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What Is Urgent Publishing? 什么是紧急出版?
Pub Date : 2021-11-08 DOI: 10.37198/apria.03.03.a3
F. Cramer
Publishing is increasingly being challenged through instantaneous social media publish- ing, even in the fields of scholarship and cultural, philosophical and political debate. Memetic self-publishers, such as the right-wing 'YouTube intellectual' Jordan Peterson and his left-wing counterpart Natalie Wynn, seem to tap into urgent needs that traditional publishing fails to identify and address. Does their practice amount to a new form of urgent publishing? How is it different from non-urgent publishing on the one hand and from propaganda on the other? Which urgencies can be addressed by urgent publishing? What is the role of artists and designers in it?
出版业正日益受到即时社交媒体出版的挑战,甚至在学术、文化、哲学和政治辩论领域也是如此。迷因自我出版商,如右翼的“YouTube知识分子”乔丹·彼得森(Jordan Peterson)和他的左翼同行娜塔莉·韦恩(Natalie Wynn),似乎抓住了传统出版业无法识别和解决的迫切需求。他们的做法是否构成了一种新的紧急出版形式?它与非紧急出版和宣传有何不同?哪些紧急情况可以通过紧急出版来解决?艺术家和设计师在其中扮演什么角色?
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引用次数: 1
In and Out of Time 在时间和时间之外
Pub Date : 2021-03-04 DOI: 10.37198/APRIA.03.02.A9
T. Haapoja
The video diptych In and Out of Time portrays a calf that has just passed away. The image on the left shows a recording of the calf as seen with an ordinary video camera. The image on the right shows the same calf, as seen through an infrared camera. The videos are in synchrony: as the body of the calf cools down, its image slowly vanishes from the infrared image. The original recording time of seven hours and 3o minutes is visible as a time code in lower right corner of the video.
这段视频名为《时间内》(In and Out of Time),描绘了一头刚刚去世的小牛。左图显示的是用普通摄像机拍摄到的小牛。右图是通过红外摄像机看到的同一头小牛。这些视频是同步的:随着小牛身体的冷却,它的图像慢慢地从红外图像中消失。在视频的右下角,可以看到7小时30分的原始录制时间。
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引用次数: 0
RES MATERIA RES方面
Pub Date : 2020-02-01 DOI: 10.37198/apria.01.00.a13
Sanne Karssenberg
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引用次数: 0
IN TOUCH WITH THE NOW: Stimulating Mindfulness through a Smart Denim Jacket 与当下接触:通过一件时髦的牛仔夹克激发正念
Pub Date : 2020-02-01 DOI: 10.37198/apria.01.00.a16
Pauline van Dongen, Lianne Toussaint
In a 24/7 economy, mindfulness is the new luxury. The ‘always-on’ society causes restless and stressful states of mind at the expense of our ability to simply ‘be in the present’. Using a responsive garment that gives the wearer gentle haptic feedback as a case study, this paper explores how smart fashion can encourage a more mindful relation between wearer, garment and environment.
在全天候经济中,正念是一种新的奢侈品。“永远在线”的社会以牺牲我们“活在当下”的能力为代价,导致了不安和紧张的精神状态。本文以一种能给穿着者轻柔触觉反馈的反应性服装为例,探讨了智能时尚如何在穿着者、服装和环境之间建立更有意识的关系。
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引用次数: 3
Aesthetic Sustainability 审美的可持续性
Pub Date : 2020-02-01 DOI: 10.37198/apria.01.00.a12
Kristine H. Harper
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引用次数: 9
Fashioning Tradition: The Tai Lue Project 时尚传统:大略项目
Pub Date : 2020-02-01 DOI: 10.37198/apria.01.00.a10
A. Welsh
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引用次数: 0
La Durée 时间
Pub Date : 1900-01-01 DOI: 10.37198/apria.03.02.a6
Paula Walta
Henri Bergson introduced me to his two possible concepts of time: time as we actually experience it, and mechanistic time. 'La durée' is what he called the deep, inner experience of time, in which our brain lets go of control, when it doesn't want to separate current and past states. In my films I search for the experience of 'la durée' by using both concepts of time, and turning them around, interrogating and changing them.
亨利·柏格森向我介绍了他的两种可能的时间概念:我们实际体验到的时间,以及机械时间。他所说的“La dur”是对时间的深层内在体验,在这种体验中,当我们的大脑不想把现在和过去的状态分开时,它就会放弃控制。在我的电影中,我通过使用时间的两个概念来寻找“la dure”的经验,并将它们翻转,询问和改变它们。
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引用次数: 1
Overtime 加班
Pub Date : 1900-01-01 DOI: 10.1007/springerreference_20829
S. Krier, Christel Vesters
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引用次数: 0
Text[ure]
Pub Date : 1900-01-01 DOI: 10.37198/apria.03.02.a15
Korsten, de Jong
In their 'Performance Paper Text[ure]' Korsten & De Jong build a wall-veil out of the audio of the 'Participatory Performance Text[ure]' and theoretical material (the 'text') from the 'Proposal Text[ure].' The wall-veil refers to Ruskin's famous example of the Matterhorn, which he uses to explain the wall-veil as symbolic of the relationship between massing and texture through interdependence. Korsten & De Jong's wall-veil is a mutable subject-object-complex with quotes from different theoretic fields, different eras and different theorists, in which positions shift continuously. Time is seen as a form of simultaneity in which layers fuse to form meaning. Korsten & De Jong regard this process of simultaneity as a middle position and seek it as an opportunity to question existing paradigms artistically.
在他们的“表演纸文本”中,Korsten和De Jong用“参与式表演文本”的音频和“提案文本”中的理论材料(“文本”)构建了一个墙幕。墙幔指的是罗斯金著名的马特洪峰的例子,他用它来解释墙幔是通过相互依赖来象征体量和纹理之间的关系。Korsten & De Jong的wall-veil是一个多变的主客体综合体,引用了不同的理论领域、不同的时代和不同的理论家,其中的位置不断变换。时间被看作是同时性的一种形式,在其中层次融合形成意义。Korsten & De Jong将这种同时性的过程视为一种中间立场,并将其视为在艺术上质疑现有范式的机会。
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引用次数: 0
Walking Time 步行时间
Pub Date : 1900-01-01 DOI: 10.37198/apria.03.02.a3
Ienke Kastelein
Walking Time is a hybrid attempt to go for walk while reading. It is a description of an actual walk as well as a prompt. It is a visual approach to a text containing memories evoked by walking and an invitation to the sensorial presence of the reader.
散步时间是一种散步和阅读的混合尝试。这是对实际行走的描述,也是一种提示。这是一种视觉方法,包含了通过行走唤起的记忆和对读者感官存在的邀请。
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引用次数: 2
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APRIA Journal
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