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Visual multipoles for quantifying raggedness and sharpness of images 用于量化图像粗糙度和清晰度的视觉多极
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.tha5
S. Klein, T. Carney
At the recent SPIE meeting on Human Vision, Visual Processing and Digital Display (1989) it was clear that many display engineers are interested in the properties of the human visual system. Knowledge about human performance is being used both for improving a metric to measure image quality and also to improve data compression algorithms. It was apparent from that meeting that the languages used by the display engineers and the vision researchers have not fully meshed. The present meeting on applied vision provides an excellent forum for further discussion and cross-fertilization between the groups and the present paper is offered in that spirit. This paper is an outgrowth of our psychophysical experiments on the detection of blur and the detection of misalignment as a function of contrast. In the Discussion we will describe the relevance of this research for perceived image quality and for compression algorithms.
在最近的SPIE人类视觉、视觉处理和数字显示会议(1989)上,很明显,许多显示工程师对人类视觉系统的特性很感兴趣。关于人类表现的知识被用于改进测量图像质量的度量,也用于改进数据压缩算法。从那次会议上可以明显看出,显示工程师和视觉研究人员使用的语言还没有完全融合。本次关于应用视觉的会议为各小组之间的进一步讨论和交流提供了一个极好的论坛,本文件就是本着这种精神提出的。这篇论文是我们对模糊检测和不对齐检测作为对比度函数的心理物理实验的产物。在讨论中,我们将描述本研究与感知图像质量和压缩算法的相关性。
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引用次数: 0
40 Years of Image Technology and Vision Research A Personal Memoir 图像技术与视觉研究40年——个人回忆录
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.wa1
D. H. Kelly
From student days to the present, the author reviews his adventures in designing optics, camouflaging airplanes, simulating the atmosphere, bypassing military procedures, going Hollywood, inventing photographic processes, making interference filters, decoding aerial photographs, building visual stimulators, and finally becoming a visual scientist. The narrative includes episodes from the University of Rochester, USC and UCLA, the wartime Navy in Washington, Mitchell Camera and Technicolor Corporations in Hollywood, Itek Corporation in Lexington and Palo Alto, and SRI International. No scientific material will be presented.
从学生时代到现在,作者回顾了他在设计光学、伪装飞机、模拟大气、绕过军事程序、去好莱坞、发明摄影工艺、制造干涉滤光片、解码航空照片、建造视觉刺激器以及最终成为视觉科学家方面的冒险经历。故事情节包括罗切斯特大学、南加州大学和加州大学洛杉矶分校、华盛顿的战时海军、好莱坞的米切尔相机和彩色公司、列克星敦和帕洛阿尔托的Itek公司以及SRI国际公司。不提供任何科学材料。
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引用次数: 0
Current Status of the Development of HDTV 高清电视的发展现状
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.thc3
T. Nishizawa
NHK has been engaged in the development of HDTV for more than 20 years. Various kinds of equipment necessary for broadcast service have been developed and their characteristics have been improved year by year.
NHK从事高清电视的开发已有20多年。广播业务所需的各种设备不断发展,其性能也逐年提高。
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引用次数: 0
Empirical Studies of Color Matrix Display Image Quality 彩色矩阵显示图像质量的实证研究
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.fa6
L. Silverstein, F. E. Gomer, Y. Yeh, J. Krantz
Color matrix display (CMD) technology has evolved to the point of viability for many information display applications. The matrix-addressed color liquid crystal display (LCD) currently appears to be the most suitable CMD technology for producing full-color images. Relative to color displays based on the shadow-mask cathode ray tube (CRT), the benchmark technology against which all other color display technologies must be evaluated, CMD panels offer potential improvements in design flexibility from the standpoint of relatively low power requirements, smaller volume, increased reliability, and better image visibility under high-ambient lighting conditions. These attributes make the CMD particularly attractive for vehicular and field-based display applications.
彩色矩阵显示(CMD)技术已经发展到许多信息显示应用的可行性点。目前,矩阵寻址彩色液晶显示器(LCD)似乎是产生全彩图像的最合适的CMD技术。与基于遮罩阴极射线管(CRT)的彩色显示器相比(CRT是所有其他彩色显示技术必须评估的基准技术),CMD面板在设计灵活性方面提供了潜在的改进,从相对较低的功耗要求、更小的体积、更高的可靠性和在高环境照明条件下更好的图像可见性的角度来看。这些属性使CMD对车载和基于现场的显示应用程序特别有吸引力。
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引用次数: 0
Light Source Size and the Stimulus to Vision 光源大小与视觉刺激
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.fb4
J. A. Worthey
Non-luminous objects present a stimulus to vision that depends on their optical interaction with the sources that illuminate them. "Sources" in this context means all other objects, as may be seen if the main object of interest is a plane mirror, or a mirrored sphere, for example. Such examples show that contrast in an object can depend on contrasts elsewhere in the environment. An important and highly variable feature of the optical environment is the size of the primary light source. This paper will look at light source sizes and their effect on the appearance of shiny objects. (Obviously, source size affects the appearance of matte objects also.) Table 1 shows that familiar lights vary in the bright solid angle that they present by a factor of 105 or 106.
不发光的物体呈现出一种视觉刺激,这取决于它们与照亮它们的光源的光学相互作用。这里的“源”指的是所有其他物体,例如,如果主要感兴趣的物体是一面平面镜或镜像球体,就可以看到这一点。这些例子表明,一个物体的对比可以依赖于环境中其他地方的对比。光学环境的一个重要和高度可变的特征是主光源的大小。本文将探讨光源尺寸及其对发光物体外观的影响。(显然,光源大小也会影响哑光物体的外观。)表1显示了熟悉的光在明亮的立体角上的变化,它们呈现出105或106的因数。
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引用次数: 0
Chromatic Subsampling for Display of Color Images 彩色图像显示的彩色子采样
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.fa7
C. Sigel, RuthAnn Abruzzi, J. Munson
The amount of information required to store color images is immense. For a typical 1024×1024 pixel color image, 8 bits each of R, G, and B data are usually stored (to avoid luminance or chromatic contouring artifacts), which adds up to 3 Mbytes per picture. This large size is problematic in several ways: framebuffer memory is still expensive; large framebuffers are technically more difficult to engineer (more boards, more heat); disk storage capabilities become swamped; the time required to transmit a picture from disk to terminal, or between network sites, is unacceptable.
存储彩色图像所需的信息量是巨大的。对于一个典型的1024×1024像素彩色图像,通常存储R、G和B数据各8位(以避免亮度或彩色轮廓伪影),每个图像加起来为3 mb。这么大的大小在几个方面存在问题:framebuffer内存仍然很昂贵;大型帧缓冲区在技术上更难以设计(更多的板,更多的热量);磁盘存储能力被淹没;将图片从磁盘传输到终端或在网络站点之间传输所需的时间是不可接受的。
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引用次数: 0
Is Fractal Image Compression Related to Cortical Image Compression? 分形图像压缩与皮质图像压缩有关吗?
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.wb4
Michael D Mcguire
Fractals are customarily introduced with simple line replacement rules, for example the well known Koch curve. At each state of iteration single lines are replaced by combinations of lines according to a rule. Remarkable complexity can be built up this way as shown by five stages of this line replacement bush fractal1.
分形通常是用简单的线替换规则引入的,例如众所周知的科赫曲线。在迭代的每个状态下,单行按照规则被行组合替换。通过这种方式可以建立显著的复杂性,如图所示,这条线替换灌木分形的五个阶段1。
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引用次数: 0
Reading and Contrast Adaptation 阅读与对比适应
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.thb4
D. Pelli
Lunn and Banks (1986), studying the reasons for “visual fatigue” among users of video text displays, found that reading from a video display caused a tenfold elevation of the contrast threshold for a sinusoidal grating with the same spatial frequency as the lines of text. They suggested that this may contribute to “visual fatigue,” possibly by affecting accommodation, but they did not explain why printed text would not have the same effect.
Lunn和Banks(1986)研究了视频文本显示用户“视觉疲劳”的原因,发现从视频显示中读取会导致与文本行具有相同空间频率的正弦光栅的对比度阈值提高十倍。他们认为,这可能会导致“视觉疲劳”,可能是由于影响了调节,但他们没有解释为什么印刷文本没有同样的效果。
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引用次数: 3
On the Application of Spatio-Temporal Contrast-Sensitivity Functions to HDTV 时空对比灵敏度函数在高清电视中的应用研究
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.thc4
R. Schäfer, P. Kauff, U. Gölz
Spatio-temporal contrast-sensivity functions have been measured by many psycho-pysicists /1,2/ and the published data have been used by TV engineers for various applications. The most attractive property of these functions is the apparent exchangebility between spatial and temporal resolution, which is utilized by many signal compression schemes (e.g. MUSE and HD-MAC). But it is mostly overlooked that this mechanism is only effective under certain viewing conditions and that there is no reduction in the ability to resolve spatial detail, if the eye can follow the movement. The only mechanism which can really be exploited in this situation is motion blur, which is generated by integration and lag of the camera target /3/. Nevertheless we investigated three different topics related to the spatio-temporal behaviour of human vision which will be discussed in the following.
许多心理物理学家已经测量了时空对比敏感度函数,并且发表的数据已被电视工程师用于各种应用。这些函数最吸引人的特性是空间和时间分辨率之间明显的可交换性,这被许多信号压缩方案(例如MUSE和HD-MAC)所利用。但是,这种机制只在特定的观看条件下有效,并且如果眼睛能够跟随运动,则不会降低解析空间细节的能力,这一点大多被忽视了。在这种情况下唯一可以利用的机制是运动模糊,这是由相机目标的整合和滞后产生的。尽管如此,我们研究了与人类视觉时空行为相关的三个不同主题,这些主题将在下面讨论。
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引用次数: 4
Effects of character size and chromatic contrast on reading performance 字体大小和颜色对比对阅读性能的影响
Pub Date : 1900-01-01 DOI: 10.1364/av.1989.thb3
K. Knoblauch, A. Arditi
Recent work on the psychophysics of reading has concentrated primarily on achromatic (or luminance) contrast factors (Legge et al, 1985, 1986, 1987). In general, reading is fastest with text of high contrast defined by luminance contours. In the real world, however, chromatic as well as luminance edges abound. While several studies have examined the interaction of chromatic and luminance contrasts on stimuli near threshold (e.g., Mullen, 1987; Knoblauch et al, 1984; Jameson, 1985; Switkes et al, 1988), only a few have investigated suprathreshold levels. Legge et al, (1986) demonstrated that for observers with normal vision, the luminance contrast and not the color of text on a dark background determines reading rate. This finding is consistent with threshold studies that show that the color of a grating does not affect luminance contrast sensitivity either (Nelson and Halberg, 1979), provided that one avoids frequencies near the diffraction limit (Pokorny et al, 1968; Van Nes and Bouman, 1967).
最近关于阅读心理物理学的研究主要集中在消色差(或亮度)对比因素上(Legge et al ., 1985, 1986, 1987)。一般来说,阅读由亮度轮廓定义的高对比度文本是最快的。然而,在现实世界中,色度边缘和亮度边缘比比皆是。虽然有几项研究已经检查了阈值附近刺激的色度和亮度对比的相互作用(例如,Mullen, 1987;Knoblauch et al, 1984;詹姆逊,1985;Switkes等人,1988),只有少数人研究过超阈值水平。Legge et al .(1986)证明,对于视力正常的观察者来说,决定阅读速率的是暗背景下文本的亮度对比,而不是颜色。这一发现与阈值研究一致,该研究表明,光栅的颜色也不影响亮度对比灵敏度(Nelson和Halberg, 1979),只要避免接近衍射极限的频率(Pokorny等人,1968;Van Nes and Bouman, 1967)。
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引用次数: 2
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