{"title":"Imágenes del lugar creativo: El taller de Francis Bacon","authors":"Andrés Felipe Gómez Mora","doi":"10.15517/es.v82i1.52004","DOIUrl":"https://doi.org/10.15517/es.v82i1.52004","url":null,"abstract":"","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47312353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En América, se ha desarrollado un discurso eurocéntrico en la práctica de la música y en la conformación espacial. Este artículo analiza la repercusión que ha tenido la música y la arquitectura en la construcción de nuestra identidad. La metodología contempló estudios de caso que involucran el paisaje sonoro para la comprensión de fenómenos sociales potenciadores de relaciones de dominación. Se analizaron dinámicas hegemónicas de la música “clásica” en el Teatro Nacional de Costa Rica, así como ejemplos y propuestas latinoamericanas relacionados con la ruptura de composiciones artísticas eurocéntricas que fomentan la transculturación. Se explora la música de la naturaleza, el paisaje sonoro y la memoria, considerando diferentes patrones biofílicos como alternativas hacia la descolonización que, por medio del conocimiento local, fomenten la interculturalidad. Para reconfigurar nuevos discursos, no se pretende satanizar los aportes culturales europeos, sino comprender cómo muchos de estos habitus han provocado actitudes de desvalorización contra lo autóctono.
{"title":"Música, arquitectura y paisajes sonoros en búsqueda de la composición de nuevas identidades interculturales","authors":"Laura Chaverri-Flores","doi":"10.15517/es.v82i1.51996","DOIUrl":"https://doi.org/10.15517/es.v82i1.51996","url":null,"abstract":"En América, se ha desarrollado un discurso eurocéntrico en la práctica de la música y en la conformación espacial. Este artículo analiza la repercusión que ha tenido la música y la arquitectura en la construcción de nuestra identidad. La metodología contempló estudios de caso que involucran el paisaje sonoro para la comprensión de fenómenos sociales potenciadores de relaciones de dominación. Se analizaron dinámicas hegemónicas de la música “clásica” en el Teatro Nacional de Costa Rica, así como ejemplos y propuestas latinoamericanas relacionados con la ruptura de composiciones artísticas eurocéntricas que fomentan la transculturación. Se explora la música de la naturaleza, el paisaje sonoro y la memoria, considerando diferentes patrones biofílicos como alternativas hacia la descolonización que, por medio del conocimiento local, fomenten la interculturalidad. Para reconfigurar nuevos discursos, no se pretende satanizar los aportes culturales europeos, sino comprender cómo muchos de estos habitus han provocado actitudes de desvalorización contra lo autóctono.","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47583709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La presente investigación aborda el inicial proceso de inserción en el circuito cultural de Cuba del diseñador y artista cubanoamericano Edel Rodríguez al exponer su producción gráfica de carácter cultural por primera vez en una institución cubana. La metodología implementada es multidisciplinar, discurre en campos de la sociología, historia y semiótica para presentar al artista y analizar el proceso de gestión, puesta en escena y recepción de la acontecida exposición personal Nature Boy (2014) en la Casa de las Américas. El evento tuvo gran aceptación por el público y una repercusión beneficiosa en la recepción periodística, ya que fue la oportunidad perfecta para conocer la trayectoria profesional del diseñador cubano formado en el extranjero. Sin embargo, la exposición queda enmarcada como una excelente presentación del trabajo creativo del artista por no contarse con otra exhibición significativa de Edel en el panorama artístico cubano.
本研究探讨了古巴裔美国设计师和艺术家埃德尔·罗德里格斯(Edel rodriguez)首次在古巴机构展示其具有文化特征的平面作品时，最初融入古巴文化圈的过程。实施的方法是多学科的，涵盖社会学、历史和符号学领域，以呈现艺术家，并分析在Casa de las americas举办的个人展览Nature Boy(2014)的管理、舞台和接待过程。这次活动得到了公众的广泛接受，并对媒体的接待产生了有益的影响，因为这是一个了解这位在国外接受培训的古巴设计师职业生涯的绝佳机会。然而，这次展览被认为是对这位艺术家创作作品的出色展示，因为在古巴艺术界没有另一个重要的埃德尔展览。
{"title":"De regreso en el Nature Boy: La presencia del diseñador cubanoamericano Edel Rodríguez en el circuito artístico de Cuba","authors":"Laritza Beatriz Suárez del Villar Suárez","doi":"10.15517/es.v82i1.51997","DOIUrl":"https://doi.org/10.15517/es.v82i1.51997","url":null,"abstract":"La presente investigación aborda el inicial proceso de inserción en el circuito cultural de Cuba del diseñador y artista cubanoamericano Edel Rodríguez al exponer su producción gráfica de carácter cultural por primera vez en una institución cubana. La metodología implementada es multidisciplinar, discurre en campos de la sociología, historia y semiótica para presentar al artista y analizar el proceso de gestión, puesta en escena y recepción de la acontecida exposición personal Nature Boy (2014) en la Casa de las Américas. El evento tuvo gran aceptación por el público y una repercusión beneficiosa en la recepción periodística, ya que fue la oportunidad perfecta para conocer la trayectoria profesional del diseñador cubano formado en el extranjero. Sin embargo, la exposición queda enmarcada como una excelente presentación del trabajo creativo del artista por no contarse con otra exhibición significativa de Edel en el panorama artístico cubano.","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47916230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nota editorial","authors":"Bértold Salas Murillo","doi":"10.15517/es.v82i1.51991","DOIUrl":"https://doi.org/10.15517/es.v82i1.51991","url":null,"abstract":"","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44892794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-28DOI: 10.15517/es.v81is3.50230
María Clara Vargas Cullell, Luis Alfaro Bogantes
El presente artículo estudia las diversas facetas del oficio musical de Alejandro Cardona y Llorens, músico migrante español que se estableció en Costa Rica desde 1853. Las actividades musicales que emprende a lo largo de su vida reflejan el proceso de profesionalización del oficio musical que inició en el país a partir de la segunda mitad del siglo XIX. Es también un ejemplo de cómo la migración ha sido un elemento que ha contribuido a la diversificación y consolidación de la práctica musical del país en diversos momentos de la historia.
{"title":"Himno Patriótico de Alejandro Cardona y Llorens (1827-1899)","authors":"María Clara Vargas Cullell, Luis Alfaro Bogantes","doi":"10.15517/es.v81is3.50230","DOIUrl":"https://doi.org/10.15517/es.v81is3.50230","url":null,"abstract":"El presente artículo estudia las diversas facetas del oficio musical de Alejandro Cardona y Llorens, músico migrante español que se estableció en Costa Rica desde 1853. Las actividades musicales que emprende a lo largo de su vida reflejan el proceso de profesionalización del oficio musical que inició en el país a partir de la segunda mitad del siglo XIX. Es también un ejemplo de cómo la migración ha sido un elemento que ha contribuido a la diversificación y consolidación de la práctica musical del país en diversos momentos de la historia.","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43358520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21843805/tav5n3a6
Nuno Olaio
This article makes a critical analysis of the process of creation and placement in the public space of Santo Tirso of its first statue, in 1892, which represents the Count of S. Bento, emigrant in Brazil, and born in S. Miguel das Aves. Through municipal documentation, of Irmandade and Santa Casa of Misericórdia of Santo Tirso and the local and regional press, we will follow the public debate raised by the construction of the statue and the vicissitudes of a public subscription that brought together interest on both sides of the Atlantic, and a subcommittee was created in Rio de Janeiro. A short year after the Republican uprising of January 31, 1891 in the city of Porto, the people from Santo Tirso felt the need to promote a tribute to the most distinguishedlocal benemeritus. This moment was also important because unveils the liberal society of the time and its values.
本文对圣蒂尔索的第一尊雕像的创作过程和放置过程进行了批判性的分析，该雕像于1892年在圣蒂尔索的公共空间中展出，它代表了巴西移民S. Bento伯爵，出生于S. Miguel das Aves。通过市政文件、圣蒂尔索Misericórdia的Irmandade和Santa Casa，以及当地和地区媒体，我们将追踪雕像建设引发的公众辩论，以及公众捐款的变迁，这些公众捐款汇集了大西洋两岸的利益，并在里约热内卢成立了一个小组委员会。1891年1月31日在波尔图市爆发的共和党起义后不久，圣蒂尔索的人们觉得有必要向当地最杰出的慈善家致敬。这一时刻之所以重要，还因为它揭示了当时的自由社会及其价值观。
{"title":"Uma estátua para o Conde de S. Bento","authors":"Nuno Olaio","doi":"10.21747/21843805/tav5n3a6","DOIUrl":"https://doi.org/10.21747/21843805/tav5n3a6","url":null,"abstract":"This article makes a critical analysis of the process of creation and placement in the public space of Santo Tirso of its first statue, in 1892, which represents the Count of S. Bento, emigrant in Brazil, and born in S. Miguel das Aves. Through municipal documentation, of Irmandade and Santa Casa of Misericórdia of Santo Tirso and the local and regional press, we will follow the public debate raised by the construction of the statue and the vicissitudes of a public subscription that brought together interest on both sides of the Atlantic, and a subcommittee was created in Rio de Janeiro. A short year after the Republican uprising of January 31, 1891 in the city of Porto, the people from Santo Tirso felt the need to promote a tribute to the most distinguishedlocal benemeritus. This moment was also important because unveils the liberal society of the time and its values.","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"94 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83558114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21843805/tav5n3a2
Thiago Pereira Alberto, Jonas Pilz
On this paper we discuss the current potentialities of rock n' roll critics, highlighting its production, reception and circulation scenarios by the platformization perspective and understanding the current criticism as a taste performance. We refuse the idea that the criticism itself became obsolete, as it has been claimed by some, and argue that, in fact, there is a repositioning process that led into the current rock critics escaping the big newspapers and magazines and having no requirement of a journalism academic degree. We present a short chronology of arts journalism, focused on culture, and rock criticism, as part of the journalism based on opinion, where the rock journalists used to claim their authorities because of their repertory and authenticity. Our main purpose here is to demonstrate that not just these values are no longer determinant for one to publish his own critics, but criticism is now less of a judgment of taste than it is a horizontally and immediatism mediation. It is not a sentence defining made by one if something is good or bad -or must be bought or not -but a sharing of taste to and by many.
{"title":"A crítica de rock repaginada e despaginada. Da autoridade no jornalismo cultural à plataformização e performance de gosto","authors":"Thiago Pereira Alberto, Jonas Pilz","doi":"10.21747/21843805/tav5n3a2","DOIUrl":"https://doi.org/10.21747/21843805/tav5n3a2","url":null,"abstract":"On this paper we discuss the current potentialities of rock n' roll critics, highlighting its production, reception and circulation scenarios by the platformization perspective and understanding the current criticism as a taste performance. We refuse the idea that the criticism itself became obsolete, as it has been claimed by some, and argue that, in fact, there is a repositioning process that led into the current rock critics escaping the big newspapers and magazines and having no requirement of a journalism academic degree. We present a short chronology of arts journalism, focused on culture, and rock criticism, as part of the journalism based on opinion, where the rock journalists used to claim their authorities because of their repertory and authenticity. Our main purpose here is to demonstrate that not just these values are no longer determinant for one to publish his own critics, but criticism is now less of a judgment of taste than it is a horizontally and immediatism mediation. It is not a sentence defining made by one if something is good or bad -or must be bought or not -but a sharing of taste to and by many.","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91349419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21843805/tav5n1ap
Paula Guerra, Ligia Dabul
{"title":"Diversidade, (i)materialidade e prospetivas sociológicas","authors":"Paula Guerra, Ligia Dabul","doi":"10.21747/21843805/tav5n1ap","DOIUrl":"https://doi.org/10.21747/21843805/tav5n1ap","url":null,"abstract":"","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"329 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77774727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21843805/tav5n3rp
Paulo de Oliveira Rodrigues Júnior
In this work, I seek to analyzethe impacts of Brazilian LGBTQIAPN+ immigration as a potent innovation in political and aesthetic discourses, especially concerning fashion and leisure spaces, on the Portuguese youth. I shall focus on elements pertaining to queer appearances and their narratives. Also, I observe how appearances allied to political discourses become an important tool in the construction of political, aesthetic and ethical narratives outside of a colonial perspective
{"title":"Serving face: fashion, music and transatlantic crossing scenes Brazil-Portugal (2018-2022)","authors":"Paulo de Oliveira Rodrigues Júnior","doi":"10.21747/21843805/tav5n3rp","DOIUrl":"https://doi.org/10.21747/21843805/tav5n3rp","url":null,"abstract":"In this work, I seek to analyzethe impacts of Brazilian LGBTQIAPN+ immigration as a potent innovation in political and aesthetic discourses, especially concerning fashion and leisure spaces, on the Portuguese youth. I shall focus on elements pertaining to queer appearances and their narratives. Also, I observe how appearances allied to political discourses become an important tool in the construction of political, aesthetic and ethical narratives outside of a colonial perspective","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84792917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21843805/tav5n3a5
Vanessa Beatriz Bortulucce
The purpose of this article is to make some reflections about a specific type of art that, in a large part of its history, was especially concerned with the issues of death and the transience of existence: still-life paintings, especially those made by the Dutch in the 17th century. For that, it is necessary to retrace a path about the history of this genre, to then analyze the works of the period, and, in them, visualize the symbolic universes that alert us to the brevity of existence
{"title":"Vida e morte nas pinturas de natureza-morta do século XVII holandês","authors":"Vanessa Beatriz Bortulucce","doi":"10.21747/21843805/tav5n3a5","DOIUrl":"https://doi.org/10.21747/21843805/tav5n3a5","url":null,"abstract":"The purpose of this article is to make some reflections about a specific type of art that, in a large part of its history, was especially concerned with the issues of death and the transience of existence: still-life paintings, especially those made by the Dutch in the 17th century. For that, it is necessary to retrace a path about the history of this genre, to then analyze the works of the period, and, in them, visualize the symbolic universes that alert us to the brevity of existence","PeriodicalId":31523,"journal":{"name":"Escena Revista de las artes","volume":"40 6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83195460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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