{"title":"The use of dance music and the synergy of narrative vehicles in Run Lola Run","authors":"V. Hexel","doi":"10.1386/ST.3.2.83_1","DOIUrl":"https://doi.org/10.1386/ST.3.2.83_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116476805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Towards a radically different understanding of experience: Looking for an heautonomous auditory field in film","authors":"Martine Huvenne","doi":"10.1386/ST.3.2.139_1","DOIUrl":"https://doi.org/10.1386/ST.3.2.139_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122243732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Writing a score for the restored version of Alfred Hitchcock's last silent film, 1929's "Blackmail", gave composer Neil Brand new insight into the master's techniques
{"title":"Working with Hitch","authors":"N. Brand","doi":"10.1386/ST.3.1.25_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.25_1","url":null,"abstract":"Writing a score for the restored version of Alfred Hitchcock's last silent film, 1929's \"Blackmail\", gave composer Neil Brand new insight into the master's techniques","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132820801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"What a time it was! An essay on Antonioni's L'eclisse","authors":"Michel Chion, A. Renaud, D. Siegel","doi":"10.1386/ST.3.1.5_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.5_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125386935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Some reflections on Antonioni, sound and the silence of La notte","authors":"M. Nardelli","doi":"10.1386/ST.3.1.11_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.11_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126825940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Winstanley , or the new-old law of film-making","authors":"Richard E. Combs","doi":"10.1386/ST.3.1.47_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.47_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133778139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Since its release in 1960, Alfred Hitchcock’s Psycho has entered the consciousness of our culture as have few other films. Its striking imagery, combined with its universally recognised score, has prompted a wealth of scholarly output. New understanding in the areas of emotion and cognition now affords us the opportunity to re-examine this film from a less familiar vantage point. This article places Psycho within the context of American TV drama of the 1950s and explores the effect of Bernard Herrmann’s music on the emotional responses of the viewer, as well as the possible consequences of this effect upon the literal reading of the film.
{"title":"Psycho and the orchestration of anxiety","authors":"Stephen Deutsch","doi":"10.1386/ST.3.1.53_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.53_1","url":null,"abstract":"Since its release in 1960, Alfred Hitchcock’s Psycho has entered the consciousness of our culture as have few other films. Its striking imagery, combined with its universally recognised score, has prompted a wealth of scholarly output. New understanding in the areas of emotion and cognition now affords us the opportunity to re-examine this film from a less familiar vantage point. This article places Psycho within the context of American TV drama of the 1950s and explores the effect of Bernard Herrmann’s music on the emotional responses of the viewer, as well as the possible consequences of this effect upon the literal reading of the film.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121478505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The equivalence of space and music: Eisenstein and Frank Lloyd Wright","authors":"Robert Robertson","doi":"10.1386/ST.2.2.99/1","DOIUrl":"https://doi.org/10.1386/ST.2.2.99/1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122175482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Electronic realities and identity fugue in Chris Petit's Radio On (1979)","authors":"M. Pink","doi":"10.1386/ST.2.2.143/1","DOIUrl":"https://doi.org/10.1386/ST.2.2.143/1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117233076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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