Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1279
Lauren DiSalvo
This paper re-examines the relationship between eighteenth-century portraiture and the antique where women adopt the postures of floating female figures from Pompeiian wall paintings in eighteenth-century portraiture. I argue that eighteenth-century floating portraits afforded their female sitters an opportunity to assert classical knowledge while adhering to typical conventions of femininity.
{"title":"Postures After the Antique in Eighteenth-Century Portraits of Women","authors":"Lauren DiSalvo","doi":"10.5038/2157-7129.12.2.1279","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1279","url":null,"abstract":"This paper re-examines the relationship between eighteenth-century portraiture and the antique where women adopt the postures of floating female figures from Pompeiian wall paintings in eighteenth-century portraiture. I argue that eighteenth-century floating portraits afforded their female sitters an opportunity to assert classical knowledge while adhering to typical conventions of femininity.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74406691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1327
Ula Lukszo Klein
Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8
{"title":"Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato","authors":"Ula Lukszo Klein","doi":"10.5038/2157-7129.12.2.1327","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1327","url":null,"abstract":"Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79592918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1326
Gabrielle Stecher
A review of Paris A. Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 by Gabrielle Stecher
《画布上的革命:1760-1830年英国和法国女性艺术家的崛起》，作者:加布里埃尔·施特歇尔
{"title":"Review of A Revolution in Canvas: The Rise of Women Artists in Britain and France, 1760-1830, by Paris A. Spies-Gans","authors":"Gabrielle Stecher","doi":"10.5038/2157-7129.12.2.1326","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1326","url":null,"abstract":"A review of Paris A. Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 by Gabrielle Stecher","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79709675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1329
Tiffany M. Potter
{"title":"Concise Collections: Teaching British Women Travelers","authors":"Tiffany M. Potter","doi":"10.5038/2157-7129.12.2.1329","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1329","url":null,"abstract":"","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85909269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1323
Kathleen E. Urda
A review of Marcie Frank's The Novel Stage: Narrative Form from the Restoration to Jane Austen by Kathleen E. Urda
马西·弗兰克的《小说舞台:从复辟到简·奥斯汀的叙事形式》，凯瑟琳·e·乌尔达著
{"title":"Review of The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank","authors":"Kathleen E. Urda","doi":"10.5038/2157-7129.12.2.1323","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1323","url":null,"abstract":"A review of Marcie Frank's The Novel Stage: Narrative Form from the Restoration to Jane Austen by Kathleen E. Urda","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80699847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1259
Ersy Contogouris, Béatrice Denis
Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of the reasons she has remained in the shade.
{"title":"Hannah Humphrey, London’s Leading Caricature Printseller","authors":"Ersy Contogouris, Béatrice Denis","doi":"10.5038/2157-7129.12.2.1259","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1259","url":null,"abstract":"Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of the reasons she has remained in the shade.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74381998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1317
L. Filipová
The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical self-deprecation in her writing to prevent violating the gender norms of her time. Furthermore, they facilitate a discussion of her subject position, particularly with respect to the period’s media landscape and manuscript culture, as well as some of the contemporaneous artistic conventions. While Barnard’s views and approaches to the Cape and its inhabitants are shown to occasionally echo officialdom, she needs to be read as a rather sophisticated observer who sometimes subtly breaks these conventions.
{"title":"Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’s Letters, Journals and Watercolours from the Cape Colony (1797–1801)","authors":"L. Filipová","doi":"10.5038/2157-7129.12.2.1317","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1317","url":null,"abstract":"The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical self-deprecation in her writing to prevent violating the gender norms of her time. Furthermore, they facilitate a discussion of her subject position, particularly with respect to the period’s media landscape and manuscript culture, as well as some of the contemporaneous artistic conventions. While Barnard’s views and approaches to the Cape and its inhabitants are shown to occasionally echo officialdom, she needs to be read as a rather sophisticated observer who sometimes subtly breaks these conventions.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80698787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.5038/2157-7129.12.2.1324
Heather Heckman-McKenna
A review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenna
伊丽莎白·A·多兰和杰奎琳·m·拉比编辑的《安置夏洛特·史密斯》书评，希瑟·赫克曼-麦肯纳撰写
{"title":"Review of Placing Charlotte Smith, eds Elizabeth A. Dolan and Jacqueline M. Labbe","authors":"Heather Heckman-McKenna","doi":"10.5038/2157-7129.12.2.1324","DOIUrl":"https://doi.org/10.5038/2157-7129.12.2.1324","url":null,"abstract":"A review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenna","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73980245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.5038/2157-7129.12.1.1303
Mary Peace
{"title":"Review of the The Closet: The Eighteenth-Century Architecture of Intimacy, by Danielle Bobker","authors":"Mary Peace","doi":"10.5038/2157-7129.12.1.1303","DOIUrl":"https://doi.org/10.5038/2157-7129.12.1.1303","url":null,"abstract":"","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"112 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74767410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.5038/2157-7129.12.1.1252
Kimberley Connor
This paper uses recipe contributors named in three early modern manuscript receipt books (Sloane MS 2485, Sloane MS 2486 and Folger V.a 619) to identify the author as Margaret Baker, daughter of Richard Baker the Chronicler (c.1568-1645) and Margaret Mainwaring (died c.1652). A familial connection is also made to Wellcome MS 212. The Margaret Baker example is used to argue for the necessity of identifying a broader range of receipt, or recipe, book writers in order to understand the spatial and temporal distribution of recipe book production, and their social context. In the case of Margaret Baker, additional information about her family background, marital status and age at the time of writing the books both shed light on the recipes included in the book, and raise new questions about her culinary and medical practices.
本文使用三个早期现代手稿收据簿(Sloane MS 2485, Sloane MS 2486和Folger V.a 619)中的配方贡献者的名字来确定作者是玛格丽特·贝克，编年史家理查德·贝克(c.1568-1645)和玛格丽特·梅因沃林(c.1652去世)的女儿。威康212号也有家族关系。玛格丽特·贝克的例子被用来证明，为了理解食谱书生产的时空分布及其社会背景，有必要确定更广泛的收据或食谱书作者。以玛格丽特·贝克为例，关于她的家庭背景、婚姻状况和写作时的年龄的额外信息，既揭示了书中包含的食谱，也对她的烹饪和医疗实践提出了新的疑问。
{"title":"Seeking Margaret Baker: Identifying the Author of Three Manuscript Receipt Books","authors":"Kimberley Connor","doi":"10.5038/2157-7129.12.1.1252","DOIUrl":"https://doi.org/10.5038/2157-7129.12.1.1252","url":null,"abstract":"This paper uses recipe contributors named in three early modern manuscript receipt books (Sloane MS 2485, Sloane MS 2486 and Folger V.a 619) to identify the author as Margaret Baker, daughter of Richard Baker the Chronicler (c.1568-1645) and Margaret Mainwaring (died c.1652). A familial connection is also made to Wellcome MS 212. The Margaret Baker example is used to argue for the necessity of identifying a broader range of receipt, or recipe, book writers in order to understand the spatial and temporal distribution of recipe book production, and their social context. In the case of Margaret Baker, additional information about her family background, marital status and age at the time of writing the books both shed light on the recipes included in the book, and raise new questions about her culinary and medical practices.","PeriodicalId":30251,"journal":{"name":"ABO Interactive Journal for Women in the Arts 16401830","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91375846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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