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2010 14th International Conference Information Visualisation最新文献

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From Data to Knowledge - Visualizations as Transformation Processes within the Data-Information-Knowledge Continuum 从数据到知识——可视化作为数据-信息-知识连续体中的转换过程
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.68
L. Masud, F. Valsecchi, P. Ciuccarelli, Donato Ricci, G. Caviglia
In this paper we suggest a different approach that considers visualizations in the wider domain of communication and defines a model capable of taking into account the context in which visualizations act as communication tools. In this perspective we consider visualizations as transformation processes within the Data-Information-Knowledge (DIK) continuum. In the paper we discuss the continuum, and apply the transformation process model to the main disciplines of visualization. Visualizations represent powerful cognitive tools that surround our everyday life [1]. By doing this we are able to think about visualization from a multidisciplinary perspective, exploring the role of visualizations in design practice, as artifacts that are used in facing problems of various degrees of complexity and nature. The contribution of the model is mainly addressed to orientate and nurture the reflective practice and to formalize the strategic more than the technical role of visualizations in the design discipline.
在本文中,我们提出了一种不同的方法,将可视化考虑到更广泛的通信领域,并定义了一个能够考虑可视化作为通信工具的上下文的模型。从这个角度来看,我们认为可视化是数据-信息-知识(DIK)连续体中的转换过程。本文讨论了连续体,并将转换过程模型应用于可视化的主要学科。可视化代表了我们日常生活中强大的认知工具[1]。通过这样做,我们能够从多学科的角度来思考可视化,探索可视化在设计实践中的作用,作为在面对不同程度的复杂性和性质的问题时使用的人工制品。该模型的贡献主要是定位和培养反思实践,并形式化可视化在设计学科中的战略作用,而不是技术作用。
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引用次数: 41
Visualisation of Web Based e-Learning Activity 基于网络的电子学习活动的可视化
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.41
A. Oliveira, Ó. Mealha, Carlos Santos
The aim of the current paper is to report on the conceptualisation of visual methods and techniques that were adapted for the monitoring of community participation on Thinkster e-learning platform. This platform supported the research activities of Masters students in Multimedia Communication program at University of Aveiro (2008/2009 academic year). This research work implies two components, which are dependent. One of the components is related to the development of a Web based functional prototype in order to allow teachers and system administrators the visualisation and analysis of the users’ interactions on Thinkster’s communication and information system. The other component of this work is focused on the prototype evaluation with an analytical method that revealed some of the target users’ expectations, opinions and their satisfaction level related to the application interface.
本论文的目的是报告可视化方法和技术的概念化,这些方法和技术适用于监测Thinkster电子学习平台上的社区参与。该平台支持阿威罗大学多媒体传播专业硕硕生的研究活动(2008/2009学年)。这项研究工作包含两个相互依存的组成部分。其中一个组件与基于Web的功能原型的开发有关,以便教师和系统管理员能够可视化和分析用户在Thinkster通信和信息系统上的交互。这项工作的另一个组成部分是用分析方法对原型进行评估,该方法揭示了一些目标用户对应用程序界面的期望、意见和满意度。
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引用次数: 2
YACBIR: Yet Another Content Based Image Retrieval System 又一个基于内容的图像检索系统
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.83
S. Ait-Aoudia, R. Mahiou, Billel Benzaid
Vision is central in human perception. Images are everywhere. Real life applications produce and use huge amounts of different types images. Retrieving an image having some characteristics in a big database is a crucial task. We need then mechanisms for indexing and retrieving images. CBIR (Content Based Image Retrieval) systems perform these tasks by indexing images using the physical characteristics automatically extracted and searching by an image query. We will present a CBIR system named YACBIR (Yet Another CBIR) that combines several properties (color, texture and points of interest) extracted automatically to index and retrieve images.
视觉是人类感知的中心。图像无处不在。现实生活中的应用程序产生并使用大量不同类型的图像。在大型数据库中检索具有某些特征的图像是一项至关重要的任务。我们需要索引和检索图像的机制。CBIR(基于内容的图像检索)系统通过使用图像查询自动提取和搜索的物理特征对图像进行索引来执行这些任务。我们将提出一个名为YACBIR (Yet Another CBIR)的CBIR系统,它结合了自动提取的几种属性(颜色、纹理和兴趣点)来索引和检索图像。
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引用次数: 15
Visualization of Positive Data by Rational Cubic Spline Interpolant 正数据的有理三次样条插值可视化
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.82
M. Sarfraz, M. Hussain, T. S. Shaikh
This paper discusses the problem of constructing positive cubic spline interpolation. To obtain smooth curve for positive data, piecewise rational cubic function has been used. In the description of rational interpolant, two families of parameters have been constrained to preserve positive shape of the data, the rational spline scheme has a unique representation. In addition, to preserve the shape of positive data sets, the degree of smoothness attained is C^2.
讨论了正三次样条插值的构造问题。为了得到正数据的光滑曲线,采用了分段有理三次函数。在有理插值的描述中,为了保持数据的正形,对两族参数进行了约束,有理样条格式具有独特的表示形式。此外,为了保持正数据集的形状,获得的平滑度为C^2。
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引用次数: 0
Automatic Application of the Data-State Model in Data-Flow Contexts 数据流环境中数据状态模型的自动应用
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.10
Joseph A. Cottam, A. Lumsdaine
The data-state and data-flow models of information visualization are known to be expressively equivalent. Each model is most effective for different combinations of analysis processes and data characteristics. Visualization frameworks tend to either (1) work within a single model or (2) permit either model in separate sub-frameworks. In either case, converting between the two models falls entirely to the programmer. The theoretical basis for automatic translation between the two models was established by Chi. However, that process is insufficiently specified to be directly implemented. This paper characterizes the practical advantages of the data-state model. This is used to identify when such a transformation is beneficial. It then expands on Chi's theoretical framework to provide the tools for translating visualization program fragments from the data-flow to the data-state model. A partial implementation of the expanded theory is described for the Stencil visualization environment.
众所周知,信息可视化的数据状态模型和数据流模型在表达上是等价的。每个模型对于分析过程和数据特征的不同组合是最有效的。可视化框架倾向于(1)在单个模型中工作,或者(2)允许两个模型在单独的子框架中工作。在任何一种情况下,两个模型之间的转换都完全落在程序员身上。两种模型之间的自动翻译的理论基础是由Chi建立的。但是,该过程没有充分说明,无法直接实现。本文描述了数据状态模型的实用优势。这用于确定这种转换何时是有益的。然后扩展Chi的理论框架,提供将可视化程序片段从数据流转换为数据状态模型的工具。在模板可视化环境中描述了扩展理论的部分实现。
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引用次数: 7
Double Tree: An Advanced KWIC Visualization for Expert Users 双树:高级KWIC可视化专家用户
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.24
C. Culy, V. Lyding
In this paper we present Double Tree, a new visualization of Key Word In Context (KWIC) displays targeted to support linguistic analysis. Inspired by Wattenberg’s and Viégas’ [1] Word Tree visualization, Double Tree extends the idea of representing KWIC results as trees. We address several issues with Word Trees with respect to the specific demands of linguists and discuss the design decisions and implementation details that we chose for Double Tree. In particular we present our approach for displaying a two-sided tree. We describe details of the layout, including how frequency and linguistic information is incorporated, and what user interaction is supported. We conclude with some consideration on possible next steps for Double Tree.
本文提出了一种新的上下文关键词可视化(KWIC)显示方法——双树(Double Tree)。受Wattenberg和visamias的[1]单词树可视化的启发,Double Tree扩展了将KWIC结果表示为树的想法。我们针对语言学家的具体需求,讨论了单词树的几个问题,并讨论了我们为双树选择的设计决策和实现细节。我们特别介绍了显示双面树的方法。我们描述了布局的细节,包括如何整合频率和语言信息,以及支持什么样的用户交互。最后,我们对双树下一步可能采取的措施进行了一些考虑。
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引用次数: 33
Embodying Affect: The Stolen Generations, the History Wars and PolesApart by Indigenous New Media Artist r e a 《情感的体现:被偷走的一代、历史的战争与两极的分离》,本土新媒体艺术家
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.64
C. Nicholls
In her 2009 new media artwork PolesApart, Australian Aboriginal artist r e a, of the Gamilaraay people in northern New South Wales, explores issues relating to the Stolen Generations of Aboriginal children. Based on the personal experiences of her grandmother and great aunt as ‘stolen children’, r e a amplifies the work’s familial dimension by enacting the role of the protagonist fleeing from forced servitude. This paper looks at PolesApart in the broader context of the interrelated phenomena of the stolen generations and the so-called ‘history wars’. It is posited that the power, immediacy and affective dimensions of (moving) visual imagery have been instrumental in shifting Australians’ knowledge about the stolen generations from the margins into the mainstream. The capacity of the moving image to ‘embody affect’ [13], it is argued, has enabled many more Australians than previously to appreciate the historical implications and continuing ramifications of this prolonged episode in Australian history. This has in turn led to the development of a more sympathetic public understanding of the phenomenon of the stolen generations as ‘lived experience’. In turn this broader social knowledge, and its integration into our shared cultural heritage, has contributed to Australians’ general receptiveness to the official Apology issued to members of the stolen generations by Prime Minister Kevin Rudd in Federal Parliament (13th February 2008). It is also the case that the popular reception of mainstream stolen generation-themed movies has influenced Australians’ openness to the themes and issues explored in contemporary non-mainstream new media work such as r e a's PolesApart. In the latter work, through the use of the vehicle of her own body, r e a demonstrates that the personal is inescapably political, and vice versa.
在2009年的新媒体作品PolesApart中,来自新南威尔士州北部Gamilaraay人的澳大利亚土著艺术家re a探讨了与土著儿童被偷走的一代有关的问题。根据她的祖母和曾祖母作为“被偷走的孩子”的个人经历,她通过扮演逃离强迫奴役的主角来放大作品的家庭维度。本文着眼于两极分离在更广泛的背景下相互关联的现象被盗代和所谓的“历史战争”。有人认为,(移动的)视觉图像的力量、即时性和情感维度有助于将澳大利亚人对被偷走的一代的认识从边缘转移到主流。有人认为,运动影像“体现影响”的能力[13],使比以前更多的澳大利亚人能够欣赏到澳大利亚历史上这一长期事件的历史含义和持续影响。这反过来又导致了公众对“被偷走的一代”这一现象更有同情心的理解,认为这是一种“活生生的经历”。反过来,这种更广泛的社会知识,以及它与我们共同的文化遗产的融合,促使澳大利亚人普遍接受陆克文总理在联邦议会(2008年2月13日)向被偷走的一代成员发表的官方道歉。此外,主流被盗代主题电影的受欢迎程度也影响了澳大利亚人对当代非主流新媒体作品(如rea的PolesApart)所探讨的主题和问题的开放程度。在后一件作品中,通过使用她自己的身体作为载体,她证明了个人是不可避免的政治,反之亦然。
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引用次数: 2
Immersive Visualization Architectures and Situated Embodiments of Culture and Heritage 沉浸式可视化建筑和文化遗产的位置体现
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.63
S. Kenderdine
This paper describes a series of transdisciplinary research projects in five large-scale, interactive visualization architectures. These immersive architectures and their associated visual, sonic and algorithmic techniques offer compelling means for mapping and remediating the tangible, intangible and abstract aspects of culture and heritage landscapes. This paper brings these unique systems and the installations developed for them together for the first time. The task here is to highlight the strategies for embodied, kinaesthetic, multisensory and collaborative engagement as powerful ways to reformulate narrative made possible through these stereographic, panoramic, situated interfaces.
本文描述了一系列跨学科的研究项目在五个大型,交互式可视化架构。这些沉浸式建筑及其相关的视觉、声音和算法技术为绘制和修复文化和遗产景观的有形、无形和抽象方面提供了令人信服的手段。本文首次将这些独特的系统和为它们开发的装置结合在一起。这里的任务是强调具体化、动觉、多感官和协作参与的策略,作为通过这些立体、全景、定位界面重新制定叙事的有力方式。
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引用次数: 11
Real-Time Ray Tracing of Complex Molecular Scenes 复杂分子场景的实时光线追踪
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.43
L. Marsalek, Anna Katharina Dehof, Iliyan Georgiev, Hans-Peter Lenhof, P. Slusallek, A. Hildebrandt
Molecular visualization is one of the cornerstones in structural bioinformatics and related fields. Today, rasterization is typically used for the interactive display of molecular scenes, while ray tracing aims at generating high-quality images, taking typically minutes to hours to generate and requiring the usage of an external off-line program. Recently, real-time ray tracing evolved to combine the interactivity of rasterization-based approaches with the superb image quality of ray tracing techniques. We demonstrate how real-time ray tracing integrated into a molecular modelling and visualization tool allows for better understanding of the structural arrangement of biomolecules and natural creation of publication-quality images in real-time. However, unlike most approaches, our technique naturaly integrates into the full-featured molecular modelling and visualization tool BALLView, seamlessly extending a standard workflow with interactive high-quality rendering.
分子可视化是结构生物信息学及其相关领域的基础之一。今天,光栅化通常用于分子场景的交互式显示,而光线追踪旨在生成高质量的图像,通常需要几分钟到几小时才能生成,并且需要使用外部离线程序。最近,实时光线追踪发展到结合基于光栅化方法的交互性和光线追踪技术的高图像质量。我们演示了如何将实时光线追踪集成到分子建模和可视化工具中,以便更好地理解生物分子的结构排列,并实时自然地创建出版质量的图像。然而,与大多数方法不同,我们的技术自然地集成到全功能的分子建模和可视化工具BALLView中,无缝地扩展了具有交互式高质量渲染的标准工作流程。
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引用次数: 21
Exploring New Ways of Integration, Visualization and Interaction with Geotechnical and Geophysical Data 探索岩土与地球物理数据集成、可视化与交互的新途径
Pub Date : 2010-07-26 DOI: 10.1109/IV.2010.35
V. Gonçalves, F. Almeida, Paulo Dias, B. Santos
The work presented in this paper aims at exploring new ways of integrating, visualizing and interacting with geotechnical and geophysical data that may be more rich and interactive than those offered by most current Geographic Information Systems (GIS). Some visualization techniques enabling simultaneous visualization of the several data types available in our case study are proposed. Moreover, methods were developed to guide experts while defining layers and other relevant geological structures. The work is still in an early stage and is main goal has been assessing the validity and adequacy of the proposed techniques to the specific geotechnical and geophysical data under consideration.
本文提出的工作旨在探索整合、可视化和与岩土和地球物理数据交互的新方法,这些数据可能比大多数当前地理信息系统(GIS)提供的数据更丰富,更具互动性。在我们的案例研究中,提出了一些能够同时可视化几种数据类型的可视化技术。此外,还开发了指导专家在定义层和其他相关地质构造时的方法。这项工作仍处于早期阶段,其主要目标是根据所考虑的具体岩土和地球物理数据,评估拟议技术的有效性和充分性。
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引用次数: 1
期刊
2010 14th International Conference Information Visualisation
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