Pub Date : 2019-05-02DOI: 10.18524/2312-6809.2019.28.165846
Наталия Абабина
{"title":"THE CREATIVE QUEST IN THE RUSSIAN AND ENGLISH PROSE FICTION AT THE TURN OF ХIХ–ХХ CENTURIES (A. KUPRIN AND T. HARDY)","authors":"Наталия Абабина","doi":"10.18524/2312-6809.2019.28.165846","DOIUrl":"https://doi.org/10.18524/2312-6809.2019.28.165846","url":null,"abstract":"","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42421061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-02DOI: 10.18524/2312-6809.2019.28.165835
Ірина Терехова
{"title":"FEATURES OF GENRE TRADITIONS OF PROSE OF MIKOLA KOSTOMAROV","authors":"Ірина Терехова","doi":"10.18524/2312-6809.2019.28.165835","DOIUrl":"https://doi.org/10.18524/2312-6809.2019.28.165835","url":null,"abstract":"","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45626912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-02DOI: 10.18524/2312-6809.2019.28.165850
Марина Штолько
{"title":"FUNERAL GENRES IN THE WORK OF THE SIXTIERS (I. ZHYLENKO, N. VINGRANOVSKY, V. SIMONENKO ETC.)","authors":"Марина Штолько","doi":"10.18524/2312-6809.2019.28.165850","DOIUrl":"https://doi.org/10.18524/2312-6809.2019.28.165850","url":null,"abstract":"","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46857443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-02DOI: 10.18524/2312-6809.2019.28.165833
Ольга Пуніна
The article is devoted to the consideration of the author’s concepts of the writer’s psychological organization (psychography). In the literary critique of the twentieth century, psychography as a method of differential psychology is established, which was proposed by the German scientist William Stern. Psychography involves the systematization of individual characteristics on a psychological basis, taking into account the uniqueness of the inner world of man and his biography. Based on the psychological understanding of individuality as a set of properties of different levels, psychology as a «description of the soul» involves the analysis of mental properties, and literary study of the psychological character of the writer is primarily directed to literary and domestic material. Understanding the personality of the writer as an organic unity of his psychological characteristics and literature as a product of his creative activity, the approach to its careful scientific examination falls within the framework of literary-psychological psychographic analysis. The basis for the analysis of this type should take psychological theory. The concepts of the writer’s psychography, proposed in his time in the psychoanalytic studies of Stepan Baley, Sigmund Freud, the characterological works of Alexander Lazursky, the psychopathological works of Karl Jaspers and Ernst Kretschmer, are consonant with the predestination of the psychological structure of the writer and his literary works — this is about the impact on the content of the artistic works, author’s style, creative potency and the creative process in general. In professional psychological works, the structuring of the writer’s inner world is one of the components of the problem of the psychology of the artist’s creativity, which is solved depending on the general guidelines of the representatives of the direction in which it is stated: classical psychoanalysis of the Freudian model, differential psychology, psychopathology. Such a professional reading of the personality of the writer by psychologists becomes a reliable methodological basis for conducting in the field of literary studies further scientific interpretation of the psychological and creative essence of the author.
{"title":"CREATIVE PERSONALITY OF THE WRITER: PROJECTION ON PSYCHOGRAPHY","authors":"Ольга Пуніна","doi":"10.18524/2312-6809.2019.28.165833","DOIUrl":"https://doi.org/10.18524/2312-6809.2019.28.165833","url":null,"abstract":"The article is devoted to the consideration of the author’s concepts of the writer’s psychological organization (psychography). In the literary critique of the twentieth century, psychography as a method of differential psychology is established, which was proposed by the German scientist William Stern. Psychography involves the systematization of individual characteristics on a psychological basis, taking into account the uniqueness of the inner world of man and his biography. Based on the psychological understanding of individuality as a set of properties of different levels, psychology as a «description of the soul» involves the analysis of mental properties, and literary study of the psychological character of the writer is primarily directed to literary and domestic material. Understanding the personality of the writer as an organic unity of his psychological characteristics and literature as a product of his creative activity, the approach to its careful scientific examination falls within the framework of literary-psychological psychographic analysis. The basis for the analysis of this type should take psychological theory. The concepts of the writer’s psychography, proposed in his time in the psychoanalytic studies of Stepan Baley, Sigmund Freud, the characterological works of Alexander Lazursky, the psychopathological works of Karl Jaspers and Ernst Kretschmer, are consonant with the predestination of the psychological structure of the writer and his literary works — this is about the impact on the content of the artistic works, author’s style, creative potency and the creative process in general. In professional psychological works, the structuring of the writer’s inner world is one of the components of the problem of the psychology of the artist’s creativity, which is solved depending on the general guidelines of the representatives of the direction in which it is stated: classical psychoanalysis of the Freudian model, differential psychology, psychopathology. Such a professional reading of the personality of the writer by psychologists becomes a reliable methodological basis for conducting in the field of literary studies further scientific interpretation of the psychological and creative essence of the author.","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68269558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-02DOI: 10.18524/2312-6809.2019.28.165840
Алла Федосіївна Коваленко
{"title":"AVANT-GARDE EXPERIMENTS IN UKRAINIAN ESSAYING OF THE 1930-s (BASED ON THE EXAMPLE OF TRAVEL ESSAY BY D. BUZKO AND GEO SHKURUPII «BY OLD DNIPRO FOR THE LAST TIME»)","authors":"Алла Федосіївна Коваленко","doi":"10.18524/2312-6809.2019.28.165840","DOIUrl":"https://doi.org/10.18524/2312-6809.2019.28.165840","url":null,"abstract":"","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46209445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-02DOI: 10.18524/2312-6809.2019.28.165839
Андрій Гурдуз
{"title":"CRYSTALLIZATION OF KONCEPTS OF DARA KORNIY’S METAPROSE IN THE NOVEL «THE CONSTELLATION OF VIRGINS»","authors":"Андрій Гурдуз","doi":"10.18524/2312-6809.2019.28.165839","DOIUrl":"https://doi.org/10.18524/2312-6809.2019.28.165839","url":null,"abstract":"","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44269994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-02DOI: 10.18524/2312-6809.2019.28.165832
Ю. О. Помогайбо
The article suggests that the modern German literature at the turn of XX th and XXI st centuries should be viewed as the literature of transitional type. The object the present research focuses on is the literature genre system in 1990s — 2000s, in particular the «Wenderoman», the «Pop-Roman» and the «Generationenroman». The research pursues the aim to reveal, and to comment on, peculiar features found in literary genre transfor- mations of the latest decades. Several factors provided the basis for studying the newest German literature in the context of transition: 1) cardinal political, socio-economic and conceptual transformations brought about by the 1989–1990 Wende events; 2) the fluc-tuating character of modern literature; 3) vector diversity in artistic and aesthetic search- es, swift replacement of styles and the dialogue among different generations of writers. In the course of researching the following conclusions have been made. All genres manifest different attitudes to history. Both the «Wenderoman» and the «Generationenroman» ad-dress the past and give it new interpretation from a modern point of view, whereas the «Pop-Roman» demonstrates complete absence of interest in German history. An attempt to determine the genres makes it clear that in one case there prevail the criteria of the subject and problems content (the «Wenderoman» and the «Generationenroman»), and in the other, the criteria of formal stylistics («Pop-Roman»). Besides, one observes vagueness of genre definitions and a tendency to broaden interpretation of the notions. The Transition period genres demonstrate that they are explicit and open for interaction with other genres and forms of art. Some more features of the turn-of-the-centuries genres are that they are sensitive to demand, that they develop something like popular brands and are orientated at meeting readers’ expectations.
{"title":"GENRE TRANSFORMATIONS IN THE LITERATURE OF TURN AND TRANSITION PERIODS (GERMAN LITERATURE OF THE LATE XXTH — EARLY XXIST C-S.)","authors":"Ю. О. Помогайбо","doi":"10.18524/2312-6809.2019.28.165832","DOIUrl":"https://doi.org/10.18524/2312-6809.2019.28.165832","url":null,"abstract":"The article suggests that the modern German literature at the turn of XX th and XXI st centuries should be viewed as the literature of transitional type. The object the present research focuses on is the literature genre system in 1990s — 2000s, in particular the «Wenderoman», the «Pop-Roman» and the «Generationenroman». The research pursues the aim to reveal, and to comment on, peculiar features found in literary genre transfor- mations of the latest decades. Several factors provided the basis for studying the newest German literature in the context of transition: 1) cardinal political, socio-economic and conceptual transformations brought about by the 1989–1990 Wende events; 2) the fluc-tuating character of modern literature; 3) vector diversity in artistic and aesthetic search- es, swift replacement of styles and the dialogue among different generations of writers. In the course of researching the following conclusions have been made. All genres manifest different attitudes to history. Both the «Wenderoman» and the «Generationenroman» ad-dress the past and give it new interpretation from a modern point of view, whereas the «Pop-Roman» demonstrates complete absence of interest in German history. An attempt to determine the genres makes it clear that in one case there prevail the criteria of the subject and problems content (the «Wenderoman» and the «Generationenroman»), and in the other, the criteria of formal stylistics («Pop-Roman»). Besides, one observes vagueness of genre definitions and a tendency to broaden interpretation of the notions. The Transition period genres demonstrate that they are explicit and open for interaction with other genres and forms of art. Some more features of the turn-of-the-centuries genres are that they are sensitive to demand, that they develop something like popular brands and are orientated at meeting readers’ expectations.","PeriodicalId":34042,"journal":{"name":"Problemi suchasnogo literaturoznavstva","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42152235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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