Pub Date : 1900-01-01DOI: 10.1093/oso/9780197518571.003.0025
S. R. Wilk
What materials can be used to make optical elements – that are transparent and mostly homogeneous -- but which are also edible? Think of this as an exercise in optical engineering with a very odd requirement. Optical designers are often bound by restrictions that require their materials to be transparent in certain regions of the spectrum, or are vacuum-qualified for use in space, or which must function at extreme ntemperatures. This is just a very different requirement. If it seems too outrageous, consider that there can be practical reasons for this requirement. Several edible optical devices have, in fact, already been designed and constructed.
{"title":"Edible Optics","authors":"S. R. Wilk","doi":"10.1093/oso/9780197518571.003.0025","DOIUrl":"https://doi.org/10.1093/oso/9780197518571.003.0025","url":null,"abstract":"What materials can be used to make optical elements – that are transparent and mostly homogeneous -- but which are also edible? Think of this as an exercise in optical engineering with a very odd requirement. Optical designers are often bound by restrictions that require their materials to be transparent in certain regions of the spectrum, or are vacuum-qualified for use in space, or which must function at extreme ntemperatures. This is just a very different requirement. If it seems too outrageous, consider that there can be practical reasons for this requirement. Several edible optical devices have, in fact, already been designed and constructed.","PeriodicalId":211028,"journal":{"name":"Sandbows and Black Lights","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124123176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1093/oso/9780197518571.003.0041
S. R. Wilk
The earliest “ray guns” in fiction were large, unwieldy devices that might more appropriately be called “ray cannons.” The devices used in stories by Washington Irving, H.G. Wells, and early 20th century science fiction writers were large devices that required their own mounts. This reflected the reality of real experimental ray devices and the various experimental “death rays” that inventors were trying to develop and sell to armies all over the world. The idea of the small, handheld ray gun changed the nature of the device in fiction and its place in pop culture forever. Now the ray gun could be a futuristic sidearm and both symbolize the future and provide a shorthand way to signal the fantastic nature of the stories.How and why did this development take place? What were the results of the change, in both Pop Culture and Real Life?
{"title":"How the Ray Gun Got Its Zap! Part II—Handheld Ray Guns","authors":"S. R. Wilk","doi":"10.1093/oso/9780197518571.003.0041","DOIUrl":"https://doi.org/10.1093/oso/9780197518571.003.0041","url":null,"abstract":"The earliest “ray guns” in fiction were large, unwieldy devices that might more appropriately be called “ray cannons.” The devices used in stories by Washington Irving, H.G. Wells, and early 20th century science fiction writers were large devices that required their own mounts. This reflected the reality of real experimental ray devices and the various experimental “death rays” that inventors were trying to develop and sell to armies all over the world. The idea of the small, handheld ray gun changed the nature of the device in fiction and its place in pop culture forever. Now the ray gun could be a futuristic sidearm and both symbolize the future and provide a shorthand way to signal the fantastic nature of the stories.How and why did this development take place? What were the results of the change, in both Pop Culture and Real Life?","PeriodicalId":211028,"journal":{"name":"Sandbows and Black Lights","volume":"116 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113945856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1093/oso/9780197518571.003.0028
S. R. Wilk
In order to publicize the capabilities of General Electric’s lighting department and to solicit more contracts, lead engineer Walter Darcy Ryan came up with a spectacular lighting effect. He called it the “Scintillator.” It was showcased at Wonderland, a local amusement park and to illuminate Niagara Falls, and then appeared at international exhibitions and World’s Fairs in New York, Chicago, San Francisco, and elsewhere for the next quarter of a century. It was also used atop some buildings, and helped inspire the “searchlight” motif in Art Deco depictions of cities. Wanter Darcy Ryan had effectively invented the light show.
{"title":"Walter Darcy Ryan and His Electric Scintillator","authors":"S. R. Wilk","doi":"10.1093/oso/9780197518571.003.0028","DOIUrl":"https://doi.org/10.1093/oso/9780197518571.003.0028","url":null,"abstract":"In order to publicize the capabilities of General Electric’s lighting department and to solicit more contracts, lead engineer Walter Darcy Ryan came up with a spectacular lighting effect. He called it the “Scintillator.” It was showcased at Wonderland, a local amusement park and to illuminate Niagara Falls, and then appeared at international exhibitions and World’s Fairs in New York, Chicago, San Francisco, and elsewhere for the next quarter of a century. It was also used atop some buildings, and helped inspire the “searchlight” motif in Art Deco depictions of cities. Wanter Darcy Ryan had effectively invented the light show.","PeriodicalId":211028,"journal":{"name":"Sandbows and Black Lights","volume":"53 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133239753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}