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Albrecht Berger. Nikephoros Xanthopulos. Das Gedicht auf die jüdische Geschichte (Münchner Arbeiten zur Byzantinistik 5), Munich, Utzverlag 2022, 218 pp. [ISBN: 9783831649730] 阿尔布雷希特-伯杰Nikephoros Xanthopulos.Das Gedicht auf die jüdische Geschichte (Münchner Arbeiten zur Byzantinistik 5), Munich, Utzverlag 2022, 218 pp.[ISBN: 9783831649730]
Pub Date : 2023-12-19 DOI: 10.37536/ebizantinos.2023.11.2289
Inmaculada Pérez Martín
Reseña de Albrecht Berger. Nikephoros Xanthopulos, Das Gedicht auf die jüdische Geschichte, Herausgegeben von, Münchner Arbeiten zur Byzantinistik 5, Munich, Utzverlag, 2022
Reseña de Albrecht Berger.Nikephoros Xanthopulos, Das Gedicht auf die jüdische Geschichte, edited by, Münchner Arbeiten zur Byzantinistik 5, Munich, Utzverlag, 2022
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引用次数: 0
Ornament and Status: Three Early Palaeologan Illuminated Manuscripts 装饰与地位:三部古埃及早期插图手稿
Pub Date : 2023-12-19 DOI: 10.37536/ebizantinos.2023.11.2393
Georgi Parpulov
The ‘Vatican Epithalamion’ (BAV Vat. gr. 1851) was recently dated by Peter Schreiner to 1271 or 1272. In this paper, I present an additional argument for his dating by comparing the Epithalamion’s zoomorphic initial letters with those found in two other codices datable to the reign of Michael VIII Palaeologus: a Gospelbook (Mount Athos, Iviron Monastery, 5) and a Psalter (Jerusalem, Greek Patriarchal Library, Παναγίου Τάφου 51). This comparison suggests also that zoomorphic ornament functioned at the time as a marker of social status.
彼得-施赖纳 (Peter Schreiner) 最近将 "梵蒂冈 Epithalamion"(BAV Vat. gr. 1851)的年代定为 1271 年或 1272 年。在本文中,我将 Epithalamion 的缩写首字母与其他两部可追溯到迈克尔八世-帕莱奥洛格斯统治时期的手抄本中的缩写首字母进行了比较,从而为其年代提出了更多论据:一部福音书(阿托斯山,伊美隆修道院,5)和一部诗篇(耶路撒冷,希腊主教图书馆,Παναγίου Τάφου 51)。这种比较还表明,变形装饰在当时是社会地位的标志。
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引用次数: 0
A Consul of the Philosophers, On what is given and what is not in the Cosmos 哲学家执政官,论宇宙中什么是给予的,什么是不给予的
Pub Date : 2022-12-22 DOI: 10.37536/ebizantinos.2022.10.2068
F. Acerbi
A Byzantine text, ascribed to a “consul of the philosophers”, applies the “language of the givens” to the main circles on the celestial sphere, showing which of them are “given”, and in what sense. This text is here presented, edited, translated, and compared with its source. A discussion about the author of the text is also provided.
一个拜占庭文本,被认为是“哲学家的执政官”,将“给予的语言”应用于天球上的主要圆圈,显示哪些是“给予的”,以及在什么意义上。本文在此呈现、编辑、翻译并与原文进行比较。本文还讨论了本文的作者。
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引用次数: 0
Midwives in Byzantium: An Overview 拜占庭的助产士:概述
Pub Date : 2022-12-22 DOI: 10.37536/ebizantinos.2022.10.2071
Giulia Gollo
This paper aims to draft an overview of what being a midwife in Byzantium meant, according to the literary sources. Midwife in Byzantium appears to be a rather complex and elusive figure to study. This is due to both the scarce references in the sources and the vague definition of midwifery itself in the ancient world. The main fields of activity of Byzantine midwives were three: medical, religious and care. As a first attempt of studying Byzantine midwife all-round, this paper ends by suggesting further research perspectives in order to get a clearer and more complete understanding of such figure.
本文的目的是起草一个概述什么是助产士在拜占庭意味着,根据文学来源。拜占庭的助产士似乎是一个相当复杂和难以捉摸的研究对象。这是由于来源的参考文献稀少,以及古代世界对助产本身的定义模糊。拜占庭助产士的主要活动领域有三个:医疗、宗教和护理。作为全面研究拜占庭助产士的第一次尝试,本文在结尾处提出了进一步的研究方向,以期对这一人物有一个更清晰、更完整的认识。
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引用次数: 0
Actualización científica del Catálogo de los Códices Griegos de El Escorial de Alejo Revilla 阿莱霍·雷维拉的《El Escorial》希腊抄本目录的科学更新
Pub Date : 2022-12-22 DOI: 10.37536/ebizantinos.2022.10.2072
Teresa Martínez Manzano
La presente contribución ofrece una actualización científica de catálogo de los manuscritos griegos del monasterio de San Lorenzo de El Escorial, publicado en un primer volumen en 1936 a cargo de Alejo Revilla y en otros dos volúmenes, en 1965 y 1967, a cargo de Gregorio de Andrés
目前的贡献提供了圣洛伦佐埃尔斯埃尔斯埃尔修道院希腊手稿目录的科学更新,第一卷由阿莱霍·雷维拉出版,另外两卷由格雷戈里奥·德andres出版,分别于1965年和1967年。
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引用次数: 0
Layers of Authorship in the Tenth Century: Constantine VII Porphyrogennetos and his Excerptor(es) 十世纪作者身份的层次:君士坦丁七世卟啉病及其节选(五)
Pub Date : 2022-12-22 DOI: 10.37536/ebizantinos.2022.10.2069
Pia Carolla
Multilayered authorship can be found in the Excerpta Historica Constantiniana (EC), a Byzantine collection from the tenth century. The contribution focuses on the tension between the EC primary sources and the EC context as such, exploring the conceptual tool of Distributed Authorship and engaging both with the sender/receiver functions and with the power relations between the emperor and the excerptor(es). The EC Prooemium draws on the New Testament, namely, on the Epistle to the Ephesians, which in turn sheds light on Constantine VII’s cultural, political and religious agenda.
多层次的作者可以在康斯坦丁纳历史摘录(EC)中找到,这是一个10世纪的拜占庭收藏。这篇文章的重点是欧共体主要来源和欧共体背景之间的紧张关系,探讨了分布式作者身份的概念工具,并与发送者/接收者功能以及皇帝和摘录者之间的权力关系进行了接触。EC Prooemium借鉴了新约,即《以弗所书》,这反过来又揭示了君士坦丁七世的文化、政治和宗教议程。
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引用次数: 0
Iconos devocionales y donantes. A propósito de una nueva Koímesis creto-veneciana de inicios del siglo XVI 虔诚的偶像和捐赠者。关于16世纪早期克里特岛-威尼斯的新koimesis
Pub Date : 2022-12-22 DOI: 10.37536/ebizantinos.2022.10.2070
Manuel Castiñeiras, Verónica Carla Abenza Soria
El presente artículo trata de un desconocido icono de la Koímesis de inicios del siglo XVI, atribuible al taller de los Ritzos, que nos permite valorar los gustos artísticos, estéticos y devocionales que caracterizaron a la sociedad creto-veneciana de Candia durante ese período. Sus dimensiones y formato horizontal indican un uso privado y devocional. Sus destinatarios fueron probablemente una pareja de patricios o plutócratas locales griegos que no dudaron en hacerse retratar alla veneziana como parte del planto de los funerales de la Virgen.
这篇文章是关于16世纪早期koimesis的一个不知名的图标,归因于Ritzos工作室,它让我们评估艺术,美学和宗教品味的特点,在那个时期的克里特岛-威尼斯坎迪亚社会。它的尺寸和水平格式表明私人和虔诚的使用。它的接受者可能是一对当地的希腊贵族或富豪,他们毫不犹豫地把自己描绘成威尼斯人,作为圣母葬礼的一部分。
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引用次数: 0
La Theanó di Michele Coniata (vv. 1-166): uno studio preliminare
Pub Date : 1900-01-01 DOI: 10.1344/ebizantinos2020.8.5
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引用次数: 0
Los monoteísmos abrahámicos y las imágenes: un panorama. 亚伯拉罕一神论和形象:全景图。
Pub Date : 1900-01-01 DOI: 10.1344/EBIZANTINOS2019.7.8
François Boespflug
This study is conducted through the form of a triptych. In the first part, we evoke the unprecedented situation in which the three monotheisms stand before the images, due, among other factors, to the Internet. We also aim to specify the meaning of every term used, in order to avoid simplifications in regard to their respective connections with the images. The second part, that is, the central panel of the triptych, intends to recall how each of the three religions, especially in its beginnings, dealt with images in general, and images of religious inspiration in particular. The third part examines the possible link between the hostility of nascent Islam towards the images and the well-known Controversy in Byzantium, also advocating the creation, within each of the three religions, of competent instances to designate those images that represent them properly.
本研究通过三联画的形式进行。在第一部分,我们唤起了前所未有的情况下,三个一神论站在图像,由于,除其他因素外,互联网。我们还旨在说明所使用的每个术语的含义,以避免简化它们各自与图像的联系。第二部分,也就是这幅三联画的中心画板,旨在回顾这三种宗教,尤其是在其开始时,是如何处理一般的图像,尤其是宗教灵感的图像的。第三部分考察了新生的伊斯兰教对这些图像的敌意与拜占庭著名的争议之间的可能联系,也提倡在三种宗教中创造有能力的实例来指定那些恰当地代表他们的图像。
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引用次数: 0
Resurgens Phoenix. Eastern Roman Diplomatic Foreign Action in the Balkans from Attila's Aftermath up to the andquot;Anastasian Eraandquot; (ca. 450-518): A Study from the Literary Sources
Pub Date : 1900-01-01 DOI: 10.1344/ebizantinos2020.8.1
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引用次数: 0
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