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Comedia Performance最新文献

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Remembering Amy Williamsen (1959–2019) 缅怀艾米·威廉姆森(1959–2019)
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2020-01-01 DOI: 10.5325/comeperf.17.1.0001
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引用次数: 0
La creación del mundo on the Seventeenth-century Street and Stage La creación del mundo在17世纪的街道和舞台
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2020-01-01 DOI: 10.5325/comeperf.17.1.0007
Thacker
: By 1629 there were two comedias entitled La creación del mundo in the repertoires of Golden Age acting troupes, one by Lope de Vega and the other by Luis Vélez de Guevara. From the texts of the plays, one a printed edition and the other a manuscript, and perhaps especially from the stage directions included in these play-texts, it is possible to make some tentative deductions about how and where these works–dramatizing the early chapters of the Old Testament Book of Genesis–were performed. Analysis of archival documentation from Badajoz together with these two play texts and an awareness of performance norms of the period may help solve the riddle of which Creación came first, Lope’s or Vélez’s.
到1629年,黄金时代剧团的剧目中有两部名为《creación del mundo》的喜剧,一部是洛普·德·维加的,另一部是路易斯·瓦姆斯·德·格瓦拉的。从剧本的文本,一个是印刷版,另一个是手稿,也许特别是从这些剧本文本中包含的舞台指示,可以初步推断出这些作品是如何以及在哪里演出的——这些作品戏剧化了旧约《创世纪》的早期章节。分析巴达霍斯的档案文件,结合这两个剧本文本,以及对那个时期的表演规范的认识,可能有助于解开Creación是Lope的还是vastlez的这个谜团。
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引用次数: 0
Truth, Only More So: Bances Candamo Beyond the Limits of Embodiment 真理,唯有如此:超越化身极限的跳跃
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2019-01-01 DOI: 10.5325/COMEPERF.16.1.0001
Slater
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引用次数: 0
Calderón reloaded: El gran mercado del mundo para niños calderon重装:世界儿童大市场
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2019-01-01 DOI: 10.5325/COMEPERF.16.1.0014
Fernández
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引用次数: 0
Comedias Sueltas as Performance Texts 喜剧Sueltas作为表演文本
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2019-01-01 DOI: 10.5325/COMEPERF.16.1.0072
Feit
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引用次数: 0
The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production 《杜安德夫人》中有形/无形的辩证法:对CNTC 2017年作品的批判性评价
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2019-01-01 DOI: 10.5325/COMEPERF.16.1.0050
Ocampo
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引用次数: 1
Performing Peribáñez y el Comendador de Ocaña: Music as an Agent of Harmony 演出Peribáñez由el Comendador de Ocaña:音乐作为和谐的代理人
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2019-01-01 DOI: 10.5325/COMEPERF.16.1.0028
Walters
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引用次数: 0
“El género no puede ser un impedimento”: una conversación sobre Ana Caro con la directora Leyma López “性别不能成为障碍”:Ana Caro与导演Leyma的对话lopez
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2019-01-01 DOI: 10.5325/COMEPERF.16.1.0115
Boyle
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引用次数: 0
Swordplay Uncloaked: Women as Active Agents in Ana Caro’s Valor, agravio, y mujer and Lope de Vega’s La pobreza estimada 揭秘的剑术:女性在安娜·卡罗的《英勇》、《阿格拉维奥》、《伊·穆耶尔》和洛佩·德·维加的《波布雷萨的估计》中扮演着积极的角色
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2019-01-01 DOI: 10.5325/COMEPERF.16.1.0086
Petersen
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引用次数: 0
“A Game and a Sense of Strategy”: Playwright Callie Kimball on Sofonisba Anguissola “一场游戏和一种战略感”:剧作家卡莉·金博尔谈Sofonisba Anguisola
IF 0.4 0 LITERATURE, ROMANCE Pub Date : 2017-04-01 DOI: 10.5325/comeperf.14.1.0178
M. Boyle
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引用次数: 0
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Comedia Performance
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