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Pengaruh Subtitle pada Motion Graphics "Affordable" terhadap Pemahaman Siswa Kelas VII SMPN 7 Bogor 运动图像 "买得起 "的字幕对茂物第七中学七年级学生理解能力的影响
Pub Date : 2024-02-28 DOI: 10.55606/jurrsendem.v3i1.2265
Ananda Prathama Saputra, Muhammad Hafidz Sidqi Riupassa, Amata Fami, Reneta Mega Zaskia
The aim of this study is to assess the influence of subtitles in the "Affordable" motion graphics on the comprehension of 7th-grade students at SMPN 7 Bogor. This research utilizes a quantitative descriptive approach. In this study, samples are obtained through non-probability sampling, and respondents are selected using purposive sampling. Simple linear regression is employed as the data analysis technique. The results of the simple linear regression analysis reveal that the "Affordable" motion graphics have a positive and significant impact on the comprehension of 7th-grade students at SMPN 7 Bogor, accounting for 24.46%, while the remaining 75.54% is influenced by other variables.
本研究旨在评估 "Affordable "动态图像中的字幕对茂物第七小学七年级学生理解能力的影响。本研究采用定量描述法。在本研究中,样本通过非概率抽样获得,受访者通过目的性抽样选出。数据分析采用简单线性回归法。简单线性回归分析的结果显示,"负担得起的 "动态图形对茂物第七中学七年级学生的理解能力有积极而显著的影响,占 24.46%,而其余 75.54%则受其他变量的影响。
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引用次数: 0
Interaksi Antara Penari Dan Penonton Dalam Pertunjukan Tor-Tor Di Pasar Kamu Kecamatan Pantai Labu Pantai Labu 分区卡穆市场 Tor-Tor 表演中舞者与观众之间的互动
Pub Date : 2024-02-28 DOI: 10.55606/jurrsendem.v3i1.2312
Sabrina Maulidia Putri, Interaksi Antara Penari, Dan Penonton, Dalam Pertunjukan, Tor-Tor Di, Pasar Kamu, Kecamatan Pantai, Labu Sabrina, M. Putri
This article aims to determine the interactions that exist between dancers and the audience in the Tor-Tor performance at Pasar Kamu, Pantai Labu District. This performance is performed between dancers and the audience by interacting through communication by attracting the attention of the audience to join in dancing together. Research in this article uses qualitative methods with data collection techniques by means of observation, interviews and documentation. The research results show that in the Tor-Tor performance there is social interaction between the public as spectators and the Tor-Tor dancers, and intrapersonal communication is established through movements as conveyance of messages and recipients of messages carried out by the audience and dancers in the Tor-Tor performance. Through this article, it is hoped that it can raise a positive image that traditional dance is worth preserving.
本文旨在确定在 Pantai Labu 区 Pasar Kamu 的 Tor-Tor 表演中舞者与观众之间存在的互动。这种表演是舞者与观众之间通过交流互动,吸引观众的注意力,让他们一起跳舞。本文的研究采用定性方法,通过观察、访谈和记录来收集数据。研究结果表明,在 Tor-Tor 表演中,作为观众的公众与 Tor-Tor 舞者之间存在社会互动,通过 Tor-Tor 表演中观众和舞者作为信息传达者和信息接收者的动作,建立了人际沟通。希望通过这篇文章,能树立起传统舞蹈值得保护的正面形象。
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引用次数: 0
Pertumbuhan Musik Klasik Barat di Kota Medan 西方古典音乐在棉兰市的发展
Pub Date : 2024-02-28 DOI: 10.55606/jurrsendem.v3i1.2282
Elfrida Yuliana Simamora
Edward Van Ness is a violinist, conductor, writer and teacher who has lived and worked in Indonesia cumulatively for more than forty years. Composition and world music studies were completed at Wesleyan University, conducted at the Eastman School of Music, with further graduate studies also at Boston University. He undertook research on South Indian Classical Music, was a concert player in the Carnatic Vina, and founded the Madras Chamber Orchestra. He founded the music department in 1986 at the Medan International School and became head of the music and technology department at the Indonesian Music Academy, University of North Sumatra and HKBP Nommensen University. A founder of the Indonesian Promusik group. Also known as the conductor and artistic director of the first complete performance of Handel's historic Messiah with the Ensemble Nommensen and Promusika in 1987 (in the original Baroque performance style). He is also known as the first musician invited by the institution and the Vietnamese government by leading the orchestra with cellist Cecylia Barczyk from the Ho Chi Min Conservatory Orchestra in Vietnam in April 2005. Since 2003 he has led the Nusantara Symphony Orchestra in many concerts. . Most recently he was the music director and conductor of the Indonesian National Christmas celebration in December 2018 in Medan. Until now he is a Music Teacher at the Sumatra Conservatoire.
爱德华-范-内斯是一位小提琴家、指挥家、作家和教师,在印度尼西亚生活和工作了四十多年。他在卫斯理大学(Wesleyan University)完成了作曲和世界音乐的学习,并在伊斯特曼音乐学院(Eastman School of Music)担任指挥,还在波士顿大学攻读了研究生课程。他曾从事南印度古典音乐研究,是卡纳蒂克维纳音乐会的演奏家,并创建了马德拉斯室内乐团。1986 年,他在棉兰国际学校创建了音乐系,并成为印尼音乐学院、北苏门答腊大学和香港浸会大学诺门森分校音乐与技术系主任。印度尼西亚 Promusik 乐团的创始人之一。他还是 1987 年与诺门森乐团和 Promusika 首次完整演出亨德尔历史名剧《弥赛亚》的指挥和艺术总监(采用原始巴洛克表演风格)。2005 年 4 月,他与越南胡志明音乐学院管弦乐团的大提琴家塞西莉亚-巴尔茨克(Cecylia Barczyk)共同率领乐团,成为首位受越南胡志明音乐学院和越南政府邀请的音乐家。自 2003 年以来,他曾多次率领 Nusantara 交响乐团举办音乐会。.最近,他担任了 2018 年 12 月在棉兰举行的印尼国家圣诞节庆祝活动的音乐总监和指挥。目前,他是苏门答腊音乐学院的音乐教师。
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引用次数: 0
Tinjauan Komposisi, Warna Dan Bentuk Pada Hasil Lukis Dengan Media Payung Di Sanggar Lukis Qalam Jihad 在 Qalam Jihad 绘画工作室回顾伞状媒介绘画中的构图、色彩和形状
Pub Date : 2024-02-28 DOI: 10.55606/jurrsendem.v3i1.2352
Hilyati Iftinan Lubis, Agus Priyatno
This research aims to determine the ability to organize compositions, process colors, adjust colors, and determine the level of suitability of shapes in the results of paintings using umbrella media at the Qalam Jihad Painting Studio Pematangsiantar. This research uses a qualitative descriptive method, by researching a topic in a systematic, factual and accurate manner obtained from data collection in the field and carried out based on existing facts and characteristics. This research is to review the composition, color and shape of paintings using umbrella media by studio students aged 13-15 years. The composition aspect gets the lowest score and the color aspect gets the highest score. This can be seen from the good coloring and color combinations with dark and light on the objects and colors that are seen clearly and appropriately by the studio students. Based on this, it produces a higher color aspect than other aspects. The classification of the results of reviewing the composition, color and shape of paintings using umbrella media at the Qalam Jihad Pematangsiantar painting studio is that 7 students are categorized as good with a score of 241.4 to 266 and an average score of 80.5 to 88.6. 8 students were quite good with scores of 211.2 to 234.9 with an average score of 70.4 to 78.3. 
本研究旨在确定 Qalam Jihad Painting Studio Pematangsiantar 使用伞状媒介进行绘画的结果中组织构图、处理色彩、调整色彩以及确定形状适合程度的能力。本研究采用定性描述法,通过在实地收集数据,并根据现有事实和特征,以系统、真实和准确的方式研究课题。本研究旨在考察 13-15 岁工作室学生使用雨伞媒介进行绘画时的构图、色彩和形状。构图方面得分最低,色彩方面得分最高。这可以从色彩的搭配和物体的明暗搭配以及色彩的明暗搭配上看出,画室的学生能清楚、恰当地看到物体和色彩。基于此,色彩方面的得分高于其他方面。对 Qalam Jihad Pematangsiantar 画室使用伞状媒介绘画的构图、色彩和形状的审查结果进行的分类是,7 名学生被归类为良好,得分在 241.4 分至 266 分之间,平均分在 80.5 分至 88.6 分之间。8 名学生相当好,得分为 211.2 至 234.9 分,平均分为 70.4 至 78.3 分。
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引用次数: 0
Music And Philosophy In Relation To Christian Belief 音乐和哲学与基督教信仰的关系
Pub Date : 2024-02-28 DOI: 10.55606/jurrsendem.v3i1.2358
Octa Maria, Sihombing Pendidikan, Musik Gereja, Institut Agama, Kristen Negeri, Palangka Raya, Jordi Istandar, Evi Mariani Pendidikan, Agama Kristen, Jalan Tampung, Penyang Rta, Milono Km
This research explores the relationship between music and philosophy within the context of Christian faith. The research methodology employed is descriptive and qualitative, utilizing a hermeneutic approach that involves literature review, in-depth interviews, and qualitative analysis. The findings indicate that music, as an art form that utilizes sound, plays a significant role in expressing Christian faith, facilitating church worship, and fostering fellowship. Christian philosophy is the study of the nature of reality. It helps to understand the meaning of music in the context of Christian beliefs, examine aspects of music, and develop Christian theology. The Bible provides guidance on the role of music and philosophy in the Christian faith. Music and philosophy complement each other, enriching the religious experience of Christians and encouraging a deeper appreciation of both
本研究探讨了基督教信仰背景下音乐与哲学之间的关系。所采用的研究方法是描述性和定性的,利用诠释学的方法,包括文献综述、深入访谈和定性分析。研究结果表明,音乐作为一种利用声音的艺术形式,在表达基督教信仰、促进教会敬拜和增进团契方面发挥着重要作用。基督教哲学是对现实本质的研究。它有助于在基督教信仰的背景下理解音乐的意义,研究音乐的各个方面,并发展基督教神学。圣经》为音乐和哲学在基督教信仰中的作用提供了指导。音乐和哲学相辅相成,丰富了基督徒的宗教体验,鼓励他们更深入地欣赏音乐和哲学。
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引用次数: 0
Visual Brand Architecture WB Kitchen 视觉品牌架构 WB 厨房
Pub Date : 2024-02-16 DOI: 10.55606/jurrsendem.v3i1.2673
Dzaky Assrof, San Ahdi
WB Kitchen is a culinary business located in Batusangkar, West Sumatra. WB Kitchen has 3 subsidiaries, namely WB Cake, WB Rendang, and WB Catering.WB itself is taken from the initials of Mrs. Rahmiwati Bur's nickname, namely "Wati Bur" as the owner. WB kitchen and other subsidiaries still do not have an optimal logo or visual identity, making it difficult to be remembered and recognized by the target audience.  This design uses the Design Thinking method with an approach through empathy as the first step, then supported by the SWOT analysis method, namely, Strenght, Weakness, Opportunity and threath. The design of visual brand architecture is done to optimize and give characteristics to WB Kitchen. Therefore, a visual identity guid line book was made as the main media and supported by other supporting media such as Greeting Cards, Aprons, Posters, Chef Shirts, Polo Shirts, Cake Packaging and so on.    
WB Kitchen 是一家位于西苏门答腊巴图桑卡(Batusangkar)的烹饪企业。WB Kitchen 有 3 家子公司,分别是 WB Cake、WB Rendang 和 WB Catering。WB 取自 Rahmiwati Bur 女士的昵称首字母,即 "Wati Bur"。WB 厨房和其他子公司仍然没有一个最佳的标识或视觉识别,因此很难被目标受众记住和识别。 本设计采用了设计思维方法,第一步是通过移情,然后辅以 SWOT 分析方法,即优势、劣势、机会和威胁。视觉品牌架构的设计是为了优化世行厨房并赋予其特色。因此,以视觉识别指导手册为主要媒介,辅以其他辅助媒介,如贺卡、围裙、海报、厨师衬衫、马球衫、蛋糕包装等。
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引用次数: 0
Promosi Merchandise Band Norbit Promosi 商品乐队 Norbit
Pub Date : 2024-02-16 DOI: 10.55606/jurrsendem.v3i1.2671
Resky Ramadhan, Defrizal saputra
Currently in the city of Padang itself, death metal music is also widely favored among young people, marked by the emergence of many local bands in the death metal genre, one of which is called Norbit. Norbit is a Death Metal Cluster from Padang which was born in 2021 with 5 personnel, namely Adan Est as Vocalist, Cruelhammer as Guitarist, Blacksun as Bassist, Shiryo as Drummer and Juggernaut as Guitarist. The first single released by Norbit is titled Genocide. The number of metal bands like Norbit that develop in the middle of Padang city is a challenge for Norbit to compete, especially in introducing Norbit to the public and metal band lovers. One form of introduction is merchandise promotion. Based on the results of initial interviews with Norbit's vocalist about the promotion of merchandise clothes that have been done, it appears that the promotion of merchandise that has been done before is less effective and does not increase sales of Norbit clothes. The main media design that the author will use is in the form of promotional videos with cinematic techniques that will be published on social media such as Youtube and Instagram.The design of Norbit band merchandise promotion uses the Glass Box method, a rational thinking method that objectively and systematically examines things logically and is free from irrational thoughts and considerations.      
目前,在巴东市,死亡金属音乐也广受年轻人的青睐,当地出现了许多死亡金属乐队,Norbit 就是其中之一。Norbit 是一支来自巴东的死亡金属乐队,诞生于 2021 年,共有 5 名成员,分别是主唱 Adan Est、吉他手 Cruelhammer、贝斯手 Blacksun、鼓手 Shiryo 和吉他手 Juggernaut。Norbit 发行的首支单曲名为《种族灭绝》。像诺比特这样在巴东市中心发展起来的金属乐队数量之多,对诺比特来说是一个竞争挑战,尤其是在向公众和金属乐队爱好者介绍诺比特方面。其中一种介绍方式是商品促销。根据对 Norbit 乐队主唱的初步采访,了解到他们曾做过商品服装推广,但从结果来看,以前做过的商品推广效果较差,无法提高 Norbit 服装的销量。笔者将采用的主要媒体设计形式是在 Youtube 和 Instagram 等社交媒体上发布具有电影手法的宣传视频。Norbit 乐队的商品推广设计采用了玻璃盒子方法,这是一种理性思维方法,它客观、系统地对事物进行逻辑审查,不受非理性思维和考虑的影响。
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引用次数: 0
Penggunaan Aplikasi Capcut Bagi Kalangan Anggota Aktif UKKPK Universitas Negeri Padang 巴东大学在职会员使用 Capcut 应用程序
Pub Date : 2024-02-15 DOI: 10.55606/jurrsendem.v3i1.2668
Trivol Yasman, Dwi Mutia Sari
Technology has advanced and developed, so that various ways to improve quality and creativity can be accessed easily through gadgets and computers, video editing refers to a program or collection of programs that allow audio visuals to be manipulated intuitively on computers and gadgets. This creativity can be improved if you continue to hone your skills and look for references to edit videos. Capcut application is one of the free video editing applications that is widely used by beginners when editing videos, because in Capcut there is a template feature that makes it easier for users. Most of the users of the Capcut application based on value are students, students, and teenagers. The active students of UKKPK Padang State University also mostly use this application, by applying descriptive qualitative, which explains the use of the Capcut application, with the aim of knowing more about creativity in video editing by getting positive value. So from these problems, the Capcut application offers template features to support video editing practically and quickly.
技术的进步和发展,使人们可以通过小工具和电脑轻松获得各种提高质量和创造力的方法,视频编辑指的是一种程序或程序集合,可以在电脑和小工具上直观地操作音频视频。如果你不断磨练自己的技能,寻找视频剪辑的参考资料,这种创造力就能得到提高。Capcut 应用程序是初学者在编辑视频时广泛使用的免费视频编辑应用程序之一,因为在 Capcut 中有一个模板功能,可以让用户更轻松地编辑视频。Capcut 应用程序的大部分用户都是学生、大学生和青少年。通过描述性定性,UKKPK 巴东州立大学的在校学生也大多使用该应用程序,这说明了 Capcut 应用程序的使用情况,其目的是通过获得积极价值来了解更多视频编辑方面的创造力。因此,从这些问题出发,Capcut 应用程序提供了模板功能,以支持视频编辑的实用性和快速性。
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引用次数: 0
Film Dokumenter Talempong Sungai Pua Talempong Sungai Pua 纪录片
Pub Date : 2024-02-13 DOI: 10.55606/jurrsendem.v3i1.2658
Iqbal Maulana Irsyadi, Defrizal Saputra
The Talempong River craft is located in the West Sumatra region, l. Lukok No.125, Sungai Pua, Kec. Pua River, Agam Regency, West Sumatra province. The Talempong Sungai Pua craft does not yet have documentation starting from history, the beginning of the founding of the Talempong Sungai Pua craft and others which make people unaware of the unique history. The design of this documentary film aims to collect various explanations that can be seen by the public, especially the millennial generation, early communities or people living outside West Sumatra who want to know about this craft. The design of the film uses the 4D method which consists of 4 stages, namely define, design, develop, and disseminate. The data analysis method used in this final work is the 5w+1h method. Taking the object of the Pua River talempong craft, there is no history that has been filmed and not many people know about the history, production or what the talempong craft is, in the form of a documentary film, everything is summarized, this documentary film will later be of interest to both historians and the public. laypeople, the millennial generation have minimal knowledge about the history and production methods of Talempong Sungai Pua crafts and want to know the history and uniqueness of crafts.    
塔伦蓬河工艺位于西苏门答腊地区的 L. Lukok No.125, Sungai Pua, Kec.Pua 河,西苏门答腊省阿甘县。Talempong Sungai Pua 手工艺品的历史、Talempong Sungai Pua 手工艺品的创立之初等文献资料尚不齐全,因此人们对其独特的历史并不了解。本纪录片的设计旨在收集各种解释,让公众,尤其是千年一代、早期社区或居住在西苏门答腊以外地区、希望了解该工艺的人们能够看到。影片的设计采用了 4D 方法,包括 4 个阶段,即定义、设计、开发和传播。本最终作品采用的数据分析方法是 5w+1h 法。以普瓦河塔伦蓬工艺为对象,没有拍摄过的历史,也没有多少人知道塔伦蓬工艺的历史、制作或什么是塔伦蓬工艺,以纪录片的形式,将一切都总结出来,这部纪录片日后将引起历史学家和公众的兴趣。外行人、千禧一代对塔伦蓬 Sungai Pua 手工艺品的历史和制作方法知之甚少,希望了解手工艺品的历史和独特性。
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引用次数: 0
Game Multimedia tentang Sistem Tata Surya Berbasis Android sebagai Media Edukasi pada Anak Usia 6-12 Tahun 基于 Android 的太阳系多媒体游戏作为面向 6-12 岁儿童的教育媒体
Pub Date : 2024-02-13 DOI: 10.55606/jurrsendem.v3i1.2662
Alfarabi Helpendi, Eko Purnomo
The solar system is one of the materials from natural science lessons taught in elementary school. However, many students have difficulty understanding and memorizing material about the solar system because of the many different characteristics of each planet. This happens because of the limited learning media provided by the teacher when introducing parts of the solar system.  The delivery of material to students must be with a fun method so that students are not easily bored and easy to understand every side of learning. games have great potential in educating children about the solar system, of course, using games that are fun and fun will be more effective for children to absorb all the information contained in the games they play. The design of this game uses the Design Thimgking method, so it can be concluded that this design is a problem originating from a sense of empathy, the need for a solution to an existing problem, then continue to test for improvement. Then the game is created as the main media, then accompanied by other supporting media such as Posters, X-Banners, Game Cards, Stickers, Keychain, and Pins.
太阳系是小学自然科学课的教材之一。然而,由于每颗行星都有许多不同的特点,许多学生在理解和记忆有关太阳系的材料时都会遇到困难。出现这种情况的原因是教师在介绍太阳系各部分时提供的学习媒体有限。 向学生传授材料必须采用有趣的方法,这样学生才不容易感到厌烦,也容易理解学习的方方面面。游戏在向儿童传授太阳系知识方面有很大的潜力,当然,使用有趣好玩的游戏会更有效地让儿童吸收游戏中包含的所有信息。本游戏的设计采用了 "Thimgking 设计法",因此可以得出这样的结论:本设计是一个源于共鸣感的问题,需要解决现有的问题,然后继续测试改进。然后以游戏为主要媒体,再配以其他辅助媒体,如海报、X-横幅、游戏卡、贴纸、钥匙扣和徽章。
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引用次数: 0
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