{"title":"Valerio Torreggiani, “Stato e culture corporative nel Regno Unito.”","authors":"M. Cau","doi":"10.12977/stor753","DOIUrl":"https://doi.org/10.12977/stor753","url":null,"abstract":"","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83901455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The work consists in rebuilding the french Institute’s history after the sunset of the historical direction of Julien Luchaire in 1920 to 1938: year of the end of the leadership of his successor, Henri Graillot. At the beginning there is a comparison between the two directors. The second part regards the cultural activity of the Institute: the teaching of language, the library, music education and the conferences. The last part analyzes the story of the theft of a section of the Donatello Pulpit of the Crucifixion in Florence, which involved a Professor of Institute, Gustave Soulier.
{"title":"Dopo la guerra: la riorganizzazione dell’Istituto francese di Firenze tra anni Venti e Trenta","authors":"E. Sanna","doi":"10.12977/stor747","DOIUrl":"https://doi.org/10.12977/stor747","url":null,"abstract":"The work consists in rebuilding the french Institute’s history after the sunset of the historical direction of Julien Luchaire in 1920 to 1938: year of the end of the leadership of his successor, Henri Graillot. At the beginning there is a comparison between the two directors. The second part regards the cultural activity of the Institute: the teaching of language, the library, music education and the conferences. The last part analyzes the story of the theft of a section of the Donatello Pulpit of the Crucifixion in Florence, which involved a Professor of Institute, Gustave Soulier.","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73170623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Libera Pisano e Giuseppe Veltri (eds.), “L’ebraismo come scienza”","authors":"M. Benfatto","doi":"10.12977/stor749","DOIUrl":"https://doi.org/10.12977/stor749","url":null,"abstract":"","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82635503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Second International, which the PSI and the SFIO were part of, had undertaken over the years the fight against the war. His attitude changed, however, with the outbreak of the First World War. Consequently the relation between the SFIO and the PSI changed. The SFIO was in line with the decisions of the French government and had supported the entry of France into war. Italy instead entered later into war and the PSI didn’t vote for the war credits in May 1915. This article analyses the relations between the PSI and the SFIO in the period of Italy’s neutrality, while France was already involved in the conflict.
{"title":"I rapporti tra PSI e SFIO nel periodo della neutralità italiana (1914-1915)","authors":"Elisa Marcobelli","doi":"10.12977/STOR746","DOIUrl":"https://doi.org/10.12977/STOR746","url":null,"abstract":"The Second International, which the PSI and the SFIO were part of, had undertaken over the years the fight against the war. His attitude changed, however, with the outbreak of the First World War. Consequently the relation between the SFIO and the PSI changed. The SFIO was in line with the decisions of the French government and had supported the entry of France into war. Italy instead entered later into war and the PSI didn’t vote for the war credits in May 1915. This article analyses the relations between the PSI and the SFIO in the period of Italy’s neutrality, while France was already involved in the conflict.","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"114 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76841592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article deals with Witt’s monograph The Two Latin Cultures by providing a thorough analysis of the part devoted to the twelfth-century. In particular, the article focuses on the relationship between culture, politics and society as outlined by Witt, and it approaches critically the teleological structure of Witt’s “searching for roots” of the Italian exceptionalism.
本文对维特的专著《两种拉丁文化》(The Two Latin Cultures)进行了全面的分析，对12世纪的部分进行了分析。本文特别关注了维特所概述的文化、政治和社会之间的关系，并批判性地探讨了维特“寻根”的意大利例外论的目的论结构。
{"title":"Searching for Roots. Perils and Virtues of Witt’s «Two Cultures»","authors":"A. Cotza","doi":"10.12977/STOR742","DOIUrl":"https://doi.org/10.12977/STOR742","url":null,"abstract":"The article deals with Witt’s monograph The Two Latin Cultures by providing a thorough analysis of the part devoted to the twelfth-century. In particular, the article focuses on the relationship between culture, politics and society as outlined by Witt, and it approaches critically the teleological structure of Witt’s “searching for roots” of the Italian exceptionalism.","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88387992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article discusses the first half of Ronald Witt’s The Two Latin Cultures and the Foundation of Renaissance Humanism in Medieval Italy, devoted to the period between the 9th and 11th century. One of the aims of the book is offering a general history of the Latin culture of the Kingdom of Italy in the Early and High Middle Ages. The review thus considers the heuristic value of the conceptual framework proposed by Witt as a means to reconstruct the cultural history of the Kingdom in those centuries and addresses specific features and limits of Witt’s overview. Finally the article discusses how certain more recent studies may help integrate or nuance the reconstruction proposed in the book.
{"title":"An Early Medievalist’s View on Ronald Witt’s «Two Latin Cultures»: Original Questions and Tentative Conclusions","authors":"Giacomo Vignodelli","doi":"10.12977/STOR745","DOIUrl":"https://doi.org/10.12977/STOR745","url":null,"abstract":"The article discusses the first half of Ronald Witt’s The Two Latin Cultures and the Foundation of Renaissance Humanism in Medieval Italy, devoted to the period between the 9th and 11th century. One of the aims of the book is offering a general history of the Latin culture of the Kingdom of Italy in the Early and High Middle Ages. The review thus considers the heuristic value of the conceptual framework proposed by Witt as a means to reconstruct the cultural history of the Kingdom in those centuries and addresses specific features and limits of Witt’s overview. Finally the article discusses how certain more recent studies may help integrate or nuance the reconstruction proposed in the book.","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"104 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89286761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article discusses the concept of «documentary culture» in Ronald Witt’s The Two Latin cultures. The starting point is a historiographical contextualization of the work, followed by a reflection on the categories of «culture» and «documentary culture» in Witt's research. Then the discussion traces the trajectory of the «documentary culture» in the book, to arrive, in a last section, to a discussion of three critical points: the choice of the Carolingian age as a starting point; the development of communal documentary practices; the centrality of chanceries in the cultural processes investigated.
{"title":"The «Documentary Culture» of Ronald Witt: A New Perspective on the History of Medieval Culture?","authors":"Dário Internullo","doi":"10.12977/STOR744","DOIUrl":"https://doi.org/10.12977/STOR744","url":null,"abstract":"The article discusses the concept of «documentary culture» in Ronald Witt’s The Two Latin cultures. The starting point is a historiographical contextualization of the work, followed by a reflection on the categories of «culture» and «documentary culture» in Witt's research. Then the discussion traces the trajectory of the «documentary culture» in the book, to arrive, in a last section, to a discussion of three critical points: the choice of the Carolingian age as a starting point; the development of communal documentary practices; the centrality of chanceries in the cultural processes investigated.","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73269157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
«What was Italian exceptionalism and how did it come about?». For Ronald Witt, answering this question requires a comprehensive, structural overview of an entire cultural system. In this section, I will briefly touch on some of the key-points of Witt’s interpretative paradigm, which entails some specific (albeit not always explicit) conceptualization of notions such as ‘literature’, ‘creativity’, ‘innovation’, as well as an implicit focus on Renaissance humanism as the final cause of a coherent teleological pattern
{"title":"Narrative Telos and the Great Beauty","authors":"V. Fravventura","doi":"10.12977/STOR743","DOIUrl":"https://doi.org/10.12977/STOR743","url":null,"abstract":"«What was Italian exceptionalism and how did it come about?». For Ronald Witt, answering this question requires a comprehensive, structural overview of an entire cultural system. In this section, I will briefly touch on some of the key-points of Witt’s interpretative paradigm, which entails some specific (albeit not always explicit) conceptualization of notions such as ‘literature’, ‘creativity’, ‘innovation’, as well as an implicit focus on Renaissance humanism as the final cause of a coherent teleological pattern","PeriodicalId":29985,"journal":{"name":"Storicamente","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79155648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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