I analyze documentaries by Chris Marker and Agnes Varda from the Nouvelle Vague period in which there is a predominance of voice over and preexisting music, especially Letter from Siberia (Marker, 1958), and Elsa la Rose (Varda, 1965). In these films I investigate the relationship between those elements and relations with the images. In these films, the voice over is a sign of modernity and the preexisting music is part of a musical collage. Both sound elements relate often ironically to the images.
{"title":"Voz over e colagens musicais em documentários ensaísticos de Chris Marker e Agnès Varda da época da Nouvelle Vague","authors":"L. Alvim","doi":"10.20287/DOC.D24.DT04","DOIUrl":"https://doi.org/10.20287/DOC.D24.DT04","url":null,"abstract":"I analyze documentaries by Chris Marker and Agnes Varda from the Nouvelle Vague period in which there is a predominance of voice over and preexisting music, especially Letter from Siberia (Marker, 1958), and Elsa la Rose (Varda, 1965). In these films I investigate the relationship between those elements and relations with the images. In these films, the voice over is a sign of modernity and the preexisting music is part of a musical collage. Both sound elements relate often ironically to the images.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78564792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper presents an analysis of the documentary Nelson Freire (2003), focusing on the stylistic strategies employed by the film to visually represent the virtuosic performance of the Brazilian pianist Nelson Freire. By doing so, we intend to contribute to the general discussion about the multiple relations between music and cinema in the music documentary, a growing field of the documentary cinema in Brazil and abroad.
{"title":"A exibição fílmica do virtuosismo instrumental no documentário musical Nelson Freire","authors":"Ludmila Moreira Macedo de Carvalho","doi":"10.20287/DOC.D24.AR03","DOIUrl":"https://doi.org/10.20287/DOC.D24.AR03","url":null,"abstract":"This paper presents an analysis of the documentary Nelson Freire (2003), focusing on the stylistic strategies employed by the film to visually represent the virtuosic performance of the Brazilian pianist Nelson Freire. By doing so, we intend to contribute to the general discussion about the multiple relations between music and cinema in the music documentary, a growing field of the documentary cinema in Brazil and abroad.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"112 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76664008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Os estudos dedicados aos cruzamentos entre audiovisual e ditaduras tem hoje uma pujanca inequivoca.
{"title":"Matizes da resistência: o cinema e as ditaduras da América do Sul","authors":"Fernando Seliprandy","doi":"10.20287/DOC.D24.LT01","DOIUrl":"https://doi.org/10.20287/DOC.D24.LT01","url":null,"abstract":"Os estudos dedicados aos cruzamentos entre audiovisual e ditaduras tem hoje uma pujanca inequivoca.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"176 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73059697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article investigates the (auto)biographical procedures adopted by Sarah Polley in her documentary Stories we tell. For this purpose I focus on the chorus of voices that compose the film, the lack of hierarchy between archive images and the recreated images. Thus, it would be possible to think about an autobiography theory sustained by the filmmaker as well as the performative function of storytelling.
{"title":"(Auto)biografia e performance em Stories we tell (2012), de Sarah Polley","authors":"Pedro Henrique Trindade Kalil Auad","doi":"10.20287/DOC.D24.DT02","DOIUrl":"https://doi.org/10.20287/DOC.D24.DT02","url":null,"abstract":"This article investigates the (auto)biographical procedures adopted by Sarah Polley in her documentary Stories we tell. For this purpose I focus on the chorus of voices that compose the film, the lack of hierarchy between archive images and the recreated images. Thus, it would be possible to think about an autobiography theory sustained by the filmmaker as well as the performative function of storytelling.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"67 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88411462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This work deals with the architectural and urban patrimony of Brasilia / Brazil, not in the process of patrimony itself, the recognition of the value of architecture and urbanism of the planned city, a modern city, but rather, from the perspective of the city under the lens of the inhabitants of Ceilândia and its surroundings, in two specific films A cidade e uma so? and Branco sai, preto fica.
这个作品处理的是巴西巴西利亚的建筑和城市遗产，不是遗产本身的过程，不是对规划城市，一个现代城市的建筑和城市主义价值的认可，而是在两部具体的电影中，从印度群岛及其周围地区居民的视角下的城市视角，a cidade e uma so?布兰科说:“再见。”
{"title":"O processo de construção e consolidação de Brasília e Ceilândia: um projeto de modernidade","authors":"Josuel Stenio da Paixão Ribeiro Paixao, J. Silva","doi":"10.20287/DOC.D24.AR04","DOIUrl":"https://doi.org/10.20287/DOC.D24.AR04","url":null,"abstract":"This work deals with the architectural and urban patrimony of Brasilia / Brazil, not in the process of patrimony itself, the recognition of the value of architecture and urbanism of the planned city, a modern city, but rather, from the perspective of the city under the lens of the inhabitants of Ceilândia and its surroundings, in two specific films A cidade e uma so? and Branco sai, preto fica.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75840606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Esto nos está haciendo pensar duro”: uma análise sobre o filme El coraje del pueblo (1971) como obra em movimento","authors":"A. Alencar","doi":"10.20287/doc.d24.ac03","DOIUrl":"https://doi.org/10.20287/doc.d24.ac03","url":null,"abstract":"","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74585009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Taking into account the way filmmakers established associations between several found footage, creating a line of thought and a story, giving life and meaning to images that, otherwise, would be archived or forgotten, the present article provides a framework, description and interpretation of the documentary-essay regarding the films Bodysong and Life in a day.
{"title":"Found Footage e a memória humana em Bodysong e Life in a day","authors":"Mafalda Castelo-Branco","doi":"10.20287/doc.d24.dt05","DOIUrl":"https://doi.org/10.20287/doc.d24.dt05","url":null,"abstract":"Taking into account the way filmmakers established associations between several found footage, creating a line of thought and a story, giving life and meaning to images that, otherwise, would be archived or forgotten, the present article provides a framework, description and interpretation of the documentary-essay regarding the films Bodysong and Life in a day.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89035227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pensar a relacao entre culturas – em sua multiplicidade de modalidades: o contato, o encontro, o choque, a diferenca, o convivio etc.
思考文化之间的关系——以多种方式:接触、相遇、冲击、差异、共存等等。
{"title":"Cosmopolíticas e cosmopoéticas do contato","authors":"M. Ribeiro","doi":"10.20287/DOC.D24.LT02","DOIUrl":"https://doi.org/10.20287/DOC.D24.LT02","url":null,"abstract":"Pensar a relacao entre culturas – em sua multiplicidade de modalidades: o contato, o encontro, o choque, a diferenca, o convivio etc.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90865714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
O presente trabalho descreve o meu processo criativo, que fiz para realizar o documentario sobre o artista Vicente Franz Cecim, e sua producao cinematografica nos anos 70, em Belem - Para. Descrevo as etapas pelas quais passei, sofri na realizacao do documentario, as decisoes, aprendizados que adquiri durante todo o processo. E para isso contei com a ajuda ilustre dos livros que descrevem o processo criativo e as obras de Eduardo Coutinho, entre outros.
这个作品描述了我的创作过程，我制作了关于艺术家Vicente Franz Cecim的纪录片，以及他70年代在Belem - para的电影制作。我描述了我在制作纪录片时所经历的阶段，我所遭受的痛苦，我在整个过程中所做的决定和学到的东西。为此，我得到了描述创作过程和Eduardo Coutinho等人作品的书籍的杰出帮助。
{"title":"Reflexões sobre o processo criativo no documentário A caméra-stylo de Vicente F. Cecim","authors":"Alexandra Castro Conceição","doi":"10.20287/DOC.D24.AC01","DOIUrl":"https://doi.org/10.20287/DOC.D24.AC01","url":null,"abstract":"O presente trabalho descreve o meu processo criativo, que fiz para realizar o documentario sobre o artista Vicente Franz Cecim, e sua producao cinematografica nos anos 70, em Belem - Para. Descrevo as etapas pelas quais passei, sofri na realizacao do documentario, as decisoes, aprendizados que adquiri durante todo o processo. E para isso contei com a ajuda ilustre dos livros que descrevem o processo criativo e as obras de Eduardo Coutinho, entre outros.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84373118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Este artigo busca promover delimitacao de balizas conceituais relacionadas ao filme ensaio e aos dispositivos construtores do documentario de busca. Este caminho teorico ainda sera aproximado de um breve estudo de caso do media-metragem Seu Carlito: Narrativas sobre um comerciante da roca , produzido por Eduardo Moreira e Thiago Novais, no interior de Minas Gerais.
本文旨在促进与电影论文相关的概念目标的界定和搜索纪录片的构建工具。这一理论路径将通过对媒体电影《Seu Carlito: Narrativas sobre um mercado da roca》的简短案例研究来近似，该电影由Eduardo Moreira和Thiago Novais在米纳斯吉拉斯州制作。
{"title":"O filme de busca e a construção ensaística de uma memória familiar emoldurada pelas montanhas mineiras","authors":"A. Rocha, E. Moreira","doi":"10.20287/DOC.D24.AC05","DOIUrl":"https://doi.org/10.20287/DOC.D24.AC05","url":null,"abstract":"Este artigo busca promover delimitacao de balizas conceituais relacionadas ao filme ensaio e aos dispositivos construtores do documentario de busca. Este caminho teorico ainda sera aproximado de um breve estudo de caso do media-metragem Seu Carlito: Narrativas sobre um comerciante da roca , produzido por Eduardo Moreira e Thiago Novais, no interior de Minas Gerais.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"133 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80449151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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