{"title":"A estética do medo no poema-workshop gótico “A shovel of his ashes took” (1816), de Percy Bysshe Shelley","authors":"R. Puga","doi":"10.5334/as.51","DOIUrl":"https://doi.org/10.5334/as.51","url":null,"abstract":"","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89192242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of Cats and Crones: Hope and Ecofeminist Utopianism in Leonora Carrington’s The Hearing Trumpet","authors":"M. Cruz","doi":"10.5334/as.87","DOIUrl":"https://doi.org/10.5334/as.87","url":null,"abstract":"","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"61 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72418140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The ‘Cats’ from Hell”: The Long Shadow of Poe’s Feline in the Short Fiction of Flannery O’Connor and Stephen King","authors":"José Manuel Correoso-Rodenas","doi":"10.5334/as.70","DOIUrl":"https://doi.org/10.5334/as.70","url":null,"abstract":"","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79318062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The nineteenth century marked the first important milestone in the history of women not only because of increased awareness about their situation, which would lead to the feminist movement, but also because such gender awareness and feminist attitudes became part of the literary canon, forever changing the way the works of women writers would be written and interpreted. Believing that women’s history may offer a vantage point from which to assess and understand how a society works, this article makes women’s issues its main focus. The setting is the controversial nineteenth century, which is examined through a combined approach of close reading and an analysis of secondary sources. This article is a comparative study of two stories produced by two nineteenth century American women writers tackling the situation of the women of the time, the difficult transition from male expectations to female self-assertion, and the importance of such texts as representations of the period when they were written.
{"title":"Struggling for a New Identity: Glimpses of Nineteenth Century Womanhood in the Fiction of Gilman and Chopin","authors":"I. Erkoçi","doi":"10.5334/as.49","DOIUrl":"https://doi.org/10.5334/as.49","url":null,"abstract":"The nineteenth century marked the first important milestone in the history of women not only because of increased awareness about their situation, which would lead to the feminist movement, but also because such gender awareness and feminist attitudes became part of the literary canon, forever changing the way the works of women writers would be written and interpreted. Believing that women’s history may offer a vantage point from which to assess and understand how a society works, this article makes women’s issues its main focus. The setting is the controversial nineteenth century, which is examined through a combined approach of close reading and an analysis of secondary sources. This article is a comparative study of two stories produced by two nineteenth century American women writers tackling the situation of the women of the time, the difficult transition from male expectations to female self-assertion, and the importance of such texts as representations of the period when they were written.","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90614674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Passive Antihero in Alameddine’s I, the Divine and an Unnecessary Woman","authors":"Salma Kaouthar Letaief, Yousef Abu Amrieh","doi":"10.5334/as.75","DOIUrl":"https://doi.org/10.5334/as.75","url":null,"abstract":"","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85331759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trees as Safe Havens in Faqir’s Willow Trees Don’t Weep and Matar’s In the Country of Men","authors":"Bouchra Sadouni, Yousef Abu Amrieh","doi":"10.5334/as.73","DOIUrl":"https://doi.org/10.5334/as.73","url":null,"abstract":"","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"83 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81096684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Eligible Bachelor: Austen, Love, and Marriage in Pride and Prejudice and Eligible by Curtis Sittenfeld","authors":"Carmen Gomez-Galisteo","doi":"10.5334/as.92","DOIUrl":"https://doi.org/10.5334/as.92","url":null,"abstract":"","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75556076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Henry James’ short story, Last of the Valerii (1874), articulates the author’s final assessment of the Anglo-American style. The marriage between the American heiress and impoverished Italian nobleman expresses the transition in the American economy from rural agriculture to one driven by industrial wealth and the creation of large estates. By making the Italian aristocracy the protagonists of his Anglo-Italian novels, James also provides a cursive acknowledgement of the restoration of the Italian aristocracy which was at the heart of the revolutionaries’ nationalist debate during the Italian Risorgimento. The creation of a unified and independent Italy in 1871 also included a king, Victor-Emmanuel II. The desire to acquire the habits and style of the genteel European nobility was grafted onto the new American interest in collecting the aesthetic treasures of Europe then being acquired by wealthy Americans to form the major museum collections of America. Towards the turn of the century, Anglo-Italian authors and artists lost their interest in the revolutionary cause of Italy and centennial America, and replaced this cause with a new pure aestheticism, lacking an underlying political and moral agenda. James’ novels articulate a new crisis in marriage in which men declare their independence from their dependent women. James’ reversal of the women’s movement issue approaches domestic gender roles from the male perspective. His protagonists are educated aesthetes who long for escapism from the confines of societal gender and marriage roles. The new wealth acquired by Americans towards the end of the century during the Gilded Age, afforded such perversions of traditional male duties, without overtly supporting the women’s suffrage movement and rehabilitation of women’s employment.
{"title":"Victor/Victorian: Gender and Aesthetic Idealism During the Italian Risorgimento","authors":"Sharon Worley","doi":"10.5334/as.40","DOIUrl":"https://doi.org/10.5334/as.40","url":null,"abstract":"Henry James’ short story, Last of the Valerii (1874), articulates the author’s final assessment of the Anglo-American style. The marriage between the American heiress and impoverished Italian nobleman expresses the transition in the American economy from rural agriculture to one driven by industrial wealth and the creation of large estates. By making the Italian aristocracy the protagonists of his Anglo-Italian novels, James also provides a cursive acknowledgement of the restoration of the Italian aristocracy which was at the heart of the revolutionaries’ nationalist debate during the Italian Risorgimento. The creation of a unified and independent Italy in 1871 also included a king, Victor-Emmanuel II. The desire to acquire the habits and style of the genteel European nobility was grafted onto the new American interest in collecting the aesthetic treasures of Europe then being acquired by wealthy Americans to form the major museum collections of America. Towards the turn of the century, Anglo-Italian authors and artists lost their interest in the revolutionary cause of Italy and centennial America, and replaced this cause with a new pure aestheticism, lacking an underlying political and moral agenda. James’ novels articulate a new crisis in marriage in which men declare their independence from their dependent women. James’ reversal of the women’s movement issue approaches domestic gender roles from the male perspective. His protagonists are educated aesthetes who long for escapism from the confines of societal gender and marriage roles. The new wealth acquired by Americans towards the end of the century during the Gilded Age, afforded such perversions of traditional male duties, without overtly supporting the women’s suffrage movement and rehabilitation of women’s employment.","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"65 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79311948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims at discussing the visual symbols as well as aspects such as the acting performances, the historical accuracy, the teleplay, and the direction in Franc Roddam’s 1998 television miniseries Moby Dick, adapted from Herman Melville’s homonymous novel (1851). The two-part television production incorporates a few symbolic elements not necessarily present in the source text. These symbols (the image of a dog, the evocation of a giant, a whale-shaped mark, a great fire and an underwater corpse) are visually associated with characters as diverse as Elijah, Ahab, Queequeg and Moby Dick. The investigation focuses thus on the possible interpretations suggested by these visual symbols and how they contribute to better our comprehension not only of these characters but also of the novel’s complex themes of death, power, evil, redemption, among others. Resumo O presente trabalho objetiva discutir os simbolos visuais bem como aspetos tais como as atuacoes, a reconstituicao de epoca, a roteirizacao e a realizacao relativamente a minisserie de televisao Moby Dick (1998), uma adaptacao da obra homonima de Herman Melville, realizada por Franc Roddam. A producao televisiva, dividida em dois episodios, incorpora certos elementos simbolicos nao necessariamente presentes no texto-fonte. Esses simbolos (a imagem de um cao, a evocacao de um gigante, uma marca em forma de baleia, um incendio de grandes proporcoes e um cadaver submerso) sao visualmente associados a personagens tao diversas quanto Elijah, Ahab, Queequeg e Moby Dick. A investigacao enfoca, portanto, as possiveis interpretacoes sugeridas por esses simbolos visuais e como eles contribuem para aprimorar a nossa compreensao de tais personagens e de temas complexos abordados no romance como a morte, o poder, o mal, a redencao, entre outros. Palavras-Chave: Estudos da Adaptacao; Literatura Americana; Herman Melville; Moby Dick; Simbolo
本文旨在探讨1998年Franc Roddam改编自Herman Melville同名小说(1851)的电视迷你剧《白鲸记》中的视觉符号以及表演、历史准确性、电视剧和导演等方面。这部分为两部分的电视剧融合了一些在原著中不一定存在的象征性元素。这些符号(狗的形象，对巨人的召唤，鲸鱼形状的标记，大火和水下尸体)在视觉上与以利亚，亚哈，魁魁格和白鲸等各种角色联系在一起。因此，调查的重点是这些视觉符号所暗示的可能的解释，以及它们如何有助于我们更好地理解这些角色，以及小说中死亡、权力、邪恶、救赎等复杂主题。他提出了一种关于视觉上的象征的论述，一种关于视觉上的象征的论述，一种关于现实的论述，一种关于时代的重构，一种关于现实的论述，一种关于关系的论述，一种关于电视上的《白鲸》(1998)的论述，一种关于赫尔曼·梅尔维尔的人性的论述，一种关于现实的论述，一种关于弗兰克·罗丹的论述。一种电视节目，分为几个片段，包含某些元素、符号和必要的内容，没有文字。这些象征符号(一个形象的形象，一个巨大的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象)，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象，一个形象的形象。重要的是，作为积极的解释，一项调查的重点是，作为积极的解释，一项研究的重点是，作为积极的解释，一项研究的重点是，作为积极的解释，一项研究的重点是，作为积极的解释，一项研究的重点是，作为积极的解释，一项研究的重点是，作为积极的解释，一项研究的重点是，作为积极的解释，一项研究的重点，一项研究的重点，一项研究的重点，一项研究的重点，一项研究的重点，一项研究的重点，一项研究的重点。Palavras-Chave: Estudos da Adaptacao;Literatura美国;赫尔曼·梅尔维尔;《白鲸记》;Simbolo
{"title":"Corpses, Fire, and Dangerous Mammals: Revisiting the Symbols in Roddam’s Television Adaptation of Moby Dick by Herman Melville","authors":"Ricardo Sobreira","doi":"10.5334/as.10","DOIUrl":"https://doi.org/10.5334/as.10","url":null,"abstract":"This paper aims at discussing the visual symbols as well as aspects such as the acting performances, the historical accuracy, the teleplay, and the direction in Franc Roddam’s 1998 television miniseries Moby Dick, adapted from Herman Melville’s homonymous novel (1851). The two-part television production incorporates a few symbolic elements not necessarily present in the source text. These symbols (the image of a dog, the evocation of a giant, a whale-shaped mark, a great fire and an underwater corpse) are visually associated with characters as diverse as Elijah, Ahab, Queequeg and Moby Dick. The investigation focuses thus on the possible interpretations suggested by these visual symbols and how they contribute to better our comprehension not only of these characters but also of the novel’s complex themes of death, power, evil, redemption, among others. Resumo O presente trabalho objetiva discutir os simbolos visuais bem como aspetos tais como as atuacoes, a reconstituicao de epoca, a roteirizacao e a realizacao relativamente a minisserie de televisao Moby Dick (1998), uma adaptacao da obra homonima de Herman Melville, realizada por Franc Roddam. A producao televisiva, dividida em dois episodios, incorpora certos elementos simbolicos nao necessariamente presentes no texto-fonte. Esses simbolos (a imagem de um cao, a evocacao de um gigante, uma marca em forma de baleia, um incendio de grandes proporcoes e um cadaver submerso) sao visualmente associados a personagens tao diversas quanto Elijah, Ahab, Queequeg e Moby Dick. A investigacao enfoca, portanto, as possiveis interpretacoes sugeridas por esses simbolos visuais e como eles contribuem para aprimorar a nossa compreensao de tais personagens e de temas complexos abordados no romance como a morte, o poder, o mal, a redencao, entre outros. Palavras-Chave: Estudos da Adaptacao; Literatura Americana; Herman Melville; Moby Dick; Simbolo","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"128 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88189643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Partindo do conceito de “lieu de memoire” postulado pelo historiador Pierre Nora, segundo o qual uma entidade (material ou nao) carrega em si significacao simbolica no contexto de uma percepcao identitaria individual e colectiva, pretende-se verificar como no romance de Evelyn Waugh Brideshead Revisited (1945) instituicoes seculares inglesas, tais como a universidade ou a casa senhorial, operam o seu processo de cristalizacao e monumentalizacao. Concomitantemente, a obra presta-se a leituras que colocam o individuo perante a associacao lugar de memoria (ou rememoracao) / lugar de luto, onde o passado se faz dolorosamente presente.
{"title":"“From the vaults of my dungeon”: dos lugares da memória em Brideshead Revisited de Evelyn Waugh","authors":"Cláudia Coimbra","doi":"10.5334/as.50","DOIUrl":"https://doi.org/10.5334/as.50","url":null,"abstract":"Partindo do conceito de “lieu de memoire” postulado pelo historiador Pierre Nora, segundo o qual uma entidade (material ou nao) carrega em si significacao simbolica no contexto de uma percepcao identitaria individual e colectiva, pretende-se verificar como no romance de Evelyn Waugh Brideshead Revisited (1945) instituicoes seculares inglesas, tais como a universidade ou a casa senhorial, operam o seu processo de cristalizacao e monumentalizacao. Concomitantemente, a obra presta-se a leituras que colocam o individuo perante a associacao lugar de memoria (ou rememoracao) / lugar de luto, onde o passado se faz dolorosamente presente.","PeriodicalId":33655,"journal":{"name":"Anglo Saxonica","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84560135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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