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When cinema draws its inspiration from literature: Marcello Mastroianni and his literary characters’ embodiment 当电影从文学中汲取灵感:马尔切洛-马斯特罗亚尼和他笔下文学人物的化身
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a489
Nicoleta Călina, Cristiana Călina
It is since the dawn of cinema that the relationship between literature and cinema exists. Despite the profound transformations taking place in production and consumption, cinema continues to draw inspiration from literature. The increasingly important role that new technologies have in the production of spectacular effects has not eliminated the need to have subjects of proven effectiveness: the recourse to works of both classical and contemporary literature. One of the film careers that has crossed paths on many occasions with the major Italian and foreign fiction, contemporary and classic, through the interpretation of some of the most famous characters of those books is Marcello Mastroianni’s, great actor on the Italian theatrical and cinema scene. 
自电影诞生以来,文学与电影之间的关系就一直存在。尽管电影的生产和消费发生了深刻的变化,但电影仍然从文学中汲取灵感。新技术在制作壮观效果方面发挥着越来越重要的作用,但这并没有消除对效果良好的题材的需求:对古典文学和当代文学作品的求助。马塞洛-马斯特罗亚尼(Marcello Mastroianni's)是意大利戏剧和电影界的伟大演员,他通过演绎书中一些最著名的人物,多次与意大利和外国的当代和经典小说产生交集。
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引用次数: 0
From Literature to Graphic Novel and to Film Language: Transmediality in American Gods, by Neil Gaiman 从文学到图画小说,再到电影语言:美国众神》中的跨媒介性,尼尔-盖曼著
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a522
Márcio Ribeiro
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引用次数: 0
El cine mexicano al final de la pandemia: Industria, nuevos hábitos de consumo, recortes presupuestales y políticas culturales 大流行病结束时的墨西哥电影:产业、新的消费习惯、预算削减和文化政策
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a507
F. M. Suárez
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引用次数: 0
Accesibilidad y audiodescripción para el público infantil: propuesta de guion audiodescriptivo del corto Cachorro 儿童无障碍环境和语音描述:短片《小狗 Cachorro》的语音描述脚本提案
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a537
Elia Ramírez Barroso
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引用次数: 0
Memórias, um espaço que desafia a História – memórias biográficas nas peças de Joana Craveiro e o Teatro do Vestido 记忆,挑战历史的空间--若阿娜-克拉韦罗和服饰剧场戏剧中的传记记忆
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a478
Rita Vilhena
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引用次数: 0
Dimension in Sound: A Multimedia Collaboration Experiment 声音的维度多媒体合作实验
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a474
Allyson Glenn
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引用次数: 0
Entre olhares e fazeres autobiográficos: uma experimentação coletiva em audiovisual 在自传体的外观和行为之间:视听集体实验
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a548
J. Ribeiro, Manoela dos Anjos Afonso Rodrigues
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引用次数: 0
“Your choices are only as good as your options are”: o small-town noir em Little Woods (2018) "你的选择有多好,你的选择就有多好":《小树林》(2018)之小镇黑色em
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a513
André Francisco
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引用次数: 0
Collaborative Filmmaking as a Tool for Decolonising Cinema. The Faire-Part Case Study 作为电影非殖民化工具的合作电影制作。电影节--部分案例研究
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a518
Chiara Gunella
The Faire-Part collaborative documentary, launched in 2018 by directors Anne Reijniers and Rob Jacobs from Belgium, and Nizar Saleh and Paul Shemisi from Congo, aims to challenge the stereotypical portrayal of Congo as a poverty-stricken country. The documentary showcases Kinshasa’s resistance to colonial legacies and offers a more inclusive and equitable representation of the country’s culture and history by combining the four directors’ perspectives. Despite their differing backgrounds and (hi)stories, the directors engage in inner discussions on power, representation, and power dynamics, challenging their biases and perceptions. Through collaborative storytelling, they shed light on the unknown story of Kinshasa as a city of activism, using art to educate and decolonise people. This paper argues that collaborative filmmaking, as exemplified by Faire-Part, can effectively address the colonial gaze by bringing together diverse perspectives. By showcasing the power of collaborative storytelling and the importance of challenging biases, this paper aims to contribute to a more comprehensive understanding of cinema’s role in decolonisation efforts.
2018年,来自比利时的导演Anne Reijniers和Rob Jacobs,以及来自刚果的导演Nizar Saleh和Paul Shemisi共同推出了纪录片《Faire-Part》,旨在挑战人们对刚果贫困国家的刻板印象。这部纪录片展示了金沙萨对殖民遗产的反抗,并通过结合四位导演的视角,以更加包容和公平的方式展现了刚果的文化和历史。尽管他们的背景和(喜)故事各不相同,但导演们就权力、代表性和权力动态进行了深入讨论,挑战了他们的偏见和观念。通过合作讲故事,他们揭示了金沙萨作为一个激进主义城市的不为人知的故事,用艺术来教育人民并使其非殖民化。本文认为,以《Faire-Part》为例,合作电影制作可以通过汇集不同的视角,有效地解决殖民主义的凝视问题。通过展示合作讲故事的力量和挑战偏见的重要性,本文旨在帮助人们更全面地了解电影在非殖民化工作中的作用。
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引用次数: 0
Camouflage, resistance and resilience in Iran: from Jafar Panahi to Panah Panahi 伊朗的伪装、抵抗和复原力:从贾法尔-帕纳西到帕纳-帕纳西
Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a494
Karine Chevalie
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引用次数: 0
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