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Antichnaia drevnost'' i srednie veka最新文献

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Byzantium and the Crimea in the Context of Imperial Interests in the Northern Black Sea Area: New Finds of Emperor’s Molybdoboulla in Taurica 黑海北部地区帝国利益背景下的拜占庭与克里米亚:陶里卡帝王钼球的新发现
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.009
N. Alekseyenko
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引用次数: 0
The Miraculous Salvation of Constantinople from the Ottoman Siege in 1422 as Viewed by the Byzantines 1422年,拜占庭人眼中的君士坦丁堡从奥斯曼帝国的围攻中奇迹般的拯救
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.209.47.015
T. Kushch
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引用次数: 0
Byzantine Weights Excavated at Sugdaia Sugdaia出土的拜占庭重量
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.012
V. Maiko
: In article the Byzantine weight signs coming from excavation of medieval Sugdaia are considered. Today this collection is the largest for all cities of Taurica, conceding, only Chersonese. With rare exception all finds haze no archaeological context and come from underwater researches in the bay of Sugdaia. This circumstance, on the other hand, allows connecting their functioning only with activity of city port. Only the Byzantine weight signs submitted by quadrangular and similar to the disk bronze ekzagiya and quadrangular bronze weights are analyzed. Attention is paid to both the various quadrangular and similar to the disk lead weight signs including ornamented which were actively used at commission of trade operations. The conclusion is drawn that in the territory of Sugdaia from the second half of the X century there was exclusively Byzantine weight system with active use of gold coins. Along with presence of the officials who had powers of check of full weight of coins at the city, judging by the given materials, a large number were private dealers and moneychangers using unmarked weight signs including lead copies.
本文考虑了中世纪Sugdaia出土的拜占庭重量标志。今天,这个收藏是陶里卡所有城市中最大的,除了切尔松尼斯。除了罕见的例外,所有的发现都没有考古背景,来自杉田湾的水下研究。另一方面,这种情况允许将它们的功能与城市港口的活动联系起来。仅分析了四边形和类似圆盘青铜ekzagiya和四边形青铜重量的拜占庭重量符号。人们注意到各种四边形和类似于圆盘的铅重标志,包括装饰,这些标志在贸易操作中被积极使用。得出的结论是,从10世纪下半叶开始,在Sugdaia领土上,只有拜占庭式的重量系统,积极使用金币。根据所提供的材料判断,除了有权力在城市中检查全重硬币的官员外,还有大量的私人交易商和货币兑换商使用无标记的重量标志,包括铅副本。
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引用次数: 0
The “Simferopol Treasure”: Its First Owners and an Interpretation of the Value of this Treasury in the Fourteenth Century “辛菲罗波尔宝藏”:它的第一任主人和对14世纪宝藏价值的解读
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.014
Mark Kramarovskii
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引用次数: 0
A Medieval Base from Staryi Krym 斯达里克里姆的中世纪基地
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.011
Vladimir Kirilko
: The architectural detail is suddenly find artifact, which is from the central part of the medieval city of Solkhat-Crimea. The artifact is an extraordinary, it had a constructive purpose, and was used as a monolithic foot or, less likely, at the top of an octahedral stone column with a massive, presumably, squat trunk. The rather characteristic form of the object makes it possible to attribute it to the number of stalactite bases and capitals of the Golden Horde period, which were used in the Muslim and Christian monumental buildings throughout the peninsula. Close analogies to the discovered artifact among the Crimean monuments are not yet known. It differs significantly from the local, mainly cubic, products by a distinct plate-like form, considerable size and simplified plastic. It is not yet possible to find out exactly which building belonged this specific architectural detail. The date of its making, which hardly went beyond the framework of the 14th century, also cannot be determined unambiguously. Relatively confidently, it can only be assumed that the Armenian masters could have been involved in the appearance of this work. In the context of the consideration of the published artifact, special attention is paid to a number of pressing scientific problems, such as the preservation and restoration of architectural and archaeological monuments of the Old Crimea, ignoring important scientific information by leading experts in the field of art and architecture of the Golden Horde time, the long overdue need for special research on the use of stalactite warrants in the architecture of the medieval Crimea, in which, s objective is the study of individual components of the survivors.
建筑细节是突然发现的人工制品,它来自中世纪城市索尔哈特-克里米亚的中心部分。这是一件非凡的神器,它有一个建设性的目的,被用作一个整体的脚,或者更不可能的是,在一个八面体石柱的顶部,有一个巨大的,大概是蹲的躯干。该物体的相当独特的形式使其有可能归因于金帐汗国时期钟乳石基地和首都的数量,这些钟乳石被用于整个半岛的穆斯林和基督教纪念性建筑。目前还不知道与克里米亚古迹中发现的人工制品相似的东西。它与当地明显不同,以立方为主,产品由明显的板状形式、相当大的尺寸和简化的塑料制成。目前还不可能确切地找出哪座建筑属于这个特定的建筑细节。它的制作日期几乎不超过14世纪的框架,也无法明确确定。相对自信地说,只能假设亚美尼亚大师可能参与了这件作品的出现。在考虑已出版的文物的背景下,特别关注了一些紧迫的科学问题,例如旧克里米亚建筑和考古古迹的保护和修复,忽略了金汗国时期艺术和建筑领域领先专家的重要科学信息,对中世纪克里米亚建筑中钟乳石权令的使用进行长期逾期的特殊研究的需要,其中,S的目标是研究幸存者的各个组成部分。
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引用次数: 0
A New Small Stone Icon from Chersonesos 来自Chersonesos的一个新的小石头图标
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.006
Larisa Sedikova
: For 190 years of research of Chersonesos (Byzantine Сherson), twelve stone, in the vast majority, steatite icons were found. In 2002, during the excavation of quarter L in the southern part of the site, a one-sided fragmented black slate pendant icon was found. Its upper left part is lost. The dimensions of the preserved fragment are 3.2 x 3 cm, the thickness of the icon is 0.6 cm. The icon was found in the destruction layer of a residential building dating back to the last period of the city’s existence. On it is carved a bosom image of Christ Emanuel in a double arched frame. The quality of the icon is low. A separate image of the young Christ on stone icons is a rather rare phenomenon. The icon from Chersonesos has analogues, but differs from them in more details. This icon was found in the destruction layer of a residential building dating back to the last period of the city’s existence. Close analogies and conditions of the find will allow attributing this icon to Byzantine imports of the 13 th century.
对Chersonesos(拜占庭Сherson)进行了190年的研究,发现了12块石头,其中绝大多数是滑石图标。2002年,在遗址南部L区发掘过程中,发现了一个单侧破碎的黑石板垂像。它的左上部分丢失了。保存的碎片尺寸为3.2 x 3cm,图标的厚度为0.6 cm。这个图标是在一座住宅建筑的废墟层中发现的,这座建筑可以追溯到这座城市存在的最后时期。在它上面雕刻着基督伊曼纽尔的胸像,在一个双拱形框架中。图标质量较低。在石像上单独出现年轻基督的形象是相当罕见的现象。来自Chersonesos的图标也有相似之处,但在更多细节上有所不同。这个图标是在一座住宅建筑的废墟层中发现的,这座建筑可以追溯到这座城市存在的最后时期。该发现的相似之处和条件将允许将此图标归因于13世纪的拜占庭进口。
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引用次数: 0
On Byzantine Reaction to the Council of Pisa in 1409 论拜占庭对1409年比萨会议的反应
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.016
N. Pashkin
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引用次数: 0
A Seal of Bishop Ephraim of Perstlaba / Titular Metropolitan of Pereslavl Perstlaba的以法莲主教/ Pereslavl的名义大都会的印章
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.010
Mikhail Boutyrskii
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引用次数: 0
An Early Byzantine Topic in the Twentieth-Century Fiction 二十世纪小说中的早期拜占庭主题
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.018
M. Bibikov
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引用次数: 0
For the Iconography of Holy Riders – Warrior Saints in Byzantine Sigillography: St. George 对于神圣骑士的肖像-拜占庭符号中的战士圣徒:圣乔治
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.15826/adsv.2019.47.005
Valery Stepanenko
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引用次数: 1
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Antichnaia drevnost'' i srednie veka
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