Este artigo incide sobre o surgimento e desenvolvimento de operações de reabilitação com retenção da fachada e demolição do interior na cidade de Lisboa. Este tipo de intervenção, comumente designado de fachadismo, generalizou-se na cidade desde o final de novecentos, sendo suportado por um contexto cultural e socioeconómico, que seria inclusivamente plasmado pela normativa. As intervenções de reconstrução de fachadas têm antecedentes na história da Arquitetura e do Urbanismo; todavia, a proliferação de operações inversas é controversa no debate disciplinar. Este artigo resume, delimita e interpreta as raízes deste tipo de intervenção em Lisboa. Pretende clarificar os motivos e contexto da sua vulgarização, incluindo a situação socioeconómica, cultural e normativa, ponderando igualmente sobre os seus efeitos e limitações para o espaço edificado. Para este efeito, observa uma série de intervenções na Avenida da Liberdade, considerada o eixo urbano arquétipo da Lisboa burguesa. Da leitura de casos de estudo e do seu contexto emergem dois momentos cronológicos: o fachadismo pré-normativo entre 1980 e 1995, seguindo de um pós-normativo, que se consolida na primeira década do novo século e se reflete no momento presente.
{"title":"Retenção de fachada na cidade de Lisboa: Origens, história e tipologias","authors":"Sérgio Godinho, Pedro Luz Pinto","doi":"10.15847/cct.25954","DOIUrl":"https://doi.org/10.15847/cct.25954","url":null,"abstract":"Este artigo incide sobre o surgimento e desenvolvimento de operações de reabilitação com retenção da fachada e demolição do interior na cidade de Lisboa. Este tipo de intervenção, comumente designado de fachadismo, generalizou-se na cidade desde o final de novecentos, sendo suportado por um contexto cultural e socioeconómico, que seria inclusivamente plasmado pela normativa. As intervenções de reconstrução de fachadas têm antecedentes na história da Arquitetura e do Urbanismo; todavia, a proliferação de operações inversas é controversa no debate disciplinar. Este artigo resume, delimita e interpreta as raízes deste tipo de intervenção em Lisboa. Pretende clarificar os motivos e contexto da sua vulgarização, incluindo a situação socioeconómica, cultural e normativa, ponderando igualmente sobre os seus efeitos e limitações para o espaço edificado. Para este efeito, observa uma série de intervenções na Avenida da Liberdade, considerada o eixo urbano arquétipo da Lisboa burguesa. Da leitura de casos de estudo e do seu contexto emergem dois momentos cronológicos: o fachadismo pré-normativo entre 1980 e 1995, seguindo de um pós-normativo, que se consolida na primeira década do novo século e se reflete no momento presente.","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115790430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cristina de Moraes Camargo, Mariana Marcos, Antonio López-Gay, Juan Antonio Módenes Cabrerizo
{"title":"Construir y gestionar el parque de viviendas: Aportes desde el análisis de la demanda demográfica para el caso de São Paulo (1991-2040)","authors":"Cristina de Moraes Camargo, Mariana Marcos, Antonio López-Gay, Juan Antonio Módenes Cabrerizo","doi":"10.15847/cct.27040","DOIUrl":"https://doi.org/10.15847/cct.27040","url":null,"abstract":"","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133664490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper begins by exploring the notions of resistance and protest in popular music. Although the terms have been used in Anglophone discussions of popular music for some hundred years, there is a tendency to treat them as synonymous. The paper draws on the work of David Laing (2003), who considers the distinction between protest songs and resistance songs, and also extends Barbara Harlow’s (1987) conceptualisation of resistance poetry to the similarly compressed discourse structures of popular songs. Framed by this exploration and by Mikhail Bakhtin’s theorisation of popular culture as “the privileged bearer of democratic and progressive values” (Hirschkop, 1987, p. 92), the paper presents an interpretive discourse analysis of the construction of social commentary, resistance and protest in the music of the band Herbs in Aotearoa New Zealand’s first Pacific reggae album, released in 1981. This investigation includes consideration of configurations of time/space and place relationships and the implications of these for meaning in three of Herbs’ songs, through the lens of Bakhtin’s (1981b) notion of the chronotope.
{"title":"Resistance, protest and configurations of time, space and place in Herbs’ Pacific reggae songs:","authors":"E. Turner","doi":"10.15847/cct.22087","DOIUrl":"https://doi.org/10.15847/cct.22087","url":null,"abstract":"This paper begins by exploring the notions of resistance and protest in popular music. Although the terms have been used in Anglophone discussions of popular music for some hundred years, there is a tendency to treat them as synonymous. The paper draws on the work of David Laing (2003), who considers the distinction between protest songs and resistance songs, and also extends Barbara Harlow’s (1987) conceptualisation of resistance poetry to the similarly compressed discourse structures of popular songs. Framed by this exploration and by Mikhail Bakhtin’s theorisation of popular culture as “the privileged bearer of democratic and progressive values” (Hirschkop, 1987, p. 92), the paper presents an interpretive discourse analysis of the construction of social commentary, resistance and protest in the music of the band Herbs in Aotearoa New Zealand’s first Pacific reggae album, released in 1981. This investigation includes consideration of configurations of time/space and place relationships and the implications of these for meaning in three of Herbs’ songs, through the lens of Bakhtin’s (1981b) notion of the chronotope.","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127871732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Recensão do livro Habitação: Cem Anos de Políticas Públicas de Habitação em Portugal (1918-2018)","authors":"João Cabral","doi":"10.15847/cct.28115","DOIUrl":"https://doi.org/10.15847/cct.28115","url":null,"abstract":"","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133821966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Economia Política de Crises Estruturais","authors":"Bruno Amable","doi":"10.15847/cct.30320","DOIUrl":"https://doi.org/10.15847/cct.30320","url":null,"abstract":"","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121931509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Um olhar atento à perspetiva económica de José Reis","authors":"H. Pinto","doi":"10.15847/cct.28521","DOIUrl":"https://doi.org/10.15847/cct.28521","url":null,"abstract":"","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"121 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126714224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The objective of the article is to analyze the situation of the last twenty years in the region of Vale do Paranhana/Rio Grande do Sul, located in southern Brazil
{"title":"Uma análise de resiliência regional para o Vale do Paranhana/RS/Brasil","authors":"Alexandre Aloys Matte Junior, Gisele Spricigo, Janaina Ruffoni","doi":"10.15847/cct.28172","DOIUrl":"https://doi.org/10.15847/cct.28172","url":null,"abstract":"The objective of the article is to analyze the situation of the last twenty years in the region of Vale do Paranhana/Rio Grande do Sul, located in southern Brazil","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115651718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article puts forward a sustained approach in the perception of the processes of construction of – individual and collective – meanings and identities in relation to the musical (sub)genre Kpop. Thus, contrary to the logic that emphasizes the loss of relevance of the CD, we tried to demonstrate that – as an object of memorabilia and musical consumption – it remains alive within the K-pop culture. In fact, not only the CD, but also other memorabilia items that emphasize the creation of visual and identity narratives, in the sense that they are seen as a means to establish, maintain and cement a relationship with the idol. Thus, in parallel to the fact that K-pop, as a musical genre, has a global character, it also highlights individual, regional and local aspects, mainly due to the variety of products that are produced, following a personalisation logic at the same time as we are facing a mass selling process. Thus, through the use of a qualitative methodology (Guerra, 2021; Pink, 2020), we intend to analyze the memorabilia items of seven Portuguese K-pop fans, in order to perceive the processes of identity creation, but also to denote the symbologies and meanings that are built around the items.
{"title":"Ultimate bias: Memorabilia, K-pop and fandom identities","authors":"P. Guerra, Sofia Sousa","doi":"10.15847/cct.23948","DOIUrl":"https://doi.org/10.15847/cct.23948","url":null,"abstract":"This article puts forward a sustained approach in the perception of the processes of construction of – individual and collective – meanings and identities in relation to the musical (sub)genre Kpop. Thus, contrary to the logic that emphasizes the loss of relevance of the CD, we tried to demonstrate that – as an object of memorabilia and musical consumption – it remains alive within the K-pop culture. In fact, not only the CD, but also other memorabilia items that emphasize the creation of visual and identity narratives, in the sense that they are seen as a means to establish, maintain and cement a relationship with the idol. Thus, in parallel to the fact that K-pop, as a musical genre, has a global character, it also highlights individual, regional and local aspects, mainly due to the variety of products that are produced, following a personalisation logic at the same time as we are facing a mass selling process. Thus, through the use of a qualitative methodology (Guerra, 2021; Pink, 2020), we intend to analyze the memorabilia items of seven Portuguese K-pop fans, in order to perceive the processes of identity creation, but also to denote the symbologies and meanings that are built around the items.","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114257677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Recenção de \"Economia de Missão: Um guia ousado e inovador para mudar o capitalismo\"","authors":"F. Sampaio","doi":"10.15847/cct.28524","DOIUrl":"https://doi.org/10.15847/cct.28524","url":null,"abstract":"","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132699518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Outras estradas para andar com The Legendary Tigerman: Conversa com Paulo Furtado em abril de 2021","authors":"Paula Guerra","doi":"10.15847/cct.25496","DOIUrl":"https://doi.org/10.15847/cct.25496","url":null,"abstract":"","PeriodicalId":286920,"journal":{"name":"CIDADES, Comunidades e Territórios","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116753215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：