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Susanne K. Langers “Mind: An Essay on Human Feeling.” Eine späte Wiederentdeckung 苏珊娜-K-朗格的 "心灵:人类情感论"。晚期的重新发现
Pub Date : 2023-08-01 DOI: 10.2478/gth-2023-0007
Norbert Andersch
Summary It is about 100 Years ago that the German-American philosopher Susanne K. Langer started a bold and courageous appearance on the stage of consciousness-research - until then exclusively dominated by male and paternalistic figures. This contribution is to highlight SK Langers work and impact on the theory of consciousness, especially on her final three volume publication: “Mind. An Essay on Human Feeling” (1967, 1972, 1982) which, until now, has not been translated into German. What stands out in Langer’s work is her intuitive closeness to many Gestalt-theorists and the overriding importance she attributes to symbolization in the specific make-up of the human mind. Her main focus is centered on presentative symbolics; meaning those early forms of human expression (prior or along the development of human language) in magic rituals, rhythm, music, painting and sculpturing, early collective work experience, formalized playing or funeral activities. Langers view on symbols goes far beyond the typical meaning of reference towards a much more sophisticated intertwinement of form, event and being in a matrix of “living tensions”. I would like to point out that her research is of important value to a revised thinking on mental health and mental crisis in reshaping the complex interaction between image, Gestalt and Symbol.
摘要 大约一百年前,德裔美国哲学家苏珊娜-兰格(Susanne K. Langer)开始大胆地登上意识研究的舞台--在此之前,意识研究一直由男性和家长式人物主导。本文将重点介绍苏珊娜-朗格尔的工作及其对意识理论的影响,尤其是她最后出版的三卷本著作:"心灵。人类感觉论》(1967、1972、1982 年),该书至今尚未被译成德文。在朗格的作品中,最突出的是她与许多格式塔理论家的直观亲近,以及她对人类心灵特殊构成中象征化的极端重视。她的主要关注点集中在现存的符号学上,即人类早期(在人类语言发展之前或发展过程中)在魔法仪式、节奏、音乐、绘画和雕塑、早期集体工作经验、正式的游戏或葬礼活动中的表达形式。兰格尔对符号的看法远远超出了典型的参考意义,而是将形式、事件和存在交织在一起,形成了一种更为复杂的 "活的张力 "矩阵。我想指出的是,她的研究对于重塑图像、格式塔和符号之间复杂的互动关系,修正心理健康和心理危机的思维具有重要价值。
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引用次数: 0
Elders’ experience with augmented gaze: preliminary observations 老年人对增强凝视的体验:初步观察
Pub Date : 2023-08-01 DOI: 10.2478/gth-2023-0002
Vittorio Dalmasso, Michela Moretti, Gabriel Baud-Bovy, E. R. Høeg, Roberto Cozzi, Jacopo Ippolito, Claudio de’Sperati
Abstract Research on elders’ acceptance of virtual technologies is much needed. Here we studied the user experience of elders (N = 10, mean age = 88.2 years) during virtual biking, an exergame where participants pedal on a cycle ergometer and wear a Head-Mounted Display that provides them an immersive experience of a bike ride. We tested the effects of augmented gaze on user experience. Augmented gaze is a condition in which horizontal head turns yield amplified visual shifts, which is assumed to facilitate visual exploration. User experience was measured by asking participants to rate satisfaction, motivation, sense of presence and sense of safety. We found a very good acceptance of virtual biking and no signs of negative effects of augmented gaze. These preliminary observations suggest that augmented gaze may be a viable optimization of elders’ experience with certain virtual reality applications.
摘要 对老年人接受虚拟技术的研究亟待开展。在这里,我们研究了老年人(N = 10,平均年龄 = 88.2 岁)在虚拟骑车过程中的用户体验。在虚拟骑车游戏中,参与者踩在自行车测力计上,并佩戴头戴式显示器,从而获得身临其境的骑车体验。我们测试了增强凝视对用户体验的影响。增强凝视是一种水平转头产生放大视觉偏移的条件,被认为有利于视觉探索。我们通过让参与者对满意度、动力、存在感和安全感进行评分来衡量用户体验。我们发现用户对虚拟自行车的接受度非常高,而且没有迹象表明增强凝视会产生负面影响。这些初步观察结果表明,在某些虚拟现实应用中,增强凝视可以优化老年人的体验。
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引用次数: 0
Critical Realist Foundations for Berlin Comparative Musicology(vergleichende Musikswissenschaft) 柏林比较音乐学的批判现实主义基础(比较音乐学)
Pub Date : 2023-08-01 DOI: 10.2478/gth-2023-0013
Ian Verstegen
Summary Is it possible to discover the critical realist foundations of Gestalt theory in Berlin comparative musicology (vergleichende Kunstwissenschaft) associated above all with Erich M. von Hornbostel? The balance of natural science explanation and phenomenal experience is a useful model for overcoming Eurocentrism in comparative ethnomusicology, relying both on third-person tools and indigenous music systems. This paper uses Gestalt critical realist epistemology and methodology and a portrayal of the strata making up the understanding of a musical act with chemico-physical, phenomenal and cultural components to create an “amphibian” ethnomusicology. Using this framework it is possible to understand Hornbostel and Sachs’ musical instrument classification system and Hornbostel’s account of “primitive” music as strata in a Gestalt explanatory system. The potential binding agent through the strata is isomorphism.
摘要 在柏林比较音乐学(vergleichende Kunstwissenschaft)中是否有可能发现格式塔理论的批判现实主义基础?自然科学解释与现象经验之间的平衡是比较民族音乐学克服欧洲中心主义的有效模式,它同时依赖于第三人称工具和本土音乐系统。本文使用格式塔批判现实主义认识论和方法论,以及对音乐行为的理解所包含的化学物理、现象和文化成分的描述,创建了 "两栖 "民族音乐学。利用这一框架,我们可以将霍恩布斯特尔和萨克斯的乐器分类系统以及霍恩布斯特尔关于 "原始 "音乐的论述理解为格式塔解释系统中的层。各层的潜在结合剂是同构。
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引用次数: 0
Report of the 22nd Scientific Conference of the Society for Gestalt Theory and its Applications in Trieste (2022) 格式塔理论及其在的里雅斯特应用学会第22届科学会议报告(2022)
Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0021
Serena Mingolo
From 7th July to 10th July, 2022, the 22nd Scientific Conference of the Society for Gestalt Theory and its Applications (GTA) took place in Trieste, Italy. The conference was organized by the University of Trieste in collaboration with the Department of Life Sciences, the Università Cattolica (Milano), the University of Cologne, the University of Warsaw, the University of Milano-Bicocca, and the Polish Academy of Sciences. The theme was “Mind in context—Context in mind,” and the conference discussed the complex relationship between the mind and context in a variety of disciplines: perception, attention, learning, memory, decisions, reasoning, personality, motivation, emotion, psychotherapy, and communication in different areas of experience and in the biological field.
2022年7月7日至7月10日,格式塔理论及其应用学会(GTA)第22届科学会议在意大利的里雅斯特举行。这次会议由的里雅斯特大学与生命科学系、天主教大学(米兰)、科隆大学、华沙大学、米兰-比可卡大学和波兰科学院合作组织。会议的主题是“情境中的思维——情境中的思维”,会议讨论了在不同领域的经验和生物领域中,思维和情境之间的复杂关系:感知、注意力、学习、记忆、决策、推理、个性、动机、情感、心理治疗和交流。
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引用次数: 0
Gestalt Theory and Socioeconomic Analyses 格式塔理论与社会经济分析
Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0015
Gisela Kubon-Gilke
Summary The analysis of social and economic phenomena has a long Gestalt-theoretical tradition but is currently seen rather as a niche subject. In this article, recent important approaches are presented that explicitly or implicitly refer to Gestalt-theoretical considerations. The particular relevance of narratives is pointed out. In addition, further analytical challenges are discussed.
社会和经济现象的分析有着悠久的格式塔理论传统,但目前被视为一门小众学科。在这篇文章中,提出了最近的重要方法,明确或隐含地提到格式塔理论的考虑。指出了叙述的特殊相关性。此外,还讨论了进一步的分析挑战。
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引用次数: 0
Vittorio Benussi, the Gustav Mahler of Psychology 心理学大师马勒
Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0016
M. Antonelli
Summary The paper celebrates the person and work of Vittorio Benussi, a forgotten genius of psychology. In particular, it addresses the two most important scientific projects that Benussi developed during his time in Graz and Padua, respectively: the psychology of perception and the psychology of emotions and the unconscious. It highlights the originality and topicality of Benussi’s work and emphasizes its proximity to the latest trends in these research fields.
摘要本文赞扬了被遗忘的心理学天才维托里奥·贝努西的个人和工作。特别是,它涉及贝努西在格拉茨和帕多瓦期间分别开发的两个最重要的科学项目:感知心理学和情绪与无意识心理学。它强调了贝努西作品的独创性和主题性,并强调其接近这些研究领域的最新趋势。
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引用次数: 0
Laudatio for Gerhard Stemberger on the Occasion of the Award of the Honorary Membership of the GTA 祝贺格哈德·斯坦伯格获得GTA荣誉会员
Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0014
Marianne Soff
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引用次数: 0
Gestalt road to Necker cube perception Necker立方体感知的格式塔之路
Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0020
S. Guberman
Abstract The study of cases of illusory or unstable perception of some visual stimuli allows exploration of the psychology of perception of the surrounding world. The wired construction known as “Necker cube” is one such stimulus: it can be perceived as a cube whose front face is seen higher than the back face or vice versa. The switch can occur intentionally or spontaneously. The investigations were focused on switching parameters, relation of the switching to eye position, pre-history, and environment. Here we define that the kernel of the problem is recognizing the 2D drawing as a 3D Necker cube. To this end, we have expanded Gestalt's psychology methods that allow us to recognize 2D figures in drawings for recognizing 3D figure in a flat drawing (including the Necker cube). The presented algorithm for recognizing the cube based on the imitation principle allowed the development of the model of switching between two possible perceptions of the Necker cube. The paper shows that the predictions are in conformity with previously available experimental data. The results confirm the imitation principle of perception, and suggest expanding our research on perception to a wider class of 3D figures, opening a window into the internal processes of perception.
对某些视觉刺激的错觉或不稳定感知案例的研究可以探索对周围世界的感知心理。被称为“内克尔立方体”的有线结构就是这样一种刺激:它可以被感知为一个正面高于背面的立方体,反之亦然。这种转换可以是有意的,也可以是自发的。研究的重点是切换参数、切换与眼位、史前和环境的关系。这里我们将问题的核心定义为将2D图形识别为3D Necker立方体。为此,我们扩展了格式塔的心理学方法,使我们能够识别图纸中的2D图形,以识别平面图纸中的3D图形(包括内克尔立方体)。所提出的基于模仿原理的立方体识别算法允许在Necker立方体的两种可能感知之间切换的模型的发展。结果表明,预测结果与已有的实验数据一致。研究结果证实了感知的模仿原理,并建议将我们对感知的研究扩展到更广泛的3D人物类别,为感知的内部过程打开一扇窗。
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引用次数: 0
On Perceiving Abs nces 论感知腹肌
Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0022
Achille C. Varzi
Abstract Can we really perceive absences, i.e., missing things? Sartre tells us that when he arrived late for his appointment at the café, he saw the absence of his friend Pierre. Is that really what he saw? Where was it, exactly? Why didn’t Sartre see the absence of other people who were not there? Why did other people who were there not see the absence of Pierre? The perception of absences gives rise to a host of conundrums and is constantly on the verge of conceptual confusion. Here I focus on the need to be clear about four sorts of distinctions: (i) the difference between perceiving an absence and perceiving something that is absent; (ii) the difference between perceiving an absence and an absence of perceiving; (iii) the difference between perceiving an absence and perceiving something as an absence; and (iv) the difference between perceiving an absence and perceiving that something is absent.
摘要我们真的能感知缺席,即错过的东西吗?萨特告诉我们,当他去咖啡馆赴约迟到时,他看到他的朋友皮埃尔不在。那真的是他看到的吗?它到底在哪里?为什么萨特没有看到其他人的缺席?为什么在场的其他人没有看到皮埃尔的缺席?缺席的感觉引发了一系列难题,并不断处于概念混乱的边缘。在这里,我关注的是需要明确四种区别:(I)感知缺失和感知缺失的东西之间的区别;(ii)感知缺失和感知缺失之间的差异;(iii)感知缺席和将某事感知为缺席之间的区别;以及(iv)感知缺席和感知某事缺席之间的区别。
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引用次数: 0
Thinking on Reality: Metzger and the Rejection of the “Eleatic Postulate” 对现实的思考:梅茨格与“Eleatic Postulate”的拒绝
Pub Date : 2022-12-01 DOI: 10.2478/gth-2022-0017
R. Luccio
Abstract In 1940, Wolfgang Metzger began a profound reflection on the meaning of the phenomenological approach to Gestalt psychology, which had its starting point in the rejection of what he called the “Eleatic” or “Eleatic–Rationalistic Postulate,” that is, the notion that, in his opinion, had dominated Western scientific and philosophical thought of the past centuries, according to which any assertion about the state of things that could lead to self-contradictory conclusions had to be considered unfounded. On the basis of this rejection and with exclusive reference to access to experiential data, Metzger proposed to distinguish five meanings of reality: (1) the physical or experiential world; (2) the intuitive or experienced world; (3) the experienced world (met, Angetroffen) in contrast to the represented world; (4) the something or fullness in contrast to emptiness or nothingness; (5) the real in contrast to the apparent. For Metzger (1950), this concept, although primarily related to perception, has far-reaching implications for our conception of others and of society. We question here the validity of Metzger’s concept, its explanatory significance, and its relation to other phenomenological concepts, such as that of Merleau-Ponty.
摘要1940年,Wolfgang Metzger开始对格式塔心理学的现象学方法的意义进行深刻反思,其出发点是拒绝他所说的“Eleatic”或“Eleatic-Rationalistic Postulate”,即在他看来,在过去几个世纪主导了西方科学和哲学思想的概念,根据该法,任何关于事物状态的断言,如果可能导致自相矛盾的结论,都必须被认为是没有根据的。在这种拒绝的基础上,梅茨格提出了区分现实的五种含义:(1)物理世界或经验世界;(2) 直观的或经验丰富的世界;(3) 有经验的世界(met,Angetrofen)与有代表性的世界形成对比;(4) 与空虚或虚无形成对比的事物或充实;(5) 真实与表面形成对比。对于Metzger(1950)来说,这个概念虽然主要与感知有关,但对我们对他人和社会的概念有着深远的影响。我们在这里质疑梅茨格概念的有效性,它的解释意义,以及它与其他现象学概念的关系,比如梅洛-庞蒂的概念。
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引用次数: 0
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Gestalt Theory
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