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Robert Challe: A Utopian Voice In The Early Enlightenment by Sister Lois Ann Russell, S.H.C.J. (review) 罗伯特·查尔斯:早期启蒙运动中的乌托邦之声作者:露易丝·安·罗素修女,S.H.C.J.(书评)
Pub Date : 2016-01-06 DOI: 10.2307/1347823
Owen A. Wollam
similar to a description of clothing and, indeed, the two may be paired to indicate a person's character or mood. The concluding chapter focuses on the multiple transformations in the Conde Olinos, in which the young lovers' souls change into embracing plants, then into birds, a healing spring and finally a shrine. In some versions the last stage predominates, in an obvious attempt to emphasize the Christian motif, while giving rational explanations to the supernatural elements. A minor point that may be noted is the bizarre use, for English, of the misleading and long discredited term "Indo-Germanic" (p. 136) in place of Indo-European. In addition, it would have been a welcome service to provide, whenever possible, the original versions of ballads from less common languages, which appear in the text only in translation. Finally, a more substantial introduction than the useful but sketchy five pages offered would have been helpful to tie together the six images discussed. In particular, one sorely misses a preliminary theoretical statement stating precisely how the author interprets the terms image and imagery, symbol, motif, and theme, which sometimes appear to be used virtually interchangeably. The dust jacket promises that this book will make "available important new critical tools sure to have significant results for ballad scholarship." This may be its most serious long-term aim, for which it is certain to be of great value, but it also offers the scholar and advanced student alike new, richer interpretations of many well-known ballads and it does so in a most lively, readable style.
类似于对衣服的描述,事实上,这两者可以配对来表明一个人的性格或情绪。最后一章关注Conde Olinos的多重转变,年轻恋人的灵魂变成了拥抱的植物,然后变成了鸟,一个治愈的春天,最后是一个神社。在一些版本的最后阶段占主导地位,在一个明显的企图强调基督教主题,同时给予理性的解释,超自然的元素。值得注意的一点是,在英语中奇怪地使用“印欧语”一词来代替“印日耳曼语”(第136页),这一词具有误导性,而且早已不可信。此外,在可能的情况下提供较不常用语言的歌谣的原始版本,这将是一项受欢迎的服务,这些歌谣只以翻译的形式出现在文本中。最后,一个比有用但粗略的五页提供的更实质性的介绍将有助于将讨论的六个图像联系在一起。特别是,人们严重遗漏了一个初步的理论陈述,该陈述准确地说明了作者如何解释图像和意象、符号、母题和主题等术语,这些术语有时似乎可以互换使用。封皮承诺,这本书将提供“重要的新批判工具,确保对民谣学术产生重大影响。”这可能是它最严肃的长期目标,为此它肯定具有巨大的价值,但它也为学者和高级学生提供了许多著名民谣的新的,更丰富的解释,而且它以最生动,最易读的风格完成。
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引用次数: 0
Pure Lives by Reed Whittemore (review) 里德·惠特莫尔《纯洁的生活》(书评)
Pub Date : 2016-01-06 DOI: 10.1353/RMR.1989.0067
Dante K. Cantrill
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引用次数: 0
Poet of Exile: A Study of Milton's Poetry by Louis L. Martz (review) 流亡诗人:路易斯·l·马茨弥尔顿诗歌研究(书评)
Pub Date : 2016-01-06 DOI: 10.2307/1347425
Philip J. Gallagher
This book is comprised of six lectures delivered at the University of Cincinnati during the spring of 1976, as well as a prologue and epilogue by the editor. Included are texts by literary critic Leslie Fiedler; sociologist Herbert Gans; art scholar Alan Gowans; John Kouwenhoven, author of Made in America; The Arts In Modern American Civilization; Constance Perin, social anthropologist and city planner; and philosopher Willis Truitt. As might be expected, the material covered is diverse, ranging from SAT scores and Marxism to shopping centers and fast food eateries, yet fundamentally all of the texts address the same dilemma: The standards by which we differentiate between art and craft, between any art form and its popular counterpart, are ultimately elitist standards, and as such are at odds with the spirit of a democratic society. But by what standards then, if any, should art be judged? And what role should it play in a society such as ours? Much of the material here is thought-provoking, but too often it is difficult to get through. These texts were originally meant to be delivered aloud. Gowan's detailed comparison of architectural styles, for instance, must have played nicely as a slide presentation, but hunting photos, flipping back then forth, makes it tiresome in a book. Professor Kouwenhoven's "Art, Disorder and American Experience," was delivered with wit and charm, I'm sure. On the page, however, it just seems coy. The central difficulty with Mann's collection of lectures is that they remain too much that; a collection of lectures.
这本书是由1976年春天在辛辛那提大学发表的六次演讲组成的,以及编辑的序言和结语。其中包括文学评论家莱斯利·费德勒(Leslie Fiedler)的文章;社会学家赫伯特·甘斯;艺术学者艾伦·高恩斯;《美国制造》的作者约翰·库文霍文;美国现代文明中的艺术研究社会人类学家、城市规划师Constance Perin;以及哲学家Willis Truitt。正如人们所预料的那样,涵盖的材料多种多样,从SAT分数和马克思主义,到购物中心和快餐店,但从根本上说,所有的文本都解决了同样的困境:我们区分艺术和工艺、任何艺术形式和流行形式的标准,最终都是精英主义的标准,因此与民主社会的精神不一致。但是,如果有的话,应该用什么标准来评判艺术呢?在我们这样的社会中,它应该扮演什么角色?书中的许多材料都发人深省,但往往难以通读。这些文本原本是要大声朗读的。例如,高恩对建筑风格的详细比较,作为幻灯片演示一定很好,但在书中来回翻阅照片,会让人感到厌倦。Kouwenhoven教授的《艺术,混乱和美国经验》,我相信它写得既风趣又有魅力。然而,从纸面上看,它似乎有些含糊其辞。曼恩的演讲集的主要困难是,它们仍然太多;演讲集:演讲集
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引用次数: 25
Chant for Those Who Would Sleep 为那些愿意睡觉的人吟唱
Pub Date : 2016-01-06 DOI: 10.1353/RMR.1977.0019
J. Seale
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引用次数: 0
Walter Van Tilburg Clark: Critiques ed. by Charlton Laird (review) 沃尔特·范·蒂尔伯格·克拉克:《批判》,查尔顿·莱尔德主编(书评)
Pub Date : 2016-01-06 DOI: 10.2307/1346908
T. L. Clark
Germany once had several overlapping so-called national bibliographies. The plan to replace them by one national bibliography was finally successful in the 20's and 30's. (Due to the partition of Germany, we have now two national bibliographies again, one from Frankfurt, the other from Leipzig). Nevertheless, there may be some hope that one day some complete Germanistik bibliography will come into existence, as the basis and backbone for the still necessary selective works. PETER R. FRANK Stanford University
德国曾经有几个重叠的所谓国家书目。用一个国家书目取代它们的计划最终在20年代和30年代取得了成功。(由于德国的分裂,我们现在又有两个国家书目,一个来自法兰克福,另一个来自莱比锡)。尽管如此,我们还是希望有一天能够出现一些完整的日耳曼书目,作为仍然必要的精选作品的基础和支柱。彼得·r·弗兰克斯坦福大学
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引用次数: 2
Guerin and the Sail Cat Blues Guerin和Sail Cat Blues
Pub Date : 2016-01-06 DOI: 10.1353/RMR.1978.0022
Les Standiford
Guerin sat high on the concrete bank at freewayside, staring idly down upon the river of traffic beneath him: automobiles, taxis, panel trucks, dunebuggies with whiplasb antennae, besurfboarded woodies, 24and 32-wheeled big irons, groaning beer trucks and cement mixers, even an occasional police cruiser or wailing ambulance rolled below, each oblivious to its respective part in the making of history and considerable money for Guerin's employer. Of course, they were providing for Guerin's livelihood as well, and there was some mildly interesting irony in that, he thought. In their travelling, these drivers were contributing toward his own voyage, though his would be a trip to transcend the earthbound scurrying at his feet. He had balloons on his mind, clean air, free floating on the natural wind. After all, if not to save for such a trip, why else be doing what he was presently doing, and for such a boss as he had ? It was a normal Southern California summer morning, the sun already white hot on his back, the air dry but thick with a chemical haze that obscured even the enormous humps of the dirigible hangars where his eyes lingered momentarily. Not more than a mile away, he realized, as he traced the dim outlines rising incongruously from the vast vegetable fields to the south. He had never seen the great cigarshaped craft themselves, but he knew they were waiting there, as eager as he to set sail. Well, it might be that his own voyage could serve to set them free, he thought. And meantime, it was fortune enough that such ships could find a home at all these days, drydock or no. In this part of the country those hangars preempted the space of a dozen apart-
Guerin高高地坐在高速公路旁的混凝土堤岸上,懒洋洋地盯着下面川流流走的交通:汽车、出租车、板式卡车、带有短杆天线的越野车、冲浪板上的木车、24轮和32轮的大铁车、呻吟着的啤酒车和水泥搅拌器,甚至偶尔还有一辆警车或嚎叫着的救护车从下面驶过,每一辆车都忘记了自己在创造历史和为Guerin的雇主创造可观收入方面所扮演的角色。当然,他们也在为Guerin提供生计,他觉得这有点讽刺意味。在他们的旅行中,这些司机为他自己的旅行做出了贡献,尽管他的旅行将超越在他脚下奔跑的地球。他的脑海里有气球,清新的空气,在自然的风中自由漂浮。毕竟,如果不是为了这次旅行而存钱,他为什么要做他现在正在做的事情,为什么要为这样一个老板做事呢?这是南加州一个普通的夏日早晨,太阳已经晒得他背上发白,空气干燥,但浓重的化学烟雾甚至遮住了他的眼睛暂时停留的巨大机库的隆起。在不到一英里远的地方,他注意到,从南方广阔的菜地里,模糊的轮廓不协调地升起。他从来没有亲眼见过那艘雪茄形的大船,但他知道他们就在那里等着,和他一样渴望启航。嗯,也许他自己的航行可以帮助他们获得自由,他想。与此同时,这些天来,不管有没有干船坞,这些船都能找到一个家,这已经够幸运的了。在这个地区,那些机库占据了十几个机库的空间
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引用次数: 0
Notes from the Executive Director 执行主任的说明
Pub Date : 2016-01-06 DOI: 10.1353/rmr.1990.0065
C. G. Davis
esther Pla is the President and Ceo of Connections: Health, Wellness and Advocacy, a leading provider of behavioral health services in Cleveland. ms. Pla, a registered nurse by trade, has worked in the field of mental health for nearly forty years. she served on the board of NAmI metro Cleveland prior to the merger of NAmI metro and NAmI Cuyahoga County. esther writes “I love NAmI and with the changes in funding for all and my many years of administrative experience, I believe I can help to insure NAmI’s future.” Through esther’s leadership, Connections has been a longtime host for NAmI support Groups and Family to Family courses and is one of the leaders in fundraising and team development for the walk.
esther Pla是Connections: Health, Wellness and Advocacy的总裁兼首席执行官,该公司是克利夫兰行为健康服务的领先提供商。普拉女士是一名注册护士,在精神卫生领域工作了近四十年。在NAmI metro和NAmI Cuyahoga County合并之前,她曾在NAmI metro Cleveland的董事会任职。esther写道:“我爱NAmI,随着资金的变化和我多年的行政经验,我相信我可以帮助确保NAmI的未来。”在埃丝特的领导下,“连接”长期以来一直是NAmI支持小组和“家庭对家庭”课程的东道主,也是徒步活动筹款和团队发展的领导者之一。
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引用次数: 0
Forests of Symbols: World, Text, and Self in Malcolm Lowry's Fiction by Patrick A. McCarthy (review) 象征的森林:马尔科姆·洛瑞小说中的世界、文本与自我(帕特里克·a·麦卡锡)
Pub Date : 2016-01-06 DOI: 10.5860/choice.32-3758
Michael Wutz
Very interesting is the study of Chiara Gambacorta of Pisa's impact on the arts. Married at age thirteen and widowed at fifteen, this strongminded woman entered a Franciscan convent in Pisa in order to avoid another marriage arranged by her family (121-22). Later, as prioress of her religious community, she supervised the building of dormitories, churches and convents, which were later decorated by artists. Even though the exact relationship between the artists and the nuns is not known because of lack of documentation, "certEiinly the nuns and the prioress determined the subject" ( 130), thus influencing the lives of secular and religious men and women Qf their times by the themes depicted in the paintings. Suor Maria Clemente Ruoti is lauded as a writer. Supported by the wealth and partial freedom of convent culture, she wrote plays to be performed in front of a limited audience of nuns and female relatives, which allowed her to act as "spokesperson to the world for her convent sisters and her sex" (290). Among the other women considered in the collection, we can number Clare of Assisi, Angela of Foligno, Maria Maddalena de' Pazzi, Maria Domitilla Galluzzi, Lucrezia Orsina Vizzana, and others who are often forgotten notwithstanding their contribution to culture and society. This collection fills the void in recognizing some less known women as primary contributors in their times, such as Giovanna D'Aragona, Isabella della Rovere and the Marchesa della Tolfa, who participated actively in financing a number of religious projects, especially in connection with the Jesuit Order. Up to now they have not been fully credited for the accomplishments of their patronage. The book is accompanied by a precise bibliography, detailed notes after each essay, and many fine illustrations. Some of the concepts presented in the essays might become tedious because of repetition, but their reoccurrence shows consensus of critical voices. This collection must be greeted as an important and valuable addition to women's studies.
关于Chiara Gambacorta对比萨艺术影响的研究非常有趣。13岁结婚,15岁守寡,这个意志坚强的女人进入了比萨的方济会修道院,以避免她的家庭安排的另一次婚姻(121-22)。后来,作为她的宗教团体的院长,她监督了宿舍、教堂和修道院的建设,这些建筑后来由艺术家装饰。尽管由于缺乏文献记载,艺术家和修女之间的确切关系尚不清楚,但“肯定是修女和院长决定了主题”(130),因此通过绘画中描绘的主题影响了他们那个时代世俗和宗教男女的生活。索菲娅·克莱门特·若蒂被誉为作家。在修道院文化的财富和部分自由的支持下,她写剧本,在有限的修女和女性亲属观众面前表演,这使她成为“修道院姐妹和女性向世界的代言人”(290)。在该系列中考虑的其他女性中,我们可以列出阿西西的克莱尔,Foligno的安吉拉,玛丽亚·马达莱娜·德·帕齐,玛丽亚·多米蒂拉·加卢齐,卢克雷齐娅·奥西娜·维扎娜,以及其他经常被遗忘的女性,尽管她们对文化和社会做出了贡献。这个收藏填补了承认一些不太知名的妇女在她们的时代是主要贡献者的空白,如乔凡娜·达阿拉戈纳、伊莎贝拉·德拉·罗维里和马尔切萨·德拉·托尔法,她们积极参与资助一些宗教项目,特别是与耶稣会有关的项目。到目前为止,他们的赞助人所取得的成就还没有得到充分的赞扬。这本书附有精确的参考书目,每篇文章后的详细注释,以及许多精美的插图。文章中提出的一些概念可能会因为重复而变得乏味,但它们的反复出现表明了批评声音的共识。这本文集必须被视为对妇女研究的重要和有价值的补充。
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引用次数: 0
Evolutionary Theory in Faulkner's Snopes Trilogy 福克纳《Snopes三部曲》中的进化论
Pub Date : 2016-01-06 DOI: 10.1353/RMR.1986.0045
G. Mortimer
Since their first appearance in his fiction, the Snopeses have troubled Faulkner's readers. These comic, perverse figures who come to dominate Jefferson, Mississippi, in the Snopes trilogy stand out among Faulkner's more familiar characters, the introspective intellectuals or brooding misfits and the good-natured, naive country people whom we are used to finding in his stories. We usually see them, moreover, through the distinct narrative distance of Gavin Stevens' or V. K. Ratliff's interpreting consciousness, and as a consequence, even the more fully depicted Snopeses remain alien and somehow one-dimensional. Both the narrative modes through which we encounter them and the bizarre circumstances characterizing so many of the episodes in which Snopeses appear have led to critical confusion and to a paucity of commentary that successfully ties the Snopeses to Faulkner's larger fictional concerns.
自从他们第一次出现在福克纳的小说中,snopes就一直困扰着福克纳的读者。在Snopes三部曲中,这些滑稽、乖戾的人物主宰着密西西比州的杰弗逊,在福克纳更熟悉的人物中脱颖而出,这些人物是内省的知识分子或沉思的格格不入者,以及我们习惯在他的故事中看到的脾气善良、天真的乡下人。此外,我们通常是通过加文·史蒂文斯(Gavin Stevens)或v·k·拉特利夫(V. K. Ratliff)的解读意识的独特叙事距离来看待它们的,因此,即使是对Snopeses的描述更充分,也仍然是陌生的,某种程度上是一维的。我们遇到他们的叙事模式,以及Snopeses出现的许多情节所特有的奇怪环境,都导致了评论界的困惑,也导致了评论界的缺乏,而评论界成功地将Snopeses与福克纳更大的小说关注点联系起来。
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引用次数: 2
The Future of an Illusion: Film, Feminism, and Psychoanalysis by Constance Penley (review) 《幻想的未来:电影、女权主义与精神分析》作者:康斯坦斯·彭利
Pub Date : 2016-01-06 DOI: 10.1353/rmr.1990.0050
D. Waldman
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引用次数: 0
期刊
Rocky Mountain Review of Language and Literature
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