Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4072
Giulia De' Lorenzis
The paper analyzes some architectural projects performed in Berlin after the fall of the Wall. All the realizations have had as its object the theme of memory: the Judisches Museum by Daniel Libeskind, the Denkmal fur die ermordeten Juden Europas of Peter Eisenman and Richard Serra, and the under construction Memorial entitled Burger in Bewegung of Milla und Partner and Sasha Waltz. In each of the examples, the overcoming of the traditional typical celebratory and explanatory forms of the classically intended monument, has been found in favour of a remembrance idea that, if tends to be more tangible and concrete on one side; on the other introduce, in the same memorial dimension, the most evanescent and nuanced path of the performative experience .
本文分析了柏林墙倒塌后柏林的一些建筑项目。所有的实现都以记忆为主题:Daniel Libeskind的犹太博物馆,Peter Eisenman和Richard Serra的Denkmal fur die ermordeten Juden Europas,以及Milla und Partner和Sasha Waltz正在建设的名为Burger in Bewegung的纪念馆。在每一个例子中,克服了传统的典型的庆祝和解释形式的经典意图的纪念碑,已经发现有利于纪念的想法,它往往是更有形和具体的一方面;另一方面,在同样的纪念维度中,引入了表演体验中最短暂和微妙的路径。
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Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4069
Fabiola Cogliandro
In the late nineteenth and the first decade of the twentieth century in the Roman high society, there was no scholar, antiquarian or art dealer who did not know the collection of the RussiAn Count Grigorij Sergeevic Stroganoff (1829-1910). The work presented here intends to investigate, in particular, the section of Italian painting from the XIIIth to the XVIth century of this famous collection, with the intention of providing a first survey of its entities and return to some paintings alternate collecting experiences.
{"title":"The collection of the Russian Count Grigorij Sergeevič Stroganoff. Italian paintings from the XIIIth to the XVIth century","authors":"Fabiola Cogliandro","doi":"10.6092/ISSN.2038-6184/4069","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4069","url":null,"abstract":"In the late nineteenth and the first decade of the twentieth century in the Roman high society, there was no scholar, antiquarian or art dealer who did not know the collection of the RussiAn Count Grigorij Sergeevic Stroganoff (1829-1910). The work presented here intends to investigate, in particular, the section of Italian painting from the XIIIth to the XVIth century of this famous collection, with the intention of providing a first survey of its entities and return to some paintings alternate collecting experiences.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123896129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4074
M. Grasso
The sketches of the sheet inv. 617 Orn. of the Gabinetto Disegni e Stampe degli Uffizi , assigned to Filippino Lippi, appears to be the only testimony of the disappeared frescoes of the left wall of the Carafa chapel of the Roman church of Santa Maria sopra Minerva . By understanding the cultural context represented it is possible to ascertain the connection between the Uffizi sheet, the entire pictorial cycle of the chapel and the underlying complex iconographic tradition.
这张纸的草图是617号的。指派给Filippino Lippi的Gabinetto Disegni e Stampe degli Uffizi,似乎是罗马圣玛丽亚sopra Minerva教堂卡拉法礼拜堂左墙上消失的壁画的唯一证据。通过理解所代表的文化背景,可以确定乌菲齐纸,教堂的整个图像周期和潜在的复杂图像传统之间的联系。
{"title":"Hypothesis for a Drawing by Filippino Lippi for the Carafa Chapel","authors":"M. Grasso","doi":"10.6092/ISSN.2038-6184/4074","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4074","url":null,"abstract":"The sketches of the sheet inv. 617 Orn. of the Gabinetto Disegni e Stampe degli Uffizi , assigned to Filippino Lippi, appears to be the only testimony of the disappeared frescoes of the left wall of the Carafa chapel of the Roman church of Santa Maria sopra Minerva . By understanding the cultural context represented it is possible to ascertain the connection between the Uffizi sheet, the entire pictorial cycle of the chapel and the underlying complex iconographic tradition.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125867371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-12-23DOI: 10.6092/ISSN.2038-6184/4064
Sara Bartolucci
The newest interpretation proposals of the processional standard of the Oratory of St. John the Baptist in Urbino, at the end of the XV Century, allow a new interpretation of the cultural and political context. Through an impressive way of presenting his image, Federico da Montefeltro tells the strategical role in the balance between the west powers and he stands out as a protagonist of the international scene, threatened by the advance of the Turkish empire.
{"title":"Interpretative proposals for the processional standard of the St. John’s Oratory in Urbino","authors":"Sara Bartolucci","doi":"10.6092/ISSN.2038-6184/4064","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/4064","url":null,"abstract":"The newest interpretation proposals of the processional standard of the Oratory of St. John the Baptist in Urbino, at the end of the XV Century, allow a new interpretation of the cultural and political context. Through an impressive way of presenting his image, Federico da Montefeltro tells the strategical role in the balance between the west powers and he stands out as a protagonist of the international scene, threatened by the advance of the Turkish empire.","PeriodicalId":269664,"journal":{"name":"Figure","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2013-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114012420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}