Pub Date : 2018-09-27DOI: 10.15294/CATHARSIS.V7I2.24483
Y. Sari, J. Sutarto, H. Hartono
Every chidren has various kinds of intellegence. As they get older, their intelligence also has been developed . In this case, It is necessary to provide proper stimulation. So on their intellegence can be optimally developed. One of effective stimulation is outbound activities. Through outbond activities, children will be stimulated their bodily-kinesthetic intelligence, intrapersonal intelligence, and naturalist intelligence which are needed by them when interacting with their surroundings. The aim of this study was to analyze intepersonal, bodily kinestic intelligence, and naturalist intelligence of children in outbond activities that has been held in PAUD (TK B) Alam Ar Ridlo Tembalang Semarang. The approach of this study was qualitative. The collected data was carried out through observation, interview, and documentation. The data was validated through data source triagulation, theory triagulation, and triagulation of review information. To analyze data, this study used three techniques, 1) data reduction, 2) data presentation, and 3) conclusion and its verification. This study that was held in PAUD (TK B) Alam Ar Ridlo Tembalang Semarang shows that outbond activities can stimulate children’s interpersonal intelligence, bodily-kinesthetic intelligence, and naturalist intelligence.
每个孩子都有各种各样的智力。随着年龄的增长，他们的智力也得到了发展。在这种情况下，有必要提供适当的刺激。这样他们的智力才能得到最佳的发展。一种有效的刺激方式是外展活动。通过外展活动，激发儿童在与周围环境互动时所需要的身体动觉智能、内省智能和自然智能。本研究的目的是分析在三宝园(TK B) Alam Ar Ridlo Tembalang三宝园举办的外出活动中儿童的人际交往、身体运动智力和自然主义智力。本研究采用定性方法。收集的数据通过观察、访谈和文献记录的方式进行。通过数据源三角、理论三角和综述信息三角对数据进行验证。为了分析数据，本研究使用了三种技术，1)数据简化，2)数据呈现，3)结论及其验证。这项在PAUD (TK B) Alam Ar Ridlo Tembalang Semarang举行的研究表明，外出活动可以刺激儿童的人际智能，身体动觉智能和自然智能。
{"title":"Outbond as the Basis of Multiple Intelligences Learning Activity","authors":"Y. Sari, J. Sutarto, H. Hartono","doi":"10.15294/CATHARSIS.V7I2.24483","DOIUrl":"https://doi.org/10.15294/CATHARSIS.V7I2.24483","url":null,"abstract":"Every chidren has various kinds of intellegence. As they get older, their intelligence also has been developed . In this case, It is necessary to provide proper stimulation. So on their intellegence can be optimally developed. One of effective stimulation is outbound activities. Through outbond activities, children will be stimulated their bodily-kinesthetic intelligence, intrapersonal intelligence, and naturalist intelligence which are needed by them when interacting with their surroundings. The aim of this study was to analyze intepersonal, bodily kinestic intelligence, and naturalist intelligence of children in outbond activities that has been held in PAUD (TK B) Alam Ar Ridlo Tembalang Semarang. The approach of this study was qualitative. The collected data was carried out through observation, interview, and documentation. The data was validated through data source triagulation, theory triagulation, and triagulation of review information. To analyze data, this study used three techniques, 1) data reduction, 2) data presentation, and 3) conclusion and its verification. This study that was held in PAUD (TK B) Alam Ar Ridlo Tembalang Semarang shows that outbond activities can stimulate children’s interpersonal intelligence, bodily-kinesthetic intelligence, and naturalist intelligence.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"311-318"},"PeriodicalIF":0.0,"publicationDate":"2018-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43780112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-03DOI: 10.1355/9789814818926-023
K. Ooi
{"title":"22. Waves from US Probe into 1MDB May Turn into Tsunami","authors":"K. Ooi","doi":"10.1355/9789814818926-023","DOIUrl":"https://doi.org/10.1355/9789814818926-023","url":null,"abstract":"","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49378071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-21DOI: 10.15294/catharsis.v7i2.24498
Ratna Puspita, T. Rohidi, T. Triyanto
In the school-based curriculum of fine arts, a school can teach its material to students, including making crafts from ceramics. This research discusses the use of ceramics as a medium for teaching fine arts to elementary school students in “SDIT” Permata Hati, Banjarnegara. This research employed qualitative design with the interdisciplinary approach. It used observation, interview, and literature reviews to collect the data. The data were validated using triangulation. The research followed the sequence of analysis starting from data reduction, data presentation, and verification. This research found that ceramics, as the medium of teaching fine arts, can initiate ideas and creativity for the children. Then, the teaching of fine arts teaches the students to appreciate and create artworks in SDIT Permata Hati inside and outside of the school in the centre of ceramics artisans.
{"title":"Ceramics as a Medium for Teaching Fine Arts to Elementary School Students in “SDIT” Permata Hati Banjarnegara","authors":"Ratna Puspita, T. Rohidi, T. Triyanto","doi":"10.15294/catharsis.v7i2.24498","DOIUrl":"https://doi.org/10.15294/catharsis.v7i2.24498","url":null,"abstract":"In the school-based curriculum of fine arts, a school can teach its material to students, including making crafts from ceramics. This research discusses the use of ceramics as a medium for teaching fine arts to elementary school students in “SDIT” Permata Hati, Banjarnegara. This research employed qualitative design with the interdisciplinary approach. It used observation, interview, and literature reviews to collect the data. The data were validated using triangulation. The research followed the sequence of analysis starting from data reduction, data presentation, and verification. This research found that ceramics, as the medium of teaching fine arts, can initiate ideas and creativity for the children. Then, the teaching of fine arts teaches the students to appreciate and create artworks in SDIT Permata Hati inside and outside of the school in the centre of ceramics artisans.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"298-303"},"PeriodicalIF":0.0,"publicationDate":"2018-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46576570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-09DOI: 10.15294/CATHARSIS.V7I2.24420
M. Tirtaningsih, H. Hartono, T. Florentinus
Sogug musical instrument is a type of traditional musical instrument, including rhythmic musical instruments from the Kalipare village community, Malang Regency. The research aims to describe how Sogug musical instruments can be used to stimulate rhythm sensitivity and how to apply Sogug musical instruments to children. The method used in this study is a qualitative method with descriptive data exposure. The research subjects of the group are Muslimat NU TK A Kalipare Malang, with observation, interview, and document study data collection techniques. Data validation techniques used in this research is source triangulation and data analysis techniques with data reduction, presentation of data and conclusions. The results showed that the Sogug musical instrument was appropriately used and appropriately applied as an alternative to stimulate early childhood musical intelligence (rhythm). It is because of the instruments and ways to play Sogug musical instruments is in accordance with the early childhood stages of growth, needs, abilities and physical motor development.
Sogug乐器是一种传统乐器，包括来自马朗县Kalipare村社区的节奏乐器。该研究旨在描述如何使用索古乐器来刺激节奏敏感性，以及如何将索古乐器应用于儿童。本研究中使用的方法是一种具有描述性数据暴露的定性方法。该小组的研究对象是Muslimat NU TK A Kalipare Malang，采用观察、访谈和文献研究数据收集技术。本研究中使用的数据验证技术是源三角测量和数据分析技术，包括数据缩减、数据呈现和结论。结果表明，索格乐器被适当地使用和应用，作为刺激幼儿音乐智力（节奏）的替代品。这是因为乐器和演奏方式符合索格乐器的幼儿成长阶段、需求、能力和身体运动发育。
{"title":"Sogug Musical Instrument to Build Musical Intelligence (Rhythm Element) in Early Childhood","authors":"M. Tirtaningsih, H. Hartono, T. Florentinus","doi":"10.15294/CATHARSIS.V7I2.24420","DOIUrl":"https://doi.org/10.15294/CATHARSIS.V7I2.24420","url":null,"abstract":"Sogug musical instrument is a type of traditional musical instrument, including rhythmic musical instruments from the Kalipare village community, Malang Regency. The research aims to describe how Sogug musical instruments can be used to stimulate rhythm sensitivity and how to apply Sogug musical instruments to children. The method used in this study is a qualitative method with descriptive data exposure. The research subjects of the group are Muslimat NU TK A Kalipare Malang, with observation, interview, and document study data collection techniques. Data validation techniques used in this research is source triangulation and data analysis techniques with data reduction, presentation of data and conclusions. The results showed that the Sogug musical instrument was appropriately used and appropriately applied as an alternative to stimulate early childhood musical intelligence (rhythm). It is because of the instruments and ways to play Sogug musical instruments is in accordance with the early childhood stages of growth, needs, abilities and physical motor development.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"275-282"},"PeriodicalIF":0.0,"publicationDate":"2018-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48232428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-07DOI: 10.15294/catharsis.v7i2.24742
Cut Gesti Maria Ulfahmi, T. Rohidi, T. Triyanto
The purpose of this article is to reveal the local wisdom values of Rumoh Aceh architecture in Garot Cut village. Local wisdom means the wisdom to face something. Aceh’s local wisdom is a reflection of Aceh’s cultural tradition that is manifested in Aceh’s traditional architecture, in this case is Rumoh Aceh in Garot Cut village. The formulation of problems in this research is local wisdom values that is expressed through Rumoh Aceh. This research aims at analyzing the local wisdom values in Rumoh Aceh. The method used in this research is qualitative with ethnographical approach. Data collecting techniques are observation, interview, and document study with primary and secondary data sources. The technique of data validity is through source triangulation and data analysis technique through the stage of data reduction, data presentation, and verification. The research is situated in Garot Cut village. Indrajaya district Pidie regency. The research findings show that Rumoh Aceh has local wisdom values. Those values are in the components of building shape and the traditional ceremony of Rumoh Aceh, the values are religious, moral, social, traditional, and sensitive on nature. The knowledge, attitude, and local wisdom behavior Rumoh Aceh teach the society to adapt, to care with cultural inheritance, and to form the system of social familial system.
{"title":"Local Wisdom Values of Rumoh Aceh","authors":"Cut Gesti Maria Ulfahmi, T. Rohidi, T. Triyanto","doi":"10.15294/catharsis.v7i2.24742","DOIUrl":"https://doi.org/10.15294/catharsis.v7i2.24742","url":null,"abstract":"The purpose of this article is to reveal the local wisdom values of Rumoh Aceh architecture in Garot Cut village. Local wisdom means the wisdom to face something. Aceh’s local wisdom is a reflection of Aceh’s cultural tradition that is manifested in Aceh’s traditional architecture, in this case is Rumoh Aceh in Garot Cut village. The formulation of problems in this research is local wisdom values that is expressed through Rumoh Aceh. This research aims at analyzing the local wisdom values in Rumoh Aceh. The method used in this research is qualitative with ethnographical approach. Data collecting techniques are observation, interview, and document study with primary and secondary data sources. The technique of data validity is through source triangulation and data analysis technique through the stage of data reduction, data presentation, and verification. The research is situated in Garot Cut village. Indrajaya district Pidie regency. The research findings show that Rumoh Aceh has local wisdom values. Those values are in the components of building shape and the traditional ceremony of Rumoh Aceh, the values are religious, moral, social, traditional, and sensitive on nature. The knowledge, attitude, and local wisdom behavior Rumoh Aceh teach the society to adapt, to care with cultural inheritance, and to form the system of social familial system.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"257-264"},"PeriodicalIF":0.0,"publicationDate":"2018-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42313517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-08-01DOI: 10.15294/CATHARSIS.V7I2.23695
Aziz Ma’sum, T. Triyanto, M. Syarif
Pesantren Environment is an environment that has different characteristic from other environments. The research purpose is to observe the problem of aesthetic expression of Pesantren students’ drawing, the environment that influences them. Qualitative method was used with descriptive qualitative approach. Data collection techniques were observation, interview, and document study. data validity techniques used source triangulation, technique triangulation, and member checking. Data analysis procedure used data reduction, data presentation, and conclusion drawing. The research results show; first, aesthetic expression of students’ painting shows the visual uniqueness in the lines, looks, shapes, textures, colors, and aesthetic principles. Second, environment that influences, natural-physical environment, social environment, Pesantren cultural environment that is manifested in a form of any symbol that relates to Pesantren.
{"title":"Arts Education in Pesantren (Islamic Boarding School) : an Aesthetic Expression of Students’ Drawing in MTs Al Asror Semarang","authors":"Aziz Ma’sum, T. Triyanto, M. Syarif","doi":"10.15294/CATHARSIS.V7I2.23695","DOIUrl":"https://doi.org/10.15294/CATHARSIS.V7I2.23695","url":null,"abstract":"Pesantren Environment is an environment that has different characteristic from other environments. The research purpose is to observe the problem of aesthetic expression of Pesantren students’ drawing, the environment that influences them. Qualitative method was used with descriptive qualitative approach. Data collection techniques were observation, interview, and document study. data validity techniques used source triangulation, technique triangulation, and member checking. Data analysis procedure used data reduction, data presentation, and conclusion drawing. The research results show; first, aesthetic expression of students’ painting shows the visual uniqueness in the lines, looks, shapes, textures, colors, and aesthetic principles. Second, environment that influences, natural-physical environment, social environment, Pesantren cultural environment that is manifested in a form of any symbol that relates to Pesantren.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"249-256"},"PeriodicalIF":0.0,"publicationDate":"2018-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44502437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-07-31DOI: 10.15294/CATHARSIS.V7I2.24372
Aji Sofian Febrianto, S. Sunarto, Udi Utomo
Gandalia is one example of musical arts which can endure changes and times. It is a typical Banyumas traditional music which was used to play a specific Gandalia song, an agricultural pest repellent song. Its instruments has similar forms to musical instruments called Angklung, which are made from bamboo. The instruments produce a unique rhythm. At first, Gandalia was used as a means to drive agricultural pests away, but in its development, it becomes a musical performance. This change is interesting to be studied from the socio-cultural point of view. The writer, therefore, studied the functional change of Gandalia musical instruments based on the socio-cultural change which occur in the society who supports it. In writing this article, the research method applied is qualitative method, a method of collecting data by applying some techniques such as interview, observation, and documentation, while the validity of the data is checked by using triangulation, member checking, and rich and thick description.Milesr that, the data are analyzed using qualitative analysis of Miles and Huberman that is an interactive model of data analysis including some stages such as the process of data collecting, data reduction, and data presentation and verification. The research result shows that Gandalia music which, at first, was a means of driving pests away, now becomes one of the performance arts. This change is influenced by the socio-culture of the society who supports Gandalia art. They are the people of Tambaknegara, Banyumas Regency. This socio-cultural change has created a more complex form of Gandalia art.
{"title":"Gandalia Art of Banyumas : a Socio-cultural Change","authors":"Aji Sofian Febrianto, S. Sunarto, Udi Utomo","doi":"10.15294/CATHARSIS.V7I2.24372","DOIUrl":"https://doi.org/10.15294/CATHARSIS.V7I2.24372","url":null,"abstract":"Gandalia is one example of musical arts which can endure changes and times. It is a typical Banyumas traditional music which was used to play a specific Gandalia song, an agricultural pest repellent song. Its instruments has similar forms to musical instruments called Angklung, which are made from bamboo. The instruments produce a unique rhythm. At first, Gandalia was used as a means to drive agricultural pests away, but in its development, it becomes a musical performance. This change is interesting to be studied from the socio-cultural point of view. The writer, therefore, studied the functional change of Gandalia musical instruments based on the socio-cultural change which occur in the society who supports it. In writing this article, the research method applied is qualitative method, a method of collecting data by applying some techniques such as interview, observation, and documentation, while the validity of the data is checked by using triangulation, member checking, and rich and thick description.Milesr that, the data are analyzed using qualitative analysis of Miles and Huberman that is an interactive model of data analysis including some stages such as the process of data collecting, data reduction, and data presentation and verification. The research result shows that Gandalia music which, at first, was a means of driving pests away, now becomes one of the performance arts. This change is influenced by the socio-culture of the society who supports Gandalia art. They are the people of Tambaknegara, Banyumas Regency. This socio-cultural change has created a more complex form of Gandalia art.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"241-248"},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42780598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-07-28DOI: 10.15294/catharsis.v7i2.23292
A. Mujadid, S. Sunarto, Udi Utomo
The entity of the adoption process produced a concept of multiculturalism in the form of marawis music presented by Suma Budaya group. This study aims to analyze the musical elements of the group Suma Budaya marawis Pekalongan City and multicultural characteristics in the context of urban Pekalongan. The research method is qualitative with interdisciplinary approach. The supporting data were collected from observation, interview, and documentation. Then, these data were validated using triangulation technique. The analysis of the data included four steps, including data collection, data reduction, data presentation, and conclusion. The results showed that the musical elements presented by the Suma Culture marawis group brought Arabic, Javanese and Chinese concepts in the show, among others realized through (a) the addition of musical instrument that is Javanese gamelan that have elements of pentatonic tones of Java with the pelog nem is 1 (ji), 2 (ro), 3 (lu), 5 (mo), 6 (nem), and when the tone of nog in gamelan make a diatonic tone it will sound 3 (mi), 4 (fa), 5 (sol), 7 (si), 1 (do); (b) Chinese elements can be seen from the Chinese pentatonic tones found in Ghuzeng musical instruments: 1 (do), 2 (re), 3 (mi), 5 (so), 6 (la); (c) Arabic elements in this case can be seen from rampak marawis itself, including with the musical instrument marawis, bass jidor, and darbuka.
{"title":"A Multicultural Study of Suma Budaya Marawis Music Band in Pekalongan","authors":"A. Mujadid, S. Sunarto, Udi Utomo","doi":"10.15294/catharsis.v7i2.23292","DOIUrl":"https://doi.org/10.15294/catharsis.v7i2.23292","url":null,"abstract":"The entity of the adoption process produced a concept of multiculturalism in the form of marawis music presented by Suma Budaya group. This study aims to analyze the musical elements of the group Suma Budaya marawis Pekalongan City and multicultural characteristics in the context of urban Pekalongan. The research method is qualitative with interdisciplinary approach. The supporting data were collected from observation, interview, and documentation. Then, these data were validated using triangulation technique. The analysis of the data included four steps, including data collection, data reduction, data presentation, and conclusion. The results showed that the musical elements presented by the Suma Culture marawis group brought Arabic, Javanese and Chinese concepts in the show, among others realized through (a) the addition of musical instrument that is Javanese gamelan that have elements of pentatonic tones of Java with the pelog nem is 1 (ji), 2 (ro), 3 (lu), 5 (mo), 6 (nem), and when the tone of nog in gamelan make a diatonic tone it will sound 3 (mi), 4 (fa), 5 (sol), 7 (si), 1 (do); (b) Chinese elements can be seen from the Chinese pentatonic tones found in Ghuzeng musical instruments: 1 (do), 2 (re), 3 (mi), 5 (so), 6 (la); (c) Arabic elements in this case can be seen from rampak marawis itself, including with the musical instrument marawis, bass jidor, and darbuka.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"207-212"},"PeriodicalIF":0.0,"publicationDate":"2018-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47513838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-07-28DOI: 10.15294/catharsis.v7i2.24236
Mundin Beniarso, T. Triyanto, Udi Utomo
Caricature is a picture which is distorted to send a satirical or funny message. It is portrayed in a printed media with a function of becoming a social control or a sword of opinion. This research has several objectives. First, it discusses the structure and function of KOKKANG art studio. Second, it reviews the learning of intergenerational caricature of KOKKANG art studio in Kaliwungu, Kendal. This research used descriptive qualitative design assisted with the approach from the theory of modern sociology. The supporting data were collected from observation, interview, and documentation. Triangulation of sources and data were used to validate the findings. Then, the data were analysed under the steps of data reduction, presentation, and conclusion (verification). There are some points from the findings of the research. First, the functional structure of KOKKANG art studio is interrelated to other structure. Some function in each position of the organization has worked as their job description. Thus, it impacts the inheritance of drawing caricature which is done by the education section of the organization. Second, the non-formal learning pattern done by the studio is friendly and familiar, thereby it produces the cadres of cartoonists which can maintain their existence. Based on the findings, there are some suggestions to be proposed. First, KOKKANG studio should actively promote and regenerate to keep the existence of it in the future. Second, the teenagers in Kaliwungu should actively participate in the part of the community by joining or following the agenda. Third, local government should be involved in supporting the studio whether morally or materially to continue its existence.
{"title":"Kokkang Art Studio : Structure and Function of Passing Down Potentials of Caricature Through Generation","authors":"Mundin Beniarso, T. Triyanto, Udi Utomo","doi":"10.15294/catharsis.v7i2.24236","DOIUrl":"https://doi.org/10.15294/catharsis.v7i2.24236","url":null,"abstract":"Caricature is a picture which is distorted to send a satirical or funny message. It is portrayed in a printed media with a function of becoming a social control or a sword of opinion. This research has several objectives. First, it discusses the structure and function of KOKKANG art studio. Second, it reviews the learning of intergenerational caricature of KOKKANG art studio in Kaliwungu, Kendal. This research used descriptive qualitative design assisted with the approach from the theory of modern sociology. The supporting data were collected from observation, interview, and documentation. Triangulation of sources and data were used to validate the findings. Then, the data were analysed under the steps of data reduction, presentation, and conclusion (verification). There are some points from the findings of the research. First, the functional structure of KOKKANG art studio is interrelated to other structure. Some function in each position of the organization has worked as their job description. Thus, it impacts the inheritance of drawing caricature which is done by the education section of the organization. Second, the non-formal learning pattern done by the studio is friendly and familiar, thereby it produces the cadres of cartoonists which can maintain their existence. Based on the findings, there are some suggestions to be proposed. First, KOKKANG studio should actively promote and regenerate to keep the existence of it in the future. Second, the teenagers in Kaliwungu should actively participate in the part of the community by joining or following the agenda. Third, local government should be involved in supporting the studio whether morally or materially to continue its existence.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"199-206"},"PeriodicalIF":0.0,"publicationDate":"2018-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43530005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-07-28DOI: 10.15294/catharsis.v7i2.23492
Rico Andriansyah, T. Triyanto, Sri Iswidayati
Socio cultural life of Kauman community in Kudus Kulon (western Kudus) has changed and influenced the spatial lay out of Kudus traditional house of traditional house, Joglo Pencu. The purpose of this research was to analyze the following problems: (1) how is the socio cultural change in the settlement of Kauman Community in Kudus? and (2) how is the spatial lay out of Kudus traditional house that has been influenced by socio cultural in the settlement of Kauman community in Kudus? Methodologically, this research used qualitative method and observed interdisciplinary. The research data was collected by the technique of observation, interview, and document study. The data validity was used source triangulation. Data analysis was done by reduction, presentation, and verification of data. The research results were; first, the society in Kauman community Kudus Kulon developed influencing the population composition, economic life change, and belief system change. Second, the socio cultural change influences the spatial lay out of Joglo Pencu house. It is suggested to the heir of Kudus traditional house owner to manage the spatial lay out and to maintain it wisely the heritage house. This research is beneficial to the heir of the house and the development of science.
{"title":"The Spatial Lay Out of Joglo Pencu House in the Socio Cultural Change the Settlement of Kauman Community in Kudus","authors":"Rico Andriansyah, T. Triyanto, Sri Iswidayati","doi":"10.15294/catharsis.v7i2.23492","DOIUrl":"https://doi.org/10.15294/catharsis.v7i2.23492","url":null,"abstract":"Socio cultural life of Kauman community in Kudus Kulon (western Kudus) has changed and influenced the spatial lay out of Kudus traditional house of traditional house, Joglo Pencu. The purpose of this research was to analyze the following problems: (1) how is the socio cultural change in the settlement of Kauman Community in Kudus? and (2) how is the spatial lay out of Kudus traditional house that has been influenced by socio cultural in the settlement of Kauman community in Kudus? Methodologically, this research used qualitative method and observed interdisciplinary. The research data was collected by the technique of observation, interview, and document study. The data validity was used source triangulation. Data analysis was done by reduction, presentation, and verification of data. The research results were; first, the society in Kauman community Kudus Kulon developed influencing the population composition, economic life change, and belief system change. Second, the socio cultural change influences the spatial lay out of Joglo Pencu house. It is suggested to the heir of Kudus traditional house owner to manage the spatial lay out and to maintain it wisely the heritage house. This research is beneficial to the heir of the house and the development of science.","PeriodicalId":30818,"journal":{"name":"Catharsis","volume":"7 1","pages":"213-219"},"PeriodicalIF":0.0,"publicationDate":"2018-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42382942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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