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The International Journal of Screendance最新文献

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The Sorrow and the Pithy: Six Short Statements on Heidegger and Technology 哀伤与精粹:关于海德格尔与技术的六项简短陈述
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6891
K. Spain
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 0
The Twins Paradox: Bifurcation & Unification 双胞胎悖论:分岔与统一
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6893
Tomé López
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 0
The Tensions of Technē: On Heidegger and Screendance 技术的张力:论海德格尔与筛选
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6889
A. Albright
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 2
Mobile Media Performances as Asynchronous Embodiment 作为异步实施例的移动媒体性能
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6896
J. Farman
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
本文最初发表于平行出版社,威斯康星大学麦迪逊图书馆的一个印记,作为国际电影杂志的一部分,卷2(2012),平行出版社。它是在平行出版社的许可下提供的。
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引用次数: 3
Reflections on Heidegger: Performing Translations in Active Space Environments 对海德格尔的反思:在活跃的空间环境中进行翻译
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6892
Lisa Naugle, John Crawford
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 0
Moving Across Time with Words: Toward An Etymology of Screendance 用文字穿越时间:走向screen的词源
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6890
Ann Dils
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
本文最初发表于平行出版社,威斯康星大学麦迪逊图书馆的一个印记,作为国际电影杂志的一部分,卷2(2012),平行出版社。它是在平行出版社的许可下提供的。
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引用次数: 2
Cinema Has Not Yet Been Invented: Lecture by Ian Christie 电影尚未发明:伊恩·克里斯蒂讲座
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6888
C. Kappenberg
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 1
Notation Score as Embodied Documentary Presence: A Response to Amelia Jones's "'Presence' in Absentia" 体现纪录片存在的符号分数——对艾米莉亚·琼斯“缺席中的存在”的回应
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6895
Hannah Kosstrin
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 0
Introduction: Amelia Jones 简介:阿米莉亚·琼斯
Pub Date : 2019-05-16 DOI: 10.18061/IJSD.V2I0.6894
Harmony Bench
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 0
Editorial: Screening the Skin: Issues of Race and Nation in Screendance 社论:《筛选皮肤:屏幕舞中的种族和民族问题》
Pub Date : 2018-06-19 DOI: 10.18061/IJSD.V9I0.6451
Melissa Blanco Borelli, Raquel Monroe
No abstract available.
没有可用的摘要。
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引用次数: 1
期刊
The International Journal of Screendance
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