重要性,指出了它们在叙事中的中心地位、互文联系和元文学功能。我们认为,主人公脸部的残缺和修复过程与故事的多面性文学特征相对应,并讨论了上述身体变化的互文背景如何提出了文学创作和艺术创作的问题。
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引用次数: 0
Philostratus, the cup of Tantalus and the bowl of Buddha Philostratus,坦塔罗斯之杯,佛之碗
Pub Date : 2022-05-13 DOI: 10.21827/an.18.37684
A. Mastrocinque
The episode of Apollonius among the Indian ascetics, described by Philostratus, testifies to a good knowledge of Buddhist beliefs and customs. The magical bowl producing food and drink automatically is the pivotal element of different well-known accounts concerning Buddha. A Buddhist text, the Vimalakīrti Sūtra, provides us with a series of details also recurring in Philostratus. The magical bowl not only issues liquids as from a spring, but also does not let the liquid overflow and reach the rim. Tantalus should have been interpreted as a Buddhist philanthropic hero in the cultural milieu of the Indo-Greeks. A cup including a little statue of Tantalus who cannot touch the liquid surrounding him has been found in Vinkovci (Croatia). The wondrous cup of Tantalus explains a miracle performed by Septimius Severus in a desert and the mechanics of some spells and amulets for either stopping or producing hemorrhages.
菲洛斯特拉托斯描述了阿波罗尼乌斯在印度苦行僧中的故事,证明了他对佛教信仰和习俗有很好的了解。自动生产食物和饮料的神奇碗是不同知名的关于佛陀的叙述的关键因素。一部佛教典籍,vimalakrti Sūtra,为我们提供了一系列在Philostratus中也反复出现的细节。这只神奇的碗不仅像弹簧一样流出液体,而且不会让液体溢出并到达边缘。在印度-希腊文化背景下,坦塔罗斯应该被理解为佛教慈善英雄。在克罗地亚的Vinkovci,人们发现了一个杯子,里面有一个坦塔罗斯的小雕像,他不能接触周围的液体。奇妙的坦塔罗斯之杯解释了塞普提米乌斯·西弗勒斯在沙漠中创造的一个奇迹,以及一些咒语和护身符的机制,这些咒语和护身符可以阻止或产生出血。
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引用次数: 0
All’s Well that Ends Well? A Reflection 结局好,一切都好?一种反映
Pub Date : 2022-05-13 DOI: 10.21827/an.18.38232
K. Bradley
The Greek and Latin novels of the Roman Imperial age mirror the reality that throughout the Mediterranean world in which their melodramatic stories are set slavery was a ubiquitous institution. Every extant novel takes for granted that the slave is a form of property over which rights of ownership are absolute, and that obedience to the will of the slave-owner is a normative expectation. Slave characters are seen accordingly filling an array of occupations, from the managerial to the menial; they are frequently bought and sold, and they receive rewards for meritorious behaviour and punishments for disobedience (often brutally inflicted). Slavery does not emerge consequently as an enviable condition but as the antithesis of a privileged freedom to which there is no universal claim. It is an unquestioned element of social and economic organization whose associations are entirely shameful. Given the novels’ fanciful plots, however, this summary might be said to overstate real-life circumstances, with authors exaggerating the misfortunes of slavery for the sake of the sensationalism their chosen form of literary creativity demanded. Yet as far as I can tell, it is largely borne out by historical evidence, especially the evidence of Roman law. The capital penalties of crucifixion, exposure to wild beasts, and burning alive once reserved for slaves alone were extended in the Imperial age to free persons of low status convicted of capital
罗马帝国时代的希腊和拉丁小说反映了这样一个现实:在整个地中海世界,奴隶制是一种无处不在的制度,而这些情节夸张的故事就是以地中海为背景的。现存的每一部小说都理所当然地认为,奴隶是一种财产,其所有权是绝对的,服从奴隶主的意志是一种规范的期望。因此,从管理人员到卑微的人,奴隶角色充斥着一系列的职业;他们经常被买卖,他们因有功劳而得到奖励,因不服从而受到惩罚(通常是残酷的)。因此,奴隶制并不是作为一种令人羡慕的状态出现的,而是作为一种特权自由的对立面出现的,这种特权自由没有普遍的要求。毫无疑问,它是社会和经济组织的一个组成部分,其关联是完全可耻的。然而,考虑到小说中奇思妙想的情节,这种总结可能会被认为是夸大了现实生活中的情况,作者夸大了奴隶制的不幸,以满足他们所选择的文学创作形式所要求的轰动效应。然而,据我所知,这在很大程度上得到了历史证据的证实,尤其是罗马法的证据。被钉在十字架上、与野兽接触、活活烧死这些曾经只适用于奴隶的死刑,在帝国时代扩展到被判死刑的地位低下的自由人
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引用次数: 0
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Ancient narrative
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