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The International Journal of Screendance最新文献

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Movement as Medicine and Screendance as Survivance: Indigenous Reclamation and Innovation During Covid-19 运动作为医学,舞蹈作为生存:新冠肺炎期间的本土开垦与创新
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.7821
K. Mattingly, Tria Blu Wakpa
Indigenous screendance challenges US settler colonial constructions that drive political, environmental, and global injustices, which the Covid-19 pandemic has exacerbated. This article analyzes online workshops taught in 2020 by Rulan Tangen, Founder and Director of DANCING EARTH CREATIONS, as "movement as medicine" and "screendance as survivance." By connecting Tangen's workshops to Indigenous peoples' historical and ongoing uses of dance and the digital sphere for wellbeing and survival, we show how and why these practices provide powerful possibilities to counter settler colonial concepts of anthropocentrism, Cartesian dualism, patriarchy, and chronological time. Tangen's teaching offers ways for humans and more-than-humans—meaning land, cosmos, nonhuman animals, water, and plants—to (re)connect, drawing on the past to imagine the future and building human solidarity, which we theorize as "homecoming." Ultimately, we link our concept of "homecoming" to the Land Back movement because of the vital connections among Indigenous bodies, sovereignty, and survival.
本土筛查挑战了美国定居者的殖民建设,这些建设推动了政治、环境和全球的不公正,而Covid-19大流行加剧了这种不公正。这篇文章分析了舞蹈地球创作创始人兼总监茹兰·唐根在2020年开设的在线工作坊,称之为“运动如药”和“放映如生存”。通过将Tangen的工作坊与土著人民对舞蹈和数字领域的历史和持续使用联系起来,我们展示了这些实践如何以及为什么提供了强大的可能性,以对抗人类中心主义、笛卡尔二元论、父权制和时间顺序的殖民概念。Tangen的教学为人类和超越人类的事物——即土地、宇宙、非人类动物、水和植物——提供了(重新)联系的途径,借鉴过去想象未来,建立人类团结,我们将其理论化为“回家”。最终,我们将“回家”的概念与土地归还运动联系起来,因为土著身体、主权和生存之间存在着至关重要的联系。
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引用次数: 2
Moving with the Screen on Zoom: Reconnecting with Bodily and Environmental Awareness 随着屏幕的缩放移动:与身体和环境意识的重新联系
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.7827
C. Loussouarn
Rather than seeing Zoom as a replacement for practicing movement and dance in a shared physical space, I propose to consider our relationship with the screen on Zoom as a movement in its own right. Using my experience of teaching movement on Zoom, I ask how we can connect with another via the screen without losing awareness of our bodies and the space which we're in. I argue that Zoom is a place of 'moving selfies' in dialogue where we can engage critically with the screen by practicing seeing with the whole body and moving with diffuse awareness and where we can critically reflect on our own habits of framing the world and its biases.
与其将Zoom视为在共享物理空间中练习动作和舞蹈的替代品,我建议将我们与Zoom屏幕的关系视为一种自身的运动。利用我在Zoom上教授运动的经验,我问我们如何通过屏幕与他人联系,而不会失去对我们身体和我们所在空间的意识。我认为Zoom是一个在对话中“移动自拍”的地方,在这里我们可以通过练习用整个身体观看和扩散意识移动来批判性地与屏幕互动,在这里我们可以批判性地反思我们自己构建世界的习惯和偏见。
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引用次数: 3
A Provocation for Screendance as a Secular Space 对作为世俗空间的放映的挑衅
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.8173
Sumedha Bhattacharyya
No abstract available.
没有摘要。
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引用次数: 0
Extended Beings: Screendance as a Reflective and Interrogative Tool During Covid-19 扩展存在:筛查作为Covid-19期间的反思和疑问工具
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.7829
S. Kalyanasundaram
No abstract available.
没有摘要。
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引用次数: 0
Two-way Mirrors: Dancing in the Zoomosphere 双向镜:在缩放范围内跳舞
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.7884
S. Murphy
Dan Graham's work with mirrors and installation from the 1970s provides an unexpected launchpad for understanding the structures underlying perception in Zoom interfaces. The article explores the intricacies of Graham's two-way mirrors as a means to articulate perceptual experiences of dancing in the Zoomosphere, with examples from teaching, choreographing and performing via Zoom during Covid 19 isolation conditions.
Dan Graham在20世纪70年代对镜子和装置的研究为理解Zoom界面中感知的结构提供了一个意想不到的跳板。这篇文章探讨了格雷厄姆的双向镜子的复杂性,将其作为一种表达Zoomsphere舞蹈感知体验的手段,并以新冠肺炎19隔离条件下通过Zoom进行教学、编排和表演为例。
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引用次数: 2
TOM: A review 汤姆:回顾
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.7824
J. Cork
No abstract available.
没有摘要。
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引用次数: 0
"Double-tap, 'That Was Really Dope'": A Conversation on Breaking on Instagram with Tsiambwom Akuchu and Alexandra Harlig “双击,‘那真的很酷’”:与Tsiambwom Akuchu和Alexandra Harlig在Instagram上的谈话
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.8402
Tsiambwom M. Akuchu, Alexandra Harlig
No abstract available.
没有可用的摘要。
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引用次数: 0
Notes on Pandemic-Era Screendance-making 关于大流行时代电影制作的说明
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.7847
Rebecca Salzer
No abstract available.
没有摘要。
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引用次数: 0
What Happens Next? 接下来会发生什么?
Pub Date : 2021-07-07 DOI: 10.18061/ijsd.v12i0.8192
O. '. Carter
No abstract available.
没有摘要。
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引用次数: 0
Considering the Power of the Camera in a Post-Pandemic Era of Screendance 在后疫情时代思考镜头的力量
Pub Date : 2021-07-07 DOI: 10.18061/IJSD.V12I0.8303
K. Logan
No abstract available.
没有可用的摘要。
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引用次数: 1
期刊
The International Journal of Screendance
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