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Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020)最新文献

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Langkahan Myth and Ritual in Javanese Weddings 爪哇婚礼中的朗卡汉神话与仪式
Tiwi Purbandari, Sutiyono
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引用次数: 0
Educational Values in Busy Book for Early Childhood Learning 幼儿学习《活书》的教育价值
Martono
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引用次数: 0
Gending Samirah Vocal by Karawitan Among Rasa Malang: Semiotics Analysis Based on Roland Barthes’ Theory 《Rasa Malang》中Karawitan的Gending Samirah Vocal:基于罗兰·巴特理论的符号学分析
Muhammad Ilham Isniawan, S. Pradoko
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引用次数: 0
Moral Criticism: Social Stigma About LGBT on Didik Nini Thowok’s Dancing Skills in Cross-Gender Dances 道德批判:对LGBT的社会污名论Didik Nini Thowok在跨性别舞蹈中的舞蹈技巧
R. Anjani, Kusnadi
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引用次数: 1
Understanding Education of Maternal Roles Fostered in Floor Wash Ceremony in Lingga, Riau Islands 了解廖内群岛灵加洗地板仪式中培养的母亲角色教育
M. Putri, Kusnadi, Diany Asritisthia
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引用次数: 0
The Urgency and Relevance of Art Education in the Industry 4.0 工业4.0时代艺术教育的迫切性与相关性
Sri Kristati
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引用次数: 0
Banyu Moto - ‘The Tears’ by Nella Kharisma Featuring Dory Harsa as Analyzed in the Context of Hyperreality Banyu Moto - Nella Kharisma的“眼泪”,在超现实的背景下分析多莉·哈尔萨
Jordy Mesakh, S. Pradoko
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引用次数: 0
Representation of Buddhism Teachings in the Show Sound of Borobudur: The Reconstruction of Karmawibhangga Relief in the Age of Hyperreality 婆罗浮屠示声中佛教教义的再现:超现实时代噶玛威邦加浮雕的重建
Nicholas Ferdeta Lakusa, A. Pradoko
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引用次数: 0
Wedding Procession of Sasak Ethnic Group as Presented in the Cilokaq Text Titled ‘Ngiring Penganten’ (The Bridal Parade): A Review Based on Dilthey’s Hermeneutics 扎罗克文本《迎亲游行》中萨萨克族的迎亲游行——基于狄尔泰解释学的述评
Rapi Renda, Sumaryadi, Hanifa Sa’diyah
This research is aimed at describing the marriage custom procession of Sasak Ethnic group in Lombok, Indonesia which is represented in the modern cilokaq text titled ‘Ngiring Penganten’ (The Bridal Parade). The data on the ethnic wedding procession of Sasak ethnic group in Lombok island which are represented in modern text of ‘ cilokaq ’ were then internalised into the wedding procession of Sasak ethnic group of Lombok. This study of literature used content analysis that is the descriptive qualitative method. The discussion of cilokaq text ‘ngiring penganten’ is analyzed using Dilthey’s Hermeneutics. The other data used in this study also include video footage of cilokaq tradition by L. Syukri and Teguh K downloaded from YouTube. The video footage was then transcribed and analyzed to study the form of wedding procession in the Sasak ethnic group in Lombok. Findings have shown that there are several forms of traditional Lombok Sasak ethnic marriage procession contained in the modern art text of Cilokaq ‘The Bridal Parade’ by L. Syukri and Teguh K., namely: 1) ‘Memaling’ (symbolic bride kidnapping ritual), 2) ‘Ngawinang’ (the marriage), and 3) ‘Nyongkolan’ (the wedding party). All three forms of traditional rituals which are part of a traditional wedding procession include: a) Sejati or besejati, b) Selabar, c) ‘Bait wali’ (seeking consent from the guardian of the bride to witness the wedding), and d) Sorong serah (handing over the bride to the groom’s family).
本研究旨在描述龙目岛萨萨克族的婚俗游行,印度尼西亚,这是代表在现代cilokaq文本题为“Ngiring Penganten”(新娘游行)。龙目岛萨萨克族婚礼队伍的数据被内化到龙目岛萨萨克族婚礼队伍中,这些数据在现代文本“cilokaq”中得到了体现。本研究采用了内容分析,即描述性定性方法。运用狄尔泰的诠释学理论,分析了对“奇洛克文本”的讨论。本研究中使用的其他数据还包括从YouTube下载的L. Syukri和Teguh K拍摄的香菇传统视频片段。然后将视频片段转录并分析,以研究龙目岛萨萨克族的婚礼游行形式。研究结果表明,L. Syukri和Teguh K.在Cilokaq的现代艺术文本“新娘游行”中包含了几种形式的传统龙目岛Sasak民族婚礼游行,即:1)“Memaling”(象征性的新娘绑架仪式),2)“Ngawinang”(婚姻)和3)“Nyongkolan”(婚礼派对)。作为传统婚礼队伍一部分的所有三种形式的传统仪式包括:a) Sejati或besejati, b) Selabar, c) ' Bait wali '(征求新娘监护人的同意来见证婚礼),以及d) Sorong serah(将新娘交给新郎的家人)。
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引用次数: 0
Hyperreality of Virtual Music Ensemble 虚拟音乐合奏的超现实
Zakaria Mohammad, K. Astuti
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引用次数: 0
期刊
Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020)
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