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A fin de cuentas, ¿de qué se trataba Heidegger? 毕竟,海德格尔是关于什么的?
Pub Date : 2021-12-01 DOI: 10.46553/tab.18.2021.p8-54
T. Sheehan
The premise is that Heidegger remained a phenomenologist from beginning to end and that phenomenology is exclusively about meaning and its source. The essay presents Heidegger’s interpretation of the being ( Sein ) of things as their meaningful presence ( Anwesen ) and his tracing of such meaningful presence back to its source in the clearing, which is thrown-open or appropriated ex-sistence ( das ereignete/geworfene Da-sein ). The essay argues five theses: (1) Being is the meaningful presence of things to man. (2) Such meaningful presence is the Befragtes of Heidegger’s question, not the Erfragtes . (3) Being and Time’s goal was to articulate the openness that allows for all a N. de los T.: El presente ensayo fue originalmente publicado en inglés en: Sheehan, T. (2014). What, after all, was Heidegger about? Continental Philosophy Review 249-274. revisión Mateo queremos excelente concernientes la interpretación/traducción. que a la “Traducción”, para meaningfulness. (4) Ereignis —the appropriation of ex-sistence to sustaining the clearing—is the later Heidegger’s reinscription of thrown-openness, der geworfene Entwurf . (5) Appropriated thrown-openness, as the clearing, is intrinsically hidden, i.e., unknowable.
前提是,海德格尔自始至终都是一个现象学家,现象学完全是关于意义及其根源的。本文介绍了海德格尔对事物的存在(Sein)作为其有意义的存在(Anwesen)的解释,以及他对这种有意义存在的追溯,追溯到它在被打开或挪用的系统中的源头(das ereignete/geworfene Da Sein)。本文论述了五个命题:(1)存在是事物对人的有意义的存在。(3) 《存在与时间》的目标是阐明开放性,让所有人都能参与进来。(2014)。到底,海德格尔在说什么?《大陆哲学评论》249-274。Mateo queremos修订版非常关注解释/传统。这是一个“Traducción”,意义非凡。(4) Ereignis——挪用反抗来维持清除——是后来海德格尔对被抛弃的开放性的重新描述。(5) 适当的开放性,作为清除,本质上是隐藏的,即不可知的。
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引用次数: 0
La experiencia de la hospitalidad en la callípolis utópica de Tomás Moro 托马斯·莫罗乌托邦卡利波利斯的酒店体验
Pub Date : 2021-12-01 DOI: 10.46553/tab.18.2021.p129-143
Paula Vera Bustamante
The callipolis or “beautiful city” is one of the paradigms of the Theory of the Fictive City, understood as the city that is born specifically from the literary aesthetic construction. The callipolis has its foundations in the archaic cosmogony, which conceived the city as an idealization of of acceptance of the new, the otherness and the tolerance. In his neologism, “Utopia”, More harbors the love for knowledge, for faith and for the harmony of beings, even if it is in a “no place”.
“美丽城市”是小说城市理论的范式之一,被理解为在文学审美建构中具体诞生的城市。卡利波利斯的基础是古老的宇宙观,它将城市视为接受新事物、另类和宽容的理想化。在他的新词“乌托邦”中,莫尔怀有对知识、信仰和人类和谐的热爱,即使它处于“无处”。
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引用次数: 0
La hospitalidad hecha canto. El canto como acogida a partir del Cap. VIII de La Odisea de Homero 好客使歌唱。《荷马的奥德赛》第八章中的欢迎之歌
Pub Date : 2021-12-01 DOI: 10.46553/tab.18.2021.p93-102
Felipe Agudelo Olarte
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引用次数: 0
Las nociones de Sinn y Sprache en Sein und Zeit de Heidegger y en las Philosophische Untersuchungen de Wittgenstein 《宋语言史》和《海德格尔哲学研究》
Pub Date : 2021-12-01 DOI: 10.46553/tab.18.2021.p73-86
M. Abraham
como Heidegger” y “segundo ABSTRACT The philosophies of Martin Heidegger
作为“海德格尔”和“第二个抽象”——马丁·海德格尔的哲学
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引用次数: 0
¿Cuántos y cuántos pasos no anduvimos descalzos? Apuntes para una teopoética de la hospitalidad 我们没有赤脚走多少步?酒店理论笔记
Pub Date : 2021-12-01 DOI: 10.46553/tab.18.2021.p144-157
José Pedro Angélico
The history of humankind is often told from an evolutionary perspective, in which sedentary life is valued as qualitatively more developed than that lived nomadically. Nonetheless, the same history also offers a testimony of the status viatoris of human condition, of which the migratory movements are merely an expression of it. The perpetual motion of human communities often raises ambivalent, as well as paradoxical, of belonging and marginality. In many places of our contemporary society, feelings of hostility towards the marginality tend to grow in traditional Christian communities, which from our point of view is to be considered as a deviation of Christianity from its matrix foundations. Therefore, from a theopoetic approach – to which we shall invoke contemporary Portuguese poets, such as Sophia de Mello Breyner, Ruy and Daniel Faria – we aim to carry out an articulation of a theological discourse to return the Gospel to Christianity, that place of theological accomplishment of liminality .
人类的历史通常是从进化的角度来讲述的,在这种观点中,人们认为久坐的生活在质量上比游牧生活更发达。然而,同样的历史也证明了人类状况的生存状态,移民运动只是这种状态的一种表现。人类社区的永恒运动经常引起归属感和边缘性的矛盾和矛盾。在当代社会的许多地方,对边缘群体的敌意在传统基督教社区中不断增长,从我们的角度来看,这被认为是基督教对其母体基础的偏离。因此,从一种神学的方法——我们将援引当代葡萄牙诗人,如索菲亚·德梅洛·布雷纳、鲁伊和丹尼尔·法利亚——我们的目标是进行一种神学话语的表达,使福音回归基督教,这是神学成就的地方。
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引用次数: 0
El cuerpo y la idea de sujeto encarnado en la Fenomenología de la percepción de Merleau-Ponty 梅洛-庞蒂知觉现象学中体现的身体和主体观念
Pub Date : 2021-12-01 DOI: 10.46553/tab.18.2021.p55-72
Esteban Molina
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引用次数: 0
Hospedar la belleza. Resignificación del huésped y el hospedero a partir del mythos de Helena 主持美容。根据海伦娜神话重新认识宿主和宿主
Pub Date : 2021-12-01 DOI: 10.46553/tab.18.2021.p103-114
Gabriela Aravena Rodríguez
¿Cómo Abstract This paper proposes a look at the dynamics of hospitality: migration, reception and encounter, based on some interpretative points suggested by the mythos of the most
¿Cómo摘要本文提出了一种待客之道的动态:迁移,接待和相遇,基于一些解释点的神话建议
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引用次数: 0
Profundidad: el cuerpo y el color en Merleau-Ponty y Delaunay 深度:梅洛-庞蒂和德劳奈的身体和颜色
Pub Date : 2021-06-01 DOI: 10.46553/TAB.17.2021.P8-25
F. A. Matti
This article aims to establish the relationship between the philosopher Maurice Merleau-Ponty and the artist Robert Delaunay regarding the corporeality and visibility of the work of art. These notions are developed by Maurice Merleau-Ponty in his text The eye and the spirit together with the theory of inobjective art of Robert Delaunay, expressed in From cubism to inobjective art . Moreover, Merleau-Ponty explicitly refers to Delaunay in this text, so it is possible to outline a correspondence between both, especially, regarding their aesthetic theories. The thesis that I will try to defend in this article is that the aesthetic developed by Merleau-Ponty is influenced by the writings of Delaunay. In order to accomplish this, I will try to showcase the similarities between both; such as the importance of colour, the profundity of Being expressed in painting or the corporeal and sensational reception and creation of the work of art.
本文旨在建立哲学家莫里斯·梅洛·庞蒂和艺术家罗伯特·德劳内关于艺术作品的实体性和可视性的关系,这些概念是莫里斯·梅洛·庞蒂在其著作《眼睛与精神》中与罗伯特·德劳奈的无物艺术理论共同发展起来的,表现在《从立体主义到无物艺术》中。此外,梅洛-庞蒂在本文中明确提到了德劳奈,因此可以勾勒出两者之间的对应关系,尤其是在美学理论方面。我将在这篇文章中试图捍卫的论点是,梅洛-庞蒂所发展的美学受到了德劳内作品的影响。为了做到这一点,我将尝试展示两者之间的相似之处;例如色彩的重要性、绘画中存在的深刻性或艺术作品的物质性和感性的接受和创作。
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引用次数: 0
Diacronías sobre la refutación de lo falso en la filosofía de Platón. Transmutación de los términos μὴ ἐόν, ἄλλος y ἕτερος 柏拉图哲学中驳斥虚假的历时性。术语μὴἐòν、ἄλλος和ἕτερος的嬗变
Pub Date : 2021-06-01 DOI: 10.46553/TAB.17.2021.P26-44
Jonathan Di Paola, Argentina.
revealing a maturing process in the treatment and response to this problem, with the persistence of certain principles and intuitions that they will find their maximum development in the stage of old age embodied in the Sophist .
揭示了对这个问题的处理和回应的成熟过程,坚持某些原则和直觉,他们将在诡辩家所体现的老年阶段找到最大的发展。
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引用次数: 0
Literatura, fenomenología y hospitalidad 文学、现象学和酒店
Pub Date : 2020-12-01 DOI: 10.46553/tab.16.2020.p11-24
Avenatti de Palumbo, Cecilia Inés
Based on the aporia of hospitality raised by J. Derrida as a radical way of reciprocity which creates de space to receive the foreigner as a guest, and the theological pppost-development carried out by Christoph Theobald who identifies the Nazaren’s open style of hospitality with his holiness, this article applies the notion of hospitality to the dialogue between literature and theology. Hospitality is an experience and as such, resistant to abstraction. Being corporeal and relational are two ordinary human dimensions shared by hospitality and literature. On the one hand, the poetic operation, both in its word gestation and its hermeneutic process, becomes enriched when regarded from a hospitality point of view, inasmuch as it opens the horizon to alterity. On the other hand, hospitality as a theological style finds in the language of literature singularity, a space to generate a creative and significant writing for the present culture.
本文从德里达提出的“款待的aporia”作为一种激进的互惠方式,为接待外国人创造了空间,以及Christoph Theobald将拿撒伦人的开放款待方式与他的神圣性等同起来的神学pp后现代发展为基础,将款待的概念应用于文学与神学的对话。待客之道是一种体验,因此是不抽象的。肉体和关系是酒店和文学共有的两个普通的人性维度。一方面,从好客的角度来看,诗歌的操作,无论是在它的词汇孕育和它的解释学过程中,都变得丰富,因为它打开了替代的视野。另一方面,好客作为一种神学风格,在文学语言的独特性中找到了一个空间,可以为当前文化产生创造性和重要的写作。
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引用次数: 0
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Tabano
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