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Joachim Zdrenka, Złotów 1370 – 2020. 650-lecie miasta, Wydawnictwo Adam Marszałek, Toruń 2020, s. 574 Joachim Zdrenka,Złotów 1370-2020。城市的650年,Adam Marszałek出版社,Toruń2020,第574页
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-19
B. Śliwiński
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引用次数: 0
Contacts of the Germans, Kashubians, and Krajniaks from Koszalin Voivodship with Federal Republic of Germany in 1958–1975 1958-1975年科扎林省的德国人、卡舒比亚人和克拉伊尼亚克人与德意志联邦共和国的接触
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-10
Zenon Romanow
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引用次数: 0
Activity of admiral Michiel de Ruyter in the Second Northern War: Conquest of Nyborg 海军上将米歇尔·德·吕特尔在第二次北方战争中的活动:征服尼堡
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-05
Anna Pastorek
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引用次数: 0
Who burnt Słupsk in March 1945? A case of a Pomeranian town captured by Red Army 1945年3月谁烧了Słupsk ?一个波美拉尼亚小镇被红军占领的案例
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-06
W. Skóra
Undefended by the Germans, Słupsk suffered heavy losses during the World War II, which changed forever the town’s building s. The inhabitants, both the former and the present, the Germans and the Poles, have for decades asked who is to blame as there was no fighting? According to the history of Słupsk edited by Stanisław Gierszewski – until this day the basic synthesis of the town’s history – 25–30 per cent of Słupsk was destroyed in March 1945 as a result of Red Army fights with the German s. These fights were described. During the Polish People’s Republic period a whispered word of mouth history existed in the background of these false statement s. According to this construc tion, it were the Red Army soldiers who set the undefended Słupsk on fire several hours after capturing the town. Such conclusion was drawn from the memories of the Germans, the Polish pioneer settlers in Słupsk, and from the West German historiography. After the collapse of communism, the word of mouth version, more and more precisely described and justified, was commonly accepted. It was accepted with bitterness, as Słupsk, re garded one of more beautiful Pomeranian towns, “could survive”, because its devasta tion was not a consequence of military action. It was ascribed to the „barbarism” of the Soviets. This belief can be revised under the influence of the memories of the Germans, published in the 1950s in a journal of the “expellees” from Słupsk, „Stolper Heimatblatt”. Issue 6 contains a letter from Margaret Dähling who eye-witnessed the described event s. She was in the city centre when it went up in flame s. Her report is surprising, it contra dicts the commonly accepted belief s. The course of events immediately after entrance of the Soviet troops could have been more complex, and the perpetrators could have differ ent motivation than it is assumed.
由于没有德国人的防御,Słupsk在第二次世界大战期间遭受了重大损失,这永远改变了该镇的建筑。居民,无论是以前的还是现在的,德国人和波兰人,几十年来一直在问,既然没有战争,谁应该受到指责?根据Stanisław Gierszewski编辑的Słupsk历史- - -直到今天仍是该镇历史的基本综合- - - 1945年3月,由于红军与德国人的战斗,Słupsk的25% - 30%被摧毁。这些战斗都有描述。在波兰人民共和国时期,在这些虚假陈述的背景下存在着一段口口相传的历史。根据这种说法,是红军士兵在占领该镇几个小时后放火焚烧了不加防御的Słupsk。这是德国人、Słupsk的波兰拓荒者的记忆和西德史学的结论。共产主义垮台后,口口相传的版本被越来越精确地描述和证明,被普遍接受。它被苦涩地接受了,因为Słupsk认为它是一个美丽的波美拉尼亚城镇,“可以生存”,因为它的破坏不是军事行动的结果。它被归咎于苏联人的“野蛮”。这种信念可以在德国人的记忆的影响下得到修正,这些记忆于20世纪50年代发表在Słupsk的一本名为“Stolper Heimatblatt”的“被驱逐者”杂志上。第6期包含一封玛格丽特Dähling的信,她亲眼目睹了所描述的事件。当它在火焰中燃烧时,她在市中心。她的报告令人惊讶,它与普遍接受的信念相矛盾。苏联军队进入后立即发生的事件过程可能更复杂,肇事者可能有不同的动机。
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引用次数: 0
W poszukiwaniu dobrego sąsiedztwa 35 lat koordynowania w IFG i ILiNM inter-i transkulurowych projektów wymiany nad Odrą – szczeciński model germanistyki kulturowego pogranicza 为寻求睦邻友好关系,IFG和ILiNM在奥德-什切青文化边界日耳曼主义模式的跨文化和跨文化交流项目中进行了35年的协调
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-18
K. Krasoń
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引用次数: 0
Travel reports from late 16th century and 17th century as first descriptions of architecture and art of Szczecin 16世纪末和17世纪的旅行报告是对什切青建筑和艺术的最早描述
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-03
A. Kamieński
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引用次数: 0
Eckhard Jäger, Robert Geissler (1819-1893). Ein Zeichner von 2000 Veduten. Biographie und Ouvrekatalog, Verlag Rockstuhl, Bad Lagensalza 2021, s. 192, 74 ilustr. 埃克哈德·耶格尔,罗伯特·盖斯勒(1819-1893)。2000年韦登的绘图员。传记和Ouvrecalat,Verlag Rockstuhl,Bad Lagensalza 2021,第192页,插图74。
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-20
Radosław Skrycki
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引用次数: 0
Socio-occupational reintegration from the perspective of social economy entities in the West Pomeranian Voivodship 从西波美拉尼亚省社会经济实体的角度看社会职业重新融合
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-14
M. Łojko
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引用次数: 0
A wise woman from the Kołobrzeg parish church: From painting composition to graphic dispersion of parenetic image formula 一位来自Kołobrzeg教区教堂的智慧女子:从绘画构图到图形分散的家长形象公式
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-01
Marcin Bogusz
The article is devoted to the painting stored in the Kołobrzeg collegiate church, represent ing A wise woman , and to the reception of the iconographic type it belongs to. The com position is untypical, full of symbols and non-obvious signs, explained in the inscriptions placed on both sides of the representation. Moreover, in the 18 th century an information was placed on the panel about its founder, the year it came to the church, and its renova -tion. The painting belongs to quite popular in the late Middle Ages group of parenetic representations, which were intended to demonstrate models of proper attitude s. These models, due to the invention and dissemination of graphic techniques, could find their way to more and more numerous recipient s. Similar holds true for the composition which is found in Kołobrzeg: in the first half of the 16 th century, images of wise woman were printed in Cologne, Amsterdam, and in an unidentified workshop in the German Reich. Over the course of time the formula was e nr iched with an image of a wise man. Al though in the oldest realizations the picture was accompanied with a commentary, the later copies contain the picture alone which seems to prove considerable popularity of the composition.
这篇文章专门讨论了存放在Kołobrzeg大学教堂的这幅画,它代表了一个聪明的女人,以及它所属的肖像类型的接受。com的位置是非典型的,充满了符号和不明显的符号,在放置在代表两侧的铭文中解释。此外,在18世纪,在面板上放置了关于其创始人的信息,它来到教堂的年份,以及它的翻新。这幅画属于中世纪晚期非常流行的父母表现形式,旨在展示正确态度的模型。这些模型,由于图形技术的发明和传播,可以找到越来越多的接受者。类似的情况也适用于Kołobrzeg:在16世纪上半叶,在科隆、阿姆斯特丹和德意志帝国的一个未具名的车间里印刷了智慧女人的形象。随着时间的推移,这个公式逐渐丰富了一个智者的形象。尽管在最古老的版本中,这幅画附有评论,但后来的版本只包含了这幅画,这似乎证明了这幅画相当受欢迎。
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引用次数: 0
How German Marienkirche became Polish Cathedral of the Assumption of Blessed Virgin Mary 德国圣母教堂是如何成为波兰圣母升天大教堂的
Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.18276/pz.2021.36-07
Dariusz A. Rymar
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引用次数: 0
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Przeglad Zachodniopomorski
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