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Revista de Estudios Hispánicos最新文献

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This Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets by Daniel Aguirre Oteiza (review) 《幽灵般的诗歌:流亡西班牙共和诗人的历史与记忆》丹尼尔·阿吉雷·奥泰萨著(书评)
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0009
Leslie J. Harkema
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引用次数: 0
Las primeras brisas del exilio español republicano: El impacto del primer viaje a Puerto Rico de Juan Ramón Jiménez y Zenobia Camprubí en la prensa local y en el círculo académico riopiedrense 西班牙共和党流亡的第一风:胡安ramon jimenez和Zenobia camprubi第一次波多黎各之旅对当地媒体和里奥皮德罗学术界的影响
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0006
Aníbal Salazar Anglada
Abstract:The following research examines Juan Ramón Jiménez and Zenobia Camprubí’s first visit to the island of Puerto Rico in 1936, weeks after the outbreak of the Spanish Civil War. Based on little-known original documentary sources and several relevant contributions published in recent years, this article addresses the wide impact of their journey on the local press as well as on the academics of the Universidad de Puerto Rico-Recinto de Río Piedras at that time. The journey, lasting from September to November 1936, also coincides with the news of the assassination of Federico García Lorca, and the consequently sympathetic reaction of Puerto Rican academics towards the Spanish Republican cause. In various interviews and lectures held during his first visit to the island, Juan Ramón reveals some key points of his political ideology. Different opinions have been expressed about the poet’s position with respect to the Spanish Civil War that question his commitment to Spanish Republican values. Some of the statements made during his brief stay in Puerto Rico show that Juan Ramón was never on the side of either fascism or communism.
摘要:以下研究考察了Juan Ramón jimsamnez和Zenobia Camprubí在西班牙内战爆发几周后的1936年首次访问波多黎各岛。本文基于鲜为人知的原始文献资料和近年来发表的几篇相关文章,探讨了他们的旅程对当地新闻界以及当时波多黎各大学(universsidad de Puerto Rico-Recinto de Río Piedras)学术界的广泛影响。这次旅行从1936年9月持续到11月,恰逢费德里科García洛尔卡被暗杀的消息,以及波多黎各学者对西班牙共和事业的同情反应。胡安Ramón在他第一次访问古巴期间的各种采访和演讲中,揭示了他的政治思想的一些关键点。关于诗人在西班牙内战中的立场,人们表达了不同的观点,质疑他对西班牙共和价值观的承诺。他在波多黎各短暂停留期间所作的一些声明表明,胡安Ramón从未站在法西斯主义或共产主义一边。
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引用次数: 0
The Business of Conquest. Empire, Love, and Law in the Atlantic World by Nicole D. Legnani (review) 征服事业。《大西洋世界的帝国、爱情与法律》作者:妮可·d·莱格纳尼
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0014
Fernando Rodríguez Mansilla
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引用次数: 0
Geographies of Urban Female Labor and Nationhood in Spanish Culture, 1880–1975 by Mar Soria (review) 1880-1975年西班牙文化中的城市女性劳动与民族地理
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0011
Renee P. Rivera
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引用次数: 0
Momentos reveladores y heroísmo en Miguel de Unamuno: Paz en la guerra y San Manuel Bueno, mártir 米格尔·德·乌纳穆诺的启示时刻和英雄主义:战争中的和平和殉道者圣·曼努埃尔·布埃诺
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0003
Francisco Larubia-Prado
Abstract:This essay develops the genealogy, range, and modes of operation of the modern or revelatory moment—a non-religious, endless instant in which an ordinary event becomes extraordinary—in the first and last novels by Miguel de Unamuno. As a literary, psychological, and philosophical phenomenon, the modern moment clearly interested Unamuno through his creative life, from Paz en la guerra to San Manuel Bueno, mártir. The modern moment manifests itself in both urban and natural settings, provoking experiences of symbolic rebirth, daily life, and death. Through his interest in the modern moment, Unamuno’s work becomes deeply connected with Sigmund Freud’s concept of “oceanic feeling,” the theosophical movement pioneered by Helena Blavatsky, and the English High Romantics’ understanding of the connection between the human being and nature. Finally, the study links the modern or revelatory moment to two heroic experiences: that of the mythic hero studied by Joseph Campbell in The Hero with a Thousand Faces (Paz en la guerra’s Pachico Zabalbide), and the tragic Greek hero analyzed by Freud in Totem and Taboo (San Manuel Bueno, mártir’s Don Manuel Bueno).
摘要:本文发展了米格尔·德·乌纳穆诺的第一部和最后一部小说中现代或启示时刻的谱系、范围和运作模式——一个非宗教的、无休止的瞬间,在这个瞬间,一个普通的事件变得不寻常。作为一种文学、心理学和哲学现象,从Paz en la guerra到圣曼努埃尔·布埃诺(mártir),现代时刻在乌纳穆诺的创作生涯中显然引起了他的兴趣。现代时刻体现在城市和自然环境中,激发了象征性的重生、日常生活和死亡的体验。通过他对现代的兴趣,乌纳穆诺的作品与西格蒙德·弗洛伊德的“海洋感”概念、海伦娜·布拉瓦茨基开创的神智学运动以及英国高级浪漫主义者对人与自然之间联系的理解紧密相连。最后,该研究将现代或启示时刻与两种英雄经历联系起来:约瑟夫·坎贝尔在《千面英雄》(Paz en la guerra的Pachico Zabalbide)中研究的神话英雄,以及弗洛伊德在《图腾与禁忌》(圣曼努埃尔·布埃诺,mártir的唐·曼努埃尔·布埃诺)中分析的悲剧希腊英雄。
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引用次数: 0
Feminism’s Unruly Temporalities: Démodé Aesthetics in Aurora Cáceres’s La Rosa Muerta (1914) 女权主义的不规范的时间性:奥罗拉caceres的《死玫瑰》(1914)中的过时美学
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0000
Mayra G. Bottaro
Abstract:In this essay, I suggest that Aurora Cáceres’s embrace of the démodé, both at the level of form—through an “out-of-fashion” naturalistic style—and as a thematic focus of La Rosa Muerta (1914), is a deliberate choice that determines the author’s radically modern feminism. I propose readings of different moments from the novella from the perspective of démodé as an aesthetic category that evinces a particular relationship to time and, as such, it encompasses all of its iterations—the out of fashion, the untimely, and the out of timeliness. These readings complicate not only the narratives of the straightforward modern developmental chronopolitics, which organizes the logic of most of the contemporary literary works of the time, but also will reveal how this novella contributes to a feminist theorizing of time. This approach both destabilizes our dominant and naturalized models of feminism’s timing and challenges the traditional generational logic that has guided its reading in Latin America. By bringing questions of temporality and a revision to the concept of women’s time to bear on the understanding of this novella, this essay aims at complicating the linear and generational thinking that has influenced the reading of feminism in this modernist text, and perhaps in the work of Latin American women writers in general.
摘要:在本文中,我认为《奥罗拉Cáceres》通过一种“过时的”自然主义风格,在形式层面和作为《死亡的玫瑰》(1914)的主题焦点,对女性主义的拥抱是一种深思熟虑的选择,决定了作者是激进的现代女性主义。我建议从dims mod的角度来解读这部中篇小说的不同时刻,作为一种美学范畴,它表明了与时间的特殊关系,因此,它包含了所有的迭代——过时的、不合时宜的、不合时宜的。这些阅读不仅使直接的现代发展时间政治叙事复杂化,这种叙事组织了当时大多数当代文学作品的逻辑,而且还将揭示这部中篇小说如何为女性主义的时间理论做出贡献。这种方法既动摇了我们对女权主义时间的主导和自然化模型,也挑战了在拉丁美洲指导其阅读的传统代际逻辑。通过引入时间性问题和对女性时间概念的修正来理解这部中篇小说,本文旨在使线性和代际思维复杂化,这些思维影响了这部现代主义文本中对女性主义的解读,也许也影响了拉丁美洲女性作家的作品。
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引用次数: 0
Una poética de la convocatoria. La literatura comunista de Raúl González Tuñón by María Fernanda Alle (review) 召唤诗。共产主义文学de raul Gonzá小时你ñón由maria Fernanda (review)
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0016
M. Sierra
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引用次数: 1
Exhuming Franco. Spain’s Second Transition by Sebastiaan Faber (review) 中弗兰克。《西班牙的第二次转型》作者:塞巴斯蒂安·费伯
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0008
Natalia Castro Picón
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引用次数: 2
César Vallejo: un poeta del acontecimiento by Víctor Vich (review) cesar Vallejo:事件诗人victor Vich(评论)
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0010
Marta Ortiz Canseco
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引用次数: 0
La poesía guineoecuatoriana en español en su contexto colonial y (trans)nacional by Alain Lawo-Sukam (review)
Pub Date : 2022-03-01 DOI: 10.1353/rvs.2022.0015
Cecilia Saenz Roby
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引用次数: 0
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Revista de Estudios Hispánicos
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