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Wharton's Allegory of the Cave: The Age of Innocence as a Metafictional Cautionary Tale 沃顿的《洞穴寓言:作为元虚构警世故事的纯真年代》
G. Hawkins
Author(s): Hawkins, Grace | Abstract: This paper examines the conflicting realities in Edith Wharton’s The Age of Innocence using the allegory of the cave found in Plato’s The Republic. In The Age of Innocence, Wharton’s metafictional warping of reality can be confusing to the reader, and her disappointing ending can leave the reader wondering what the novel’s point was if Newland doesn’t choose Ellen in the end. But when one considers Wharton’s presentation of realities through the lens of Plato’s cave allegory—with the New York Reality, Newland’s Reality, and Ellen’s Reality representing the statues carried in front of the fire, the shadows cast on the cave wall, and the world outside—one comes to understand how Newland’s Reality was more real to him than Ellen’s Reality. This revelation disconcerts and scares the reader, transforming the novel into a tale of warning. The already established metafictional nature of The Age of Innocence provokes the reader to critically consider reality in the context of their own lives and to individually find true meaning and purpose both inside and outside of the novel.
摘要:本文运用柏拉图《理想国》中洞穴的寓言来考察伊迪丝·沃顿《纯真年代》中矛盾的现实。在《纯真年代》中,沃顿对现实的元虚构扭曲可能会让读者感到困惑,而她令人失望的结局可能会让读者怀疑,如果纽兰最终没有选择艾伦,这部小说的意义是什么。但是,当我们通过柏拉图洞穴寓言的视角来思考沃顿对现实的呈现时——纽约的现实、纽兰的现实和艾伦的现实分别代表壁炉前的雕像、投在洞穴墙壁上的阴影和外面的世界——我们就会明白纽兰的现实对他来说比艾伦的现实更真实。这一启示使读者感到不安和恐惧,把小说变成了一个警告的故事。《纯真年代》已经确立了元虚构的本质,激发读者在自己的生活背景下批判性地思考现实,并在小说内外分别找到真正的意义和目的。
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引用次数: 0
Prejudices and Obstacles Immigrant Students Face in the Los Angeles Unified School District 洛杉矶联合学区移民学生面临的偏见和障碍
Natalie Yousef
Author(s): Yousef, Natalie | Abstract: California law states that “all children in the United States are entitled to equal access to a public elementary and secondary education without regard to their or their parents’ actual or perceived national origin, citizenship, or immigration status,” (U.S. Department of Education). If the previously stated law is true, why are immigrant students isolated in English Learner Development (ELD) classrooms? Why is it difficult to reclassify English learner students as English proficient? Why are teachers not properly trained to teach immigrant students? Why do foreign-born students perform poorly and drop out of school? My goal is to answer these questions as well as elucidate the prejudices, injustices, and corrupt enforcements that are inflicted upon immigrant students in the Los Angeles Unified School District (LAUSD). The presence of these unjust principles is exemplified by my internship experience during the fall of 2017 at a LAUSD high school located in the San Fernando Valley; the school has asked to remain anonymous for legal reasons. Despite this anonymity, the obstacles and situations these immigrant students face should be known and addressed by the public.
摘要:加利福尼亚州法律规定,“美国所有儿童都有权平等接受公立小学和中学教育,而不考虑其或其父母的实际或想象的国籍、公民身份或移民身份,”(美国教育部)。如果上述法律是正确的,为什么移民学生在英语学习者发展(ELD)教室中被孤立?为什么很难将英语学习者重新归类为英语熟练者?为什么教师没有经过适当的培训来教移民学生?为什么外国出生的学生表现不佳甚至辍学?我的目标是回答这些问题,并阐明洛杉矶联合学区(LAUSD)移民学生所遭受的偏见、不公正和腐败执法。2017年秋天,我在位于圣费尔南多谷的一所LAUSD高中实习的经历,证明了这些不公正原则的存在;出于法律原因,校方要求匿名。尽管这种匿名性,这些移民学生所面临的障碍和情况应该被公众所了解和解决。
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引用次数: 0
Burning Greenhouses with Miles Davis: Class, Empathy, and Toxic Masculinity 燃烧的温室与迈尔斯·戴维斯:阶级,同理心和有毒的男子气概
M. Gilbert
Author(s): Gilbert, Matthew | Abstract: This essay examines a scene from Lee Chang-dong’s film Burning (2018) as part of a larger discussion around class conflict. A Korean filmic adaptation of a short story originally by Japanese author Haruki Murakami, Burning tells the story of Jeong-su, a poor farmer who is caught in a love triangle with Hae-mi, an old classmate, and her new boyfriend, Ben, a mysterious, wealthy socialite. In a pivotal scene, Lee turns the camera on Hae-mi as she dances to a song by Miles Davis, creating a filmic parallel to Murakami’s liminal spaces and forcing the audience to question reality. Through a consideration of textual and paratextual material, I argue that the director Lee Chang-dong uses music and dance to critique toxic masculinity through subtle sound editing techniques and narrative and metaphorical signifiers of class and power. Ultimately, Lee breaks from the source material to simultaneously express and nullify Hae-mi’s agency and place her at the heart of the narrative.
摘要:本文考察了李沧东电影《燃烧》(2018)中的一个场景,作为围绕阶级冲突的更大讨论的一部分。韩国电影《燃烧》改编自日本作家村上春树的短篇小说,讲述了贫穷的农民正秀与老同学海美和她的新男友本(一个神秘而富有的社会名媛)陷入三角恋的故事。在一个关键的场景中,李安将镜头对准了随着迈尔斯·戴维斯(Miles Davis)的歌跳舞的海美,创造了一种与村上春树的阈值空间平行的电影,迫使观众质疑现实。通过对文本和文本外材料的考虑,我认为导演李沧东利用音乐和舞蹈通过微妙的声音编辑技术以及阶级和权力的叙事和隐喻符号来批判有毒的男性气质。最终,李安打破了原始材料,同时表达和消除了海美的代理,并将她置于叙事的核心。
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引用次数: 0
Education as a Population Control Mechanism in China: The Education and Policy for Migrant Children in Shanghai 教育作为中国的人口控制机制:上海流动儿童的教育与政策
Trinity Wang
Author(s): Wang, Trinity | Abstract: This research investigates the different educational opportunities available to migrant children here defined as children whose hukou (household registration) is incompatible with their residing locality due to parental migration. I focus on Shanghai, the city with the largest migrant population in China. In the first section of this paper, I introduce the hukou system which maintains the regional exclusivity of public education among other forms of welfare and debars migrant children from having the same education opportunities as children with local-hukou. Then, I historicize major policy changes and effects, drawing from official statistics as well as international literature. The second section is comprised of my interviews with principals, administrators, and teachers from seven schools in Shanghai. Through the cross-comparison of numerous factors, this research finds a recurring trajectory from 2008-2018 among the interview migrant schools. Due to Shanghai’s city-wide demolition of unauthorized constructions and increasingly stringent migrant student admission requirements, migrant families are radically expelled from the city, resulting in a continuing decrease of student enrollment which threatens the survival of the remaining private migrant schools.
摘要:本研究考察了流动儿童受教育机会的差异,这里将流动儿童定义为由于父母迁移而导致户口与居住地不相容的儿童。我关注的是上海,中国流动人口最多的城市。在本文的第一部分中,我介绍了户口制度,它在其他形式的福利中保持了公共教育的区域排他性,并禁止流动儿童获得与本地户口儿童相同的教育机会。然后,根据官方统计数据和国际文献,对主要的政策变化和影响进行历史分析。第二部分是我对上海七所学校的校长、管理人员和教师的采访。通过多种因素的交叉比较,本研究发现,访谈农民工学校在2008年至2018年之间呈现出反复出现的轨迹。由于上海全市范围内的违建拆除和越来越严格的农民工学生入学要求,农民工家庭被彻底驱逐出城市,导致学生入学人数持续减少,威胁到剩余的私立农民工学校的生存。
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引用次数: 0
U.S. Central American Students in Higher Education: Finding a Sense of Belonging 高等教育中的美国中美洲学生:寻找归属感
Maldonado Dominguez, Katy Joseline
Author(s): Maldonado Dominguez, Katy Joseline | Abstract: This paper highlights the overlooked experiences of U.S. Central Americans in higher education. Given the absence of Central American studies departments and various shared experiences with Mexican communities in the Southwest, this study analyzes how Chicana/o/x studies departments can serve as relatable spaces for U.S. Central Americans. This study draws from eight semi-structured interviews with U.S. Central Americans in UCLA’s Chicana/o studies department to provide insight into how they navigate and create agency within academia. The findings show that U.S. Central Americans in this study developed a dual sense of belonging as Latina/o/x and U.S. Central American students. As Latina/o/x students, the Chicana/o studies department offered tools and knowledge that affirmed their belonging in a predominantly white institution. However, as U.S. Central Americans, the Chicana/o Studies department lacked a complete inclusion of their specific ethnic and cultural experiences. This research argues that to document these realities is to begin to understand how to facilitate the success of U.S. Central American students to critically assess the multiple academic realities of an increasingly diverse population of Latina/o/x collegestudents.
摘要:本文重点介绍了美国中美洲人在高等教育中被忽视的经历。鉴于中美洲研究部门的缺失以及与西南部墨西哥社区的各种共享经验,本研究分析了Chicana/o/x研究部门如何成为美国中美洲人的相关空间。本研究从加州大学洛杉矶分校Chicana/o研究部门对美国中美洲人进行的八次半结构化访谈中得出,以深入了解他们如何在学术界中导航和创建代理机构。研究结果表明,在本研究中,美国中美洲人作为拉丁裔/o/x和美国中美洲学生产生了双重归属感。作为拉丁裔/非裔学生,芝加哥裔/非裔研究部门提供的工具和知识,肯定了他们在一个以白人为主的机构中的归属感。然而,作为美国的中美洲人,Chicana/o研究部门缺乏对其特定种族和文化经历的完整包容。本研究认为,记录这些现实是为了开始理解如何促进美国中美洲学生的成功,以批判性地评估拉丁裔/非裔大学生日益多样化的多种学术现实。
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引用次数: 0
Aleph Staff 2019-2020 Aleph Staff 2019-2020
Undergraduate Research Journal Aleph
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引用次数: 0
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Aleph, UCLA Undergraduate Research Journal for the Humanities and Social Sciences
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