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WORKS S . A . ESENINA IN TIME AND HISTORI CAL EPOCHAS: POEMA «SONG ABOU T A GREAT PATH» AND THE BREAK THROUGH «AGAIN DRINK HERE, GET AND CRY ...» 作品。A.时间和历史时代的埃塞尼娜:POEMA“歌曲ABOU T A GREAT PATH”和突破“再次在这里喝酒,得到和哭。。。»
Pub Date : 2018-11-05 DOI: 10.18524/2312-6809.2018.27.146416
Валерий Левченко, Г. С. Левченко, Майя Пиль
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引用次数: 0
THE IMPORTANCE OF UNIVERSALS IN THE FORMATION OF THE COGNITIVE GAP IN THE STORY BY A. N . TOLS TOY «PETER’S DAY » 普遍性在阿故事中认知差距形成过程中的重要性。托尔斯玩具《彼得的一天》
Pub Date : 2018-11-05 DOI: 10.18524/2312-6809.2018.27.146421
Валентина Мусий
The study tested the images of the elements (water, land and air) in connection with the solution of the problem of cognitive gap as the basis of the central conflict in the story. The purpose of the article is to designate the universal codes of the nation and Peter the Great. The benefits of such way of investigation are in enabling the transition from the historical, socio-political level of interpretation of this story to the cultural and ontological levels. Among the main literary scholarly strategies in the study are mythopoetic, imago-logical, and textological. As the attention was focused on mental structures that regulate the world outlook and world perception, the author also relied on the methodology of cognitive psychology. It is established that with the image of Peter are connected the elements of water and air (wind). With the Russian people, who does not accept the actions of Peter, considering him «alien», — such element as the earth. Rebuilding the land, Peter, as the people be-lieve, Peter violates the will of God, so he is the antichrist. Attention is drawn to the lack of unambiguous evaluation of Peter in the story. The elements of the air and the water, which are connected with him in the story, are the symbols of change, movement and life. As a result the tragedy of the conflict in the story is explained not by the contradiction of the elements, but by the inability of the parties to understand each other and find ways to consent, overcome the cognitive disjoin. The tragic character of the situation is especially obvious in the last episode of the story. It is the meeting of Peter and of Barlaam, who was tortured at the request of the tsar. Peter acknowledges that they are not able to negotiate, and Barlaam considers him as a martyr, as he himself. In 1918 the author could not imagine the ways to bridge such gap.
该研究测试了与解决认知差距问题有关的元素(水、土地和空气)的图像,这是故事中核心冲突的基础。这篇文章的目的是指定国家和彼得大帝的普遍法典。这种调查方式的好处是能够从对这个故事的历史、社会政治层面的解释过渡到文化和本体层面。在这项研究中,主要的文学学术策略包括神话学、意象学和文本学。由于注意力集中在调节世界观和世界感知的心理结构上,作者也依赖于认知心理学的方法论。可以肯定的是,彼得的形象将水和空气(风)的元素联系在一起。与俄罗斯人民,谁不接受彼得的行动,认为他是“外星人”,这样的元素如地球。重建土地,彼得,正如人民所相信的,彼得违背了上帝的意愿,所以他是反基督的。人们注意到故事中对彼得缺乏明确的评价。空气和水的元素在故事中与他联系在一起,是变化、运动和生命的象征。因此,故事中冲突的悲剧不是由元素的矛盾来解释的,而是由双方无法理解彼此,无法找到同意的方法,无法克服认知上的脱节。这种情况的悲剧性在故事的最后一集中表现得尤为明显。这是Peter和Barlaam的会面,Barlaam在沙皇的要求下遭受了酷刑。彼得承认他们无法谈判,巴勒姆认为他和他自己一样是烈士。1918年,作者无法想象如何弥合这种差距。
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引用次数: 0
FANTASY ELEMENTS IN THE POSTMODERN NOVEL «TILO TM» BY V. GRANETSKA 后现代小说《tilo tm》中的幻想元素
Pub Date : 2018-11-05 DOI: 10.18524/2312-6809.2018.27.146415
Юлія Жук
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引用次数: 0
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Problemi suchasnogo literaturoznavstva
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