Pub Date : 2014-01-07DOI: 10.6092/ISSN.2038-6184/4088
Grazia Maria Restuccia
This paper aims to reconstruct and investigate the work done by the Ente Bolognese Manifestazioni Artistiche. Its activity, from 1964 to 1993, has proven to enhance the art history of the territory, with a view to framing national and international level.
{"title":"The works of Bologna’s Institution of Artistic Exhibitions (Ente Bolognese Manifestazioni Artistiche) rediscovered in the archives of the Museum of Modern Art, in Bologna.","authors":"Grazia Maria Restuccia","doi":"10.6092/ISSN.2038-6184/4088","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4088","url":null,"abstract":"This paper aims to reconstruct and investigate the work done by the Ente Bolognese Manifestazioni Artistiche. Its activity, from 1964 to 1993, has proven to enhance the art history of the territory, with a view to framing national and international level.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130851257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-07DOI: 10.6092/ISSN.2038-6184/4091
Irene Di Pietro
The Aldrovandi's seven paintings from Collezioni Comunali d'Arte of Bologna - A project about the Bologna museum's heritage by the Museology class 2011-2012.
{"title":"The Aldrovandi's seven paintings from Collezioni Comunali d'Arte of Bologna - A project about the Bologna museum's heritage by the Museology class 2011-2012.","authors":"Irene Di Pietro","doi":"10.6092/ISSN.2038-6184/4091","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4091","url":null,"abstract":"The Aldrovandi's seven paintings from Collezioni Comunali d'Arte of Bologna - A project about the Bologna museum's heritage by the Museology class 2011-2012.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117096984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-07DOI: 10.6092/ISSN.2038-6184/4087
Beatrice Piantanida
Since the end of XIX century there were key figures who not only anticipated performative behaviour typical of contemporary society, but also massmedial attitudes on identitary multiplication that find in photography the best media to express themself. The Countess of Castiglione and Lady Gaga represent the apogee of the research that mix public and private, and real and imaginary body.
{"title":"From the Countess of Castiglione to Lady Gaga. From the muse to the icon in photography’s history","authors":"Beatrice Piantanida","doi":"10.6092/ISSN.2038-6184/4087","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4087","url":null,"abstract":"Since the end of XIX century there were key figures who not only anticipated performative behaviour typical of contemporary society, but also massmedial attitudes on identitary multiplication that find in photography the best media to express themself. The Countess of Castiglione and Lady Gaga represent the apogee of the research that mix public and private, and real and imaginary body.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126142004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-01-07DOI: 10.6092/ISSN.2038-6184/4089
L. Tarantino
The text aims to analyze the museum entrance halls, mainly from the point of view of the growing phenomenon of mass tourism. The entrance space is examined not only for its functional characters but also for its symbolic power in structuring or changing the historical and cultural identity of the entire museum’s building. Both in new projects and in restoration of ancient museum buildings, in fact, contemporary architects seems to be increasingly attracted by this design aspect.
{"title":"On the border. Value and function of museum’s entrance hall and its symbolic meaning","authors":"L. Tarantino","doi":"10.6092/ISSN.2038-6184/4089","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4089","url":null,"abstract":"The text aims to analyze the museum entrance halls, mainly from the point of view of the growing phenomenon of mass tourism. The entrance space is examined not only for its functional characters but also for its symbolic power in structuring or changing the historical and cultural identity of the entire museum’s building. Both in new projects and in restoration of ancient museum buildings, in fact, contemporary architects seems to be increasingly attracted by this design aspect.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126566379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4067
Monia Bigucci
A detailed documentary research has allowed the author to examine the collections and some painting commissions of the Bologna branch of the Spada family during the Seventeenth and Eighteenth Centuries.
详细的文献研究使作者能够检查17世纪和18世纪Spada家族博洛尼亚分支的收藏和一些绘画委托。
{"title":"The Bologna branch of the Spada family: some episodes of painting commission and collecting between the Seventeenth and Eighteenth century","authors":"Monia Bigucci","doi":"10.6092/ISSN.2038-6184/4067","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4067","url":null,"abstract":"A detailed documentary research has allowed the author to examine the collections and some painting commissions of the Bologna branch of the Spada family during the Seventeenth and Eighteenth Centuries.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120908828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4073
Costanza Fabbri
Unicum nel novero delle coeve tavole mariane (grazie a quel suo perfetto armonizzare il gusto avignonese al retaggio tardo-bizantino), di questa tavoletta sino ad oggi si conosceva solo il recto . Il verso viene analizzato per la prima volta in questa sede, grazie alla straordinaria opportunita offerta dalla curia arcivescovile di Ravenna, che ha reso possibile il primo studio diretto del dipinto dopo il restauro effettuato da Cesare Brandi nel 1958.
{"title":"The “Madonna del sudore” in Ravenna Cathedral: Art and devotion","authors":"Costanza Fabbri","doi":"10.6092/ISSN.2038-6184/4073","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4073","url":null,"abstract":"Unicum nel novero delle coeve tavole mariane (grazie a quel suo perfetto armonizzare il gusto avignonese al retaggio tardo-bizantino), di questa tavoletta sino ad oggi si conosceva solo il recto . Il verso viene analizzato per la prima volta in questa sede, grazie alla straordinaria opportunita offerta dalla curia arcivescovile di Ravenna, che ha reso possibile il primo studio diretto del dipinto dopo il restauro effettuato da Cesare Brandi nel 1958.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120964373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4075
Tiziana Maggio
L’articolo offre una panoramica delle pratiche di gestione e amministrazione del sistema museale dell’Universita di Bologna. L'analisi del caso studio e integrata dall'elaborazione di una ipotesi gestionale alternativa, adottata da analoghe realta museali italiane.
{"title":"Practices in Museum Management: The University of Bologna's Collections","authors":"Tiziana Maggio","doi":"10.6092/ISSN.2038-6184/4075","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4075","url":null,"abstract":"L’articolo offre una panoramica delle pratiche di gestione e amministrazione del sistema museale dell’Universita di Bologna. L'analisi del caso studio e integrata dall'elaborazione di una ipotesi gestionale alternativa, adottata da analoghe realta museali italiane.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121569046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4065
M. Belvedere
This paper reports some reflections on the particular approach to cultural experience that visitors of the Museo Martinitt e Stelline in Milan have the opportunity to live in the exhibition. This site, in fact, stands as an interesting cultural center to visit and interact with more prospects. Through special multimedial and interactive installations the visitors are not merely spectators, they are in no way “subjected to” the concepts offered to them, but rather they relate to them by really delving into the historical information they wish to receive.
{"title":"History on stage: the case of the Martinitt and Stelline Museum in Milan.","authors":"M. Belvedere","doi":"10.6092/ISSN.2038-6184/4065","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4065","url":null,"abstract":"This paper reports some reflections on the particular approach to cultural experience that visitors of the Museo Martinitt e Stelline in Milan have the opportunity to live in the exhibition. This site, in fact, stands as an interesting cultural center to visit and interact with more prospects. Through special multimedial and interactive installations the visitors are not merely spectators, they are in no way “subjected to” the concepts offered to them, but rather they relate to them by really delving into the historical information they wish to receive.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130925367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4068
Alessandro Campolo
Urban space can be a powerful display that offers great chances to media marketing and communication in general. Nowadays, every kind of architecture or structure in the city is part of an expanded scenic backdrop suitable to perform spectacular acts expressing either ephemeral or permanent values. Mutating faster than its architecture, the urban scenario becomes the archetype of social and cultural changes. The contemporary city is the favored place for any kind of communication or intensive propagation of ideas and “suggestions”. Its spaces are contended by art and advertising which, through interventions and a constant crossover process, find a confluence in their specific intents. While the artistic act often exploits urban space for social or promotional purposes, trying to give more visibility to the city’s abandoned or deteriorating places, instead advertising exploits the city’s most visible spots for commercial purposes. But all over the years art and advertising have changed, too. Both have reinforced their connection with each other and both have borrowed tools from each other; in fact, today their parameters and strategies are mixed. The observer or the city user, who is often unaware of this ambiguous communication, frequently assimilates the message but confuses its real meaning.
{"title":"Exhibition Exploitation: the artful use of art and advertising in urban spaces","authors":"Alessandro Campolo","doi":"10.6092/ISSN.2038-6184/4068","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4068","url":null,"abstract":"Urban space can be a powerful display that offers great chances to media marketing and communication in general. Nowadays, every kind of architecture or structure in the city is part of an expanded scenic backdrop suitable to perform spectacular acts expressing either ephemeral or permanent values. Mutating faster than its architecture, the urban scenario becomes the archetype of social and cultural changes. The contemporary city is the favored place for any kind of communication or intensive propagation of ideas and “suggestions”. Its spaces are contended by art and advertising which, through interventions and a constant crossover process, find a confluence in their specific intents. While the artistic act often exploits urban space for social or promotional purposes, trying to give more visibility to the city’s abandoned or deteriorating places, instead advertising exploits the city’s most visible spots for commercial purposes. But all over the years art and advertising have changed, too. Both have reinforced their connection with each other and both have borrowed tools from each other; in fact, today their parameters and strategies are mixed. The observer or the city user, who is often unaware of this ambiguous communication, frequently assimilates the message but confuses its real meaning.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129202305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4070
C. Coluccio
This paper provides an analysis of the implementation phases of the Communication Plan for the Museum Network of Reggio Emilia. Moreover, this case study aims to point out the importance of cultural development policies oriented to the promotion of new models and strategies within the scope of the integrated communication.
{"title":"The Integrated Communication: a Project for the Museum Network of Reggio Emilia","authors":"C. Coluccio","doi":"10.6092/ISSN.2038-6184/4070","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4070","url":null,"abstract":"This paper provides an analysis of the implementation phases of the Communication Plan for the Museum Network of Reggio Emilia. Moreover, this case study aims to point out the importance of cultural development policies oriented to the promotion of new models and strategies within the scope of the integrated communication.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133976446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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