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What Dawned First: Early Buddhist Philosophy on the Problem of Phenomenon and Origin in a Comparative Perspective 什么先破晓?从比较角度看早期佛教哲学中的现象与起源问题
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-28 DOI: 10.3390/philosophies9050135
Federico Divino
This article explores the issues of phenomenon and genesis in Early Buddhist thought through a comparative analysis with the Eleatic tradition, aiming to enrich the understanding and dialogue between these philosophical and religious traditions. By examining the comparability of Buddhist thought and Parmenidean philosophy, the study challenges the notion that these traditions are fundamentally alien to each other. The focus is on the concept of genesis, not as creation from nothingness—rejected by both the Buddha and Parmenides—but as the manifestation of the world to the human observer. The article argues that the world reveals itself in particular forms and appearances, which are intimately linked to the phenomenon and its perception by humans. This process is not solely a domain of rigid logical propositions but can be expressed through mythological and religious narratives. The study posits that the poetic expressiveness found in archaic philosophies of both India and Greece provides a valid medium for engaging in philosophical discourse. By adopting this comparative and dialogical perspective, the article aims to generate new philosophical insights and inspire future philosophical inquiry. The reflection on phenomenon and genesis, framed through this comparative lens, highlights the nuanced ways in which different traditions address the nature of reality and human perception, ultimately advocating for a broader, more inclusive understanding of philosophy that transcends conventional boundaries.
本文通过与埃利亚传统的比较分析,探讨了早期佛教思想中的现象和起源问题,旨在丰富这些哲学和宗教传统之间的理解和对话。通过考察佛教思想与巴门尼德哲学的可比性,本研究对认为这些传统从根本上是彼此陌生的观点提出了质疑。文章的重点是创世的概念,不是佛陀和巴门尼德都拒绝的从无到有的创世,而是世界对人类观察者的显现。文章认为,世界以特定的形式和表象展现自身,而这些形式和表象与现象及其人类的感知密切相关。这一过程并不完全属于僵化的逻辑命题范畴,而是可以通过神话和宗教叙事来表达。本研究认为,印度和希腊古代哲学中的诗意表达为哲学对话提供了有效的媒介。通过采用这种比较和对话的视角,文章旨在提出新的哲学见解,启发未来的哲学探索。通过这种比较视角对现象和起源的反思,突出了不同传统处理现实和人类感知本质的微妙方式,最终倡导了一种超越传统界限的、更广泛、更具包容性的哲学理解。
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引用次数: 0
“Humbled onto Death”: Kenosis and Tsimtsum as the Two Models of Divine Self-Negation "谦卑至死":作为神性自我否定两种模式的 "克诺西斯"(Kenosis)和 "尖措"(Timtsum
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-28 DOI: 10.3390/philosophies9050134
Agata Bielik-Robson
This essay reflects on the concept of the death of God as part and parcel of modern philosophical theology: a genre of thinking that came into existence with Hegel’s announcement of the “speculative Good Friday” as the most natural expression of die Religion der neuen Zeiten, “the religion of modern times”. In my interpretation, the death of God not only does not spell the end of the era of atheism but, on the contrary, inaugurates a new era of characteristically modern theism that steers away from theological absolutism. The new theos is no longer conceived as the eternal omnipotent Absolute but as the Derridean diminished Infinite: contracted and self-negated—even “unto death”. Such God, however, although coming to the foremost visibly in modernity, is not completely new to the monotheistic religions, which from the beginning are engaged in the heated debate concerning the status of the divine power: is it absolute and unlimited or rather self-restricted and conditioned? I will enter this debate by conducting a comparison between the two traditional models of divine self-restriction—Christian kenosis and Jewish-kabbalistic tsimtsum—and then present their modernised philosophical variants, most of all in the thought of Hegel.
这篇文章对作为现代哲学神学重要组成部分的上帝之死这一概念进行了反思:黑格尔宣布 "臆想的耶稣受难日 "是 "现代宗教"(die Religion der neuen Zeiten)最自然的表达方式之后,这一思想流派便应运而生。在我的解释中,上帝之死不仅不意味着无神论时代的终结,相反,它开启了一个具有现代特色的新时代,即远离神学绝对主义的新时代。新的神不再是永恒的全能的绝对神,而是德里达式的缩小的无限神:收缩的、自我否定的,甚至是 "至死 "的。然而,这样的神虽然在现代性中显得尤为突出,但对于一神教来说却并非全新的事物,一神教从一开始就对神力的地位展开了激烈的争论:神力是绝对的、无限的,还是自我限制的、有条件的?我将通过比较两种传统的神力自我限制模式--基督教的 "克诺斯"(kenosis)和犹太教的 "卡巴拉"(tsimtsum)--进入这场争论,然后介绍它们的现代哲学变体,尤其是黑格尔思想中的变体。
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引用次数: 0
The EPR-Bell Experiments: The Role of Counterfactuality and Probability in the Context of Actually Conducted Experiments EPR-贝尔实验:反事实和概率在实际进行的实验中的作用
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-27 DOI: 10.3390/philosophies9050133
Anthony J. Leggett
Some aspects of the concepts of counterfactuality and probability are explored as they apply to the specific example of the famous “EPR-Bell” experiments realized by physicists over the last half-century. In particular the question is raised: what hypotheses about actually conducted experiments do the results exclude? It is argued that the answer depends on both whether these hypotheses are deterministic or stochastic, and on the “cardinality” of the experiment relative to the theory.
本文探讨了反事实性和概率概念的某些方面,并将其应用于物理学家在过去半个世纪中实现的著名的 "EPR-贝尔 "实验这一具体实例。特别是提出了这样一个问题:实验结果排除了关于实际进行的实验的哪些假设?有人认为,答案既取决于这些假设是确定性的还是随机性的,也取决于实验相对于理论的 "卡定性"。
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引用次数: 0
Capabilities, Development, and Communitarianism in the African Context 非洲背景下的能力、发展和社群主义
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-23 DOI: 10.3390/philosophies9050132
Danelle Fourie, Mark Rathbone
This paper provides a critical reflection and exploration of African development with reference to enhancing human flourishing in Amartya Sen’s capability theory. However, we identify some core limitations to Sen’s theory of development due to its reliance on neoliberal principles. These principles can be discouraging for African self-directed emancipatory development projects. We argue that the notion of communitarianism in Africa can provide alternative perspectives that can counter the influence of neoliberalism. We first delve into the philosophical understanding of development and the unique elements associated with the African context for human flourishing. From this understanding of development, we look into the work of Amartya Sen, whose capability approach is widely regarded as the optimal development project for human flourishing. However, the enhancement of capabilities has had some significant critique. We discuss three critiques of Sen’s development project, namely, Martha Nussbaum’s critique, which focuses on the vagueness of basic capabilities; Patrica Northover’s critique, which argues that Western ideals of development compromise Sen’s development project; and Richard Sandbrook’s critique, which refers to Sen’s approach as a “pragmatic neoliberalism”. Finally, building on these three critiques, we propose elements that enhance the unique characteristics of the African context for human flourishing.
本文以阿马蒂亚-森(Amartya Sen)的能力理论为参照,对非洲的发展进行了批判性的反思和探索,以提高人类的繁荣程度。然而,由于森的发展理论依赖于新自由主义原则,我们发现其存在一些核心局限性。这些原则可能会阻碍非洲自主解放的发展项目。我们认为,非洲的社群主义概念可以提供替代视角,从而抵消新自由主义的影响。我们首先深入探讨对发展的哲学理解,以及与非洲人类繁荣背景相关的独特因素。从这种对发展的理解出发,我们研究了阿马蒂亚-森的著作,他的能力方法被广泛认为是促进人类繁荣的最佳发展项目。然而,能力的提升也受到了一些重要的批评。我们讨论了对森的发展项目的三种批判,即玛莎-努斯鲍姆的批判,其重点是基本能力的模糊性;帕特里卡-诺索弗的批判,认为西方的发展理想损害了森的发展项目;理查德-桑德布鲁克的批判,将森的方法称为 "实用主义的新自由主义"。最后,在这三种批判的基础上,我们提出了加强非洲人类繁荣独特性的要素。
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引用次数: 0
“Yet Once More”: John Milton’s Lycidas as an Assault on the Ordinary "然而再一次":约翰-弥尔顿的《莱西达斯》是对平凡的挑战
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-22 DOI: 10.3390/philosophies9040131
Justin Clemens
This article examines a problematic of the ordinary as it emerges in the poetical theology of an early poem of John Milton. This poem, Lycidas, has captured the attention of every major critic from the 18th century to the present, who has minutely examined its odd formal and generic character, its peculiar mix of personal grief and political outrage, and its role in Milton’s own personal development at a particularly decisive moment in English history. Yet, despite this extensive interpretive history, ‘the ordinary’ has never become an extended object of critical analysis. This article accordingly seeks to uncover and examine the importance of a certain set of contemporaneous significations of the ordinary in Lycidas, which implicate the institutions of Church, state, and university in perhaps surprising ways.
本文探讨了约翰-弥尔顿早期一首诗歌的诗学中出现的 "平凡 "问题。这首名为《莱西达斯》的诗吸引了从 18 世纪至今每一位重要评论家的目光,他们对这首诗奇特的形式和一般特征、其个人悲痛与政治愤怒的奇特组合,以及这首诗在英国历史上具有决定性意义的时刻对弥尔顿个人发展所起的作用进行了细致的研究。然而,尽管有如此广泛的解释史,"平凡 "却从未成为批判性分析的扩展对象。因此,本文试图揭示并研究《莱西达斯》中 "普通 "在当时所具有的一系列意义的重要性,这些意义可能以令人惊讶的方式牵涉到教会、国家和大学等机构。
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引用次数: 0
The Virtues and Vices of Agnosticism 不可知论的优点和缺点
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-21 DOI: 10.3390/philosophies9040130
Charles Champe Taliaferro
This essay begins with preliminary observations about the nature of agnosticism. Based on the term’s etymology, in this essay an agnostic about some proposition (e.g., God exists) is someone who does not know whether the proposition is true. Being an agnostic about the truth of a proposition is compatible with the proposition appearing to be true or the state of affairs obtains but incompatible with an agnostic knowing its truth or that the state of affairs obtains. (Reference to propositions and states of affairs is intended to be inclusive, rather than a controversial metaphysical distinction.) Based on apparent virtues and vices, reasons are offered about when agnosticism (or the profession of agnosticism) is virtuous or philosophically desirable and when either actual agnosticism or its profession seems to be a vice or undesirable. The essay concludes with challenging Anthony Kenny’s case for agnosticism about theism based on the virtue of humility. The central claims about apparent virtues and vices rest on the positive epistemic standing of appearances as defended by many so-called “common sense philosophers” Thomas Reid, Roderick Chisholm, and, more recently, Thomas Nagel’s thesis about the justified status of the appearance of values.
本文首先对不可知论的性质进行了初步探讨。根据该词的词源,在本文中,对某个命题(如 "上帝存在")持不可知论的人是指不知道该命题是否为真的人。对一个命题的真伪持不可知论与该命题看似为真或事态发生是一致的,但与不可知论者知道其真伪或事态发生是不一致的。(对命题和事态的提法意在包容,而非有争议的形而上学区分)。根据表面上的美德和恶习,文章提出了不可知论(或不可知论的职业)在什么情况下是美德或哲学上可取的,以及实际的不可知论或其职业在什么情况下似乎是恶习或不可取的理由。文章最后对安东尼-肯尼基于谦逊美德的有神论不可知论提出质疑。关于表象美德与恶行的核心主张基于许多所谓的 "常识哲学家 "托马斯-里德(Thomas Reid)、罗德里克-奇肖姆(Roderick Chisholm)所捍卫的表象的积极认识论地位,以及最近托马斯-纳格尔(Thomas Nagel)关于价值表象的合理地位的论述。
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引用次数: 0
Serres’s Philosophy of Media 塞雷斯的媒体哲学
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-19 DOI: 10.3390/philosophies9040129
Peter Zhang
Contemporary French philosopher Michel Serres has out-of-the-rut thoughts about many things, including media. This article focuses on his understanding of the genealogy of media, the notion of exo-Darwinism, and his forward-looking attitude toward new technologies. An alternative, counterintuitive take on human nature is revealed as the discussion proceeds. This article also touches upon what is irreplaceable about humans in an age when artificial intelligence is rapidly evolving.
法国当代哲学家米歇尔-塞雷斯(Michel Serres)对包括媒体在内的许多事物都有独到的见解。本文重点介绍他对媒体谱系的理解、外达尔文主义的概念以及他对新技术的前瞻性态度。随着讨论的深入,他对人性的另一种反直觉看法也逐渐显露出来。本文还探讨了在人工智能飞速发展的时代,人类有哪些不可替代之处。
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引用次数: 0
Wittgenstein and Poetry: A Reading of Czeslaw Milosz’s “Realism” 维特根斯坦与诗歌解读切斯拉夫-米洛什的 "现实主义"
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-18 DOI: 10.3390/philosophies9040128
David Macarthur
In this paper I hope to cast light on Wittgenstein enigmatic remark, “one should really only create philosophy poetically”. I discuss Wittgenstein’s ambition to overcome metaphysics by way of an appeal to ordinary language. For this purpose I contrast “realism” in philosophy (i.e., metaphysical realism, particularly its modern scientific version) with “realism” in poetry. My theme is the capacity of poetry to provide a model for Wittgenstein’s resistance to the inhumanity unleashed in metaphysics—exemplified by two distinct forms of skepticism—which obliterates the ordinary world under the guise of discovering its true nature. The poem I shall use to illustrate the difficulty in maintaining our grip on reality, hence our grip on our humanity, is Czeslaw Milosz’s poem “Realism”.
在本文中,我希望阐明维特根斯坦的谜语:"人真的只应该诗意地创造哲学"。我将讨论维特根斯坦通过诉诸普通语言来克服形而上学的雄心壮志。为此,我将哲学中的 "现实主义"(即形而上学现实主义,尤其是其现代科学版本)与诗歌中的 "现实主义 "进行了对比。我的主题是,诗歌能够为维特根斯坦抵制形而上学中的非人性--以两种不同形式的怀疑论为例证--提供一种模式,这种形而上学以发现普通世界的真实本质为幌子,抹杀了普通世界。我将用切斯瓦夫-米洛什(Czeslaw Milosz)的诗歌《现实主义》(Realism)来说明我们在把握现实、进而把握人性方面的困难。
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引用次数: 0
The Interaction of Continental and Analytical Philosophy in the Development of the Philosophy of Dialogue 大陆哲学与分析哲学在对话哲学发展中的相互作用
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-16 DOI: 10.3390/philosophies9040127
Ilya Dvorkin
In continental and analytical philosophy, which developed in parallel in the 20th century, there was a turn to language, which in particular was marked by the creation of a philosophy of dialogue in continental philosophy and dialogical logic in analytical. Despite their significant differences, these two directions have much in common and can significantly complement each other. The philosophy of dialogue considers reality as the subject of dialogue between persons—I, Thou, He/She, We. World, activity and culture are dialogic and interpersonal in nature. Languages and texts are the basis for understanding reality and activity. Dialogical logic describes reality as an object of a dialogical game. This allows us to consider rationality, activity and communication from a unified perspective. The article compares these two directions of dialogical thought with each other and examines the aspects in which they can complement each other.
在 20 世纪平行发展的大陆哲学和分析哲学中,出现了向语言的转向,特别是在大陆哲学中创立了对话哲学,在分析哲学中创立了对话逻辑。尽管这两个方向有很大的不同,但它们有很多共同之处,可以相互补充。对话哲学将现实视为人与人之间对话的主体--"我"、"你"、"他/她"、"我们"。世界、活动和文化都具有对话性和人际性。语言和文本是理解现实和活动的基础。对话逻辑将现实描述为对话游戏的客体。这使我们能够从一个统一的角度来考虑理性、活动和交流。文章比较了对话思想的这两个方向,并探讨了它们在哪些方面可以相互补充。
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引用次数: 0
The Riddle of Oedipus 俄狄浦斯之谜
IF 0.9 Q2 HISTORY & PHILOSOPHY OF SCIENCE Pub Date : 2024-08-15 DOI: 10.3390/philosophies9040126
Sophie Grace Chappell
What is the riddle of Oedipus? This paper is an exploration of the philosophy involved in Sophocles’ famous play Oedipus Tyrannus. The play involves a riddler who becomes king, a man who is famously good at understanding what others find obscure, and yet is unable to see it when he is confronted by an obvious set of uncomfortable truths about himself. As well as for Oedipus, the play poses a number of different riddles for us: in particular it is a study of responsibility and shame, and of deliberation and choice. Like any work of art, the play does not tell us what conclusions we should reach; but it does show us some questions that need asking, and indeed some riddles that we face.
俄狄浦斯之谜是什么?本文旨在探讨索福克勒斯的名剧《俄狄浦斯-暴君》中蕴含的哲理。该剧讲述了一个谜一样的人成为国王的故事,这个人擅长理解别人觉得晦涩难懂的东西,但当他面对关于自己的一系列显而易见、令人不安的真相时,他却无法理解。对俄狄浦斯而言,该剧也为我们提出了许多不同的谜题:尤其是,它是对责任与羞耻、深思熟虑与选择的研究。与任何艺术作品一样,该剧并没有告诉我们应该得出什么样的结论;但它确实向我们展示了一些需要提出的问题,以及我们所面临的一些谜题。
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引用次数: 0
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