CONTEMPORARY LITERARY STUDIES最新文献

{"title":"ROUTINE VS. ROUTINIZATION IN A. BIERCE’S STORY «AN OCCURRENCE AT OWL CREEK BRIDGE»","authors":"Olena Gorenko","doi":"10.32589/2411-3883.18.2021.246807","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.246807","url":null,"abstract":"The article introduces a phenomenological approach to the analysis of A. Bierce’s story «An occurrence at Owl creek bridge». The category of routine is studied within the frames of Husserl’s interpretation of transcendental inter-subjectivity according to which «realized experience» is presented on two levels. The first is connected with a single flood of consciousness, and, to be more precise,with a possible perception of a single ego-subject. In the story it is Peyton Farquhar. The second represents the constructed unity of a higher level and is a multitude of subjects which are in a state of agreement and mutual understanding. These are soldiers and officers of the Unionist Army, who are involved into the procedure of a hanging which acquires the status of a ritualized routine, daily occurrence. Bierce’s approach to routinization of death is explicitly ironic. Irony is applied on both stylistic and linguistic levels. On linguistic level it is used as traditional incompatibility between what is said and what is meant. On stylistic one– it accentuates the contrast between textual reality and its possible perception by reading audience. This contrast is also revealed through the opposition of two temporal layers – physical and psychological. The first has system forming narrative function, and the latter – system differentiating one. These two levels have a cross-section – internal existential perception of time and space by the person condemned to the execution and his temporal victory over death. At the same time the narrative mechanism of probing deep into the main character’s state of mind is being analysed. This mechanism helps the writer to express implicitly his real attitude to this «occurrence», which reflected paradoxality of civil conflict. On the one hand, it is an attempt to routinize the execution of enemies, on the other, – futile desire to return to the routine.","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128235426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"AESTHETICS OF SHOCKS IN THE CONTEXT OF CURRENT EVERYDAY LIFE","authors":"Lyudmyla Tarnashynska","doi":"10.32589/2411-3883.18.2021.247020","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.247020","url":null,"abstract":"Everyday life – regardless of its geographical status – has different dimensions: on the one hand, it is a routine, and on the other hand, it is an attempt to escape from it, to create at least some holiday. In the context of current everyday life, it makes sense to look at its other side: everyday life as stress, affectation of consciousness, etc. It is interesting to observe how the aesthetics of the shock, brought to Ukrainian literature, in particular, by the realities of the 1990s, is modified and filled with new meanings literally before our eyes, and how modern times deform human consciousness, herewith changing the «curve» of surrealism. This is about a phenomenon of the global world – a pandemic as a new experience that has actualized the issue of coexistence and co-responsibility. Experience, preventively studied through fiction and cinema (if «The Plague» by Albert Camus is about the past, then the «The Eyes of Darkness» dystopia by Dean Koontz is about the lethal microorganism «Wuhan 400» in the 1989 edition, which was called «Gorki-400» in the original 1981 version and is a warning fromthe past), now needs a new understanding. After A. Camus’s «The Plague,» one can also appeal to books on the same pandemic theme that have not yet been translated into Ukrainian: for example, Karel Čapek’s play «The White Plague» (1937), «The Steel Spring» by Swedish writer Per Wahlöö (1968), as well as «Blind Faith» dystopia by Ben Elton (2007), where the action takes place in the near future against the background of constant epidemics, and the research focuses on the current topic of vaccination. As a sensitive tool, literature received the reinterpreted theme of ageism for artistic reflection (one can find striking consonance, say, in Japanese literature, in particular in «The Ballad of Narayama» novel by Shichirō Fukazawa), as well as the theme of discrimination on other grounds and social inequality; the theme of a person endowed with power/opportunities and his/her choice to give or not to give the right to life to another; the topic of the area of personal/collective responsibility, boundaries of openness/closedness of societies, as well as the topic of the limit of pragmatism/rationalism, the limits/depth of cynicism. That is, it is about actualizing the presumption of the right to life, the preservation of humanity, which problematizes the other/different content of old, eternal plots of Ukrainian and world literature.","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133076020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MEGXIT IN CONTEMPORARY MEDIA AND INTERNET DISCOURSES","authors":"Liliia Kornilieva","doi":"10.32589/2411-3883.18.2021.246848","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.246848","url":null,"abstract":"Every language preserves historic realia, reveals peculiarities of the geographical position of a particular country, main traits of the national character, and the overall cultural code of every nation speaking it. The language also describes all new realia and phenomena, and neologisms are coined all the time. «Brexit», «Megxit», «To Meghan Markle» are relatively new words in the English language. Romanticized image of a beautiful and tender princess, happily married to her royal Beau − a handsome, valiant and dashing young man is one of the most popular icons in European folklore. But modern fairy-tales are not that much simple. One omniscient author is definitely not enough, and millions of other on-line commentators contribute to the main line of the story, describing the prince and his princess, and often calling them names. Surprisingly as it may seem, the saying «My home is my castle» becomes not true, and the palace walls often shudder from rumors and insinuations, racial slurs and undertones. Under the circumstances a former friend often becomes a foe, compatriots become the invaders, responsible for a massive intrusion and violation of a basic human right for privacy. The main characters feel unhappy and the fairy tale soon becomes a thing to endure. These are the realia of our modern culture, with its etiquette and netiquette, black PR, on-line trolls and getting bad press. The Sussex family often cites racism as the main cause of all their troubles, but the plethora of various texts can reveal much more than just racism and related inequities. Personal qualities of the Duchess, her American origin and professionalbackground contribute to a massive cultural clash, and the new word «Megxit» appears, adding new shades of meaning to the «happily ever after» from the fairy tales. The article centers on the issues causing Megxit, and the texts give newinsight to a famous and well-known story.","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116619465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SELF-WRITING IN THE DIMENSION OF EVERYDAY LIFE: DYNAMICS, CHALLENGES, PERSPECTIVES","authors":"Y. Pavlenko","doi":"10.32589/2411-3883.18.2021.246984","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.246984","url":null,"abstract":"The article presents a study of the everyday life discourse in writing about the Self of a fictional subject. It seems obvious that involvement of self-writing in everyday practice calls into question the power of self-writing in the context of everyday life for the self-knowledge of the individual. The purpose of this scientific research is to debunk this illusion and explain the connection between the everyday life and self-writing. It transforms the practice of incorporating one’s own «I» in writing into the dimension of constructing the subject’s identity. There are no works on this topic in modern literary criticism and this fact also indicates the relevance and novelty of the research that is unfolding in the following article. Nowadays, the history of everyday life is booming. It is evidenced by a whole array of scientific papers on this issue. The study of self-writing in the dimension of everyday life appeals to the semiotic approach of Y.M. Lotman and G. Knabe for the analysis of the sign-symbolic nature of everyday life, to the sociological studies of A. Schutz, P. Berger and T. Lukman to identify the ways of constructing everyday life as reality or as a «life world», to the works of V.D.Leleko in the field of aesthetics and culturology of everyday life. The works of the philosophical and anthropological school serve the basis for the research. Particular attention is given to the text-letter of the Enlightenment. The protagonists of the Enlightenment Age invest the issues of everyday life in the work of writing that is a daily practice in the XVIII century. Due to its characteristics, the sphere of everyday life is a measure of self-knowledge and self-affirmation of the individual that was first artistically embodied by enlightened characters. The study shows that everyday life asa strong ground for self-affirmation of the subject was discovered with the help of the personal writing in the novel of the XVIII century, but this discovery became a lost testament to the text-writing of the Enlightenment. Changing the picture of everyday life under the influence of new technologies does not interfere with the text-writing. In the dynamic picture of everyday life offered to us by the 21st century, writing about the Self of a fictional subject opens up new facets of the power of everyday life discourse for the anthropological laboratory of literature. The study is illustrated by thesuch texts as: «Robinson Crusoe» by D.Defoe, «Nun» by D. Diderot, «Memoirs of two young wives» by O. de Balzac, «Poison of Love» by E.-E. Schmitt, «Self-portrait of the radiator» by K. Boben.","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116399896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE CONCEPT OF ANXIETY / ANXIOUSNESS IN THE PRIVATE SPHERE OF SERHIY ZHADAN’S NOVEL CHARACTERS («MESOPOTAMIA», «BOARDING SCHOOL»)","authors":"Tatiana Meiserskaya","doi":"10.32589/2411-3883.18.2021.246976","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.246976","url":null,"abstract":"The article focuses on the study of artistic ways of expressing the types of human anxiety that is manifested in private experiences of the characters of Serhiy Zhadan’s novels «Mesopotamia» and «Boarding School». It is established that the prose writer embodied various types of anxiety – basic, catastrophic, neurotic – which arise in crisis life situations of the characters and are related primarily to the unconscious protective mechanisms of their psyche. It was found out that the private anxieties of Zhadan’s novel characters are most often expressed in intrinsic impulses of aggressive or sexual nature (Romeo, Oleg), past experiences, fear of responsibility, inferiority complex (Pasha, Yura), fear ofpunishment (Mario) or threats from the environment (Yura), a neurotic desire to compensate for one’s own inferiority in the sphere of personal ambitions (Bob) or power over others (Marat). As one of the most prominent artistic embodiments of the psychology of anxiety, the reasons for its emergence and the reflection of the subjective mechanisms of its development, the author of the article identifies the structure of the characters: Marat and Sonya – as the embodiment of a whole bunch of neurotic anxieties, involving the existence of internal conflict, disruption of interpersonal relationships with a clear manifestation of aggressive (criminal or sexual) behavior;Yura, whose behavior reveals symptoms of catastrophic anxiety where his feeling of threat from everywhere leads to his own existence being threatened; children (Sasha and Pasha in the memories of their childhood from the «Boarding School», Dasha’s son from «Mesopotamia») as carriers of basic anxieties arising from childhood due to a number of misunderstandings with the adult world, which further provokes the feelings of their personal inferiority, behavioral anomalies etc. It is emphasized that the nature of the characters’ anxiety and anxiousness is somewhat irrational, that it is always «intrinsic», and that bodily symptoms – the visible «body language» – play a significant role in the reflection of the «invisible language» of feelings.","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121844880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MUNDANE SCIENCE FICTION: LOSS OF DREAMS OR MATURITY?","authors":"Nataliya Krynytska","doi":"10.32589/2411-3883.18.2021.246854","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.246854","url":null,"abstract":"The aim of the paper is to study the role of the mundane in contemporary culture based on the mundane science fiction (MSF). The term originated in 2004 thanks to «The Mundane Manifesto» by Geoff Ryman and his anonymous co-authors who argued for a focus on the modern science paradigm instead of dreams of outer space. The Manifesto outlines SF subgenre, where the setting is in the near future on the Earth or within the Solar System, excluding interstellar travel or contact with aliens. MSF suggests the believable use of technology and science, as it exists at the current time or a plausible extension of existing technology. There is a debate about the genre limits and its canonical works since it also covers cyberpunk, dystopia, etc. Remarkably, in the Soviet literature, such a genre called «near-future science fiction» existed in the 1940s and 1950s. It is a subgenre of «hard» SF focusing on the inventions useful for the national economy and lacking psychological depth of characters. This literature mostly had low artistic quality because of the Soviet ideological pressure and many limitations.The benefits of the paper are the following. First, the author distinguishes between two ma in approaches to SF, namely a more practical and literal reception and a more metaphorical reception. The former is characteristic of readers of realistic literature who try to find the true-to-life elements in SF blamed as escapism. The latter is close to the SF fans. However, blaming SF for escapism seems an excessive sociologizing of literature and ignoring the great role of metaphor in cultural development. Consequently, MSF is an effort to bridge a gap between SF and realistic literature. Second, the paper presents the first attempt to compare MSF to the Soviet «near-future SF». The author argues that since such a «near-future SF» occupies a niche in Western literature, it is a sign of the global changesthat are taking place during the lifetime of the current generation, bringing, in addition to progress, the acute threat of environmental catastrophe. Moreover, the role of neo Marxism, on the one hand, and technophobia, on the other hand, are emphasized. Third, for the first time the possible connections between MSF and the frontier myth important for the American national cultural mythology are studied. At the core of Kim Stanley Robinson’s novel «Aurora» (2015) and James Gray’s movie «Ad Astra» (2019), MSF is regarded as a rejection of the ideology «space: the final frontier». Both works shift the focus from the global to the personal, from the unusual to the mundane, from expansion and colonization to the internal problems. The author concludes that the anthropological turn occurs in SF as well: there is a loss of metaphor, allegory, and archetypal basis, an abandonment of escapism, Enlightenment utopianism, belief in progress, romanticism, and industrialism in favor of more realistic view on the future of humankind. Unfortunately, in many cases, «mundane» me","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125092513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTER- AND GENERATIONAL DISCOURSE AS THE CORNERSTONE OF THE EVERYDAY FROM THE PERSPECTIVE OF FICTION","authors":"E. Sadovskaya","doi":"10.32589/2411-3883.18.2021.246987","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.246987","url":null,"abstract":"Inter- and generational interaction takes place in everyday communication and serves as the basis of any society as it forms, regulates and maintains the existence of society by collecting, preserving and transferring knowledge and experience from generation to generation. The interaction of generations is practice based; it rationalizes the actions of individuals in society relying on common sense for the purpose of preserving the descendants and turning individual experience into objective knowledge for the following generations. This is done in everyday mundane interaction of generations. It is fiction that has accumulated this experience; it demonstrates not only the abundance of inter- and generational interaction but also its daily presence and vital character. The most vivid description of such generational or intergenerational interaction is seen in fictional works dealing with the relationships in the family, growing up of children and grandchildren and in novels of morals.","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129101707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE DISCOURSE-AND-NARRATIVE POLYPHONY OF THE QUOTIDIAN AND THE PUBLIC-RELATED IN IAN MCEWAN’S SATURDAY (2005)","authors":"Sergii Sushko","doi":"10.32589/2411-3883.18.2021.247017","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.247017","url":null,"abstract":"In the English-written literature, the «one day novel» genre modification is represented by an appreciable number of novels. V.Woolf’s Mrs Dalloway and J. Joyce’s Ulysses are the famous paragons of the subgenre. Ian McEwans’ Saturday also joins this category. The novel’s protagonist’s inner speech intensification as well as retrospective inclusions and digressions help the narrator to go beyond the conventional boundaries of the «one day novel» genre variety. The research undertaken in the given paper pursues exploration of of the possibility of combining the discourse and narrative elements of the literary text into one narrative entity. In the Ian McEwan’s circadian novel Saturday, the professional discourse of the neurosurgery as well as other discourses are skillfully and masterfully interwoven into the story-action-and-event governed textual terrain, that is into its narration. In the paper, the polysemantic structure of the terms «quotidian», «discourse», «narrative» has been analyzed. Also, such aspectual narratives of the novel as the quotidian narrative, medical, psychological, literary, mass media, topographical, musical, sports ones have been identified and some of them explored. Also, the plot-building function of the Neo-Victorian code of the novel has been specified and the Leitmotiff recurrence of some quotations, allusions and reminiscences has been dwelt on. In the paper, the principle of narrativization of a discourse is hypothesized; in keeping with it, the discourse-containedinformation is delivered through the action-and-event-based narrative. The discourse-governed knowledge is not distanced from the narrative, both are fused into one narrative whole. This principle accounts for a polyphonic interplay of discourses and narratives in the novel treated here.","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129129984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"OVERCOMING THE BOUNDARIES OF EVERYDAYNESS IN NIALL GRIFFITHS`S NOVEL «STUMP»","authors":"Ganna Stovba","doi":"10.32589/2411-3883.18.2021.247004","DOIUrl":"https://doi.org/10.32589/2411-3883.18.2021.247004","url":null,"abstract":"The paper presents the research of poetics of the fourth novel «Stump» (2004) written by contemporary Welsh Anglophone author Niall Griffiths. The early works of Niall Griffiths have long been associated with the off-center tendency in contemporary British fiction, with novels written by Scottish authors such as Irvine Welsh, James Kelman, John King. This study attempts to demonstrate that Welsh writer doesn’t merely articulate the problems of the fringe groups of the society as well as shocking and taboo topics. Also to overcome the common postcolonial approach to Griffiths`s works which focuses on the concepts of «colonial othering», «forms of disability» etc. in the novels, the author of the article proposes the existential philosophy as methodological basis for this research. The study concentrates over the central problem of the human Being-in-the-world, the human life in the world of everydayness in Griffiths`s novel «Stump». Understanding «the everyday life», «everydayness» as common, routine life, full of daily automatic human actions (according to B. Waldenfels) the author aims to consider the boundaries of everyday life and the experience of overcoming the borders of everydayness in the novel discussed.The analysis demonstrates that narrative structure of the novel combines several modes and forms of narration. Interior monologue with steam of consciousness fragments is the form of representing the first plot line focusing on the one day of nameless recovering alcoholic who has lost his left arm to gangrene. «Style indirect libre» in first person plural form is used to finish each of the chapter devoted to one-armed hero and expresses his contradictory point of view on the «12 steps addiction recovery» program. The non-diegetic impersonal narrator (according to V. Shmid classification) introduces the second plot line devoted to the two gangsters who have set out from Liverpool on a mission to find and punish the one-armed man for a past misdeed. Their continual dialog sometimes is interrupted by the omnipresent narrator voice who conveys in form of indirect speech one of the gangster`s thoughts and his perceptive and ideological «point of view». A Griffiths`s fictional space can be divided on close/open, secular/sacral, everyday/non-everyday types. In the novel Wales natural world is opposed to any closed and narrow spaces. One-armed protagonist fills himself free and happy in the open space, where he communicates with birds, animals and meets a pantheistic God. Oppositely, two gangsters are afraid of open space in the middle of dangerous nature of Wales, when they leave native Liverpool. Having the works of K. Jaspers and M. Merleau-Ponty as the basis for our research, we conclude that the body for one-armed hero is an existential and temporal border, which transforms each moment of his life into an endless «boundary situation» (germ. Grenzsituation, according to K. Jaspers). A journey to unknown Wales gives a start to personal transfo","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125547157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"МОДЕЛЮВАННЯ ТЕРИТОРІЇ США АВТОРАМИ АЛЬТЕРНАТИВНОЇ ІСТОРІЇ У ВИПАДКУ ПЕРЕМОГИ КРАЇН «ОСІ» В ДРУГІЙ СВІТОВІЙ ВІЙНІ","authors":"Наталія Криницька","doi":"10.32589/2411-3883.17.2020.221834","DOIUrl":"https://doi.org/10.32589/2411-3883.17.2020.221834","url":null,"abstract":"","PeriodicalId":336212,"journal":{"name":"CONTEMPORARY LITERARY STUDIES","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133410031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}