Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.059
Yingchun Zhang
The Taming of the Shrew is an early play by William Shakespeare. The feminism and consciousness presented in this work are controversial, and the modern readers and drama critics have different opinions on it. This paper will take Shakespeare's The Taming of the Shrew as the main research object, focusing on the female consciousness in it. And this paper will analyze the performance of female consciousness at that time through interpreting the female characters in The Taming of the Shrew, so as to provide some reference for a better understanding of Shakespeare's view of women. In the end, it is concluded that Shakespeare’s view of women is full of humanistic care and it is valuable in the historical background at that time.
{"title":"A Study of Female Consciousness in Shakespeare’s The Taming of the Shrew","authors":"Yingchun Zhang","doi":"10.2991/ASSEHR.K.210313.059","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.059","url":null,"abstract":"The Taming of the Shrew is an early play by William Shakespeare. The feminism and consciousness presented in this work are controversial, and the modern readers and drama critics have different opinions on it. This paper will take Shakespeare's The Taming of the Shrew as the main research object, focusing on the female consciousness in it. And this paper will analyze the performance of female consciousness at that time through interpreting the female characters in The Taming of the Shrew, so as to provide some reference for a better understanding of Shakespeare's view of women. In the end, it is concluded that Shakespeare’s view of women is full of humanistic care and it is valuable in the historical background at that time.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134178804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.051
Daiqiong Liu
Auspicious culture refers to the collection of cultural representations related to auspicious concepts and auspicious consciousness. There are similar cultural concepts in the auspicious culture of ancient Tibetan cultural system and the ancient Greek cultural system, such as auspicious objects, languages, behaviors, and numbers. This can be seen in the "King Gesar" and "Homer's Epic". Due to factors such as thinking mode, personality and national psychology, the auspicious culture presents different cultural representations in the two cultural systems.
{"title":"A Comparative Study of Tibetan and English Auspicious Culture: Based on “The King Gesar” and “Homer’s Epic”","authors":"Daiqiong Liu","doi":"10.2991/ASSEHR.K.210313.051","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.051","url":null,"abstract":"Auspicious culture refers to the collection of cultural representations related to auspicious concepts and auspicious consciousness. There are similar cultural concepts in the auspicious culture of ancient Tibetan cultural system and the ancient Greek cultural system, such as auspicious objects, languages, behaviors, and numbers. This can be seen in the \"King Gesar\" and \"Homer's Epic\". Due to factors such as thinking mode, personality and national psychology, the auspicious culture presents different cultural representations in the two cultural systems.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125640857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.017
Zhiyong Yang
Cultural capital is rooted in the social structure and institutional legal environment. Language, as one of the important carriers of culture, plays an important role in the acquisition of cultural capital. Language rights have the function of constructing a system and legal guarantee for the realization of cultural capital. This research is based on relevant Chinese laws and is combined with specific interviews and research to observe the protection of language rights in practice and analyze its impact on the realization of cultural capital. China has corresponding legal protection for language rights at the institutional level, which has promoted the realization of the cultural capital of language minorities to a certain extent, but there is still room for improvement.
{"title":"The Guarantee of Language Rights and the Realization of Cultural Capital","authors":"Zhiyong Yang","doi":"10.2991/ASSEHR.K.210313.017","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.017","url":null,"abstract":"Cultural capital is rooted in the social structure and institutional legal environment. Language, as one of the important carriers of culture, plays an important role in the acquisition of cultural capital. Language rights have the function of constructing a system and legal guarantee for the realization of cultural capital. This research is based on relevant Chinese laws and is combined with specific interviews and research to observe the protection of language rights in practice and analyze its impact on the realization of cultural capital. China has corresponding legal protection for language rights at the institutional level, which has promoted the realization of the cultural capital of language minorities to a certain extent, but there is still room for improvement.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127369603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.068
Yilan Wang
In the 1930s, films became a tool for left-wing film critics to compete for the discourse power of films. This competition was not only directly reflected in the criticism of the film content, but also in the views of the audience. By specifying what viewing qualities the audience should have, left-wing film critics intervened in the construction of the film audience group image. Through the stipulations of ideal audience groups, the territory of left-wing films was delimited. At that time, some film review articles believed that the audience was ignorant and good films were needed to inspire people's wisdom, and some believed that the audience was sober-minded and the film shouldn't abandon the audience. This article attempts to start with articles involving the audience in the supplement "Daily Film" of "Morning Paper" and analyzes that behind this seemingly contradictory attitude, how film critics compete for the discourse power of films through the construction of the ideal audience group image and then get involved in the competition for the political discourse power.
{"title":"The Dialogue Strategy Between Left-wing Filmmakers and Film Audience in the 1930s — Focusing on the Construction of Audience by Film Critics of “Morning Paper·Daily Film”","authors":"Yilan Wang","doi":"10.2991/ASSEHR.K.210313.068","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.068","url":null,"abstract":"In the 1930s, films became a tool for left-wing film critics to compete for the discourse power of films. This competition was not only directly reflected in the criticism of the film content, but also in the views of the audience. By specifying what viewing qualities the audience should have, left-wing film critics intervened in the construction of the film audience group image. Through the stipulations of ideal audience groups, the territory of left-wing films was delimited. At that time, some film review articles believed that the audience was ignorant and good films were needed to inspire people's wisdom, and some believed that the audience was sober-minded and the film shouldn't abandon the audience. This article attempts to start with articles involving the audience in the supplement \"Daily Film\" of \"Morning Paper\" and analyzes that behind this seemingly contradictory attitude, how film critics compete for the discourse power of films through the construction of the ideal audience group image and then get involved in the competition for the political discourse power.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130444368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.018
Z. Zhuang
Cognitive linguistics is an approach to language that is based on people's experience of the world and the way people perceive and conceptualize it. Metaphors abound in Mao Zedong's poems. These frequent and substantive metaphors play an important role in expressing the theme of the poetry. The author of this paper attempts to study the metaphors in Mao's poems from the perspective of cognitive linguistics, especially from the conceptual blending theory, on the premise of understanding metaphors comprehensively, and testifies the conceptual blending theory's explanatory power in cognitive
{"title":"The Working Mechanism of Conceptual Blending Theory in Metaphor Understanding","authors":"Z. Zhuang","doi":"10.2991/ASSEHR.K.210313.018","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.018","url":null,"abstract":"Cognitive linguistics is an approach to language that is based on people's experience of the world and the way people perceive and conceptualize it. Metaphors abound in Mao Zedong's poems. These frequent and substantive metaphors play an important role in expressing the theme of the poetry. The author of this paper attempts to study the metaphors in Mao's poems from the perspective of cognitive linguistics, especially from the conceptual blending theory, on the premise of understanding metaphors comprehensively, and testifies the conceptual blending theory's explanatory power in cognitive","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128913339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.036
Wen Zhao
BBC Chinese theme documentaries view China from the other's perspective and introduce China to the world. Since the target audiences are from different cultural backgrounds, documentary producers need to employ certain strategies to overcome linguistic, cultural and cognitive obstacles, thus ensuring the global reception of documentaries. This paper, based on the BBC documentary Du Fu, China's Greatest Poet, focuses on strategies adopted for cross-cultural narration. This documentary considers about the integration of Chinese cultural information and the international interpretation, balancing between the local and the global. It is found that the successful cross-cultural reception can be attributed to strategies such as clarifying the poet's identities in narrative, the well-arranged narrative structure, the use of cross-cultural analogy and adopting different narrative perspectives. The present study can be useful for the conveying of cultural information through documentaries and the enhancement of cross-cultural communication.
{"title":"Analysis of Strategies for Cross-Cultural Narration in BBC Chinese Theme Documentaries — A Case Study of Du Fu, China’s Greatest Poet","authors":"Wen Zhao","doi":"10.2991/ASSEHR.K.210313.036","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.036","url":null,"abstract":"BBC Chinese theme documentaries view China from the other's perspective and introduce China to the world. Since the target audiences are from different cultural backgrounds, documentary producers need to employ certain strategies to overcome linguistic, cultural and cognitive obstacles, thus ensuring the global reception of documentaries. This paper, based on the BBC documentary Du Fu, China's Greatest Poet, focuses on strategies adopted for cross-cultural narration. This documentary considers about the integration of Chinese cultural information and the international interpretation, balancing between the local and the global. It is found that the successful cross-cultural reception can be attributed to strategies such as clarifying the poet's identities in narrative, the well-arranged narrative structure, the use of cross-cultural analogy and adopting different narrative perspectives. The present study can be useful for the conveying of cultural information through documentaries and the enhancement of cross-cultural communication.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"45 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113934212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.064
Xinyu Yang
David Herbert Lawrence is an important British novelist in the twentieth century and is regard as a man of genius. His greatness lies not only in his exploration in the bisexual relationship, but more in his depiction of women images concerning their nature and future. His attitude towards women is always the focus of argument. Some regard him as a male chauvinist while some regard him as a feminist colleague. This paper is to analyze Lawrence's attitude towards women in a developmental angle. Lawrence's exploration in women's nature and future can be divided into three stages. The characterization of women images in each stage is closely related to Lawrence's attitude toward women. The process that Lawrence creates his women images is also the process that he explores their aspiration and pursuit, and the process that Lawrence changes his attitude towards women.
{"title":"Women Images in D. H. Lawrence’s Short Stories","authors":"Xinyu Yang","doi":"10.2991/ASSEHR.K.210313.064","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.064","url":null,"abstract":"David Herbert Lawrence is an important British novelist in the twentieth century and is regard as a man of genius. His greatness lies not only in his exploration in the bisexual relationship, but more in his depiction of women images concerning their nature and future. His attitude towards women is always the focus of argument. Some regard him as a male chauvinist while some regard him as a feminist colleague. This paper is to analyze Lawrence's attitude towards women in a developmental angle. Lawrence's exploration in women's nature and future can be divided into three stages. The characterization of women images in each stage is closely related to Lawrence's attitude toward women. The process that Lawrence creates his women images is also the process that he explores their aspiration and pursuit, and the process that Lawrence changes his attitude towards women.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128756289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.061
Aoshuang Yang
The masterpiece of Sinclair Lewis Babbitt was the first novel in America that won the Nobel Prize. Although there are already a large amount of studies on the novel, most of them focused on the commercial culture it reflects. From the perspectives of archetype theory and initiation story, this paper makes its concentration on the protagonist Babbitt, analyzing the five stages of the initiation progress of Babbitt from ignorance to maturity. In doing so, this paper attempts to resolve the controversial problem aroused by the characterization of Babbitt.
{"title":"Babbitt: A Novel of Initiation","authors":"Aoshuang Yang","doi":"10.2991/ASSEHR.K.210313.061","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.061","url":null,"abstract":"The masterpiece of Sinclair Lewis Babbitt was the first novel in America that won the Nobel Prize. Although there are already a large amount of studies on the novel, most of them focused on the commercial culture it reflects. From the perspectives of archetype theory and initiation story, this paper makes its concentration on the protagonist Babbitt, analyzing the five stages of the initiation progress of Babbitt from ignorance to maturity. In doing so, this paper attempts to resolve the controversial problem aroused by the characterization of Babbitt.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116344448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.026
Minjing Wang
In the new media environment, the media's communication subject, communication channels, and communication methods have all changed. In the process of building and disseminating the image of the city, Xi’an should change the previous top-down propaganda concept, make full use of the advantages of new media, enrich the communication subject, give play to the interactive features of new media, and realize cross-media communication strategy under the guidance of the overall communication concept. These can make the image of Xi'an, a historic city and "capital of hard technology", be known and recognized by the visitors, so as to better enhance the city's outward orientation and reputation.
{"title":"Analysis on the Communication Strategy of Xi’an City Image in the New Media Environment","authors":"Minjing Wang","doi":"10.2991/ASSEHR.K.210313.026","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.026","url":null,"abstract":"In the new media environment, the media's communication subject, communication channels, and communication methods have all changed. In the process of building and disseminating the image of the city, Xi’an should change the previous top-down propaganda concept, make full use of the advantages of new media, enrich the communication subject, give play to the interactive features of new media, and realize cross-media communication strategy under the guidance of the overall communication concept. These can make the image of Xi'an, a historic city and \"capital of hard technology\", be known and recognized by the visitors, so as to better enhance the city's outward orientation and reputation.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126199687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-15DOI: 10.2991/ASSEHR.K.210313.012
Ghojiabla Memet, Abduhelil Obul, Aynur Yasin
Tavarih-i Musiqiyun is a biographical document in Chaghatay script written in the middle of the 19th century in Xinjiang of China Music (Twelve Muqam). In the literature language, there are more adjectives and one of the parts of speech with richer morphological changes. This article takes the book "Tavarih-i Musiqiyun" published in 1982 as the research object, sorts out the adjectives that appear in the literature, and analyzes and researches them based on the overall characteristics of Chaghatay adjectives.
{"title":"Analysis of the Adjectives in “Tavarih-i Musiqiyun” in Chaghatay","authors":"Ghojiabla Memet, Abduhelil Obul, Aynur Yasin","doi":"10.2991/ASSEHR.K.210313.012","DOIUrl":"https://doi.org/10.2991/ASSEHR.K.210313.012","url":null,"abstract":"Tavarih-i Musiqiyun is a biographical document in Chaghatay script written in the middle of the 19th century in Xinjiang of China Music (Twelve Muqam). In the literature language, there are more adjectives and one of the parts of speech with richer morphological changes. This article takes the book \"Tavarih-i Musiqiyun\" published in 1982 as the research object, sorts out the adjectives that appear in the literature, and analyzes and researches them based on the overall characteristics of Chaghatay adjectives.","PeriodicalId":244179,"journal":{"name":"Proceedings of the 2020 International Conference on Language, Communication and Culture Studies (ICLCCS 2020)","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114708052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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