Pub Date : 2018-06-29DOI: 10.15593/PERM.KIPF/2018.2.05
Lapina-Kratasjuk Ekaterina, V. Natalya
Статья посвящена популярным образам космоса, формирующимся посредством медиа. Исследования и развитие технологий в области освоения космического пространства, начавшиеся в середине прошлого века, с одной стороны, облекались в героические и футуристические медийные образы, встречающие общественное одобрение. С другой – наравне с ними обнаруживались картины «жуткого космоса», транслирующие пугающие подробности возможных опасностей космического пространства. Главным исследовательским вопросом представленной статьи является вопрос о содержании образа «жуткого космоса», а также причинах его появления и последствиях распространения в астрокультуре. Поставленные задачи рассматриваются авторами на примерах американских фантастических фильмов о Чужом, а именно серии фильмов Ридли Скотта: Чужой (Alien, 1979), Прометей (Prometheus, 2012), Чужой: Завет (Alien: Covenant, 2017). Авторы подробно анализируют три эпизода встречи Чужого с человеком, в которых находят выражение образы «жуткого космоса»: первое «рождение» Чужого за обеденным столом; обнаружение «врага» среди членов команды, когда выясняется, что Эш, офицер-исследователь, является не человеком, а андроидом; и появление Чужого в спасательной капсуле во время приготовления Рипли к гиперсну. В исследовании содержания образа «жуткого космоса», конструируемого в рассматриваемых фильмах, делается акцент на технической и технико-биологической стороне вопроса. Само «жуткое» рассматривается в отношении человеческого к нечеловеческому, это позволяет обнаружить, что система «жуткого космоса» рождается не из страха перед «космической пустотой» и столкновением с неизвестным, а из знакомого человеческого, ставшего незнакомым и чужим. Человеческое тело, разум, идентичность при попадании в космический дискурс становятся возможностью «жуткого космоса», при этом космос сам по себе сохраняет нейтральность образа. Последовательный анализ фильмов в хронологической последовательности также позволяет зафиксировать трансформацию системы «жуткого космоса», связанную с преобразованием страха биологического вторжения, характерного для последней трети XX века, в страх перед технологией искусственного интеллекта, преодолевающей порог человеческой природы. Ключевые слова: космос, жуткое, астрокультура, медиа, Чужой, жуткий космос, антропологическое, нечеловеческое.
{"title":"CONSTITUTION OF «UNCANNY OUTER SPACE»: BIOLOGICAL INTERVENTION AND PARADOXES OF TECHNOLOGIES","authors":"Lapina-Kratasjuk Ekaterina, V. Natalya","doi":"10.15593/PERM.KIPF/2018.2.05","DOIUrl":"https://doi.org/10.15593/PERM.KIPF/2018.2.05","url":null,"abstract":"Статья посвящена популярным образам космоса, формирующимся посредством медиа. Исследования и развитие технологий в области освоения космического пространства, начавшиеся в середине прошлого века, с одной стороны, облекались в героические и футуристические медийные образы, встречающие общественное одобрение. С другой – наравне с ними обнаруживались картины «жуткого космоса», транслирующие пугающие подробности возможных опасностей космического пространства. Главным исследовательским вопросом представленной статьи является вопрос о содержании образа «жуткого космоса», а также причинах его появления и последствиях распространения в астрокультуре. Поставленные задачи рассматриваются авторами на примерах американских фантастических фильмов о Чужом, а именно серии фильмов Ридли Скотта: Чужой (Alien, 1979), Прометей (Prometheus, 2012), Чужой: Завет (Alien: Covenant, 2017). Авторы подробно анализируют три эпизода встречи Чужого с человеком, в которых находят выражение образы «жуткого космоса»: первое «рождение» Чужого за обеденным столом; обнаружение «врага» среди членов команды, когда выясняется, что Эш, офицер-исследователь, является не человеком, а андроидом; и появление Чужого в спасательной капсуле во время приготовления Рипли к гиперсну. В исследовании содержания образа «жуткого космоса», конструируемого в рассматриваемых фильмах, делается акцент на технической и технико-биологической стороне вопроса. Само «жуткое» рассматривается в отношении человеческого к нечеловеческому, это позволяет обнаружить, что система «жуткого космоса» рождается не из страха перед «космической пустотой» и столкновением с неизвестным, а из знакомого человеческого, ставшего незнакомым и чужим. Человеческое тело, разум, идентичность при попадании в космический дискурс становятся возможностью «жуткого космоса», при этом космос сам по себе сохраняет нейтральность образа. Последовательный анализ фильмов в хронологической последовательности также позволяет зафиксировать трансформацию системы «жуткого космоса», связанную с преобразованием страха биологического вторжения, характерного для последней трети XX века, в страх перед технологией искусственного интеллекта, преодолевающей порог человеческой природы. Ключевые слова: космос, жуткое, астрокультура, медиа, Чужой, жуткий космос, антропологическое, нечеловеческое.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127237098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/PERM.KIPF/2018.2.01
Tyutyunnikov Aleksandr
the Platonic tradition ʼ s methodical triad μονή – πρόοδος – ἐπιστροφή , and on the other with the Kantian “pure natural science” as a hyposta- sis sui generis of the method, for both of them prove to be on and about law of experience. The possibility of such twofold correlation comes about through the circumstance that the Kantian transcendental idea can be eventually identified with Plato ʼ s idea. With “deepening” Kant through Plato in such a way, Cohen rids the Kantian “illusion” of the myopia of sensibility and thereby turns the illusion into Plato ʼ s intellectual intuition. As well as the intellectualization of sensibility imports the status of categories to space and time, expanding further all categories to ideas (principles ending in maxims, appearances – in noumena ), it imports also the expansion of the competence of mathematics and pure natural science over all possible experience that is no longer limited by sensibility. By joining speculative elements with mathematics and the observably given, the transcendental method can shape the “secure course of a science” for modern mathematical physics, and can do it even where the possible experience is inaccessibly far from being actualized, experimentally and observably realized.
一方面是柏拉图传统的有系统的“ο ο οδος - ο πιστροφ”，另一方面是康德的“纯粹自然科学”作为方法的一种特殊的本质，因为两者都证明是关于经验规律的。这种双重关联的可能性是通过康德的先验理念最终与柏拉图的理念相一致的情况而产生的。科恩以这种方式通过柏拉图“深化”康德，摆脱了康德的感性短视的“幻觉”，从而将这种幻觉转化为柏拉图的智性直觉。感性的理智化将范畴的地位引入到空间和时间，进一步将所有范畴扩展到观念(原则以格言结束，表象-在本体中)，它也引入了数学和纯粹自然科学的能力的扩展，超越了所有不再受感性限制的可能经验。通过将思辨元素与数学和可观察到的已知事物结合起来，先验方法可以为现代数学物理学塑造“科学的安全路线”，并且即使在可能的经验难以实现的地方也能做到这一点，实验和可观察到的实现。
{"title":"HERMANN COHEN’S TRANSCENDENTAL METHOD AS A PROJECT (I)","authors":"Tyutyunnikov Aleksandr","doi":"10.15593/PERM.KIPF/2018.2.01","DOIUrl":"https://doi.org/10.15593/PERM.KIPF/2018.2.01","url":null,"abstract":"the Platonic tradition ʼ s methodical triad μονή – πρόοδος – ἐπιστροφή , and on the other with the Kantian “pure natural science” as a hyposta- sis sui generis of the method, for both of them prove to be on and about law of experience. The possibility of such twofold correlation comes about through the circumstance that the Kantian transcendental idea can be eventually identified with Plato ʼ s idea. With “deepening” Kant through Plato in such a way, Cohen rids the Kantian “illusion” of the myopia of sensibility and thereby turns the illusion into Plato ʼ s intellectual intuition. As well as the intellectualization of sensibility imports the status of categories to space and time, expanding further all categories to ideas (principles ending in maxims, appearances – in noumena ), it imports also the expansion of the competence of mathematics and pure natural science over all possible experience that is no longer limited by sensibility. By joining speculative elements with mathematics and the observably given, the transcendental method can shape the “secure course of a science” for modern mathematical physics, and can do it even where the possible experience is inaccessibly far from being actualized, experimentally and observably realized.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134172499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/PERM.KIPF/2018.2.02
Ocheretyany Konstantin, Kolesnikova Dariya
This article touches on the actual problems of formation conditions of media reality and principles of its cognition. The article is aimed at investigation of epistemological function of computer games. To achieve this goal it has been solved the problems of revealing changes intro-duced by conceptual-expressive language of computer games in symbolism and logics of technical devices orienting us in the environment and in the ways of our understanding and emotional experience of space and time. As well it determines the principles of cause-and-effect relations’ construction and the ways of retrieval of the world experience.By the methods of media-philosophy playing space and time is uncovered as inter- active measuring, as solutions totality and as the universe of visible tasks and goals. It is opposed to the dictatorship of informational culture, to the impersonal space-time created by high rates of communication technologies fuzzing the totality of emotions, individual identity and corporal- ity of presence in the flow of information. Any game creates a virtual body from the available resource, namely from the affective-interactive models of involvement into activity and communication. We expect from computer games the similar effects as the ancient engineers expected from the self-moving toys, new European scientists saw in mechanical models and poets-romanticistssaw a game free from power-driven rules:through our subjection to computer games, through giving one’s body to technologies and one’s consciousness to digital interfaces we get unstaged expe- rience – something higher in its reality than everything given by everyday life, something which is such topical that it may be presented only in virtual packing. The result of research shows that in the modern “digital universe” gamer is the way of living in the world, while computer game is the source of language making possible to create and describe the experience of media reality.
{"title":"EPISTEMOLOGICAL FUNCTIONS OF COMPUTER GAMES","authors":"Ocheretyany Konstantin, Kolesnikova Dariya","doi":"10.15593/PERM.KIPF/2018.2.02","DOIUrl":"https://doi.org/10.15593/PERM.KIPF/2018.2.02","url":null,"abstract":"This article touches on the actual problems of formation conditions of media reality and principles of its cognition. The article is aimed at investigation of epistemological function of computer games. To achieve this goal it has been solved the problems of revealing changes intro-duced by conceptual-expressive language of computer games in symbolism and logics of technical devices orienting us in the environment and in the ways of our understanding and emotional experience of space and time. As well it determines the principles of cause-and-effect relations’ construction and the ways of retrieval of the world experience.By the methods of media-philosophy playing space and time is uncovered as inter- active measuring, as solutions totality and as the universe of visible tasks and goals. It is opposed to the dictatorship of informational culture, to the impersonal space-time created by high rates of communication technologies fuzzing the totality of emotions, individual identity and corporal- ity of presence in the flow of information. Any game creates a virtual body from the available resource, namely from the affective-interactive models of involvement into activity and communication. We expect from computer games the similar effects as the ancient engineers expected from the self-moving toys, new European scientists saw in mechanical models and poets-romanticistssaw a game free from power-driven rules:through our subjection to computer games, through giving one’s body to technologies and one’s consciousness to digital interfaces we get unstaged expe- rience – something higher in its reality than everything given by everyday life, something which is such topical that it may be presented only in virtual packing. The result of research shows that in the modern “digital universe” gamer is the way of living in the world, while computer game is the source of language making possible to create and describe the experience of media reality.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117256720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/perm.kipf/2018.2.10
Zheltova Elena, Patsap Tatiyana
of historical documents demonstrate that in the first years of aviation development the image of an airplane in advertisements, postcards, labels, etc. appeared to be the response of the public enthusiasm for airplanes and aviators, and that the main trend of "aero fashion" emerged from the people’s desire to imitate aviators. In the final section it has been discussed the fashion for the space flights existed from the launch of the first artificial satellite to the day of Gagarin’s flight. The essential difference of space flight from that of the balloons and airplanes is indicated. It has been shown that unlike European countries Soviet fashion in costume was hardly affected by space flights, and the conventional image of the "Soviet man" remained unchanged. It is concluded that fashion for flying balloons and then airplanes lasted tillballoons and airplanes affected people’s deep, associated with the flight, intuition.The authors substantiated the as- sumption that fashion for space flights will undergo modification but never become a thing of the past.
{"title":"THE FASHION FOR AIR AND SPACE JOURNEY: FROM MONGOLFIERS TO GAGARIN","authors":"Zheltova Elena, Patsap Tatiyana","doi":"10.15593/perm.kipf/2018.2.10","DOIUrl":"https://doi.org/10.15593/perm.kipf/2018.2.10","url":null,"abstract":"of historical documents demonstrate that in the first years of aviation development the image of an airplane in advertisements, postcards, labels, etc. appeared to be the response of the public enthusiasm for airplanes and aviators, and that the main trend of \"aero fashion\" emerged from the people’s desire to imitate aviators. In the final section it has been discussed the fashion for the space flights existed from the launch of the first artificial satellite to the day of Gagarin’s flight. The essential difference of space flight from that of the balloons and airplanes is indicated. It has been shown that unlike European countries Soviet fashion in costume was hardly affected by space flights, and the conventional image of the \"Soviet man\" remained unchanged. It is concluded that fashion for flying balloons and then airplanes lasted tillballoons and airplanes affected people’s deep, associated with the flight, intuition.The authors substantiated the as- sumption that fashion for space flights will undergo modification but never become a thing of the past.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116733538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/perm.kipf/2018.2.09
O. Galina
{"title":"NUCLEAR PHYSICISTS IN THE STRUGGLE FOR THE RIGHT TO THE SPACE. APOCRYPHA","authors":"O. Galina","doi":"10.15593/perm.kipf/2018.2.09","DOIUrl":"https://doi.org/10.15593/perm.kipf/2018.2.09","url":null,"abstract":"","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134523464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/PERM.KIPF/2018.2.04
Kulinicheva Ekaterina
space and sports (first of all, the so called big- time sport) in the definite sphere of sports design, namely the design of outfit and uniform for the highest sports achievements. Thissubject is also considered as a part of the more profound context involving the problem of causation between material culture of space/exploration of space and material culture of people’s everyday life. Several cases from the sports of highest achievements and from the work of companies known for their expert examination of high-tech sports outfit production have become the basis of our studies. Within the framework of the articleit has been considered two main subjects: the exchange of technologies and expertise and the fact which could be defined as the "migration of images" in the field of aesthetic. As far as the author knows such attempts were not made in the Russian academic tradition. The subject of sports design itself in comparison with the other problems has been relatively undeveloped in the works of social research. Turning to this problem may contribute to such areas of studies as material culture of big-time sport, mate- rial culture of daily routine as well as world outlook and history-cultural aspects of space exploration. As a result it is proposed to make a conclusionthat from the positions under consideration “space” in the field of sports design may figure both as the sphere associated with the front border of science and the most progressive development providing the best sports results, and as the resource of the ideas about the past.
{"title":"OLYMPIANS AND SPACE RACE: AESTHETICS OF SPACE AND SPACE ENGINEERING IN THE UNIFORM FOR BIG-TIME SPORT","authors":"Kulinicheva Ekaterina","doi":"10.15593/PERM.KIPF/2018.2.04","DOIUrl":"https://doi.org/10.15593/PERM.KIPF/2018.2.04","url":null,"abstract":"space and sports (first of all, the so called big- time sport) in the definite sphere of sports design, namely the design of outfit and uniform for the highest sports achievements. Thissubject is also considered as a part of the more profound context involving the problem of causation between material culture of space/exploration of space and material culture of people’s everyday life. Several cases from the sports of highest achievements and from the work of companies known for their expert examination of high-tech sports outfit production have become the basis of our studies. Within the framework of the articleit has been considered two main subjects: the exchange of technologies and expertise and the fact which could be defined as the \"migration of images\" in the field of aesthetic. As far as the author knows such attempts were not made in the Russian academic tradition. The subject of sports design itself in comparison with the other problems has been relatively undeveloped in the works of social research. Turning to this problem may contribute to such areas of studies as material culture of big-time sport, mate- rial culture of daily routine as well as world outlook and history-cultural aspects of space exploration. As a result it is proposed to make a conclusionthat from the positions under consideration “space” in the field of sports design may figure both as the sphere associated with the front border of science and the most progressive development providing the best sports results, and as the resource of the ideas about the past.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133671877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/perm.kipf/2018.2.07
N. Aleksandr
In the 1980-s technocratic elite became the main subject of the social order transformation in our country. Most industrial man- agement appeared to be the supporters of the existed social relations’ reforms. The first stage of the so called perestroika (“acceleration”) had the technocratic character. Immediate results of economic reforms of the 1980-s allowed domestic technocrats considerably making their positions strong. The pressure of industrial managers became the most important factor in the fina choice of privatization and ad-justment of the Russian government course at the beginning of the 1990-s. Technocratic bureaucracy also came in between nomencla- ture and “democrats” in the process of new authoritative elites’ formation. In the middle of the 1990-s domestic technocracy definitely cycled came back to the original point in a sense.
{"title":"FORMATION AND TRANSFORMATION OF THE SOVIET TECHNOCRATIC ELITE","authors":"N. Aleksandr","doi":"10.15593/perm.kipf/2018.2.07","DOIUrl":"https://doi.org/10.15593/perm.kipf/2018.2.07","url":null,"abstract":"In the 1980-s technocratic elite became the main subject of the social order transformation in our country. Most industrial man- agement appeared to be the supporters of the existed social relations’ reforms. The first stage of the so called perestroika (“acceleration”) had the technocratic character. Immediate results of economic reforms of the 1980-s allowed domestic technocrats considerably making their positions strong. The pressure of industrial managers became the most important factor in the fina choice of privatization and ad-justment of the Russian government course at the beginning of the 1990-s. Technocratic bureaucracy also came in between nomencla- ture and “democrats” in the process of new authoritative elites’ formation. In the middle of the 1990-s domestic technocracy definitely cycled came back to the original point in a sense.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131758111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/PERM.KIPF/2018.2.11
V. Ekaterina
Photographs of the first Soviet cosmonauts published in such periodicals of that time as "Ogonyek", "Soviet photo", "Soviet Union", "Sovi- et woman", "Peasant woman" and etc. have been analyzed in this article. Also the author shows cultural features of these representations. Though the problem of outer space exploration attracts many people it should be statedthat the number of works concerning its researchis small. Particularly, there is a lack of studies dedicated to the media conditionality of cosmonauts’ images, including the circulation of them in the magazines of the so called Thawperiod. If such magazines as "Ogonyek" and "Soviet Photo" could be found as the resource of studies nowadays, other editions oriented, for example, to the Soviet women, are practically unexplored. In this research it has been made the attempt to examine the images of cosmonauts in the context of the magazine and considering its special features. In this study special attention is payed to the format of publications, to the comparison of the text and the image, to the browse mode of pictures, to their place in the periodical. Several intercrossed aspects connected with representations have been revealed in the article: corporality, the role of media, demonstration of the “family principle” in relations between cosmonauts as well as the construct of "the singularity of ordinary person” which often figures in the description of cosmonauts (especially of Gagarin). The combination of these semantic points makes possible to speak about the appearance of the other type of the Soviet hero, different from Stalin's aviators and Stakhanovites. The new imagery finds its basis not only in the change of political climate but it is also associated with the changes in the media sphere during the period of Thaw. The increased number of the printed matter, enlarged editionsand a turn towards visuality promoted the popularization of images of cosmonauts and in many respects determined their canonization within the framework of the Soviet culture.
{"title":"THE SOVIET SPACE ODYSSEY: STAR CHRONICLE OF «THE THAW»","authors":"V. Ekaterina","doi":"10.15593/PERM.KIPF/2018.2.11","DOIUrl":"https://doi.org/10.15593/PERM.KIPF/2018.2.11","url":null,"abstract":"Photographs of the first Soviet cosmonauts published in such periodicals of that time as \"Ogonyek\", \"Soviet photo\", \"Soviet Union\", \"Sovi- et woman\", \"Peasant woman\" and etc. have been analyzed in this article. Also the author shows cultural features of these representations. Though the problem of outer space exploration attracts many people it should be statedthat the number of works concerning its researchis small. Particularly, there is a lack of studies dedicated to the media conditionality of cosmonauts’ images, including the circulation of them in the magazines of the so called Thawperiod. If such magazines as \"Ogonyek\" and \"Soviet Photo\" could be found as the resource of studies nowadays, other editions oriented, for example, to the Soviet women, are practically unexplored. In this research it has been made the attempt to examine the images of cosmonauts in the context of the magazine and considering its special features. In this study special attention is payed to the format of publications, to the comparison of the text and the image, to the browse mode of pictures, to their place in the periodical. Several intercrossed aspects connected with representations have been revealed in the article: corporality, the role of media, demonstration of the “family principle” in relations between cosmonauts as well as the construct of \"the singularity of ordinary person” which often figures in the description of cosmonauts (especially of Gagarin). The combination of these semantic points makes possible to speak about the appearance of the other type of the Soviet hero, different from Stalin's aviators and Stakhanovites. The new imagery finds its basis not only in the change of political climate but it is also associated with the changes in the media sphere during the period of Thaw. The increased number of the printed matter, enlarged editionsand a turn towards visuality promoted the popularization of images of cosmonauts and in many respects determined their canonization within the framework of the Soviet culture.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124507789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/PERM.KIPF/2018.2.06
Melnikov Nikita
original success the Soviet tank building could not realize the potential of V-2 up to the beginning of the Great Patriotic War (contrary to the preconceived idea). First of all, this happened due to the lack of industrial and human resources potential of the country. In the process of steady growth of production volume its functional performance was unreasonably low.
{"title":"V-2 DIESEL ENGINE: HARD WAY OF THE SOVIET TANK ENGINE’S PRODUCTION","authors":"Melnikov Nikita","doi":"10.15593/PERM.KIPF/2018.2.06","DOIUrl":"https://doi.org/10.15593/PERM.KIPF/2018.2.06","url":null,"abstract":"original success the Soviet tank building could not realize the potential of V-2 up to the beginning of the Great Patriotic War (contrary to the preconceived idea). First of all, this happened due to the lack of industrial and human resources potential of the country. In the process of steady growth of production volume its functional performance was unreasonably low.","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124186965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-29DOI: 10.15593/PERM.KIPF/2018.2.03
S. Elena
{"title":"TECHNOCRACY VS DEMOCRACY: IS SOCIAL ASSESSMENT OF TECHNOLOGY POSSIBLE IN CHINA?","authors":"S. Elena","doi":"10.15593/PERM.KIPF/2018.2.03","DOIUrl":"https://doi.org/10.15593/PERM.KIPF/2018.2.03","url":null,"abstract":"","PeriodicalId":270607,"journal":{"name":"BULLETIN OF PNRPU. Culture. History. Philosophy. Law","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134432626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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