Krav maga (‘close combat’) is a ‘no-rules’ self-defense practice, which has over the last thirty years become increasingly popular in gyms, martial art dojos, and combat sports centers all over the world. My research shows how stereotypes of ‘Israeliness’ and myths of an undefeated Israel Defense Force (IDF) have become key elements of krav maga’s global promotion. The article describes how first-generation instructors react to krav maga’s global increase in popularity, a dynamic I understand as a form of ‘solidification’. This article provides a cultural studies approach mapping out the various tropes that produce krav maga as a globally recognizable signifier for self-defense.
{"title":"Krav Maga: History, Representation, and Globalization of a Self-Defense System from Israel","authors":"Jürgen Schaflechner","doi":"10.18573/MAS.127","DOIUrl":"https://doi.org/10.18573/MAS.127","url":null,"abstract":"Krav maga (‘close combat’) is a ‘no-rules’ self-defense practice, which has over the last thirty years become increasingly popular in gyms, martial art dojos, and combat sports centers all over the world. My research shows how stereotypes of ‘Israeliness’ and myths of an undefeated Israel Defense Force (IDF) have become key elements of krav maga’s global promotion. The article describes how first-generation instructors react to krav maga’s global increase in popularity, a dynamic I understand as a form of ‘solidification’. This article provides a cultural studies approach mapping out the various tropes that produce krav maga as a globally recognizable signifier for self-defense.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128923788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The birthplace of karate is Okinawa in southern Japan. During its national integration through the military and educational action of the imperial government during the Meiji era, the basic katas (型) or “forms” (series of defence and attack movements in space epitomizing combat against opponents) called pinans (ピンアン) or the quiet way, were created by Itosu (last name 糸洲) Ankō (first name 安恒). These laid the foundations of modern karate, at the crossroads of the nineteenth and twentieth centuries. France played a major role in the organisation of the Japanese army in this period. This paper analyses the extent to which France influenced this process with specific attention to the model of French gymnastics and boxing associated with the influential Joinville School of physical education.
{"title":"The influence of French gymnastics and military French boxing on the creation of modern karate (1867-1914)","authors":"J. Loudcher, Christian Faurillon","doi":"10.18573/MAS.135","DOIUrl":"https://doi.org/10.18573/MAS.135","url":null,"abstract":"The birthplace of karate is Okinawa in southern Japan. During its national integration through the military and educational action of the imperial government during the Meiji era, the basic katas (型) or “forms” (series of defence and attack movements in space epitomizing combat against opponents) called pinans (ピンアン) or the quiet way, were created by Itosu (last name 糸洲) Ankō (first name 安恒). These laid the foundations of modern karate, at the crossroads of the nineteenth and twentieth centuries. France played a major role in the organisation of the Japanese army in this period. This paper analyses the extent to which France influenced this process with specific attention to the model of French gymnastics and boxing associated with the influential Joinville School of physical education.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129296406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This work explores, reports, and reflects on the teaching and learning aspects of online courses in aikido, a peaceful martial art, under COVID-19 lockdown conditions in Greece. The essay is based on research and auto-ethnographic accounts of the digital courses the authors of this text have set up as teachers of aikido during the pandemic. There is little research on pedagogic and didactic issues of designing online courses in martial arts or on outcomes of digital learning. Thus, the present text aims to explicate the theoretical background drawn from different scientific disciplines in designing an online course in a martial art. This course attempted to meet the challenge of teaching online an art that ‘normally’ is taught face to face, entailing physical practice in pairs. The essay explores and reflects also on the outcome of online learning under pandemic conditions. These are mostly social in nature, for the lessons and the contact strengthened the members in many ways. Thus, the ramifications of online teaching and learning are far reaching as they affect the participants and their families helping them to maintain a sense of wellbeing or normality under trying conditions. The social aspect of teaching a martial art online showcases its changing nature as well as its potential and possibilities for contributing to social cohesion, in the face of the grave dangers the current pandemic poses for humanity. It is an aspect of martial arts that could be taken into account when discussing their future in society.
{"title":"Maintaining Close Contact from a Distance: Digital Aikido Training under Covid-19 Conditions – Reflections and Lessons from an Online Martial Arts Course","authors":"V. Kantzara, Martina Margareta Loos","doi":"10.18573/MAS.128","DOIUrl":"https://doi.org/10.18573/MAS.128","url":null,"abstract":"This work explores, reports, and reflects on the teaching and learning aspects of online courses in aikido, a peaceful martial art, under COVID-19 lockdown conditions in Greece. The essay is based on research and auto-ethnographic accounts of the digital courses the authors of this text have set up as teachers of aikido during the pandemic. There is little research on pedagogic and didactic issues of designing online courses in martial arts or on outcomes of digital learning. Thus, the present text aims to explicate the theoretical background drawn from different scientific disciplines in designing an online course in a martial art. This course attempted to meet the challenge of teaching online an art that ‘normally’ is taught face to face, entailing physical practice in pairs. The essay explores and reflects also on the outcome of online learning under pandemic conditions. These are mostly social in nature, for the lessons and the contact strengthened the members in many ways. Thus, the ramifications of online teaching and learning are far reaching as they affect the participants and their families helping them to maintain a sense of wellbeing or normality under trying conditions. The social aspect of teaching a martial art online showcases its changing nature as well as its potential and possibilities for contributing to social cohesion, in the face of the grave dangers the current pandemic poses for humanity. It is an aspect of martial arts that could be taken into account when discussing their future in society.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121083340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Meyer, A. Molle, Benjamin N. Judkins, P. Bowman
This study examines the impact of the Covid-19 pandemic on martial arts training worldwide. A mixed-method online questionnaire consisting of 28 items was used as a survey instrument. 306 martial artists responded. These were mainly from the United Kingdom, the USA, Germany, Italy and Japan. The questionnaire focused on pragmatic adaptations of training volume, training rhythm, training location, training mode (individual or group) and training methods. The survey sought to gain insights into modifications that martial artists made as a result of the Covid-19 pandemic in relation to their training, curriculum, alternative fitness, strength and health activities, as well as training goals. The results suggest that the training restrictions implemented by governments in order to try to combat the pandemic transformed the practice of martial arts on a massive and fundamental scale. Specifically, they led to two seemingly opposing developments: increasing digitisation and an increased focus on the importance of embodiment. The article concludes with a suggestion that these lines of development will mould the post-pandemic landscape of martial arts.
{"title":"Martial Arts in the Pandemic","authors":"M. Meyer, A. Molle, Benjamin N. Judkins, P. Bowman","doi":"10.18573/MAS.134","DOIUrl":"https://doi.org/10.18573/MAS.134","url":null,"abstract":"This study examines the impact of the Covid-19 pandemic on martial arts training worldwide. A mixed-method online questionnaire consisting of 28 items was used as a survey instrument. 306 martial artists responded. These were mainly from the United Kingdom, the USA, Germany, Italy and Japan. The questionnaire focused on pragmatic adaptations of training volume, training rhythm, training location, training mode (individual or group) and training methods. The survey sought to gain insights into modifications that martial artists made as a result of the Covid-19 pandemic in relation to their training, curriculum, alternative fitness, strength and health activities, as well as training goals. The results suggest that the training restrictions implemented by governments in order to try to combat the pandemic transformed the practice of martial arts on a massive and fundamental scale. Specifically, they led to two seemingly opposing developments: increasing digitisation and an increased focus on the importance of embodiment. The article concludes with a suggestion that these lines of development will mould the post-pandemic landscape of martial arts.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125078703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Primarily an aid to assist mobility (or in the case of the umbrella, to stay dry) the walking stick also has a history as an object of considerable martial value. The goal of this article is to discuss the development of the walking stick as a martial art weapon within the British Isles over the last two centuries. From before the Victorian era the Irish Blackthorn was considered by early authors to be the best stick for self-defence purposes. In the late Victorian and Edwardian period the stylish fashion accessory, the Malacca cane, was the fulcrum of the cane fighting system developed by French Master at Arms Pierre Vigny. This was assimilated into the early British fighting system of bartitsu, developed by Edward William Barton-Wright. It may be that Barton-Wright and Vigny further evolved their cane fighting style by utilising the knowledge of the Japanese jujutsu teachers Yukio Tani and Sadakazu Uyenishi who were instructors at the Bartitsu School. The walking stick persisted in the background throughout the development of jujutsu in the U.K. and further evolved with the introduction of Eastern fighting systems such as hanbo jutsu and hapkido. The last 20 years saw the bartitsu method undergo a renaissance following its rediscovery. Thus in the context of British jujutsu and self-defence, it may be considered that the walking stick has undergone several evolutions as a weapon, with each evolution reflecting distinct influences and ideals, and each one effective in the hands of the knowledgeable user.
手杖主要是一种辅助行动的工具(或者在伞的情况下,保持干燥),也有相当大的军事价值的历史。本文的目的是讨论在过去的两个世纪里,手杖作为一种武术武器在不列颠群岛的发展。早在维多利亚时代之前,爱尔兰黑刺李就被早期作家认为是自卫的最佳棍棒。在维多利亚晚期和爱德华七世时期,时尚的时尚配饰马六甲手杖是法国武器大师皮埃尔·维尼(Pierre Vigny)开发的手杖战斗系统的支点。这被爱德华·威廉·巴顿-赖特(Edward William Barton-Wright)发展的早期英国柔术格斗系统所吸收。这可能是巴顿-赖特和Vigny进一步发展了他们的手杖格斗风格,利用知识的日本柔术老师Yukio Tani和Sadakazu Uyenishi谁是指导员在巴顿术学校。在英国柔术发展的整个过程中,手杖一直存在于背景中,并随着韩保柔术和合气道等东方格斗系统的引入而进一步发展。在过去的20年里,巴顿术经历了重新发现后的复兴。因此,在英国柔术和自卫的背景下,可以认为手杖作为一种武器经历了几次演变,每一次演变都反映了不同的影响和理想,每一次在知识渊博的使用者手中都是有效的。
{"title":"Self-Defence with a Walking-stick: Revisited","authors":"D. Brough","doi":"10.18573/MAS.132","DOIUrl":"https://doi.org/10.18573/MAS.132","url":null,"abstract":"Primarily an aid to assist mobility (or in the case of the umbrella, to stay dry) the walking stick also has a history as an object of considerable martial value. The goal of this article is to discuss the development of the walking stick as a martial art weapon within the British Isles over the last two centuries. From before the Victorian era the Irish Blackthorn was considered by early authors to be the best stick for self-defence purposes. In the late Victorian and Edwardian period the stylish fashion accessory, the Malacca cane, was the fulcrum of the cane fighting system developed by French Master at Arms Pierre Vigny. This was assimilated into the early British fighting system of bartitsu, developed by Edward William Barton-Wright. It may be that Barton-Wright and Vigny further evolved their cane fighting style by utilising the knowledge of the Japanese jujutsu teachers Yukio Tani and Sadakazu Uyenishi who were instructors at the Bartitsu School. The walking stick persisted in the background throughout the development of jujutsu in the U.K. and further evolved with the introduction of Eastern fighting systems such as hanbo jutsu and hapkido. The last 20 years saw the bartitsu method undergo a renaissance following its rediscovery. Thus in the context of British jujutsu and self-defence, it may be considered that the walking stick has undergone several evolutions as a weapon, with each evolution reflecting distinct influences and ideals, and each one effective in the hands of the knowledgeable user.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122699539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
With the aim of better understanding the motivations for studying martial arts, and finding examples of valued leadership skills and methods in instruction, a comparison of martial artists was conducted via a survey across the USA, Canada, the UK, Australia, New Zealand, and Finland. The framework taken to evaluate ‘leadership’ within martial arts is the theory of transformational leadership [Bass,1985] that displays certain characteristics, such as espousing ideals, acting as role models, and showing care and concern for followers. They are also noted to inspire their followers by formulating a vision and setting challenging goals, as well as stimulating them intellectually to think about old problems in innovative ways. We propose that transformational leadership theory may provide a framework for instructors. For instructors, understanding what students look for in a club in terms of values and characteristics sought through training and leadership styles is valuable. This work could help instructors understand and develop the traits and characteristics that could be used to construct motivational or instructional methods to best achieve goals in their respective curriculum.
{"title":"Martial Arts Leadership: Cultural and Regional Differences in Motivations, Leadership & Communication","authors":"Sonja H. Bickford","doi":"10.18573/mas.114","DOIUrl":"https://doi.org/10.18573/mas.114","url":null,"abstract":"With the aim of better understanding the motivations for studying martial arts, and finding examples of valued leadership skills and methods in instruction, a comparison of martial artists was conducted via a survey across the USA, Canada, the UK, Australia, New Zealand, and Finland. The framework taken to evaluate ‘leadership’ within martial arts is the theory of transformational leadership [Bass,1985] that displays certain characteristics, such as espousing ideals, acting as role models, and showing care and concern for followers. They are also noted to inspire their followers by formulating a vision and setting challenging goals, as well as stimulating them intellectually to think about old problems in innovative ways. We propose that transformational leadership theory may provide a framework for instructors. For instructors, understanding what students look for in a club in terms of values and characteristics sought through training and leadership styles is valuable. This work could help instructors understand and develop the traits and characteristics that could be used to construct motivational or instructional methods to best achieve goals in their respective curriculum.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130715667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In Ovid’s Metamorphosis, change takes place at the whim of the gods, albeit often for clear reasons and with clear allegorical or didactic meanings. In Kafka’s Metamorphosis, however, change is inscrutable, unfathomable, irresolvable, and simply something to be borne. The speculation animating the following reflection is that the global pandemic of 2020 induced a metamorphosis in the lifeworlds of martial artists, the psychological and emotional effects of which have been severe from the start, while the pragmatic consequences and implications for the near to mid-term future remain unclear. The future form, content, and cultural status of the entity ‘martial arts’ all remain uncertain. Future studies will undoubtedly map the changed terrain. But for now, in the midst of the first year of the COVID-19 pandemic, what follows is a personal and theoretical reflection, written at a time and from a position in which there are more questions than answers. This reflection seeks to capture something of the structure of feeling of this situation and to reflect on its potential consequences for ‘martial arts’ and ‘martial artists’, as viewed from one (g)local position and perspective.
{"title":"Metamorphoses of Martial Arts: Meditations on Motivations and Motive Forces during the COVID-19 Pandemic","authors":"P. Bowman","doi":"10.18573/mas.119","DOIUrl":"https://doi.org/10.18573/mas.119","url":null,"abstract":"In Ovid’s Metamorphosis, change takes place at the whim of the gods, albeit often for clear reasons and with clear allegorical or didactic meanings. In Kafka’s Metamorphosis, however, change is inscrutable, unfathomable, irresolvable, and simply something to be borne. The speculation animating the following reflection is that the global pandemic of 2020 induced a metamorphosis in the lifeworlds of martial artists, the psychological and emotional effects of which have been severe from the start, while the pragmatic consequences and implications for the near to mid-term future remain unclear. The future form, content, and cultural status of the entity ‘martial arts’ all remain uncertain. Future studies will undoubtedly map the changed terrain. But for now, in the midst of the first year of the COVID-19 pandemic, what follows is a personal and theoretical reflection, written at a time and from a position in which there are more questions than answers. This reflection seeks to capture something of the structure of feeling of this situation and to reflect on its potential consequences for ‘martial arts’ and ‘martial artists’, as viewed from one (g)local position and perspective.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124553663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Roe, Augustus. 2020. ‘An Investigation into Local Attitudes Towards the Effectiveness and Relevance of Traditional Vietnamese Martial Arts’. Martial Arts Studies 10, 89-97. doi: 10.18573/mas.112 Traditional Vietnamese Martial Arts, effectiveness, relevance, modern martial arts, vovinam. Traditional Vietnamese Martial Arts (TVMA) are practices that have not been widely studied in relation to their functions. As a result, the effectiveness and relevance of these systems in a rapidly developing nation are widely debated. This study identified local attitudes towards TVMA forms, in a bid to better understand the practices, their backgrounds, their relevance in a contemporary climate and implications for their future. Attitudes were assessed through the use of a seven-point semantic differential scale questionnaire. The questionnaire was distributed to one hundred participants in the Vietnamese capital city of Hanoi, all of whom had some understanding or experience of martial arts. Results were compared in relation to demographic data such as gender, age differences and martial arts backgrounds. Statistical significance was then analyzed through two-tailed T-tests. Results demonstrated conclusively that TVMA are seen as important historical, cultural, and social practices; however, the effectiveness of such systems as practical fighting arts as well as their relevance economically, is a highly divisive topic among the local population. Outcomes of the research suggest that further refinement and development of these systems are required to ensure they are not superseded by combat sports. 10.18573/mas.112 Augustus John Roe is a British martial artist, linguist and author. He
{"title":"An Investigation into Local Attitudes Towards the Effectiveness and Relevance of Traditional Vietnamese Martial Arts","authors":"A. Roe","doi":"10.18573/mas.112","DOIUrl":"https://doi.org/10.18573/mas.112","url":null,"abstract":"Roe, Augustus. 2020. ‘An Investigation into Local Attitudes Towards the Effectiveness and Relevance of Traditional Vietnamese Martial Arts’. Martial Arts Studies 10, 89-97. doi: 10.18573/mas.112 Traditional Vietnamese Martial Arts, effectiveness, relevance, modern martial arts, vovinam. Traditional Vietnamese Martial Arts (TVMA) are practices that have not been widely studied in relation to their functions. As a result, the effectiveness and relevance of these systems in a rapidly developing nation are widely debated. This study identified local attitudes towards TVMA forms, in a bid to better understand the practices, their backgrounds, their relevance in a contemporary climate and implications for their future. Attitudes were assessed through the use of a seven-point semantic differential scale questionnaire. The questionnaire was distributed to one hundred participants in the Vietnamese capital city of Hanoi, all of whom had some understanding or experience of martial arts. Results were compared in relation to demographic data such as gender, age differences and martial arts backgrounds. Statistical significance was then analyzed through two-tailed T-tests. Results demonstrated conclusively that TVMA are seen as important historical, cultural, and social practices; however, the effectiveness of such systems as practical fighting arts as well as their relevance economically, is a highly divisive topic among the local population. Outcomes of the research suggest that further refinement and development of these systems are required to ensure they are not superseded by combat sports. 10.18573/mas.112 Augustus John Roe is a British martial artist, linguist and author. He","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132883690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The following article explains how the metaphors ‘wrestling body’ and ‘warship’ are combined, mutually reinforced and nationalistically instrumentalised in the context of sporting events. The first case study examines contentious Japanese public discussions of the possible promotion of American (cid:90)(cid:85)(cid:72)(cid:86)(cid:87)(cid:79)(cid:72)(cid:85)(cid:86)(cid:3)(cid:87)(cid:82)(cid:3)(cid:87)(cid:75)(cid:72)(cid:3)(cid:75)(cid:76)(cid:74)(cid:75)(cid:72)(cid:86)(cid:87)(cid:3)(cid:85)(cid:68)(cid:81)(cid:78)(cid:3)(cid:76)(cid:81)(cid:3)(cid:83)(cid:85)(cid:82)(cid:73)(cid:72)(cid:86)(cid:86)(cid:76)(cid:82)(cid:81)(cid:68)(cid:79)(cid:3)(cid:86)(cid:88)(cid:80)(cid:269)(cid:17)(cid:3)(cid:55)(cid:75)(cid:72)(cid:3) following case explores the staging of an American actor
{"title":"Wrestling, Warships and Nationalism in Japanese-American Relations","authors":"M. Meyer","doi":"10.18573/mas.115","DOIUrl":"https://doi.org/10.18573/mas.115","url":null,"abstract":"The following article explains how the metaphors ‘wrestling body’ and ‘warship’ are combined, mutually reinforced and nationalistically instrumentalised in the context of sporting events. The first case study examines contentious Japanese public discussions of the possible promotion of American (cid:90)(cid:85)(cid:72)(cid:86)(cid:87)(cid:79)(cid:72)(cid:85)(cid:86)(cid:3)(cid:87)(cid:82)(cid:3)(cid:87)(cid:75)(cid:72)(cid:3)(cid:75)(cid:76)(cid:74)(cid:75)(cid:72)(cid:86)(cid:87)(cid:3)(cid:85)(cid:68)(cid:81)(cid:78)(cid:3)(cid:76)(cid:81)(cid:3)(cid:83)(cid:85)(cid:82)(cid:73)(cid:72)(cid:86)(cid:86)(cid:76)(cid:82)(cid:81)(cid:68)(cid:79)(cid:3)(cid:86)(cid:88)(cid:80)(cid:269)(cid:17)(cid:3)(cid:55)(cid:75)(cid:72)(cid:3) following case explores the staging of an American actor","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"161 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115563631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyzes the transformation of a modernized Japanese school of martial arts, jujutsu ( 柔術 ), also known as jiu-jitsu, jujitsu and/or Kodokan judo, into a Brazilian combat sport. In the 1930s, the Gracies, supported by a nationalist regime, launched a comprehensive process of jiu-jitsu reinvention that evolved into a local combat sport at the same time as the inauguration of the Estado Novo dictatorship in 1937. This study argues that the Brazilian jiu-jitsu is the direct outcome of clashes pitting the Gracies and Japanese immigrants that occurred against a background of radical nationalism, violence and ideological polarization. The creation of a local jiu-jitsu encompassed a wide range of changes in techniques, philosophy and rituals borne from the clash between tradition and modernity.
{"title":"Nationalism, Immigration and Identity: The Gracies and the Making of Brazilian Jiu-Jitsu, 1934–1943","authors":"José Cairus","doi":"10.18573/mas.105","DOIUrl":"https://doi.org/10.18573/mas.105","url":null,"abstract":"This article analyzes the transformation of a modernized Japanese school of martial arts, jujutsu ( 柔術 ), also known as jiu-jitsu, jujitsu and/or Kodokan judo, into a Brazilian combat sport. In the 1930s, the Gracies, supported by a nationalist regime, launched a comprehensive process of jiu-jitsu reinvention that evolved into a local combat sport at the same time as the inauguration of the Estado Novo dictatorship in 1937. This study argues that the Brazilian jiu-jitsu is the direct outcome of clashes pitting the Gracies and Japanese immigrants that occurred against a background of radical nationalism, violence and ideological polarization. The creation of a local jiu-jitsu encompassed a wide range of changes in techniques, philosophy and rituals borne from the clash between tradition and modernity.","PeriodicalId":272694,"journal":{"name":"Martial Arts Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116266881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}