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The Play of the Qurʾanic Trace: Engaging Stefania Pandolfo's Knot of the Soul 古兰经痕迹的戏剧:参与斯蒂凡妮亚·潘多尔福的灵魂结
Pub Date : 2019-06-01 DOI: 10.1215/10418385-7522631
Ali Altaf Mian
The presence-absence of the trace, which one should not even call its ambiguity but rather its play (for the word “ambiguity” requires the logic of presence, even when it begins to disobey that logic), carries in itself the problems of the letter and the spirit, of body and soul, and of all the problems whose primary affinity we have recalled. All dualisms, all theories of immortality of the soul or of the spirit, as well as all monisms, spiritualist or materialist, dialectical or vulgar, are the unique theme of a metaphysics whose entire history was compelled to strive toward the reduction of the trace. The subordination of the trace to the full presence summed up in the
痕迹的存在-缺失,我们甚至不应该称之为它的模糊性,而应该称之为它的游戏(因为“模糊性”这个词需要存在的逻辑,即使它开始违背这种逻辑),它本身就包含着文字和精神、身体和灵魂的问题,以及我们所回忆的所有主要关系的问题。所有的二元论,所有灵魂或精神不朽的理论,以及所有的一元论,唯心论或唯物主义,辩证或庸俗,都是形而上学的独特主题,其整个历史都被迫为减少痕迹而努力。痕迹从属于完整的存在,总结在
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引用次数: 0
Protestant Buddhism and "Influence": The Temporality of a Concept 新教佛教与“影响”:一个概念的时间性
Pub Date : 2019-06-01 DOI: 10.1215/10418385-7522565
A. Abeysekara
Abstract:Critiques of the concept of "Protestant Buddhism" claim to tell a different story about the relation between religion and modernity ("Protestantism") in South Asia. They seek to reconstruct the temporal relation between the past and the present, contesting postcolonial conceptions of history, time, and religious practice. This story of temporality is staked on the question of "influence," which has a genealogy that includes not just colonial, missionary, liberal politics but also contemporary legal-political questions about foreign influence on democracy and sovereignty. This article argues that preoccupation with influence inscribes an a priori ontology that already separates the past from the present. This makes it difficult to understand the relation between temporality and a form of life in a discursive tradition, as the question of influence grounds the ostensive plurality of religions in some preexisting ontological difference. Once religion as such is understood as an object of influence, the temporality of the form, which is encountered within power—that is, the formations of particular sensibilities and dispositions within the coherence of a tradition—is rendered marginal if not irrelevant to the embodied life of religion. The article calls for renewed attention to the temporality of sensibilities to think about the temporality of a form of life within the limits of a tradition.
摘要:对“新教佛教”概念的批评,声称讲述了南亚宗教与现代性(“新教”)之间关系的不同故事。他们试图重建过去和现在之间的时间关系,挑战后殖民时期的历史、时间和宗教实践概念。这个关于时间性的故事是建立在“影响”的问题上的,这个问题的谱系不仅包括殖民、传教士、自由政治,还包括当代关于外国对民主和主权的影响的法律政治问题。本文认为,对影响的关注体现了一种先验的本体论,这种本体论已经将过去与现在分开了。这使得我们很难理解在话语传统中,时间性和一种生活形式之间的关系,因为影响的问题将宗教的显性多元性建立在一些预先存在的本体论差异之上。一旦宗教被理解为一个受影响的对象,在权力中遇到的形式的暂时性——也就是说,在传统的连贯性中形成的特殊情感和性格——即使不是与宗教的具体化生活无关,也会被边缘化。这篇文章呼吁重新关注情感的暂时性,在传统的限制下思考一种生活形式的暂时性。
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引用次数: 6
Dust and Roses 灰尘与玫瑰
Pub Date : 2019-06-01 DOI: 10.1215/10418385-7522576
J. Mieszkowski
Abstract:Tracing a trajectory of literary and philosophical texts from the ancient atomists to the late twentieth century, this essay explores the surprisingly consistent role that dust has played in the conceptualization of language. In Lucretius, Sophocles, and the New Testament, dust is as much a standard of representation as it is one object of representation among others. In the most extreme case, it becomes the defining medium of inscription. In Paul Celan's work, the attempt to articulate a rhetoric of negation that will put language on something other than a dusty footing comes perilously close to demonstrating that all verse unfolds under the aegis of the word dust. The essay closes by suggesting that Jorie Graham's poetry offers a new perspective on what it would mean to read the surface of a text, particularly when that text is dusty.
摘要:本文追溯了从古代原子论到20世纪晚期的文学和哲学文本的轨迹,探讨了尘埃在语言概念化中所起的惊人的一致作用。在卢克莱修、索福克勒斯和《新约》中,尘土既是表现的标准,也是表现的对象之一。在最极端的情况下,它成为铭文的定义媒介。在Paul Celan的作品中,试图清晰地表达一种否定的修辞,将语言置于尘土之外的东西上,这危险地接近于证明所有的诗歌都是在尘土这个词的庇护下展开的。文章最后指出,乔里·格雷厄姆的诗歌为我们提供了一个新的视角,让我们了解读一篇文章的表面意味着什么,尤其是当这篇文章是尘土飞扬的时候。
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引用次数: 0
What Is Critique? A Conversation with Eva Illouz 什么是批判?与伊娃·伊洛兹的对话
Pub Date : 2019-06-01 DOI: 10.1215/10418385-7522609
Elisa Eva Russian, Elisa Eva Illouz
Abstract:In this interview the Franco-Israeli sociologist Eva Illouz retraces her relationship to critical theory from the 1980s to the present. The conversation explores the reasons behind Illouz's initial reluctance to adopt a critical stance toward capitalism, her rediscovery of Max Horkheimer and Theodor W. Adorno's Dialectic of Enlightenment in the early 2000s, and her recent call for a postnormative critique.
摘要:在本次访谈中,法裔以色列社会学家伊娃·伊洛兹回顾了她从20世纪80年代至今与批判理论的关系。对话探讨了伊洛兹最初不愿对资本主义采取批判立场背后的原因,她在21世纪初重新发现了马克斯·霍克海默和西奥多·阿多诺的启蒙辩证法,以及她最近呼吁进行后规范批判。
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引用次数: 21
Archetypography
Pub Date : 2019-06-01 DOI: 10.1215/10418385-7522620
E. Taborda, Jesús Gutiérrez
graphic narratives. Based in Brazil, he engages digital experiments, intuitive rhythms, optical illusions, mathematical patterns, and other ludic forms. qui parle june 2019 vol. 28 no. 1 182
图形的叙述。他以巴西为基地,从事数字实验、直觉节奏、视错觉、数学模式和其他有趣的形式。《平行》2019年6月第28卷第1期。1 182
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引用次数: 0
The X of Representation: Rereading Stuart Hall 代表的X:重读斯图尔特·霍尔
Pub Date : 2019-03-01 DOI: 10.3898/NEWF:96/97.08.2019
David Marriott
Abstract:This essay is a study of the notion of representation—its relation to difference, politics, diaspora, otherness, truth, and doxa—within Stuart Hall's work. The reevaluation of this concept in terms of dialectics and différance, or of blackness and innocence, is shown to be an abiding preoccupation of Hall's work. In particular, because blackness (or its notion) is never innocent, this essay explores the consequences of a certain undecidability that attends any encounter between representation and difference. And it is this X—its shaping of black meaning and life—that alerts us to an unsettling tension in Hall's work that no knowledge or encounter can fill and that leads to a purely negative reassessment of the racial imperatives of certain truths.
摘要:本文研究了斯图尔特·霍尔作品中的再现概念及其与差异、政治、散居、他者性、真理和doza的关系。从辩证法和差异,或黑暗和纯真的角度重新评价这一概念,是霍尔作品中持久的关注。特别是,因为黑人(或其概念)从来不是无辜的,这篇文章探讨了某种不确定性的后果,这种不确定性出现在代表和差异之间的任何相遇中。正是这个x——它对黑人意义和生活的塑造——提醒我们注意霍尔作品中令人不安的张力,这种张力是任何知识或遭遇都无法填补的,它导致了对某些真理的种族必要性的纯粹消极的重新评估。
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引用次数: 3
Between Friends 朋友之间
Pub Date : 2018-12-01 DOI: 10.1215/10418385-7200298
Jessica Ruffin, Simone Stirner
Abstract:In this experimental essay authors and friends Jessica Ruffin and Simone Stirner explore the question of friendship through a dialogic exchange, engaging with friendship as a theoretical concept alongside their own personal histories and relationships. Emails exchanged beneath and between the dialogue lay bare the various registers of friendship and collaboration.
摘要:在这篇实验论文中,作者杰西卡·鲁芬(Jessica Ruffin)和西蒙娜·斯特纳(Simone Stirner)通过对话交流探讨了友谊问题,将友谊作为一个理论概念与他们自己的个人历史和关系结合起来。对话下和对话间交换的电子邮件暴露了友谊和合作的各种记录。
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引用次数: 0
Can a Dog Really Be a Man's Best Friend? An Exchange between Humans 狗真的能成为人类最好的朋友吗?人与人之间的交流
Pub Date : 2018-12-01 DOI: 10.1215/10418385-7200265
Thomas Laqueur, Alexander Nehamas
Abstract:This essay is an exchange between friends and scholars Thomas Laqueur and Alexander Nehamas. Laqueur offers a number of possible answers to the question "Why is a dog a man's best friend?" as he explicates and analyzes a varied historical record of archaeological evidence, philosophy, art, and literature. Laqueur builds on Aristotle's conception of friendship as he explores what types of friendships we humans have with dogs and how such relationships may benefit both species. Nehamas responds to Laqueur's text and Aristotle on philia as he traces the limits of human relationships with dogs as well as human friends.
摘要:这篇文章是托马斯·拉克尔和亚历山大·内哈玛斯的朋友和学者之间的一次交流。拉克尔为“为什么狗是人类最好的朋友?”这个问题提供了许多可能的答案,他对考古证据、哲学、艺术和文学的各种历史记录进行了解释和分析。拉克尔以亚里士多德的友谊概念为基础,探讨了人类与狗之间的友谊类型,以及这种关系如何使两种物种都受益。Nehamas回应了Laqueur的文本和亚里士多德关于philia的观点,他追溯了人类与狗以及人类朋友关系的局限性。
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引用次数: 0
Two Incompletes 两个不完整的
Pub Date : 2018-12-01 DOI: 10.1215/10418385-7200188
Thomas Schestag
Abstract:This essay gathers two contributions to conferences or panels delivered in 2015 and 2016. The liminal figure relating both incompletes is the Sammler, as discussed in two texts by Walter Benjamin: "Eduard Fuchs, der Sammler und der Historiker" ("Eduard Fuchs: Collector and Historian") and "Ich packe meine Bibliothek aus: Eine Rede über das Sammeln" ("Unpacking My Library: A Talk about Collecting").
摘要:本文收集了2015年和2016年在会议或小组会议上发表的两篇论文。与这两种不完整相关的界限人物是萨姆勒,正如沃尔特·本雅明在两篇文章中所讨论的:《爱德华·富克斯:收藏家和历史学家》和《Ich packke meine Bibliothek aus: Eine Rede ber das Sammeln》(《打开我的图书馆:关于收藏的谈话》)。
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引用次数: 0
"A Picture of Peace": Friendship in Interwar Pacific Women's Internationalism “一幅和平的图画”:两次世界大战之间太平洋妇女国际主义中的友谊
Pub Date : 2018-12-01 DOI: 10.1215/10418385-7200287
Courtney Sato
Abstract:During the interwar period, internationalists declared Hawai'i the "new Geneva" of the Pacific: a locus for regional diplomacy, social reform, and cross-cultural exchange. This article examines the Pan-Pacific Women's Association (PPWA) as part of the emerging Honolulu-based Pan-Pacific internationalist movement. The PPWA enacted social reform grounded in ideals of antiracism, affective connection, and cross-cultural exchange. The article recuperates "friendship" in two ways: first, as a fundamental tenet of Pacific interwar internationalist praxis, and second, as an analytic attuned to internationalism's entanglements with empire, race, gender, and sexuality. Despite the PPWA's progressive antiracist liberal cosmopolitanism, the ideology and practice of international and interracial friendship often consolidated, rather than dismantled, hierarchies of race, nationality, class, gender, and sexuality.
摘要:在两次世界大战期间,国际主义者宣称夏威夷是太平洋地区的“新日内瓦”:一个区域外交、社会改革和跨文化交流的场所。这篇文章考察了泛太平洋妇女协会(PPWA)作为新兴的檀香山泛太平洋国际主义运动的一部分。PPWA制定了基于反种族主义、情感联系和跨文化交流理想的社会改革。这篇文章以两种方式恢复了“友谊”:第一,作为太平洋战争期间国际主义实践的基本原则;第二,作为国际主义与帝国、种族、性别和性的纠缠的分析。尽管PPWA是进步的反种族主义自由世界主义,但国际和种族间友谊的意识形态和实践往往是巩固而不是拆除种族、国籍、阶级、性别和性取向的等级制度。
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Qui Parle: Critical Humanities and Social Sciences
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