{"title":"This Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets by Daniel Aguirre Oteiza (review)","authors":"Leslie J. Harkema","doi":"10.1353/rvs.2022.0009","DOIUrl":"https://doi.org/10.1353/rvs.2022.0009","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114928841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The following research examines Juan Ramón Jiménez and Zenobia Camprubí’s first visit to the island of Puerto Rico in 1936, weeks after the outbreak of the Spanish Civil War. Based on little-known original documentary sources and several relevant contributions published in recent years, this article addresses the wide impact of their journey on the local press as well as on the academics of the Universidad de Puerto Rico-Recinto de Río Piedras at that time. The journey, lasting from September to November 1936, also coincides with the news of the assassination of Federico García Lorca, and the consequently sympathetic reaction of Puerto Rican academics towards the Spanish Republican cause. In various interviews and lectures held during his first visit to the island, Juan Ramón reveals some key points of his political ideology. Different opinions have been expressed about the poet’s position with respect to the Spanish Civil War that question his commitment to Spanish Republican values. Some of the statements made during his brief stay in Puerto Rico show that Juan Ramón was never on the side of either fascism or communism.
摘要:以下研究考察了Juan Ramón jimsamnez和Zenobia Camprubí在西班牙内战爆发几周后的1936年首次访问波多黎各岛。本文基于鲜为人知的原始文献资料和近年来发表的几篇相关文章，探讨了他们的旅程对当地新闻界以及当时波多黎各大学(universsidad de Puerto Rico-Recinto de Río Piedras)学术界的广泛影响。这次旅行从1936年9月持续到11月，恰逢费德里科García洛尔卡被暗杀的消息，以及波多黎各学者对西班牙共和事业的同情反应。胡安Ramón在他第一次访问古巴期间的各种采访和演讲中，揭示了他的政治思想的一些关键点。关于诗人在西班牙内战中的立场，人们表达了不同的观点，质疑他对西班牙共和价值观的承诺。他在波多黎各短暂停留期间所作的一些声明表明，胡安Ramón从未站在法西斯主义或共产主义一边。
{"title":"Las primeras brisas del exilio español republicano: El impacto del primer viaje a Puerto Rico de Juan Ramón Jiménez y Zenobia Camprubí en la prensa local y en el círculo académico riopiedrense","authors":"Aníbal Salazar Anglada","doi":"10.1353/rvs.2022.0006","DOIUrl":"https://doi.org/10.1353/rvs.2022.0006","url":null,"abstract":"Abstract:The following research examines Juan Ramón Jiménez and Zenobia Camprubí’s first visit to the island of Puerto Rico in 1936, weeks after the outbreak of the Spanish Civil War. Based on little-known original documentary sources and several relevant contributions published in recent years, this article addresses the wide impact of their journey on the local press as well as on the academics of the Universidad de Puerto Rico-Recinto de Río Piedras at that time. The journey, lasting from September to November 1936, also coincides with the news of the assassination of Federico García Lorca, and the consequently sympathetic reaction of Puerto Rican academics towards the Spanish Republican cause. In various interviews and lectures held during his first visit to the island, Juan Ramón reveals some key points of his political ideology. Different opinions have been expressed about the poet’s position with respect to the Spanish Civil War that question his commitment to Spanish Republican values. Some of the statements made during his brief stay in Puerto Rico show that Juan Ramón was never on the side of either fascism or communism.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116537950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Business of Conquest. Empire, Love, and Law in the Atlantic World by Nicole D. Legnani (review)","authors":"Fernando Rodríguez Mansilla","doi":"10.1353/rvs.2022.0014","DOIUrl":"https://doi.org/10.1353/rvs.2022.0014","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"254 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134495459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Geographies of Urban Female Labor and Nationhood in Spanish Culture, 1880–1975 by Mar Soria (review)","authors":"Renee P. Rivera","doi":"10.1353/rvs.2022.0011","DOIUrl":"https://doi.org/10.1353/rvs.2022.0011","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130979492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay develops the genealogy, range, and modes of operation of the modern or revelatory moment—a non-religious, endless instant in which an ordinary event becomes extraordinary—in the first and last novels by Miguel de Unamuno. As a literary, psychological, and philosophical phenomenon, the modern moment clearly interested Unamuno through his creative life, from Paz en la guerra to San Manuel Bueno, mártir. The modern moment manifests itself in both urban and natural settings, provoking experiences of symbolic rebirth, daily life, and death. Through his interest in the modern moment, Unamuno’s work becomes deeply connected with Sigmund Freud’s concept of “oceanic feeling,” the theosophical movement pioneered by Helena Blavatsky, and the English High Romantics’ understanding of the connection between the human being and nature. Finally, the study links the modern or revelatory moment to two heroic experiences: that of the mythic hero studied by Joseph Campbell in The Hero with a Thousand Faces (Paz en la guerra’s Pachico Zabalbide), and the tragic Greek hero analyzed by Freud in Totem and Taboo (San Manuel Bueno, mártir’s Don Manuel Bueno).
摘要:本文发展了米格尔·德·乌纳穆诺的第一部和最后一部小说中现代或启示时刻的谱系、范围和运作模式——一个非宗教的、无休止的瞬间，在这个瞬间，一个普通的事件变得不寻常。作为一种文学、心理学和哲学现象，从Paz en la guerra到圣曼努埃尔·布埃诺(mártir)，现代时刻在乌纳穆诺的创作生涯中显然引起了他的兴趣。现代时刻体现在城市和自然环境中，激发了象征性的重生、日常生活和死亡的体验。通过他对现代的兴趣，乌纳穆诺的作品与西格蒙德·弗洛伊德的“海洋感”概念、海伦娜·布拉瓦茨基开创的神智学运动以及英国高级浪漫主义者对人与自然之间联系的理解紧密相连。最后，该研究将现代或启示时刻与两种英雄经历联系起来:约瑟夫·坎贝尔在《千面英雄》(Paz en la guerra的Pachico Zabalbide)中研究的神话英雄，以及弗洛伊德在《图腾与禁忌》(圣曼努埃尔·布埃诺，mártir的唐·曼努埃尔·布埃诺)中分析的悲剧希腊英雄。
{"title":"Momentos reveladores y heroísmo en Miguel de Unamuno: Paz en la guerra y San Manuel Bueno, mártir","authors":"Francisco Larubia-Prado","doi":"10.1353/rvs.2022.0003","DOIUrl":"https://doi.org/10.1353/rvs.2022.0003","url":null,"abstract":"Abstract:This essay develops the genealogy, range, and modes of operation of the modern or revelatory moment—a non-religious, endless instant in which an ordinary event becomes extraordinary—in the first and last novels by Miguel de Unamuno. As a literary, psychological, and philosophical phenomenon, the modern moment clearly interested Unamuno through his creative life, from Paz en la guerra to San Manuel Bueno, mártir. The modern moment manifests itself in both urban and natural settings, provoking experiences of symbolic rebirth, daily life, and death. Through his interest in the modern moment, Unamuno’s work becomes deeply connected with Sigmund Freud’s concept of “oceanic feeling,” the theosophical movement pioneered by Helena Blavatsky, and the English High Romantics’ understanding of the connection between the human being and nature. Finally, the study links the modern or revelatory moment to two heroic experiences: that of the mythic hero studied by Joseph Campbell in The Hero with a Thousand Faces (Paz en la guerra’s Pachico Zabalbide), and the tragic Greek hero analyzed by Freud in Totem and Taboo (San Manuel Bueno, mártir’s Don Manuel Bueno).","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115105362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In this essay, I suggest that Aurora Cáceres’s embrace of the démodé, both at the level of form—through an “out-of-fashion” naturalistic style—and as a thematic focus of La Rosa Muerta (1914), is a deliberate choice that determines the author’s radically modern feminism. I propose readings of different moments from the novella from the perspective of démodé as an aesthetic category that evinces a particular relationship to time and, as such, it encompasses all of its iterations—the out of fashion, the untimely, and the out of timeliness. These readings complicate not only the narratives of the straightforward modern developmental chronopolitics, which organizes the logic of most of the contemporary literary works of the time, but also will reveal how this novella contributes to a feminist theorizing of time. This approach both destabilizes our dominant and naturalized models of feminism’s timing and challenges the traditional generational logic that has guided its reading in Latin America. By bringing questions of temporality and a revision to the concept of women’s time to bear on the understanding of this novella, this essay aims at complicating the linear and generational thinking that has influenced the reading of feminism in this modernist text, and perhaps in the work of Latin American women writers in general.
{"title":"Feminism’s Unruly Temporalities: Démodé Aesthetics in Aurora Cáceres’s La Rosa Muerta (1914)","authors":"Mayra G. Bottaro","doi":"10.1353/rvs.2022.0000","DOIUrl":"https://doi.org/10.1353/rvs.2022.0000","url":null,"abstract":"Abstract:In this essay, I suggest that Aurora Cáceres’s embrace of the démodé, both at the level of form—through an “out-of-fashion” naturalistic style—and as a thematic focus of La Rosa Muerta (1914), is a deliberate choice that determines the author’s radically modern feminism. I propose readings of different moments from the novella from the perspective of démodé as an aesthetic category that evinces a particular relationship to time and, as such, it encompasses all of its iterations—the out of fashion, the untimely, and the out of timeliness. These readings complicate not only the narratives of the straightforward modern developmental chronopolitics, which organizes the logic of most of the contemporary literary works of the time, but also will reveal how this novella contributes to a feminist theorizing of time. This approach both destabilizes our dominant and naturalized models of feminism’s timing and challenges the traditional generational logic that has guided its reading in Latin America. By bringing questions of temporality and a revision to the concept of women’s time to bear on the understanding of this novella, this essay aims at complicating the linear and generational thinking that has influenced the reading of feminism in this modernist text, and perhaps in the work of Latin American women writers in general.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121403638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Una poética de la convocatoria. La literatura comunista de Raúl González Tuñón by María Fernanda Alle (review)","authors":"M. Sierra","doi":"10.1353/rvs.2022.0016","DOIUrl":"https://doi.org/10.1353/rvs.2022.0016","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129899911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exhuming Franco. Spain’s Second Transition by Sebastiaan Faber (review)","authors":"Natalia Castro Picón","doi":"10.1353/rvs.2022.0008","DOIUrl":"https://doi.org/10.1353/rvs.2022.0008","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127175454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Sor Juana Inés de la Cruz’s Romance 21 “Después de estimar mi amor” sheds light on the author’s musical knowledge with elaborate metaphors that showcase the nun’s theoretical understanding. At the same time, the lyric narrator ironically begs pardon for failing to send her interlocutor a music treatise titled Caracol. While most prior scholarship on Romance 21 focuses on Sor Juana’s engagement with early modern music theory and philosophy, this article addresses the significant but overlooked theme of musical patronage. First, a gendered approach highlights the Caracol as a unique example of a female-authored music theory treatise written for a woman benefactor. Next, an epistolary reading highlights inconsistencies among personal references in the poem and the recipient that its epigraph identifies, the Countess of Paredes. Indeed, details suggest that the addressee is not the Countess of Paredes María Luisa de Lara y Gonzaga, but rather the Countess of Villaumbrosa María Petronila Niño de Porres y Enríquez de Guzmán. For all this, Romance 21 lends notable insight into early modern women’s musical patronage and also advances Sor Juana studies as the first extant communication between the poet and the Countess of Villaumbrosa.
摘要:胡安娜·伊纳姆斯·德·拉·克鲁兹的小说《浪漫》第21章“despusamos de estimar mi amor”通过精心设计的隐喻揭示了作者的音乐知识，展现了修女的理论理解。与此同时，抒情叙述者讽刺地请求原谅，因为她没有给她的对话者寄去一篇名为《卡拉科尔》的音乐论文。之前大多数关于《21世纪浪漫》的学术研究都集中在索尔·胡安娜对早期现代音乐理论和哲学的研究上，而这篇文章则探讨了音乐赞助这一重要但被忽视的主题。首先，性别化的方法突出了《卡拉科尔》作为女性为女性捐助者撰写的音乐理论论文的独特例子。接下来，书信体的阅读强调了诗歌中个人引用的不一致之处，以及它的铭文所标识的收件人，帕雷迪斯伯爵夫人。事实上，细节表明收信人不是帕雷德斯伯爵夫人María路易莎·德·拉拉·冈萨加，而是维拉姆布罗萨伯爵夫人María Petronila Niño de Porres y Enríquez de Guzmán。尽管如此，《浪漫21》为早期现代女性的音乐赞助提供了引人注目的见解，也推进了索尔·胡安娜的研究，作为诗人与维拉姆布罗萨伯爵夫人之间现存的第一次交流。
{"title":"“¿Enseñar Música a un Ángel?”: The Countess of Villaumbrosa as Sor Juana’s Musical Patron in Romance 21","authors":"Sarah Finley","doi":"10.1353/rvs.2022.0001","DOIUrl":"https://doi.org/10.1353/rvs.2022.0001","url":null,"abstract":"Abstract:Sor Juana Inés de la Cruz’s Romance 21 “Después de estimar mi amor” sheds light on the author’s musical knowledge with elaborate metaphors that showcase the nun’s theoretical understanding. At the same time, the lyric narrator ironically begs pardon for failing to send her interlocutor a music treatise titled Caracol. While most prior scholarship on Romance 21 focuses on Sor Juana’s engagement with early modern music theory and philosophy, this article addresses the significant but overlooked theme of musical patronage. First, a gendered approach highlights the Caracol as a unique example of a female-authored music theory treatise written for a woman benefactor. Next, an epistolary reading highlights inconsistencies among personal references in the poem and the recipient that its epigraph identifies, the Countess of Paredes. Indeed, details suggest that the addressee is not the Countess of Paredes María Luisa de Lara y Gonzaga, but rather the Countess of Villaumbrosa María Petronila Niño de Porres y Enríquez de Guzmán. For all this, Romance 21 lends notable insight into early modern women’s musical patronage and also advances Sor Juana studies as the first extant communication between the poet and the Countess of Villaumbrosa.","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126250367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La poesía guineoecuatoriana en español en su contexto colonial y (trans)nacional by Alain Lawo-Sukam (review)","authors":"Cecilia Saenz Roby","doi":"10.1353/rvs.2022.0015","DOIUrl":"https://doi.org/10.1353/rvs.2022.0015","url":null,"abstract":"","PeriodicalId":281386,"journal":{"name":"Revista de Estudios Hispánicos","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131069528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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