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The Para-Worlds of Lesley Nneka Arimah’s: What It Means When a Man Falls from the Sky Lesley Nneka Arimah的平行世界:当一个人从天上掉下来意味着什么
Pub Date : 2022-06-01 DOI: 10.1215/10418385-9669481
Delali Kumavie
Abstract:This essay argues that Lesley Nneka Arimah’s collection of short stories, What It Means When a Man Falls from the Sky, evokes paraworlds that reveal and contend with the world and its norms. Examining the collection’s entwinement of magical, mythical, and animist modes with science, technology, and innovation, the essay shows how Arimah’s work creates its own metagenre, which functions as a paranormal frame that disrupts the common sense of existing interpretive frameworks of progress and difference. The paranormal in Arimah’s work is a space where the illegible significance of Blackness exists. These para-worlds, the essay contends, are paranormal because they function as parallel, ancillary, and barricading structures that reveal the spatial and temporal continuums that order the world. Viewing the norm as the world-constituting structures instantiated in 1492, the essay contends that Arimah’s para-world functions as a continuum to reveal the ever-present structures of violence.
摘要:本文认为Lesley Nneka Arimah的短篇小说集《当一个人从天上掉下来意味着什么》唤起了对世界及其规范的揭示和抗争的超世界。通过考察这部文集中魔法、神话和万物有灵论模式与科学、技术和创新的相互交织,本文展示了Arimah的作品是如何创造自己的元环境的,它作为一个超自然的框架,打破了现有的关于进步和差异的解释框架的常识。Arimah作品中的超自然现象是一个存在着难以辨认的黑色意义的空间。这篇文章认为,这些超世界是超自然的,因为它们是平行的、辅助的、屏障式的结构,揭示了秩序世界的空间和时间连续体。将规范视为1492年实例化的构成世界的结构,本文认为,Arimah的超世界作为一个连续体,揭示了永远存在的暴力结构。
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引用次数: 0
Poems by Oksana Vasyakina and Elena Kostyleva
Pub Date : 2022-06-01 DOI: 10.1215/10418385-9669503
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引用次数: 0
The Prion as Nature’s Undead 朊病毒是自然界的亡灵
Pub Date : 2022-06-01 DOI: 10.1215/10418385-9669514
Kathleen Powers
Abstract:The prion is a self-replicating protein that infects the central nervous system. This essay applies Georges Canguilhem’s criterion for life, biological normativity, to the prion for the purpose of arguing that the existence of the prion within living systems requires attention to how biological matter uses space. Without the involvement of DNA, the prion protein is physically capable of transforming nonprion proteins into prion proteins—a capacity afforded by the specific characteristics of the energy landscape it propagates within, which in turn is determined by the specific arrangement of atoms in its molecular architecture. Like a hammer that is a mirror, the prion compresses and folds surrounding proteins, making its environment identical to itself. This essay studies how information exchange occurs for the prion for the purpose of arguing for a philosophy of biology premised on the analysis of space with attention to form over the analysis of language with attention to genetic code.
摘要:朊病毒是一种感染中枢神经系统的自我复制蛋白。本文将Georges Canguilhem的生命标准——生物规范性(biological normativity)应用于朊病毒,目的在于论证朊病毒在生命系统中的存在需要关注生物物质如何利用空间。在没有DNA参与的情况下,朊病毒蛋白在物理上有能力将非朊病毒蛋白转化为朊病毒蛋白——这种能力是由它在其中传播的能量环境的特定特征提供的,而这种能力又由其分子结构中原子的特定排列决定。就像锤子是镜子一样,朊病毒压缩和折叠周围的蛋白质,使其环境与自身相同。本文研究朊病毒的信息交换是如何发生的,目的是为了论证一种以关注形式的空间分析为前提的生物学哲学,而不是以关注遗传密码的语言分析为前提的生物学哲学。
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引用次数: 0
RE: [No Subject]—On Nonbinary Gender RE:[无主题]-非二元性别
Pub Date : 2021-12-01 DOI: 10.1215/10418385-9395268
Marquis Bey
Abstract:This essay attempts to imagine what nonbinary gender might be through an autotheoretical and imaginative email exchange between the author, as "X," and the author's gender as nonbinary. Indeed, theorized conversationally throughout are the difficulties and potentialities of nonbinary gender, or nonbinariness as a refusal of gender.
摘要:本文试图通过作者“X”和作者的非二元性别之间的自我理论和想象的电子邮件交流来想象非二元性别可能是什么。事实上,在对话中,非二元性别的困难和潜力,或者作为性别拒绝的非二元性,都是理论化的。
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引用次数: 0
The United States at the Center of the Action 美国处于行动的中心
Pub Date : 2021-12-01 DOI: 10.1215/10418385-9395323
Jane Komori
Mark W. Driscoll’s second book from Duke University Press, The Whites Are Enemies of Heaven, is a historical monograph concerning English, French, and US imperialism and resistance in late Qing China and late Edo and earlyMeiji Japan (roughly 1800–1920). The book builds on and significantly extends the focus of Driscoll’s previous work on Japanese imperialism. These include his first book, Absolute Erotic, Absolute Grotesque: The Living, Dead, and Undead in Japan’s Imperialism, 1895–1945 (2010), as well as his translation of Katsuei Yuasa’s 1934 and 1935 novels concerning the culture of Japanese imperialism, Kannani and Document of Flames (2005). With his first book, Driscoll made his name for an idiosyncratic writing style and the application of diverse concepts from critical theory—especially biopolitics and necropolitics—to interpret the expansion of Japanese imperialism in the early twentieth century and challenge the boundaries of his field. TheWhites Are Enemies of
马克·w·德里斯科尔(Mark W. Driscoll)由杜克大学出版社出版的第二本书《白人是天堂的敌人》(The Whites Are The Enemies of Heaven)是一部历史专著,讲述了清末中国、江户晚期和明治初期(大约1800-1920年)英、法、美帝国主义和抵抗运动。这本书建立在德里斯科尔之前关于日本帝国主义的著作的基础上,并极大地扩展了其关注的焦点。其中包括他的第一本书《绝对的色情,绝对的怪诞:1895-1945年日本帝国主义中的生者,死者和亡灵》(2010),以及他翻译的汤浅克荣1934年和1935年关于日本帝国主义文化的小说《kanannani》和《火焰文件》(2005)。在他的第一本书中,德里斯科尔以一种独特的写作风格和对批判理论中各种概念的应用——尤其是生命政治和死亡政治——来解释20世纪初日本帝国主义的扩张,并挑战他的研究领域的界限而闻名。白人是……的敌人
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引用次数: 0
Why Medieval Allegory? 为什么是中世纪寓言?
Pub Date : 2021-12-01 DOI: 10.1215/10418385-9395345
B. S. Hinojosa
Writing primarily for an audience of medievalists, in his brief afterword to the collection The Legitimacy of the Middle Ages, Fredric Jameson remarks: “Suffice it to say then that allegory, on my reading of it, is always intimately related to a crisis in representation, and that the medieval period is an extraordinary laboratory in which to witness its elaborations.”1 Almost a decade later, in his Allegory and Ideology, Jameson expands on and thus clarifies these remarks. Moving across time and space, from late antique biblical hermeneutics to twenty-first-century world literature, he shows the relevance of this seemingly archaic form to modernity and its crises of representation. For Jameson, allegory—as opposed to allegoresis and symbolic interpretation—promises hermeneutic simplicity and unitary meaning but delivers multiplicity and disruption:
詹姆逊在《中世纪的合法性》(the Legitimacy of Middle Ages)文集的简短后记中,主要是写给中世纪学者的,他说:“我认为,寓言总是与再现危机密切相关,而中世纪是见证其阐述的非凡实验室,这就足够了。近十年后,詹姆逊在他的《寓言与意识形态》一书中对这些言论进行了扩展和澄清。穿越时空,从古代圣经解释学到21世纪的世界文学,他展示了这种看似古老的形式与现代性及其表现危机的相关性。对于詹姆逊来说,寓言——相对于寓言和象征解释——承诺了解释学上的简单性和单一意义,但却传递了多样性和破坏性:
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引用次数: 0
Collective Tissue 集体组织
Pub Date : 2021-06-01 DOI: 10.1215/10418385-8955857
J. Moro
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引用次数: 0
as I take my seat . . 当我坐下时……
Pub Date : 2021-06-01 DOI: 10.1215/10418385-8955885
P. Myers
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引用次数: 0
Groan 呻吟
Pub Date : 2021-06-01 DOI: 10.1215/10418385-8955892
K. Bain
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引用次数: 0
A Philippine Asphyxia 菲律宾式窒息
Pub Date : 2021-06-01 DOI: 10.1215/10418385-8955878
K. Gutierrez
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引用次数: 0
期刊
Qui Parle: Critical Humanities and Social Sciences
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