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The Theatre of Paula Vogel: Practice, Pedagogy, and Influences by Lee Brewer Jones (review) 李-布鲁尔-琼斯的《保拉-沃格尔的戏剧:实践、教学法和影响》(评论)
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920486
B. Rowen
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引用次数: 0
Experiential Theatres: Praxis-Based Approaches to Training 21st Century Theatre Artists ed. by William W Lewis and Sean Bartley (review) 体验式剧院:William W Lewis 和 Sean Bartley 编著的《基于实践的 21 世纪戏剧艺术家培训方法》(评论)
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920487
Paul Masters
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引用次数: 0
Internationalizing ATHE: A Roundtable Discussion ATHE 的国际化:圆桌讨论
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920478
Q-mars Haeri, Marjan Moosavi, Gustavo Prado Sampaio, Zerihun Birehanu Sira, Marcos Davi Silva Steuernagel, R. Tarafder, Eunwoo Yoo
Abstract: This roundtable of international graduate students explores the challenges of studying, teaching, and researching at institutions in the United States and proposes action items for individuals and institutions to foster a more inclusive and supportive environment for all.
摘要:本国际研究生圆桌会议探讨了在美国院校学习、教学和研究所面临的挑战,并提出了个人和院校应采取的行动项目,以便为所有人营造一个更具包容性和支持性的环境。
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引用次数: 0
Critical Conversations: Emerging BIPOC Critics Reimagine Theatre Criticism through the Digital 批判性对话:新兴的黑人、双性恋和变性人评论家通过数字技术重塑戏剧评论
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920469
Michelle MacArthur
Abstract: Theatre criticism in the Global North currently finds itself at a pivotal point, as the internet eclipses legacy media as the central space for critical discourse and as ongoing antiracist and anticolonial activism highlights the underrepresentation of BIPOC artists across the theatre industry. Within this context, stakeholders in the theatre community, recognizing the importance of a vibrant critical discourse, are faced with finding more sustainable and equitable models. This article considers the future of theatre reviewing through a case study of Taking on the World (TotW), a mentorship program for emerging BIPOC critics run in conjunction with Toronto's Soulpepper Theatre Company and Intermission magazine. TotW participants' innovative critical practice demonstrates that de-hierarchizing theatre criticism necessitates reimagining the form, and specifically centering conversation as a key quality of process and product. Exploiting the capabilities of the digital, TotW participants embed conversation within their work and model a mode of criticism that challenges traditional notions of expertise and is ultimately more inclusive. Applying recent scholarship on theatre criticism to examples of work produced in the program and participant interviews, this article advances new ways of practicing and teaching theatre criticism at this crucial moment.
摘要:随着互联网取代传统媒体成为批评话语的中心空间,以及持续不断的反种族主义和反殖民主义活动凸显出整个戏剧行业中黑人、印地安人和其他有色人种艺术家代表性不足的问题,全球北方的戏剧批评目前正处于一个关键时刻。在此背景下,戏剧界的利益相关者认识到充满活力的批评话语的重要性,面临着寻找更可持续、更公平的模式的问题。本文通过对 "挑战世界"(TotW)的案例研究,探讨了戏剧评论的未来。"挑战世界 "是与多伦多灵魂胡椒剧团(Soulpepper Theatre Company)和《中场休息》(Intermission)杂志联合开展的一项针对新兴黑人、女性和男性批评家的指导计划。TotW 参与者的创新性评论实践表明,要使戏剧评论去等级化,就必须重新认识戏剧评论的形式,特别是将对话作为过程和产品的关键质量。利用数字技术的能力,TotW 的参与者将对话嵌入他们的工作中,并建立了一种挑战传统的专业概念、最终更具包容性的批评模式。本文将最新的戏剧批评学术研究应用于该计划的作品实例和参与者访谈中,在这一关键时刻推进了戏剧批评实践和教学的新方式。
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引用次数: 0
To Catch a Glimpse from Afar: MENA Scholars in US International Conferences 远眺:参加美国国际会议的中东和北非学者
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920481
Marjan Moosavi
Abstract: As a dauntless practitioner of exulansis , I write this Note from the Field in an attempt to unlearn my practice of keeping silent about the challenges of moving across borders. It is based on a survey I did about the challenges and issues (e.g., securing visas and funds) that Middle Eastern and North African (MENA) scholars/researchers sadly encounter when they decide to participate in US conferences. While offering specific action items to the ATHE organizing committee, I remind my fellow MENA colleagues who have experienced disconnect that their sadness should prompt a vivid upsurge of collective attention to the countless possibilities we organizers and participants still have for cosmopolitan friendship while taking joy and grief all in, at once, from afar.
摘要:作为一个无畏的 "出格 "实践者,我写下这篇 "田野笔记",试图改变我对跨国界活动的挑战保持沉默的做法。它基于我对中东和北非(MENA)学者/研究人员在决定参加美国会议时不幸遇到的挑战和问题(如获得签证和资金)所做的一项调查。在向 ATHE 组委会提供具体行动项目的同时,我也提醒那些经历过与会议脱节的中东和北非同行,他们的悲伤应该引起我们的集体关注,我们的组织者和参与者仍然有无数的机会建立世界性的友谊,同时从远方将喜悦和悲伤一网打尽。
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引用次数: 0
The Labor of Our Love: Creating the Middle Eastern Theatre Focus Group 我们爱的劳动创建中东剧场焦点小组
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920474
Sarah Fahmy
Abstract: This Note discusses the creation and goals of the Middle Eastern Theatre (MET) Focus Group in the Association of Theatre in Higher Education (ATHE). Reflecting on current and future projects, this article highlights how MET contributes to building a more inclusive, just, and equitable future for theatre.
摘要:本说明讨论了高等教育戏剧协会(ATHE)中东戏剧(MET)焦点小组的创建和目标。通过对当前和未来项目的反思,本文强调了中东戏剧如何为建设一个更加包容、公正和公平的戏剧未来做出贡献。
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引用次数: 0
Multiplicity, Divergence, and Commonality: Reflections on the International Experience in US Academia 多元、差异与共性:对美国学术界国际经验的思考
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920480
Yizhou Huang
Abstract: This essay calls for local actions and broader allyship to recognize the layered experience of being international in the US academy.
摘要:这篇文章呼吁采取地方行动和更广泛的盟友关系,以认识到在美国学术界作为国际人的多层次体验。
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引用次数: 0
Latinx Actor Training ed. by Cynthia Santos DeCure and Micha Espinosa (review) 拉丁裔演员培训》,Cynthia Santos DeCure 和 Micha Espinosa 编辑(评论)
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920483
Patricia Ybarra
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引用次数: 0
Happy Blackboards: Anti-Thematic Script Analysis, or How to Teach Beyond "Themes" 快乐黑板反主题脚本分析,或如何超越 "主题 "教学
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920467
Mackenzie L. Bounds
Abstract: Since the word "theme" consistently warrants redefinition, it fails to find felicitous, longstanding meaning in theatre pedagogy. In response, I have found that asking students to identify a play's "topics," "questions," and "arguments" instead of its "themes" has saved a great deal of teaching time and student confusion—confusion that the word "theme" inevitably carries with it. Through this change, not only have my students found a much deeper engagement with the assigned plays, but the quality of the dramaturgical and practical work they produce in response to their script analyses is at a much higher level than before.
摘要:由于 "主题 "一词总是需要重新定义,因此它在戏剧教学法中找不到合适的、长期的含义。对此,我发现,要求学生找出戏剧的 "主题"、"问题 "和 "论点",而不是 "主题",既节省了大量的教学时间,也避免了学生的困惑--"主题 "一词不可避免地会带来困惑。通过这一改变,我的学生不仅更深入地参与到指定剧目的学习中,而且他们根据剧本分析完成的戏剧和实践作品的质量也比以前高得多。
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引用次数: 0
Visit to a Familiar Planet: Some Questions to Ask Before Season Selection 探访熟悉的星球选季前要问的几个问题
Pub Date : 2024-03-01 DOI: 10.1353/tt.2024.a920471
C. Syler
Abstract: This Note from the Field uses the travel metaphor and inquiry format of Elinor Fuchs's well-known pedagogical essay, "EF's Visit to a Small Planet: Some Questions to Ask a Play," to pose questions about a related object of dramatic analysis: the familiar world in which you live. The questions posed in this Note invite readers to imagine their regional, institutional, and local world as a social text that is worth reading before (or alongside) selecting plays for a theatrical season. It is the interplay between familiar and distant planets that can yield, as so many socially engaged artists and educators have found, meaningful choices of plays for local audiences.
摘要:这篇 "田野笔记 "采用了埃莉诺-福克斯著名的教学论文《英孚访问小星球》中的旅行隐喻和探究形式:向戏剧提出的一些问题",提出了与戏剧分析相关的问题:你所生活的熟悉的世界。本说明中提出的问题邀请读者将他们的地区、机构和地方世界想象成一个社会文本,值得在为戏剧季选择剧目之前(或同时)进行阅读。正如许多参与社会活动的艺术家和教育家所发现的那样,正是熟悉的星球和遥远的星球之间的相互作用,才能为当地观众带来有意义的戏剧选择。
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引用次数: 0
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Theatre Topics
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