Pub Date : 2017-12-01DOI: 10.6092/ISSN.2038-6184/7445
S. Setti
The professional relationship and friendship between Giuseppe Pagano and Franco Albini, often recognized as one of the most important and decisive moment for the developments of modern architecture, will be here examined starting from a specific moment of the rediscovery photographic
Giuseppe Pagano和Franco Albini之间的专业关系和友谊，通常被认为是现代建筑发展中最重要和决定性的时刻之一，将从重新发现摄影的特定时刻开始研究
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Pub Date : 2014-12-30DOI: 10.6092/ISSN.2038-6184/5971
Paolo Granata
{"title":"ArtShape: a Blog on Musum Communication","authors":"Paolo Granata","doi":"10.6092/ISSN.2038-6184/5971","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/5971","url":null,"abstract":"","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115889229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-28DOI: 10.6092/ISSN.2038-6184/4687
Margherita Cricchio
The present contribute deals the camaldolese foundation of Santa Maria degli Angeli, the well-known florentine settlement, through a architectonic reconsideration of the unit and the genesis of its cloisters, trying to make light of the names and roles of the principal involved authors.
目前的贡献涉及Santa Maria degli Angeli的camaldolese基础，这是著名的佛罗伦萨定居点，通过对该单位及其回廊的建筑重新考虑，试图使主要参与作者的名字和角色变得轻松。
{"title":"Santa Maria degli Angeli in Florence. The evolution of the camaldolese monastery through the genesis of its cloisters","authors":"Margherita Cricchio","doi":"10.6092/ISSN.2038-6184/4687","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4687","url":null,"abstract":"The present contribute deals the camaldolese foundation of Santa Maria degli Angeli, the well-known florentine settlement, through a architectonic reconsideration of the unit and the genesis of its cloisters, trying to make light of the names and roles of the principal involved authors.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115478746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-28DOI: 10.6092/ISSN.2038-6184/4688
Pasquale Fameli
The article examines the performative activity of Vito Acconci. It focuses on relations between Acconci’s actions, monologues and some of the most important theories on the condition of the ego in postmodern times.
{"title":"Vito Acconci and the disappearance of the ego","authors":"Pasquale Fameli","doi":"10.6092/ISSN.2038-6184/4688","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4688","url":null,"abstract":"The article examines the performative activity of Vito Acconci. It focuses on relations between Acconci’s actions, monologues and some of the most important theories on the condition of the ego in postmodern times.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129446715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-28DOI: 10.6092/ISSN.2038-6184/4686
V. Castelli
In examining the fresco decorations of the Palazzo Sampieri-Talon in Bologna, the final collective work by Ludovico, Agostino and Annibale Carracci, with later additions by Guercino, the article concentrates on the yet unresolved reconstruction of its iconographic programme. The proposed interpretation is based on Claudian’s Alexandrine poem De raptu Proserpinae .
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Pub Date : 2014-12-28DOI: 10.6092/ISSN.2038-6184/4689
Federica Vettori
During the eighteenth century the venetian publishing knows a flowering season thanks to the involvement of great artists in the field of illustration. Pietro Antonio Novelli was one of the most prolific inventors of decorations for illustrated books. He sketched the illustrations of Vita di San Filippo Neri engraved by Innocente Alessandri and printed in Venice in 1793. At the Museum of Bassano del Grappa we can find a special watercolored edition: sixty large prints that tell, as if they were history paintings, the life of the saint.
在18世纪，由于插图领域的伟大艺术家的参与，威尼斯出版业迎来了一个花季。彼得罗·安东尼奥·诺维利是插图书装饰最多产的发明家之一。他素描了由Innocente Alessandri雕刻并于1793年在威尼斯印刷的《Vita di San Filippo Neri》的插图。在巴萨诺·德尔·格拉帕博物馆，我们可以找到一个特殊的水彩画版本:60幅巨幅版画，仿佛是历史画，讲述了圣人的生活。
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Pub Date : 2014-12-28DOI: 10.6092/ISSN.2038-6184/4683
V. Borghi
The article is focused on an anonymous Emilian artist, who is mainly known for the altarpiece with Madonna and Child with St. Sebastian and St. Gregory the Great depicted around 1515 for Celumi Chapel in the Benedectine church of St. Peter in Modena and who also painted the Madonna with St. Faustino and St. Giovita in the parish church of St. Faustino of Rubiera in Reggio Emilia. Scholars have long since acknowledged the importance of these works in the artistic context of early sixteenth century Modena, also spotting the stylistic links with other centers such as the Mantua of Leonbruno and the Ferrara of Dosso Dossi. The personality of the artist, however, has always eluded every attempt of identification. The article hails from studies carried out on archival documents and heraldic emblems on the frame of the Rubiera altarpiece, which suggest the two works were commissioned from Mantuan personalities: the St. Peter abbot “Vincentius de Mantua” for the painting in Modena and Ludovico Guidi di Bagno, prominent member of the entourage of Cardinal Ippolito d'Este, for the Rubiera work. These elements, along with stylistic considerations, lead to think of a provenance from the city of Gonzaga also for the artist.
这篇文章的重点是一位匿名的艾米利亚艺术家，他主要以1515年左右为摩德纳圣彼得本笃会教堂的Celumi教堂绘制的圣母和圣婴与圣塞巴斯蒂安和圣格雷戈里大帝的祭坛画而闻名，他还在雷吉奥艾米利亚Rubiera的圣福斯蒂诺教区教堂画了圣母与圣福斯蒂诺和圣乔维塔。学者们早就认识到这些作品在16世纪早期摩德纳艺术环境中的重要性，也发现了与其他中心的风格联系，如莱昂布鲁诺的曼图亚和多索·多西的费拉拉。然而，艺术家的个性总是让人无法识别。这篇文章来自对档案文件和Rubiera祭坛框架上的纹章标志的研究，表明这两幅作品是由曼图亚名人委托的:摩德纳的圣彼得修道院院长“文森特·德·曼图亚”和红衣主教伊波利托·德·埃斯特的重要随从成员Ludovico Guidi di Bagno为Rubiera工作。这些元素，连同风格上的考虑，导致想到来自贡萨加市的起源也为艺术家。
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Pub Date : 2014-12-28DOI: 10.6092/ISSN.2038-6184/4682
Maria Andorno
Since the second half of the nineteenth century, the photograph produced in high altitude mountain (mountaineering photography) gives rise to peculiar images that do not belong to the tradition of landscape painting. Mountaineering is similar to the art of performance, if we talk about physical and mental commitment. Therefore, photos taken during the ascent of a peak shows both conceptual and formal values.
{"title":"Mountaineering and photography. Contacts between 1880 and 1940","authors":"Maria Andorno","doi":"10.6092/ISSN.2038-6184/4682","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4682","url":null,"abstract":"Since the second half of the nineteenth century, the photograph produced in high altitude mountain (mountaineering photography) gives rise to peculiar images that do not belong to the tradition of landscape painting. Mountaineering is similar to the art of performance, if we talk about physical and mental commitment. Therefore, photos taken during the ascent of a peak shows both conceptual and formal values.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132219952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-28DOI: 10.6092/ISSN.2038-6184/4690
Simone D'Andola
In the sketches “panoramatici” of the Last Harvest , undertaken conclusive of a long and versatile career, Anthony Basoli pours again the themes that more they impassioned him during his human and artistic adventure putting itself to the peak of an intense and vibrating intellectual life.
{"title":"The Last Harvest of Anthony Basoli: trip and landing of a visionary artist","authors":"Simone D'Andola","doi":"10.6092/ISSN.2038-6184/4690","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4690","url":null,"abstract":"In the sketches “panoramatici” of the Last Harvest , undertaken conclusive of a long and versatile career, Anthony Basoli pours again the themes that more they impassioned him during his human and artistic adventure putting itself to the peak of an intense and vibrating intellectual life.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121782648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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