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Inter-Slavic cultural ties. Results and perspectives of research最新文献

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Cultural and historical differentiation of the Slavs and general European factors in the development of Slavic literatures 斯拉夫人的文化和历史差异以及斯拉夫人文学发展中的一般欧洲因素
Pub Date : 1900-01-01 DOI: 10.31168/0452-7.02
A. Lipatov
The entry of the Slavs into the Christian-civilizational universe predetermined the peculiarities of their internal differentiation, and hence the history of Slavic literatures as components of European literary communities. This approach opens up the perspective of understanding literary epochs, literary trends, genres and styles with all their national identity, due to the specifics of local history.
斯拉夫人进入基督教文明的世界,预先决定了他们内部分化的特点,从而决定了斯拉夫文学作为欧洲文学共同体组成部分的历史。这一方法打开了理解具有民族特征的文学时代、文学趋势、体裁和风格的视角,因为它具有地方历史的特殊性。
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引用次数: 0
The Works of K. Chapek in the Context of Modernity and Literary Critics Views 现代性语境下的查佩克作品与文学批评观点
Pub Date : 1900-01-01 DOI: 10.31168/0452-7.12
K. K. Maslova
A lot has been said and written about K. Chapek by both contemporaries and descendants. Researchers have tried to evaluate his political and philosophical views, returning again and again to his aesthetics. However, his work continues to be the subject of controversy. The purpose of this article, based on the opinions of well-known literary critics and based on the analysis of his works, is to confirm their relevance, their enduring significance for today, and to show the inconsistency of some pejorative assessments that are distributed in his address and compromise the personality and works of the great artist and humanist.
关于查佩克,同时代人和后人都说了很多,写了很多。研究人员试图评价他的政治和哲学观点,一次又一次地回到他的美学上。然而,他的作品仍然是争议的主题。本文的目的,基于知名文学评论家的观点,基于对他作品的分析,是为了确认他们的相关性,他们对今天的持久意义,并显示一些贬损评价的不一致,这些评价分布在他的演讲中,损害了这位伟大的艺术家和人文主义者的个性和作品。
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引用次数: 0
Slavic Topos and Slavic Locus 斯拉夫语Topos和斯拉夫语Locus
Pub Date : 1900-01-01 DOI: 10.31168/0452-7.24
Andrey I. Lazarev
The article examines the ambiguity of the concepts of topos and locus as rhetorical and literary terms that serve to designate and distinguish the reality created by the text and the reality of the extra-textual space. At the same time, the topos is presented as a common place and as a rhetorical argument in the discussion about the locus of the Slavic ancestral homeland in Slavic linguistics.
本文探讨了作为修辞和文学术语的主题和地点概念的模糊性,这些术语用于指定和区分文本所创造的现实和文本外空间的现实。同时,在斯拉夫语言学中关于斯拉夫祖先家园的讨论中,主题作为一个共同的地方和修辞的论点被呈现出来。
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引用次数: 0
The Dual Identity of Immigrants from the Southern Republics of the Former Yugoslavia in Sloveniain the Collection of Short Prose by Zoran Knezevic “Amphibians Die Twice” (2014) 前南斯拉夫南部共和国移民在斯洛文尼亚的双重身份——佐兰·克内泽维奇短篇散文集《两栖动物死两次》(2014)
Pub Date : 1900-01-01 DOI: 10.31168/0452-7.11
Aleksandra N. Krasovec
This paper focuses on the short prose collection “Amphibians die twice” (2014) by the Slovenian-Serbian writer Zoran Knežević (born in 1958 in Vojvodina and having migrated to Ljubljana in 1995), in particular on the author's attempts to express the dual identity of the immigrant protagonists, and their existence in the space between two cultures and languages. For this the writer applies to complex artistic images (among which are metaphors of “drill that drills in the stomach”, “ping-pong ball banging in the head”, “slaughtering a white kid”, “soybean fields”, etc.) that convey the doubled burden and pressure that his characters are under; the cinematic nature of the narrative, keeping the reader in constant tension, allows to reflect the high emotional intensity of the text. As toolkit for analyzing this phenomenon, we partially used theoretical studies of attitudes towards the other / alien in the works of representatives of the Ljubljana School of Psychoanalysis.
本文以斯洛文尼亚-塞尔维亚裔作家佐兰Knežević(1958年生于伏伊伏丁那,1995年移居卢布尔雅那)的短篇散文集《两栖动物死两次》(2014)为研究对象,着重探讨作者试图表达移民主角的双重身份,以及他们在两种文化和语言空间中的存在。为此,作者运用了复杂的艺术意象(如“钻在肚子里的钻头”、“乒乓砸在脑袋上”、“屠杀白人小孩”、“大豆田”等隐喻)来传达人物所承受的双重负担和压力;叙事的电影性质,使读者处于持续的紧张状态,可以反映文本的高情感强度。作为分析这一现象的工具,我们部分使用了卢布尔雅那精神分析学派代表作品中对他者/异类态度的理论研究。
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引用次数: 0
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Inter-Slavic cultural ties. Results and perspectives of research
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