Pub Date : 2021-07-07DOI: 10.18061/IJSD.V12I0.7841
Elisa Frasson, Marisa C. Hayes, M. Longo, Ariadne Mikou, Katja Vaghi
No abstract available.
没有摘要。
{"title":"A Forum of Questions for Active Viewing, Learning and Creating on Screen(s) During a Global Pandemic","authors":"Elisa Frasson, Marisa C. Hayes, M. Longo, Ariadne Mikou, Katja Vaghi","doi":"10.18061/IJSD.V12I0.7841","DOIUrl":"https://doi.org/10.18061/IJSD.V12I0.7841","url":null,"abstract":"No abstract available.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47069758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-07DOI: 10.18061/IJSD.V12I0.8010
E. Benthaus
No abstract available.
没有可用的摘要。
{"title":"This is where we have danced for quite a while – A Viewpoint/Reflection on Social Media Dist(d)ancing","authors":"E. Benthaus","doi":"10.18061/IJSD.V12I0.8010","DOIUrl":"https://doi.org/10.18061/IJSD.V12I0.8010","url":null,"abstract":"No abstract available.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44854860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-07DOI: 10.18061/IJSD.V12I0.8230
Diane Busuttil
No abstract available.
没有可用的摘要。
{"title":"Together We Dance: A Community Dance & Film Project Using Zoom to Combat Social Isolation for Seniors During Covid-19","authors":"Diane Busuttil","doi":"10.18061/IJSD.V12I0.8230","DOIUrl":"https://doi.org/10.18061/IJSD.V12I0.8230","url":null,"abstract":"No abstract available.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49541547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-07DOI: 10.18061/IJSD.V12I0.7942
L. Porter
The Covid-19 pandemic ushered in a new paradigm of domesticity that manifested in and through the body. The complexities of domestic corporeality, however, predate this particular crisis. The inhabitation of the domestic realm is inherently riddled with contradictions of space, subjectivity, and sociality. In this article, I consider the many paradoxes imbuing the homebody both before and during the onset of the pandemic, arguing that crisis exacerbates the existing tensions that the homebody engenders, but it does not produce them. I examine the case of home dancer Marlee Grace and her Instagram activity prior to and during the quarantines, lockdowns, and stay-at-home orders of 2020. Grace's performed contradictions for her new media audience demonstrate that the homebody—though its complexities are amplified by the pandemic—has always been in crisis.
{"title":"The Homebody During/In Crisis","authors":"L. Porter","doi":"10.18061/IJSD.V12I0.7942","DOIUrl":"https://doi.org/10.18061/IJSD.V12I0.7942","url":null,"abstract":"The Covid-19 pandemic ushered in a new paradigm of domesticity that manifested in and through the body. The complexities of domestic corporeality, however, predate this particular crisis. The inhabitation of the domestic realm is inherently riddled with contradictions of space, subjectivity, and sociality. In this article, I consider the many paradoxes imbuing the homebody both before and during the onset of the pandemic, arguing that crisis exacerbates the existing tensions that the homebody engenders, but it does not produce them. I examine the case of home dancer Marlee Grace and her Instagram activity prior to and during the quarantines, lockdowns, and stay-at-home orders of 2020. Grace's performed contradictions for her new media audience demonstrate that the homebody—though its complexities are amplified by the pandemic—has always been in crisis.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47795570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-07DOI: 10.18061/IJSD.V12I0.7810
Callum Anderson
This paper argues that screendance has always had a potential for interactivity, looks specifically at interactive video, and tracks its history through video art and video games. Taking into account the higher volume of dance that is migrating to the screen as a result of the Coronavirus/Covid-19 pandemic, it also suggests a new term, screened dance, to differentiate those dances and dance events which otherwise would have been live and co-present. Bringing together a transmedia screendance work that unfolded on social media, and interactive narrative works currently available to stream on Netflix, I argue that the innovations and adaptation in the delivery of dance content due to lockdowns imposed by Covid-19, have provided an opportunity for the possibility of interactive screendance.
{"title":"Screendance in the Wake of Screened Dance: Moving Forward Through Interactive Video","authors":"Callum Anderson","doi":"10.18061/IJSD.V12I0.7810","DOIUrl":"https://doi.org/10.18061/IJSD.V12I0.7810","url":null,"abstract":"This paper argues that screendance has always had a potential for interactivity, looks specifically at interactive video, and tracks its history through video art and video games. Taking into account the higher volume of dance that is migrating to the screen as a result of the Coronavirus/Covid-19 pandemic, it also suggests a new term, screened dance, to differentiate those dances and dance events which otherwise would have been live and co-present. Bringing together a transmedia screendance work that unfolded on social media, and interactive narrative works currently available to stream on Netflix, I argue that the innovations and adaptation in the delivery of dance content due to lockdowns imposed by Covid-19, have provided an opportunity for the possibility of interactive screendance.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46844826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-31DOI: 10.18061/ijsd.v12i0.7828
H. Blades
This paper discusses Roof/Roof Piece, an adaptation of Trisha Brown's Roof Piece by Trisha Brown Dance Company and perch a dance made by Amy Voris and adapted by Voris and Katye Coe for Coe to perform in her home and online. Both these adaptations began during the Covid-19 pandemic, in contexts when the artists could not meet in person. I consider the role that the scores played in facilitating these shared practices, asking how they allowed for the development and continuation of bonds between members of dance communities during this period.
{"title":"Coming Together by Moving Apart: Contemporary Dance Scores and Communities During the Covid-19 Pandemic","authors":"H. Blades","doi":"10.18061/ijsd.v12i0.7828","DOIUrl":"https://doi.org/10.18061/ijsd.v12i0.7828","url":null,"abstract":"This paper discusses Roof/Roof Piece, an adaptation of Trisha Brown's Roof Piece by Trisha Brown Dance Company and perch a dance made by Amy Voris and adapted by Voris and Katye Coe for Coe to perform in her home and online. Both these adaptations began during the Covid-19 pandemic, in contexts when the artists could not meet in person. I consider the role that the scores played in facilitating these shared practices, asking how they allowed for the development and continuation of bonds between members of dance communities during this period.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48064111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-30DOI: 10.18061/ijsd.v11i0.7100
J. Read
Animation film frequently uses dance and choreography as part of explicit scenes to help assist with and compliment the narrative. Although animators frequently acknowledge relationships between dance and animation, scarcely any scholarly work considers how animated film principles are used and applied within live dance performances. Additionally, although many scholars discuss the relationship between live dance and music and similarly animation and music, rarely has the collision of all three been scrutinized. In this article, I draw upon principles from animation film and choreomusical scholarship to show a complex relationship between the real and the pretend in a solo street dance performance. Based on detailed movement analysis of a short solo dance performance by Isaac "Turbo" Baptiste, I discuss the ways that moving image can influence live dancing bodies and create endless possibilities for choreomusical play.
{"title":"Animating the Real: Illusions, Musicality and the Live Dancing Body","authors":"J. Read","doi":"10.18061/ijsd.v11i0.7100","DOIUrl":"https://doi.org/10.18061/ijsd.v11i0.7100","url":null,"abstract":"Animation film frequently uses dance and choreography as part of explicit scenes to help assist with and compliment the narrative. Although animators frequently acknowledge relationships between dance and animation, scarcely any scholarly work considers how animated film principles are used and applied within live dance performances. Additionally, although many scholars discuss the relationship between live dance and music and similarly animation and music, rarely has the collision of all three been scrutinized. In this article, I draw upon principles from animation film and choreomusical scholarship to show a complex relationship between the real and the pretend in a solo street dance performance. Based on detailed movement analysis of a short solo dance performance by Isaac \"Turbo\" Baptiste, I discuss the ways that moving image can influence live dancing bodies and create endless possibilities for choreomusical play.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48409795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-30DOI: 10.18061/ijsd.v11i0.7105
Annamaria Macdonald
No abstract available.
没有可用的摘要。
{"title":"Witness: a response to Marlene Millar's Witness","authors":"Annamaria Macdonald","doi":"10.18061/ijsd.v11i0.7105","DOIUrl":"https://doi.org/10.18061/ijsd.v11i0.7105","url":null,"abstract":"No abstract available.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49607015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.4000/books.edizionikaplan.2310
Alessandro Amnaducci
{"title":"Introduzione","authors":"Alessandro Amnaducci","doi":"10.4000/books.edizionikaplan.2310","DOIUrl":"https://doi.org/10.4000/books.edizionikaplan.2310","url":null,"abstract":"","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74362597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.4000/BOOKS.EDIZIONIKAPLAN.2355
Alessandro Amnaducci
{"title":"Indice dei nomi citati","authors":"Alessandro Amnaducci","doi":"10.4000/BOOKS.EDIZIONIKAPLAN.2355","DOIUrl":"https://doi.org/10.4000/BOOKS.EDIZIONIKAPLAN.2355","url":null,"abstract":"","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90064456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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