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„Mordercy? To byli ci z SS.” O micie niewinnego Wehrmachtu na marginesie powieści Ulli Hahn Unscharfe Bilder (,Nieostre zdjęcia’, 2003)
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.04
M. Daroch
This article looks at the idea of the “Clean Wehrmacht”, as opposed to the SS, who were implicated in the mass executions of Jews and other civilians in the East. This narrative is proven wrong in Ulla Hahn’s Unscharfe Bilder wherein an exhibition on the Wehrmacht exposes the crimes of its soldiers. The main protagonist in Ulla Hahn’s novel Unscharfe Bilder recognizes in one of the photos a character strikingly similar to her father, and so she starts questioning him about his past. He insists that the Wehrmacht was a regular German army and tries to put individual cases into perspective. It turns out that the historical of the Wehrmacht is not so clear.
本文着眼于“清洁国防军”(Clean Wehrmacht)的概念,与纳粹党卫军(SS)相对,后者涉嫌在东部大规模处决犹太人和其他平民。这种说法在乌拉·哈恩(Ulla Hahn)的《Unscharfe Bilder》中被证明是错误的,其中一场关于德国国防军的展览揭露了其士兵的罪行。乌拉·哈恩(Ulla Hahn)的小说《Unscharfe Bilder》中的主人公在其中一张照片中认出了一个与她父亲惊人相似的人物,于是她开始询问他的过去。他坚持认为德国国防军是一支正规的德国军队,并试图从个人角度看待问题。事实证明,德国国防军的历史并不是那么清楚。
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引用次数: 0
Selbstpräsenz auf Tonband (András Ferenc Kovács: Öninterjú) Selbstpräsenz亲口说(András Ferenc Ková面试实习生:öninterjú)
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.08
Zoltán Kulcsár-Szabó
This paper investigates an early poem of a contemporary Hungarian (Transylvanian) poet András Kovács Ferenc. The poem outlines a poetic framework for the gesture of self-address, turned into a situation where the lyrical voice is interrupted by recording technology. The reading offered here tries to connect the lyrical proposition with the philosophical problem of self-presence. It further discusses political references in the poem that relate to the revolutionary events that took place in Romania in 1989.
本文研究了当代匈牙利(特兰西瓦尼亚)诗人András Kovács Ferenc的一首早期诗歌。这首诗勾勒出了自我称呼的诗意框架,变成了一种抒情的声音被录音技术打断的情况。这里提供的阅读试图将抒情命题与自我存在的哲学问题联系起来。它进一步讨论了诗歌中与1989年发生在罗马尼亚的革命事件有关的政治参考。
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引用次数: 0
La présence de la nuit dans Wakolda de Lucía Puenzo 《瓦科尔达之夜》作者:lucia Puenzo
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.02
N. Balutet
This paper analyzes the presence and significance of the night in the novel Wakolda by Lucía Puenzo and also in the film adaptation of the text. The novel presents the short period during which the former Auschwitz extermination camp doctor, Josef Mengele, supposedly spent under the name of Helmut Gregor in Bariloche in Argentina. It is clear that there is no shortage of expressions linked to night when it comes to evoking the horrors committed by the Nazis. True to its etymology, the time between sunset and sunrise, is marked by the presence of darkness conducive to crimes. The paper thus links the night to the ideas of destruction, misfortune and death. The night is analyzed on three levels: as a singular space-temporal concept, as a symbol of criminal acts, and as a mirror of the sexual awakening of the character of Lilith.
本文分析了Lucía Puenzo的小说《Wakolda》中夜的存在和意义,以及小说改编电影中夜的存在和意义。这部小说讲述了前奥斯维辛集中营医生约瑟夫·门格尔(Josef Mengele)在阿根廷巴里洛切以赫尔穆特·格雷戈尔(Helmut Gregor)的名义度过的一段短暂时光。很明显,当涉及到唤起纳粹犯下的恐怖罪行时,与夜晚有关的表达并不缺乏。正如它的词源,日落和日出之间的时间,以有利于犯罪的黑暗的存在为标志。因此,这篇论文将夜晚与毁灭、不幸和死亡的概念联系起来。夜晚从三个层面进行分析:作为一个单一的时空概念,作为犯罪行为的象征,作为莉莉丝角色性觉醒的镜子。
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引用次数: 0
Baroness Emma Orczy’s Divided Loyalties in the 1910s and 20s 男爵夫人艾玛·奥奇在20世纪10年代和20年代的分裂忠诚
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.11
Agnes Strickland-Pajtok
The aim of this article is to examine the ambivalent attitudes of the British-Hungarian popular writer Baroness Emma Orczy towards involvement in the Great War. In the 1910s Orczy participated in British military recruitment drives, whilst also maintaining cultural ties with her homeland of Hungary. The questions this study attempts to answer are: what kind of strategies of identification did Orczy employ in order to come to terms with supporting both the Allies and the Central Powers? And: whether through her contrasting stances the operation of a hybrid identity can be captured.
本文的目的是考察英籍匈牙利裔通俗作家埃玛·奥奇男爵夫人对卷入第一次世界大战的矛盾态度。在20世纪10年代,奥尔奇参加了英国的征兵运动,同时也与她的祖国匈牙利保持着文化联系。本研究试图回答的问题是:奥奇采用了什么样的认同策略来同时支持协约国和同盟国?以及:能否通过她对比鲜明的立场捕捉到混合身份的运作。
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引用次数: 0
Place, rôle et représentation de l’animal dans le roman Sans l’orang-outan (2007) d’Éric Chevillard eric Chevillard的小说《Sans l’orang-outan》(2007)中动物的位置、角色和表现
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.01
Mohamed El Assal
Animals occupy a central place in Chevillard’s oeuvre Sans l’orang-outan deals with animals’ place, roles, representations and relationships with humans. The novel depicts a chaotic and apocalyptic world, foreground as it does the disappearance of the last orangutans caused by the arrogant and insolent actions of people. Two aspects characterize Chevillard’s writing: the seriousness of the theme and the irony in its representation. The paper analyzes the numerous dimensions of the novel’s involvement in environmental problems through the reflection on the circumstance of animals. It also discusses the eschatological aspects of the environmental crisis. It is demonstrated that for Chevillard the question of biodiversity is also a question of aesthetics and imagination. The article also looks to show that the aim of adopting ethical and aesthetic stances is to encourage the reader to opt for responsible and life-preserving attitudes towards Earth’s ecosystem; and the raising ecological awareness as such.
动物在谢维拉的作品《无猩猩》中占据了中心位置,探讨了动物的地位、角色、表现以及与人类的关系。小说描绘了一个混乱和末日的世界,前景是最后一只猩猩的消失,这是由于人类的傲慢和无礼的行为造成的。舍维拉的作品有两个特点:主题的严肃性和主题表现的反讽性。本文通过对动物环境的反思,分析了小说涉及环境问题的多个维度。它还讨论了环境危机的末世论方面。对谢维拉来说,生物多样性的问题也是一个美学和想象的问题。文章还试图表明,采用伦理和美学立场的目的是鼓励读者选择对地球生态系统负责任和保护生命的态度;以及不断提高的生态意识。
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引用次数: 0
Taste and Social Distinction. The Chav Coleen McLoughlin in the Daily Mail between 2004 and 2006 品味和社会地位。查夫·科琳·麦克洛克林在2004年至2006年期间在《每日邮报》上的照片
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.12
Joanna Szukała
The aim of this article is to examine how the representation of Coleen McLoughlin in terms of chav taste in the Daily Mail between 2004 and 2006, reinforced class distinctions and classed notions of femininity. Making recourse to Pierre Bourdieu’s terms of cultural capital and symbolic capital, this article demonstrates how the category of chav, identified with a lack of cultural and symbolic capital, reproduces historically classed associations and upholds the values of the symbolic order.
本文的目的是研究科琳·麦克劳克林在2004年至2006年期间在《每日邮报》上的低俗品味是如何强化阶级差异和女性气质的阶级观念的。本文借助皮埃尔·布迪厄的文化资本和象征资本的术语,论证了chav的范畴是如何被认定为缺乏文化和象征资本的,从而再现了历史上的阶级联系,并维护了象征秩序的价值。
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引用次数: 0
De los muertos no siempre se habla bien: muestras de la ironía en los textos periodísticos sobre Hugo Chávez Frías 关于死者,人们并不总是说得很好:关于雨果chavez frias的报纸文章中讽刺的例子
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.07
Agata Gołąb
In the present paper, irony is perceived as a rhetorical strategy used to emphasize certain issues described in selected discourses. It goes beyond the scope of antiphrasis which was a traditional way of referring to irony. It is a pragmatic phenomenon and the context is crucial for its understanding. Since irony is a perfect tool for persuasion, it can be analyzed within press discourse. The present paper sets out to analyze instances of irony in press articles extracted from the Spanish newspaper El País published over a period of 30 days following the death of the Venezuelan president Hugo Chávez.
在本论文中,反讽被认为是一种修辞策略,用于强调某些问题在选定的话语中描述。它超越了反语的范围反语是一种传统的反讽方式。这是一种语用现象,语境对理解它至关重要。由于反讽是一种完美的说服工具,它可以在新闻话语中进行分析。本文旨在分析委内瑞拉总统雨果Chávez去世后30天内西班牙报纸《El País》刊登的新闻文章中讽刺的事例。
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引用次数: 0
La experiencia migrante en las crónicas de Gabriela Wiener 加布里埃拉·维纳编年史中的移民经历
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.06
Zuzanna Geremek, Katarzyna Kowalska
This article analyses a migrant’s experience – one that changes, and is fluid and dynamic – in the selected reportages by the Peruvian author Gabriela Wiener – El Gran Viaje, Teléfono malogrado conmigo misma and Del lado de acá y del lado de allá. Following the concept of the vagabond as coined by Zygmunt Bauman, we show how the migrant status of the narrator-protagonist changes. We argue that this process takes place at the level each of given space: Peru – fades away, and Barcelona, at first a hostile place, becomes the place where she manages to forge her identity as a writer. To illustrate this point, we make recourse to the theories of Henri Lefebvre, Michel Foucault and César Aira.
本文分析了秘鲁作家加布里埃拉·维纳精选的报告文学作品《El Gran Viaje》、《tel malogrado conmigo misma》和《Del lado de acacy Del lado de all》中移民的经历——一种变化的、流动的、动态的经历。本文从齐格蒙特·鲍曼提出的“流浪者”概念出发,揭示了叙述者-主人公的移民身份是如何变化的。我们认为,这个过程发生在给定空间的每个层面:秘鲁——逐渐消失,巴塞罗那,起初是一个充满敌意的地方,成为她设法塑造自己作家身份的地方。为了说明这一点,我们求助于亨利·列斐伏尔,米歇尔·福柯和csamar Aira的理论。
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引用次数: 0
La ville comme espace d’identités multiples dans Surtout ne te retourne pas de Maïssa Bey 在maisa Bey的《尤其是不要回头》中,城市作为一个多重身份的空间
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.03
Aziza Benzid, Zineb Moustiri
This paper aims to analyze the extent to which Maïssa Bey in her novel Surtout ne te retourne pas features actual events relating to the earthquake that shook the city of Boumerdes in 2003. She describes its tragic implications for the protagonist of the story, who seeks to find her identity in a city reeling from a natural disaster. In this sense, the paper investigates the novel in terms of a quest for both a lost Boumerdes and the urban identity of the protagonist herself.
本文旨在分析Maïssa Bey在她的小说《归来之路》中对2003年震动波默德斯市的地震相关实际事件的描写程度。她描述了它对故事主人公的悲剧性影响,主人公试图在一个遭受自然灾害的城市中找到自己的身份。从这个意义上说,本文从寻找失落的布默德斯和主人公自己的城市身份的角度来研究这部小说。
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引用次数: 0
„Schriftstellerischer“ Kampf gegen antipolnische Stereotype? Thomas Manns Interview für La Pologne Littéraire “作家”和反波兰主义的斗争?托马斯很怪异采访为La Pologne不足éraire
Pub Date : 2021-12-30 DOI: 10.7311/acta.57.2021.10
Tadeusz Skwara
In this article, an interview that Thomas Mann gave to the magazine La Pologne Littéraire in April 1927 is carefully analyzed in the context of Polish-German relations. At the time, the public opinion of the Weimar Republic was dominated by anti-Polish stereotypes. In the analyzed interview, Mann looks to show a different face of Poland, depicting it as a country with a rich cultural heritage that is insufficiently known in Germany. His fight against anti-Polish stereotypes would not yield any visible results but his article still remains an engaging testimony of Polish-German dialogue.
在这篇文章中,托马斯·曼在1927年4月接受《La Pologne litt辽阔》杂志采访时,在波兰和德国关系的背景下进行了仔细的分析。当时,魏玛共和国的公众舆论被反波兰的刻板印象所主导。在经过分析的采访中,曼恩试图展示波兰的不同面貌,将其描绘成一个拥有丰富文化遗产的国家,而这在德国并不为人所知。他反对反波兰刻板印象的斗争没有产生任何明显的结果,但他的文章仍然是波兰和德国对话的引人入胜的见证。
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引用次数: 0
期刊
Acta Universitatis Carolinae Philologica
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