Neste artigo sera analisado o itinerario artistico do documentarista argentino Miguel Mirra e tambem a heterogeneidade que configurou sua trajetoria no cinema documentario, a partir de posicoes a autogestao como forma de producao audiovisual. Analisaremos o caso de La cooperativa (2016), no qual a autogestao e tambem tematizada dentro do contexto social argentino.
{"title":"Miguel Mirra e seu método de trabalho de autogestão junto aos oprimidos no filme La cooperativa","authors":"A. Gamo, Luis Orcasitas","doi":"10.20287/DOC.D24.AC02","DOIUrl":"https://doi.org/10.20287/DOC.D24.AC02","url":null,"abstract":"Neste artigo sera analisado o itinerario artistico do documentarista argentino Miguel Mirra e tambem a heterogeneidade que configurou sua trajetoria no cinema documentario, a partir de posicoes a autogestao como forma de producao audiovisual. Analisaremos o caso de La cooperativa (2016), no qual a autogestao e tambem tematizada dentro do contexto social argentino.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83865560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article proposes an analysis of women ’s documentary discourse from Brazilian films dealing with abortion. I seek a problematization of some strategies and arguments considering that they are defining an ethical and political space in the sense that they highlight the voices that propose to give voice to a historical subject (the woman) to whom they represent – women documentary filmmakers – through very specific ways.
{"title":"Severinas, clandestinas e as outras brasileiras: uma breve análise sobre um discurso documental feminino sobre o aborto","authors":"Ana Paula Penkala","doi":"10.20287/DOC.D24.AR01","DOIUrl":"https://doi.org/10.20287/DOC.D24.AR01","url":null,"abstract":"This article proposes an analysis of women ’s documentary discourse from Brazilian films dealing with abortion. I seek a problematization of some strategies and arguments considering that they are defining an ethical and political space in the sense that they highlight the voices that propose to give voice to a historical subject (the woman) to whom they represent – women documentary filmmakers – through very specific ways.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86050617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Next to Pierre Perraut and Claude Jutra, Gilles Groulx has established himself as a key figure in the contemporary Quebecois cinema. Despite this prominent position, his filmography is rarely examined in its entirety. The aim of this article is to shed some light on the lesser-known parts of his filmography by attaching it to the concept of “film-essay”. More specifically, this article will focus on his film 24 heures ou plus (1973, 1977). After a brief definition of concepts and theoretical notions I will explore Groulx’s though on the film-essay.
{"title":"« Et on doit prendre parti » : Le film-essai chez Gilles Groulx, en mots et en images","authors":"Ignacio Albornoz","doi":"10.20287/DOC.D24.DT01","DOIUrl":"https://doi.org/10.20287/DOC.D24.DT01","url":null,"abstract":"Next to Pierre Perraut and Claude Jutra, Gilles Groulx has established himself as a key figure in the contemporary Quebecois cinema. Despite this prominent position, his filmography is rarely examined in its entirety. The aim of this article is to shed some light on the lesser-known parts of his filmography by attaching it to the concept of “film-essay”. More specifically, this article will focus on his film 24 heures ou plus (1973, 1977). After a brief definition of concepts and theoretical notions I will explore Groulx’s though on the film-essay.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"124 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85992574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A partir do filme Shoah , o artigo se propoe a analisar as imagens que evocam uma memoria da dor nos sobreviventes que dao seus testemunhos no filme de Claude Lanzmann. E concomitante a esta memoria da dor, o presente texto se debruca na compreensao de uma certa abjecao ao arquivo postulada por Lanzmann e outros pensadores franceses, assim como tambem busca radiografar a radicalidade da morte presentificada nos campos nazistas – esta radicalidade ao mesmo tempo absoluta e irrepetivel.
{"title":"Shoah de Claude Lanzmann: entre a memória da dor e a radicalidade da morte nos campos nazistas","authors":"R. L. Filho","doi":"10.20287/DOC.D24.AC04","DOIUrl":"https://doi.org/10.20287/DOC.D24.AC04","url":null,"abstract":"A partir do filme Shoah , o artigo se propoe a analisar as imagens que evocam uma memoria da dor nos sobreviventes que dao seus testemunhos no filme de Claude Lanzmann. E concomitante a esta memoria da dor, o presente texto se debruca na compreensao de uma certa abjecao ao arquivo postulada por Lanzmann e outros pensadores franceses, assim como tambem busca radiografar a radicalidade da morte presentificada nos campos nazistas – esta radicalidade ao mesmo tempo absoluta e irrepetivel.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73478149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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